Thank you and keep writing and reading!

 

It's been a blessing being involved in the SFF 7 Authors blog in my role as the lead for the FaRoFeb contributors. We have had wonderful contributors from the FaRoFeb authors group in the past few years. Many thanks to Jeffe Kennedy for giving us this opportunity and to the rest of the SFF 7 Authors for the warm welcome and support. 

I'm very grateful to the FaRoFeb authors who contributed to the weekly topics. I have enjoyed getting to know all of you through this project! You are a fantastic group with buckets of talent and so much to give.

Keep up with FaRoFeb on our socials:

• Email Newsletter: https://farofeb.com/newsletter/
• Facebook Group: https://www.facebook.com/groups/429207234870645
• Instagram: https://www.instagram.com/farofeb/
• TikTok: https://www.tiktok.com/@farofeb

Thank you!

Mimi

All Good Things

 All good things must come to an end. For us, this is the end of the road for this blog. The decision wasn't easy. The fact is that blogging isn't super interactive. Getting to engage with readers draws us to other social media platforms with better opportunities for chatting. We value every single reader. We've had the great honor of getting to blog with and meet so many awesome authors. We've gained friendships on this blog. We've lost one along the way, too, to a relentless and mercilessly unfair disease. Our greatest hope is that somewhere along the way you found value in something we wrote. Or were touched by something any of us wrote. While this will be the final post from any of us, we are all still around and would love to hear from you going forward.

My socials:

Twitter (X) : @marcellaburnard
Facebook: https://www.facebook.com/marcellaburnardauthor/
Instagram: marcellaburnardauthor
Tik Tok: Marcella Burnard (@marcellaburnardauthor) | TikTok

Don't get excited about the Tik Tok. I have exactly zero videos out there. So far. Can't promise it will change, but feel free to friend me out there and send me cat videos. You know that's why I'm out there.

Hey. It's been great having you here. Don't be a stranger. Last one out, switch off the light.

The End

 

I don't think of the SFF Seven blog without thinking of alumnus James A. Moore. He had wise words to share along with his personal writing journey. And that was the purpose of the Word Whores, now known as the SFF Seven blog, to reach a hand back to those coming behind you. 

Writing is a hard and lonely business and there's no training. You have to go out and find it yourself. We're hanging up the blogging hat, but there's still lots of writing info to be had (you can find us on other socials). Times have changed. AI is coming. And we'll all still be here in the vague sense of 'here online'. But what it really boils down to is: 

• You should be writing.
• Get your butt in the chair.

It's been an honor to blog with everyone who has been part of SFF Seven. My TBR grew.  I learned a lot. And I hope I gave back even more. Happy Writing!

It's Time for THE END

Back in 2011, seven authors--published and aspiring to be--set up a blog to share our experiences as we navigated the industry, honed our craft, and traipsed the line between sanity and fantasy. Back then, we were known as The Word Whores (click here to read our archives). Lo, after being caught in a few too many NSFW filters and occasionally relegated to the adults-only search results, we changed our name to The SFF Seven Authors (here we are). 

For thirteen years, we've had the privilege of sharing the blog with amazing peers who brought perspectives from the horror, sci-fi, thriller, fantasy, romance, and women's fiction genres. We've shared our adventures during the ebook boom, audiobook advent, and the ever-sluggish traditions of print publishing. We've introduced our pets and our pet peeves. Confessed our manuscripts that will never see the light as well as those we aspire to write. We've given tips to break through writer's block, along with guidance on penning scenes involving a big c*ck. {cough}

We've enjoyed sharing our experiences with you, our dear readers. Thank you for taking the journey with us. 

Alas, alas, it's time for us to write The End. 

You can find me at the following:

• Facebook: https://www.facebook.com/authorkakrantz/ 
• X (née Twitter): https://x.com/KAKrantz
• Website: KAKrantz.com 

Please, don't be strangers. I look forward to keeping in touch on the socials.

--KAK

Goodbye and See Me Around!

