Binge Reading, a Bookworm's Approach to Series

Do you remember as a kid finding a book in the library? It looked great, so you checked it out. Then you started reading. It's a hit out of the park. You LOVE this book. You're right in there with the characters, laughing, crying, fighting -- and then the book ends on a cliffhanger. Then and only then do you realize you have a book that's the first in a series.

Heart fluttering, you rush back to the library. There! On the shelf! More titles by the same author. You search frantically. You come up with books three and four and seven.

Right then. Right there. Your innocent little bookworm heart breaks just a little. And you learn. NEVER start a book without 1. first knowing whether it's part of a series and 2. that you can acquire the rest of the series.

Maybe your life was settled and you grew up in some rarified place where books were as important to your family as they are to you. If you did, you could generally be sure that if you developed an addiction to a series that was still being written (as opposed to one already completed) you'd be able to get a hold of the latest in the series when it finally came out. Those of us without such assurance, at the mercy of library systems without our loyalties to long-running series, learned never to start a series until it was finished and all the books in the series were available.

This is the long way of saying I strongly favor writing stand alone books, which is amusing, because everything I have is part of a series or leaves the door open to being a series. Funny how the world turns, isn't it?

As it happens, at the time that Enemy Within sold, series were THE thing. I'd written the book as a stand alone. Straight up, I admit that I did. And then my editor asked if I could make it a series. I was still so afraid someone would take back that publishing contract, I said that of course I could. So I did. Same thing happened with Nightmare Ink, though I wised up before I wrote that one and I planned it out as a series because I could see the handwriting on the wall. Sure enough. That same editor asked for a series treatment. At least this time around, I was ready for it. And now that I'm writing my series, I love them. I don't want to abandon them any more than I wanted to read the first book in a series I'd never find book number two for when I was a kid.

This isn't to say I don't love reading series. I do. And now that I'm an adult with my own book budget AND Amazon Prime, I can do my very favorite thing in the world: Find a series I love and buy the whole damned thing in one go. Because you binge watch GoT if you want. I'll binge read Jeffe's Twelve Kingdoms, thanks.

I desperately wanted a bookwormish sort of photo to give you. I don't have one. But I do have a little green garden frog who was hanging out in the zinnias yesterday. I have yet to ask what his reading preferences are.

Series over standalone

It should come to no surprise to anyone that I'm far more of a fan of writing a series over a standalone.  I am, however, also a big fan of the kind of series where each book tells a complete and cohesive story, while at the same time turning the wheels of a larger arc.  This is the kind of storytelling that appeals to me.

 
 

Back at ArmadilloCon, I was on a panel about plotting and planing a series, and in part of that, we talked about defining the different things we call "series".  Because there are three different things:

• SAGA: Where the series is One Grand Tale, which takes multiple volumes to tell.
• SEQUENCE: Where each book is its own individual story, but there is a definitive order and progression, and should be read in that order to make sense.
• FRANCHISE: Where each book is a complete and discrete story, and each one can be read with no prior knowledge or expectation.

Clearly, I'm writing a Sequence, and I like to refer to all the Maradaine books combined as the Maradaine Sequence.

Now, people have been asking me, "What's the best reading order for all the Maradaine books?"  There isn't a perfect answer to that, though even still, right now, release order is fine.  Though once we get past A Parliament of Bodies, that's going to get more complicated.

You could also read each series in a run, just as pictured above.

However, I think a lot of value can be gained by reading the books in in-world chronological order.

• The Thorn of Dentonhill
• A Murder of Mages
• The Holver Alley Crew
• The Alchemy of Chaos
• An Import of Intrigue
• Lady Henterman's Wardrobe
• The Imposters of Aventil
• A Parliament of Bodies

And that list will get adapted as more books get released/announced.  Now, you don't necessarily have to do that.  Especially since that listing would advise you to wait until after you get LHW in March before you get Imposters next month.  And, no, of course you shouldn't do that.  You should get Imposters as soon as you possibly can, because you're super excited about the Thorn/Constabulary crossover event.

Right?

Right.

SERIES vs. SINGLE TITLE

image from WIKIPEDIA

I have always loved reading series books. From Encyclopedia Brown by Donald J. Sobol to the Dragonlance novels by Weis & Hickman, I enjoyed revisiting the characters who felt like friends.

