Showing posts with label real life. Show all posts
Showing posts with label real life. Show all posts

Tuesday, May 11, 2021

Life Off the Rails: Standing Firm vs Being Flexible


 This week's topic of "When Life Gets In The Way: Dealing with a schedule for writing when the world goes off the rails" boils down to the benefits of rigidity versus flexibility...and not in the toe-touching sense. 

 I am a creature of habit. I love my daily ritual. I am so set in my ways that an atypical morning freaks out the dog. Thus, you might justifiably believe I'd lose my mind if my routine was broken. Surprise! I don't. It's life. Shit happens. Routines, no matter how hectic, are a luxury. 

Change the things you can control. Get through the rest. Sometimes, "the rest" comes with pleasant surprises and benefits you didn't imagine. Other times, "the rest" is an exhausting crapstorm with no end in sight. During those endurance marathons, your mindset is yours to control. If it's not, then don't be ashamed to acquire professional help. Your wellbeing comes before everything else. Suffering is not a requirement to be an artist, no matter what pop culture wants us to think. 

Yeah, but what if there's no hope of ever returning to normal? What if your beloved routine is shot to hell and never coming back? My dear, dear readers. Make new routines. Remember the habits of once upon a time fondly, and establish to new ones. Even if new ones start with a can of Lysol in the morning and end with hosing off your Wellies in the evening. 

In whatever new normal you find yourself, take stock of where you are, what you can control, and what you actually want. Figure out your priorities. Rank them. Schedule time to attend to those priorities. Allow for flexibility. Permit yourself to say "No" when others try to make their problems your emergencies. Cut ties with emotional vampires. Remember "fun" is a good thing. So is rest. Et voila, new routine. 

If writing is a priority, then treat it as such. Be prepared to let other things go to make room for your creative pursuit. Delegate, if that's an option, or do without. It's okay if there is something or someone more important than writing, just be honest with yourself about how those higher priorities will impact your writing. When it comes to accommodating others, recall their expectations are relevant only if you want them to be (though criminal neglect will land your butt in jail, and that's a new normal you probably want to avoid). 

Sometimes you have to be a hardass when establishing or adjusting your boundaries. A moment of discomfort reinforcing those boundaries is a price worth the peace of existing within them. Remember, you are in charge of taking care of yourself. There are times to be rigid and times to be flexible. Teach yourself to know when to bend and when to stand firm. You gain nothing by beating up yourself whenever life goes off the rails.

Be good to yourself.

Friday, July 21, 2017

The Writer's Filter - Piecing Together Real Life

 This week's question - the use of real life events/people/places in fiction echoes a very similar question in acting. Do you mine your life to feed your body of work? 

Uhm. Yeah. Of course. Because what other frame of reference do I have? You think I'm using someone else's life? Oh. Wait. I've done that. But even then, the only way to put that on a page (or into performance) is to internalize the experience set even if I did not have it and present it through the lens of what if I had? 

Right? I mean, the only system any of us has for feeling and conveying that feeling is via our own body/mind/emotions - which represents the sum total of everything we've ever experienced. Granted, I get that we're talking about whether or not I'm writing about Aunt Edna's false teeth falling into her glass of milk during my sixth birthday party.

Sometimes I do. I subscribe to the notion that anytime I experience high emotion (whether pleasant or unpleasant) it has some use in a current WIP. There was one case where a major bad guy was modeled on someone and an awful situation I'd known. It involved restraining orders and threats of violence. Rough several months. Perfect bad guy fodder, but you bet I made darned sure neither the person nor the situation were recognizable by anyone but me. (Also, I don't have an Aunt Edna, so forget about the teeth and the milk.) So yes. Everything I write, every character I create, every play I perform, it all comes through me, and so is indelibly colored by my experiences. Some times situations or people directly influence character or plot development, but not often and never undisguised. The rest of the time, it's subtler than that - more a case of tone and filter. My life and my mental state (such as it is) set my tone and create the filter through which all story passes. Add into that that every place I've been speaks story to me. The shot of the corner shop at top is the local tea shop. I turned it into a main character's tattoo shop in Nightmare Ink. The pyramid played into that same character's story in Bound By Ink. The dragon toothed cave hasn't shown up yet, but it will.  And the stairs - same thing. There's a story there. Who or what comes down those steps? Why?