Well, folks... We here at the SFF Seven have kept this blog rolling for a considerable amount of time, but it's time to let this full moon set. It's been lovely and I will miss everyone here. But the world turns and times change. I'm still on social media, just not this one.

Places to find me:

https://www.jeffekennedy.com/home

https://blog.jeffekennedy.com/ 

https://www.bookbub.com/authors/jeffe-kennedy

https://www.instagram.com/jeffekennedy2016/

https://www.youtube.com/channel/UC4kcYGJQdS_4Hn_oO11uVEg

https://www.patreon.com/JeffesCloset

 

I Wish I May, I Wish I Might

I Wish to Scare You Tonight

I'm looking for the chill that walks your spine. I wish to write the things that make you look over your shoulder or even lose just a little bit of sleep at night. Not gory. Not gross. Haunting. I'm looking for the edge of horror - no chainsaws allowed. I wish to make my writing walk the tightrope of stirring the hair at the back of your neck without falling off into the blood spatter and the wet, gristly shine of moonlight on exposed bone. 

I also don't want to fall off the tightrope into purple prose, and I'm afraid that's where I seem to find myself most often. I try to make something scary and it just ends up sounding silly. Or it's incomprehensible. Maybe the scariest thing is that I KEEP TRYING. 

 

Wanna Be Creepy

This Week's Topic: What Genre Have I Secretly Wished I Could Write?

Dun-nuh Dun-nuh Dun-nuh dun-na-na-na-nah!!! 🦈
Thrillers

waits for earworm to pass

That suspense.
That masterful control of anticipation.
That fear without gore.

chef's kiss

A good thriller keeps me flipping pages until dawn. I have to know what comes next. I admire thriller writers and envy the good ones who instill terror with words and make me jump when the dog stretches.

I wanna write like that. Those skills...(wistful sigh). Yes, please. I aspire to that level, to creep into that genre, and to leave chills down readers' spines (even after they've put down the book). 

muahahaha

Borrowing a Spark

I honestly say I haven't built out a character based on a celebrity. Entirely. That's because I'm using characters they've played, instead. Or I pick a look from over here and aspects of a personality from over there and munging them together to generate my characters. I might isolate an attribute and assign it to someone in one of my books, but to pick up a person wholesale, change a name and a hair color and call it good? No. Can't. I think it's mostly because I don't actually know these people - the celebrities, I mean. I only know what I get to see and that's the characters they play. I'm aware that those characters come from the actors, themselves, but - eh. Welcome to me overthinking. Maybe it's the acting degree. But. If you want a list of the people I've taken as inspiration - that's a loooong list. A long list. It's a list populated by a sordid history of aesthetic crushes. 

Lupita Nyong'o, Tom Hiddleston, Brendan Frasier, Taika Waititi, Vico Ortiz, I mean. I could go on forever with this. There is nothing I've seen, music I've heard, or places I've been that hasn't shown up in a story.

My favorite tea shop turned into a tattoo parlor for Nightmare Ink.

Anyone who works out how to force blogger to let me insert a two -column table into the page and put photos in it gets a cookie. I doubt it'll even let me do that with html at this point. ARG. Anyway. 

If you read any of my stories and you think you recognize a personality quirk in a character, you may well be right. But I'll deny it like mad and tell you it's entirely a product of my own imagination. Yet the truth is that when I admire someone's body of work or a specific look they cultivated for a role or a shoot, it's impossible for me to subsequently create something of my own that doesn't pay homage to whatever struck me in the first place. I guess I'm borrowing a spark from someone else's fire to see if I can't kindle a fire of my own.  

No Time for Tea

Last week’s topic was our fantasy dinner parties and who we’d invite. Yeah, I missed it. So my image for the week is my favorite tea cup to make up for it! 

This week we’re talking about real people we’ve based characters on. I think to some extent every character we write is a conglomeration of people we know or have met. How else would we write relatable characters? 