That said, both VICIOUS CIRCLE (#1 in the Persephone Alcmedi Series) and JOVIENNE (#1 in the Immanence Series) were written to be stand alone novels. It was after the fact, when the publishers asked for more, that I expanded on the world and the characters' arcs.

image from WIKIPEDIA

Why? Because, especially considering the market and advice being given when the PA Series was picked up, the commonly held notion was that one should never 'expect' they're going to get to write more. Looking back, that's silly. Readers have always, like me, wanted to revisit their friends and go on new adventures with them, and see what happened next. But publishers then, as I understood it, weren't as eager to promise second chances to new authors.

I'd be lying if I said I didn't want to write series. I do. God yes, I do. And to that end, there have always been ideas floating in my mind and typed into documents and filed away, ready to sprout when (not if) the word is given to expand.

DRAGON CON IS COMING!!!!!!!! THIS WEEKEND. *happy dance*

You know what that means, right?

My annual post: THINGS I OVERHEARD AT DRAGONCON

Look for it next week.

Release Day: Shift of the Tide by @JeffeKennedy

Today, we're celebrating the release of our own Jeffe Kennedy's Shift of the Tide! The third book in her Uncharted Realms Fantasy Romance Series.

SHIFT OF THE TIDE

A Quicksilver Heart

Released from the grip of a tyrant, the Twelve Kingdoms have thrown all that touch them into chaos. As the borders open, new enemies emerge to vie for their hard-won power—and old deceptions crumble under the strain…

The most talented shapeshifter of her generation, Zynda has one love in her life: freedom. The open air above her, the water before her, the sun on her skin or wings or fur—their sensual glories more than make up for her loneliness. She serves the High Queen’s company well, but she can’t trust her allies with her secrets, or the secrets of her people. Best that she should keep her distance, alone.

Except wherever she escapes, Marskal, the Queen’s quiet lieutenant, seems to find her. Solid, stubborn, and disciplined, he’s no more fluid than rock. Yet he knows what she likes, what thrills and unnerves her, when she’s hiding something. His lithe warrior’s body promises pleasure she has gone too long without. But no matter how careful, how tender, how incendiary he is, only Zynda can know the sacrifice she must make for her people’s future—and the time is drawing near…

BUY IT NOW:    Amazon   |   B&N   |   iTunes   |   Kobo  |   CreateSpace

Series Versus Standalone

Well,  that's easy!

BOTH.

Some stories are stand alones. They don't need or merit another book. It's exactly that simple. If I run across a tale that i want to tell where nothing more need be added, I sell it as a stand alone.

BUT, if I think there are more stories to be told about a certain character or place, I'm perfectly glad to revisit.

In fact that's happening right now. I'm working on a sequel to a book I wrote YEARS ago called SERENITY FALLS. When i first wrote the mammoth it took me a full year. trust me, for me that's a very long time. Why? because it was complex, because it had 183 named characters and because I was telling the entire history of the town, spanning several hundred years.

It was all it needed to be.

And then I had an idea for a sequel.

I'll have the first draft finished soon.

SERENITY FALLS, by the way, was so large that when it came out as a mass market edition it required that I rewrite a portion so that it could be made into a series. That's right. My book came out as a trilogy.

The thing is, as I have said many times, I don't like to limit myself. I've got 75,000 words of s weird western written, I put it on hold when my wife passed away. I'm looking at it now and thinking it's time to finish it up. I mean, come on, we're talking the majority of the novel written.

And while waiting on that novel? I've written four sequels, all of them novellas or short stories. Haven't finished the main story, mind you, but there are ideas and more ideas.

The novel is called BOOM TOWN

The shot stories are called in order, "Black Train Blues," 'The Devoted," "White Blank Page, (Songs in the key of white)," and, with Charles R. Rutledge, "What Rough Beast," A lovely chapbook.

Currently I am finishing up a series of three novels for THE TIDES OF WAR. Before that I was working on the SEVEN FORGES series, which is four books deep and will have three additional books soon if I have any say in the matter.

That last couple? I actually planned them as series.


For me the story should be exactly the length it needs to be and if there are spin offs, I'm okay with that.

Oh, and one more example: Jnathan Crowlery is recurring character of mine. Here's a list of stories and novels he;s shown up in:
UNDER THE OVERTREE, SERENITY FALLS (WRIT IN BLOOD, THE PACK and DARK CARNIVAL), "War Stories," "That Old Black Magic," "Home For The Holidays," "Little Boy Blue," "Vendetta," CHERRY HILL, BOOM TOWN, ""Black Train Blues," 'The Devoted," "White Blank Page, (Songs in the key of white)," "What Rough Beast," "Black Tides,"and  BACK TO SERENITY. There are probably a few more.

