Pros and Cons of Genre Boundaries

I spotted an interesting comment in a review of THE PAGES OF THE MIND. The book came out last Tuesday and it's been doing amazingly well. The best of any of my books so far, in fact. Something I credit to my amazing readers who've really turned out to support this release week.

You all are amazing with posting reviews and talking up this book and series - thank you!

It's even more super cool that the companion novella in FOR CROWN AND KINGDOM, with darling friend Grace Draven, has cracked the Top 1000 on Amazon in the paid Kindle store. Love seeing those fabulous rankings! So does my mortgage company, so there's that, too. :-)

At any rate, a review of THE PAGES OF THE MIND posted just today said:

My goodness its been so long since I read a legit Fantasy Romance. The genre is so small, and its hard to find gems like this one. When I say Fantasy Romance I mean non Paranormal. Since the Twilight craze there are just too many Vampire/Werewolf type romances happening. This book is in a completely different world than our own with its own politics, religions, and lands.Top it all off add in some magic and romance and you've got me hooked.

I saw that just this morning as I was mulling this week's topic: How does working within or outside the genre spectrum benefit or limit? As faithful readers know - my books rarely fall within genre lines. In fact, when I wrote ROGUE'S PAWN, the first of my Covenant of Thorns trilogy, I had no idea it was Fantasy Romance. So, it's kind of amusing to me to have a reviewer call my book "legit Fantasy Romance."

This comes on the heels of a friend who asked me if I had any new Contemporary Fantasy Romance releases later this year for an interview. Which... I don't. My Fantasy Romances are all either "historical," as in they occur in less technological ages than ours, or they're alternate world. Really they're all alternate world, but I'll accept historical. Only that original Covenant of Thorns trilogy counts as Contemporary Fantasy Romance, because part (very small parts) of the storylines in books one and three take place in our contemporary world.

So, those are perfect illustrations right there of how working within a genre can both benefit and limit at the same time. Having my books fit exactly within the Fantasy Romance genre is fantastic and very helpful for conveying what these books are. However, genre boundaries can be so limiting - as much as I'd love to participate in my friend's article, that small addition of "contemporary" leaves my current books out of the running.

But, in the end, does it really matter? For me it's all about the story. I suspect that's true of most of you, too.

How to Write Through the Bad Times

Hi all!!

I'm back online after about ten days away and look what I returned to! The fantabulous Grace Draven shared the cover for her story in our duology FOR CROWN AND KINGDOM. Her story is THE UNDYING KING and, wow - I dunno about you guys, but I'd take him for my forever king anytime!

I like how her story cover works with mine, her hero and my heroine gazing out at the reader with an implicit call to adventure. Both individual covers will be included inside the digital versions, which should be very cool!

The duology technically releases on Tuesday, May 31, the same day as THE PAGES OF THE MIND. That said, I believe buy links will be going up very soon. In fact, it's up on Amazon now!

Our topic of the week is: Writers in the Storm - handling adversity, stress, and generally terrible shit while still producing.

There's a lot to say on this topic, but for me it comes down to this: writing is my job. It's my chosen profession for a lot of really good reasons, but none of them are because it would be easy.

I see two pieces to this question - one is the fundamental dilemma that every human being faces, which is how to go on with the business of living when our hearts are torn asunder. Because, the thing is, everyone has to handle adversity, stress and generally terrible shit while still putting food on the table and keeping the heat on. Some people don't manage to do this, which is why we have a homeless problem. Those are people who get so torn up that they can no longer handle the business of living - for whatever reason. Other people are wounded enough to require institutionalization, temporarily or permanently, in which case they have others to take care of things like protection from the elements and basic needs.

But, above that sometimes tenuously drawn line, we all have to find ways to weather the storms of life while still keeping ourselves and our loved ones alive.

The second piece - and the reason this comes up for artists in particular - is that our creative selves tend to be tied into our emotional lives. For all that I call writing a job, it IS really different than a more intellectual or physical job. I could do day job tasks of data crunching or editing government documents even while emotionally stressed. For me, physical labor is great for when I need to deal with the storms of life. But writing while my emotional life is shot to hell... well, it's harder.

That said, it can be done. Here's a few ways to do it.

1. Use that pain

Writers often joke that a part of us stands back during terrible events, taking notes and thinking, "I'm so going to use this." Use it as it happens. Even if it's as journaling or writing something that's not to deadline, it all goes into the big well. I have a file of fragments that I go back to from time to time, for exactly that sort of thing.

2. There's more to being an author than writing

We often complain that being a writer takes all kinds of hats, particularly in this era of self-publishing and author-originated promo. Some of those hats are the equivalent of manual labor or data crunching. Catch up those book sales numbers. Check out some review sites. Do a bit of wild daydreaming, write down those ideas and think about ways to get there. Sometimes planning positive action can be the best antidote to chaos.

3. Write anyway

Many writers cite that feeling of being in the zone as one of the most fulfilling aspects of being a writer - and most acknowledge that it doesn't always feel that way. Being a career writer means writing even when it doesn't feel good, particularly for novelists. Laying down words is the foundation upon which everything else rests. Write the words anyway - you can always fix them later, and FAR more easily than you can fill all those blank pages.

Anyone else have other advice on this?

Blogging - Is It Worth It?

Very excited to show the cover for my upcoming duology with Grace Draven, FOR CROWN AND KINGDOM. This contains my novella, THE CROWN OF THE QUEEN, and comes out the same day as THE PAGES OF THE MIND, May 31. The novella bridges the aftermath of THE TALON OF THE HAWK to the opening of THE PAGES OF THE MIND. Grace's story, THE UNDYING KING, is an awesome stand-alone.

This week's topic is "Why I Blog." I almost feel like it should be "Why I Blog Even Though Everyone and Their Cousin Sophia Says that Blogging Is Dead."

Because it seems like that's all I see and hear regarding blogging these days, and yet the seven of us here are doing it anyway. Five years now, for many of us!

Personally, I blog quite a bit - here, on other group blogs, and on my own site. Why do I do it?

It's easy for me.

That's the primary reason. I started out as a writer with short, personal essays and it's my fall back skill. I can write blog posts quickly, they seem to be reasonably engaging and a good venue for me to engage social-media-wise. I'm a big proponent of do the social media that works for you.

This works for me.

I'll be interested in everyone else's answers, too! (Which, I suppose, is another reason I do it - I enjoy the group interplay.)