The only character I’ve truly based on someone is actually another character: John Hammond. From his cane to his white hat and clothes as he stepped onto the Jurassic Park screen, John Hammond. He fit the side character I wrote in The Mars Strain, Dr. Dresden. 

One of my author highlights was when a friend of mine was gushing about my audiobook and asked me if I’d pictured John Hammond from Jurassic Park when I wrote Dresden. I was so excited that she’d pictured him how I’d written him! Especially because I didn’t say who he looked like, I wrote Dresden’s looks into the story. And she picked up on it perfectly! 

As for basing a character on someone I know in real life…I can’t say I won’t ever do it, because that’s basically ensuring I will at some point, but it’s not an intentional goal of mine. I prefer my fictional creations to be bits and pieces of those I know and of myself. My goal is to write characters you can picture sitting next to at a restaurant or hanging out with around a campfire. And yes, using a real person template would do that, but when we read we want larger than life. So why not glue parts of multiple together to create a character that’s bigger than all of them? 

How about you? Have you based a character on someone you know? And the more important question, did they read it and recognize themselves?

Models Who Inspired Characters

 This Week's Topic: IRL Person on Whom I've Based a Character

Beyond models whose images helped me focus on the physical aspects, I don't think I consciously developed a character's personality based on someone I know or a celebrity. {chin scratch} Maybe a quirk here or a tic there, but no one individual comes to mind.

What's that? You want to see the models' reference photos? Oh, well, pfft, yeah! I have to thank whoever chose this topic because it's been a few years since I reviewed these photos and I've fallen in love with the characters they inspired all over again. 

From my Immortal Spy urban fantasy series:

Character = Bix; IRL Inspo = I wish I knew her name

Character = Tobek; IRL Inspo  = Lasse L. Matberg: 

Character = Phobos; IRL Inspo = David Gandy: 

A Secret Celeb I Based a Male Lead on

 This week at the SFF Seven, we're talking about real life people (or celebrities) we've based characters on. 

That phrasing makes me laugh a little because I'm pretty sure celebrities are still real life people. It puts me in mind of some of my ongoing themes of reminding readers that their favorite authors are still people who get sick and have life drama. But I digress.

I don't know if I've talked about this openly, but in UNDER HIS TOUCH, the second Falling Under book (and this series is contemporary erotic romance, not SFF, fair warning), I totally based the male protagonist on a celebrity. I wanted a Brit man, one who was brooding and not conventionally handsome, full of smoldering sexiness. Guess who I based him on?

Neil Gaiman.

Yeah, yeah - I know. Only a book nerd like me would pick someone like that. I don't think it's at all obvious in the text to the reader, but he was the guy I envisioned when I wrote it. I even threw in a little Amanda Palmer easter egg, just for fun. 

SFF Dinner Date

Just so we're clear, the only reason I'm having a dinner party for writers past and present is so I can fangirl. Also, I'm going to need a massive table because this is just scratching the surface of the invitations I'd ship out (in no particular order). 

Martha Wells, N. K. Jemisin, Alice (Andre) Norton, Ursula K. Le Guin, Anne McCaffery, Robin McKinley, Rebecca Roanhorse, and Nnedi Okorafor. 

Yeah, I know it's all female-presenting. Listen. I love me some SFF writers who are guys. I do. But I tell you what. I'm having a really great time right now reading stories that aren't written from within the confines of the white straight male experience (or just the white cishet experience in general). For that reason, if I started bringing the male-presenting folks to the dinner table, Dr. Chuck Tingle would be on the list. John Scalzi would be, as would Neil Gaiman, and boy howdy, wouldn't it be a hoot to have Sir Terry Prachett for the event? If I could suddenly learn adequate Mandarin, Liu Cixin would be there. 

Phew. At this point, I think I just opened my own restaurant and I'm not going to get to talk to any of these people, much less drink tea with them. Still. I'm so interested in the wealth of experiences and perspectives and the fun that could be had at these dinners. 