What can I say? I am kind of fond of the character.

Writing a Series vs. a Standalone

This week's topic is apropos for me, as THE SHIFT OF THE TIDE releases on Tuesday!

It's the third book in The Uncharted Realms series. Or the sixth in The Twelve Kingdoms, depending on how you slice these things. For some people these lines are more definitive than they are for me. Our topic is: Working in a series as opposed to working on a standalone book. What are the differences and how much do you plan ahead?

I confess that I've never written a standalone fantasy. The stories all feel too big to me to contain in one book. With a contemporary or erotic romance, I can write a standalone. With a standalone book of that sort, the story is mainly about the couple and how they come together, to change, grow, and find happiness. With fantasy, the arcs are bigger, more politically sweeping.

That said, you all know I don't plan ahead. Much.

Some of it is easy - the big bad must be defeated. Because I'm not George R.R. Martin. *cough* But finding my way to that resolution can be convoluted and full of twists and turns I can't predict ahead of time. I thought I'd maybe resolve the big battle with Deyrr in THE SHIFT OF THE TIDE, but instead the plot thickened and the stakes escalated.

At this point, I think it will take two more books to wrap it all up. THE ARROWS OF THE HEART comes next and will take us most of the way. Then I think I'll need one more.

Interestingly enough, speaking of planning, I'm doing a spinoff trilogy called The Lost Princess Chronicles. Those books will be PRINCESS OF DASNARIA, EXILE OF DASNARIA, and WARRIOR OF DASNARIA. If all goes according to my (hopefully not too optimistic) plan, the event of WARRIOR OF DASNARIA will coincide and interlace with those of the book after ARROWS OF THE HEART.

I actually have a plan! Now to hope it all works out...

My Favorite Reality TV Shows and Why

I have a love of reality TV shows, but only the ones where a certain amount of technical skill is involved to even get to be a contestant, not the ones where clusters of unpleasant people diss each other, spend money and screech/pullhair/flip furniture etc., and what have you, and also not the ones where a person picks the ‘love of their life’, then goes on “Dancing With the Stars” for a few weeks, after which they break up with said romantic partner. I’ve sampled some of those – a few episodes here and there – and nope, not my thing.

(I do love DWTS itself though.)

I’m a people person, so yes, it’s the element of the human interrelationships that draws me in, but there has to be that other element of skill and meeting challenges under pressure. (Of course like any rule, I do have exceptions, which I’ll get to.) Each season is like a mini series to me, or like reading a good novel.

My all-time favorite is SyFy’s ‘Face Off,’ where makeup artists work frantically on all kinds of challenges (“here’s a weird sound, now go invent the alien that might have made it” or “mix Alice in Wonderland and the Wizard of Oz and keep it Tim Burtonesque”…) I LOVE that program. I own all 16 seasons and I binge watch it fairly often. As with murder mysteries where I forget who dunnit as soon as I’ve read the book and set it aside, I often don’t remember which person won what specific challenge, and I enjoy the entire process involved in going from the explanation of the challenge to the final reveals. (I also have a teensy crush on Tait from Season One – tell no one!) I’m in awe of the things these artists can create from L-200 foam, paint and a well placed LED light. (Roy is THE wizard at this.) I have utterly no talent in this area. I’d love to be a guest judge though!

Hey, I write science fiction – I could totally judge. I watch special effects movies with a different eye now, let me tell you. There’s a commercial running currently for a TV service where the characters are paranormal tropes (werewolf, mummy, etc) and the edges on the facial prosthetics are AWFUL! (See, I know these things now…)

SyFy just launched a new spinoff, entitled ‘Game Face,’ where the challenges are much quicker and favorites from all the previous seasons are competing (even Tait according to the previews, sigh). So far I like it!

I’m also fascinated by McKenzie Westmore’s reveal stage wardrobe over the years…

One thing I also love about this show is how collegial the artists are, I think the tone was set nicely in season one and has carried through. No matter how pressed for time everyone is, if someone’s 200 lb. mold ‘locks’ with five minutes to the deadline, everyone drops what they’re doing to help.