Living the Dream

I used this photo (Thanks to Craig Chrissinger for taking it!) a couple of weeks ago, but it's too appropriate for this week's topic to pass up using it again. Our topic at the SFF Seven is our fantasy dinner party. We're asking which SFF authors and characters you’d invite to a soiree. 

The thing is, one of the best perks of being an author is getting to make other authors be your friends. So my fantasy dinner parties have mostly happened! Case in point: above I'm having dinner with Martha Wells, Darynda Jones, and Kelly Robson. Yes, it was a great conversation. I feel so blessed and fortunate that I pretty much get to have my fantasy dinner parties on a regular basis now. 

Last week I got to have dinner with Amanda Bouchet, Maria V. Snyder, Jennifer Estep, H.R. Moore, and Maria Vale. On another evening, I sat between Juliette Cross and Chloe C. Peñaranda, later joined by Carissa Broadbent. 

The one person I have yet to meet in person - and hopefully have dinner with! - is Neil Gaiman. But I do have his cell phone number and have chatted with him on the phone, which gives me all kinds of happiness right there. Since it's a fantasy, Anne McCaffrey, Tanith Lee, and Vonda McIntyre could all come back from the dead and join us. 

My younger self would be thrilled. 

 

Self-Promo Allergy Cure

Oh lort. It's self-promo week. If anyone needs me, I'll be in my pillow fort with Perceval. Why, oh why does self-promo give me such a rash? I mean, yes, I'm mortified that I don't have a new book to promo. I hate that, and then, I think, there's a dose of self-loathing that dribbles into the mix, too, no matter how hard you try to tell yourself it's okay. You're making slow, steady progress. 

Spoiler alert: It never, ever feels okay.

So, I'll stare that icky feeling right in the face and say, hey! Can I interest you in a weird little tale that you'll either love or you'll hate? Damned If He Does is a light read about an incubus who gets tangled up with an asexual and her cat. Or is that the other way around? 

Dark Fantasy LARCOUT: On Sale for A Limited Time!

 This Week's Topic: Promote My Work!

This week, my dark fantasy LARCOUT is on sale for $0.99 in eBook format. The sale ends Monday, May 6th. If you haven't picked up my story of a rock-eating, parasite-wielding, fire-warrior trapped in a nation of corrupt magicians now's your chance!

LARCOUT
Fire Born, Blood Blessed: Book 1

Blood-beings can be chattel or char.

Fire seethes through the veins of every Morsam, demanding domination and destruction. Combat is a hobby. Slaughtering the inferior blood-beings is entertainment. Life is a repetitious cycle in the prison fashioned by the gods. But mix-race abomination Vadrigyn os Harlo suspects the key to freedom lies in safeguarding the blood-beings; until her blood-born mother uses foreign magic to turn the Morsam against her. Betrayed, bound, and broken, Vadrigyn struggles against the dying of her essential fire. Yet the ebbing flames unleash the dormant magic of her mixed heritage…

The magic to destroy free will.

Seized by the gods and dumped in the desert nation of Larcout to stop history from repeating, Vadrigyn discovers her mother’s legacy of treason and slaughter still festers. To survive the intrigues of the royal court, the roiling undercurrents of civil war, and the gods themselves, Vadrigyn must unravel the conspiracy behind her mother’s banishment. But manipulating free will unleashes a torrent of consequences.

If she fails the gods, she will return to the Morsam prison, stripped of all magic and all hope.

If she succeeds, she can rule a nation.

Kasthu. Roborgu. Inarchma.

Live. Learn. Burn.

BUY IT NOW: Amazon | Kobo | iBooks | Other Leading Retailers

Revision List

 I’m behind. Again. We’re talking about revision. I believe I’ve mentioned it before, but revision is my favorite part of writing. I think I’ve also mentioned that how I come at revision is in the word itself. Re-vision. Once a draft is done, the revision process is my opportunity (and obligation) to look at the story with new eyes.

As I finish a draft, I keep a revision list. Once I type The End, I pack the WIP up, and I put it away for at least two weeks. I, too, am an intuitive writer. I feel my way through a story. Most of the time, that works really well, and revision is a minor affair. Most stories simply need a little tidy up. Most of my revision job is working through my list, tightening, calling myself out on my own BS – repeated words, gestures, over describing or over staging. I ensure that character arcs are fully realized. I make sure the plot holds together and drives from one end of the story to the other. Most of the time, my revision process is mostly about pruning to expose the trunk of the plot to air and light.

Then there are stories that need more. I’m working on a manuscript right now. This story needed to sit for years. I love the story. My beta readers like the story, too, and remember it even after all the time it needed to sit. It had to sit because all of us agreed that the story was flawed. Jeffe kindly read the story for me to help me identify the issues and she couldn’t finish the book. That confirmed for me that I had a major structural problem that I couldn’t diagnose. So, I shelved that story. I needed time and space before I tried to understand the issues.

It paid off. At least, I think it did. When I came back to the story and read it again, my story sense went off, immediately. The main character had no arc. She wasn’t driving the latter half of her story. That’s a pretty major issue. It required a serious rewrite of the second half of the book. That’s still in progress as a wrestle with the climax of the story and layer in ALL THE THINGS. This is the part of the book I really want to get right so it’s taking a frustrating amount of time while I obsess over it. I hope it pays off.

The biggest issue for me is that every story needs something different from a revision standpoint. I mean, the initial prerequisite is a finished draft. After that, though, each story dictates how I approach ripping and tearing at the guts. Some surgeries are less involved than others. Some are great big Frankenstein’s monster stitch jobs. And even then, I prefer revision to drafting. I probably need to be medicated for that.

Revising

Typing The End on a first draft is a thrill like no other. I hope every time you reach that point you celebrate! I like to unwind with my husband and a glass of wine. 

And then it’s time for revisions.

I write beginning to end, no moving ahead three spaces for me. And as I write I keep a notebook to jot down any inconsistencies, anything I change character/scenery/or plot wise, and any layering ideas that I know I’ll need to go back in and add. 

I revise the same way: beginning to end as I work through my notebook’s notes. I cross out the notes I complete. Add in new ones for things to change as I go. And attempt to catch the grammar issues. 

The last stage of my revision process, funny enough it’s the same as Jeffe and KAK, I listen to my book. I prefer to have the computer read it to me, even though it’s very robotic because I use the free options. I have read it out loud myself, but I catch things better if it’s being read to me. If you’ve never tried this I highly recommend it. The first time I listened to a manuscript I was shocked at how strong the typos and word choice changes stood out. 

Then my book goes off to someone else. And the revision process starts over again. The trick is knowing when is when. 

I haven't written a double digit number of books yet. I hope that once I have I'll be able to give stats like Jeffe: x number of months for first draft then x number of weeks for revisions before poof = finished product. My manuscript spreadsheets have oodles of data I'll be able to play with over the coming years. 

If you're revising this coming weekend, happy editing! 

Read, Revise, Read Again

 This Week's Topic: My Revision Process

Though Jeffe and I have different methods of drafting, my revision process is pretty much the same as hers (which you can read here). 

Since beginnings are the hardest part of the book for me, I have a lot to clean up in the first arc after I've completed the first draft. That includes ensuring I have concise statements of initial GMC and evolving milestone GMC as the story progresses. I cut info dumps back to the minimum the reader needs to know to progress to the next scene. As Jeffe mentioned, there's also the matter of ensuring proper seeding and foreshadowing.

As part of the character development review, I focus on whether I have sufficiently conveyed what the character(s) is feeling since that's a consistent weakness my editor has called out over the course of eight books. I love writing action scenes but I tend to gloss over the emotional risk, cost, and consequences during drafting. Thus, during revisions I have to make sure I've answered those big Emo questions for each transformative scene. 