I enjoy ‘Top Chef’ and ‘Project  Runway’ in all its many forms as well, although the drama levels on those programs can spike without warning. Not a fan of certain contestants on this season of Runway, let me tell you, although I love love love the diversity of the models. With ‘Top Chef’ I probably wouldn’t actually enjoy most of the refined and rarefied foods they cook - I lack the palate - , but I enjoy the tools, technique and knowledge on display. And the Restaurant Wars episode is always a nail-biter.

Those are my top three, but I also have been known to spend time with “Say Yes to the Dress,”  “Say Yes to the Dress - Atlanta, “I Found the Gown,” and “My Fair Wedding”. I used to adore the “What Not to Wear” program, although the sartorial advice in the earliest episodes became pretty hilariously dated as time went on. But their makeover process was fascinating. A little harsh on some of the participants, who didn’t nominate themselves but were often shoved into it by friends, co-workers and family.

I like the ‘Below Deck’ series set on private yachts for rent in exotic locales. Since I write an interstellar cruise liner in my Sectors series of scifi romances, I enjoy watching the scenarios on this program. Except many of the seasons I get pretty fed up with everyone by midway through and bail on them LOL. It always fascinates me that the show follows a select number of the crew but the boat in question actually has a lot of other people working on it that we never see.

I watch 'The Amazing Race' in horrified awe at what these people can make themselves do for a chance at $1 million. I have a fear of heights and a gut-wrenching terror of sooo many other things that get thrown at these contestants every season. I've been known to stop watching mid-season though if all the couples I liked get eliminated. See, I'm there for the people! 

Yeah, NOT the Author LOL

OK, but my real guilty pleasure? ‘Making the Team.’ In my heart of hearts I still harbor a tiny thought that hey, *I* could be a Dallas Cowboys Cheerleader. (WARNING: Do NOT shatter my dream by reminding me I can’t do a sustained series of high kicks, don’t know left from right, my hair isn’t big and blonde and I’m uh slightly over their target demographic for uniformity of appearance. In more ways than one. I could TOTALLY do it.) Having lived a significant portion of my life in the South, I get the DCC and the entire cheerleading thing. Even if nowadays it’s actually professional dancing and there seem to be a lot of corporate events where they have to schmooze with fans.

On second thought, maybe I should stick with my goal of becoming a guest judge on ‘Face Off’!

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All photos purchased from DepositPhoto

Cooking Up Reality TV

 Acknowledging that TV isn't really my thing, nor are reality shows - unless you're going to remodel a house or cook something interesting. My objection comes from the use of the word 'reality'. In no way do I believe reality shows reflect any kind of reality at all. They're carefully choreographed and scripted to give the appearance of some kind of Jerry Springer-esque slant on reality. Not to mention that most of them feel mean-hearted to me and my life's to short for that nonsense. Got no time for mean. Snark? Hell yes. Mean? Nopitynope.

But. IF I were to be on a reality show, it would have to be one of those foodie shows. I'd get my ass tossed out the door in short order because anyone yelling at me while I'm in the kitchen with access to really big knives takes their life in their own hands. But yeah. It would be food. I like to cook. More to the point, I like to experiment while I'm cooking. I like making up recipes. I like looking for the most complicated dishes and recipes I can find just so I can try them out. It was in the process of experimenting that a family tradition called Christmas Brunch was born. 

Each year, I search for new, never before attempted recipes for a multi-course meal. No one is allowed to know the menu. I'm looking for fancy here and each time, I'm actively trying to close the gap between good food and really excellent food. That goes better some years more than others. My downfall on any cooking reality show, though, would be the fact that I'm not fast enough. Christmas Brunch is generally a 72 hour cycle of prep and cooking for the actual event. There isn't a reality show out there in the world that could withstand filming me while I read the recipe for the bajillionieth time. You know. Just to be sure. 

Did you know that one of the cooking magazines in the US does a yearly rating of all of the cooking chocolates on the market? They do it yearly, just prior to the holidays, because the crop changes that often and the brand that was on top last year may not be the best tasting brand this year. That chocolate report matters when you're making chocolate raspberry molten lava cake. Cooking is chemistry and I've learned the difference between actually building layers of flavor in a soup and just tossing all the ingredients in a pot, turning it on and letting it simmer for hours. I sound all snooty about this stuff, don't I? I suppose I am. My grandmother (for whom I am named) taught me to cook. Then my mother. These ladies are some really tough acts to follow. To tread in their footsteps, I have to seriously up my game. 

Just don't put me on one of those shows where some judge or famous chef comes into my kitchen to enumerate my cooking sins. One of us will die a messy death.