For the final readthrough, I have the computer read the book back to me instead of reading it aloud myself because my brain will autofill stuff that's not there and autocorrect words that need to be corrected on the page. It's the low-stress last step of edits/revisions for me. I kick back in my recliner, click "Read Aloud," and close my eyes...and then open them at the first wince. It's funny and a little tragic how many glitches still survive what I deemed the (almost) publishable version.

Pantsing Doesn't Mean Lots of Revising

 This week at the SFF Seven, we're talking about our revision process. 

I'm running behind, as I seem to eternally be doing these days, and posting this a day late, but I feel it's important to talk about my revision process to dispel a huge myth about intuitive writers. I feel strongly enough about making this case that I'm using the term "Pantsing," which I almost never use.

(As an aside, the reason I don't like that term is that it comes from "to fly by the seat of your pants," which implies a lack of control that I think comes from the pre-plotting end of the spectrum. Writing without outlining beforehand does not mean having no control of the story. It also doesn't mean that intuitive writers don't plot. All writers plot; otherwise there wouldn't be a story. The difference lies in whether we determine the plot before writing or during it.)

A consistent message I hear from those espousing pre-plotting is that writing a book without creating an outline first leads to many blind alleys, cutting huge chunks of prose, and spending even longer on revision. While this can be true of some writers - which is fine! Figure out what your process is and own it, I always say - this is not true of me.

Intuitive writers like myself have often internalized story structure. We know how to write the novel without resorting to external guideposts like an outline. I also think that I draft faster by writing intuitively, by submersing myself in the creative flow of the subconscious. It takes me typically 55-60 working days to draft a novel of 90-100K words. Then I spend about 14 working days revising. I typically cut 1-2K words in revision and add ~10K. 

Explaining everything I do in revision would take longer than I have in this blog post, but in essence, my process is this:

1. Write the story beginning to end, skipping nothing, never jumping ahead.
2. Revise from the beginning. This involves:
   1. layering in foreshadowing and other clues for stuff I figured out along the way and about the ending.
   2. smoothing character arcs
   3. removing extraneous information, red herrings, doorways to routes I didn't follow, tweaking word choices.
3. When done, I read out loud one more time to catch any consistency errors or clunky wording.

 

And that's all she (I) wrote!

To the Bitter End

Since I have yet to actually complete a series, my experience has been that a series ends because a publisher declines further stories in said series. As a reader, though, I've read my way through many a series that never really got old. Then there were the ones that I got part way into, poked my head up, looked around, and said, "Y'know, life's too short for this nonsense." and that was the end of that series. I suspect we all have benchmarks past which we're unwilling to read. Even if you're too young to have seen the shark jumping scene on TV - you KNOW what it means when someone says a series has jumped the shark. Book series can do the same thing - an author tries too hard to keep upping the anty in each subsequent book until they stomp across the reader's willing suspension of disbelief line. That, to me as a reader, is how I know a series has peaked. 

Now how to I learn something from it as a writer? I'd like to think I've learned that no series of mine should ever have an open-ended number of books. Never, never, never. To my eye, that way lies far too many dangers. Planning a series arc is the only sure way to keep from venturing into shark infested plot waters. Each of my series to date is a limited run with a specific beginning point and ending point. I'd like, someday, to get to finish a series. . . I swear one is within sight. 

I want to acknowledge, however, that just because I will DNF a series that exceeds my muttered 'oh come on' limit - it doesn't mean there aren't other readers out there in the world feasting on that entire series. It pays to remember that when a publisher tells you they won't keep publishing your series - if your story isn't done and, like me, you really want to complete the arc of the series, you don't have to listen to the voices that tell you to just let it go. You can write your complete series arc, tuck it away, and then, when your rights revert, presto. Series. It helps if you know you have readers who are waiting for the rest of the story, but you're also allowed to write it just for your own satisfaction. Who knows. Maybe it will be a case of if you write it readers will come. Either way. Not everything in life has to have a return on investment. 

Still. The only thing I know is that I really don't want to write a series that jumps the shark. But it may be necessary. Just so I know where that darned shark is lurking.