Book Cover Deliberation

Books wouldn’t be nearly as much fun to pick up if they didn’t have amazing covers. Covers give you a glimpse into the story, they set the scene, and they set expectations. And for me, book covers mean different things depending on if I’m looking at them as an author or a reader. 

Reader View: If I see the back of a woman running away in the dark, I’m getting a mystery thriller, possibly some romance. These covers don’t do much for me, likely because I don’t read a ton in the genre. If I see a big ol’ sword in hand accompanied by anything foresty, I’m expecting an epic fantasy. If I see flowers or snakes or another inanimate object surrounding a sword then I’m expecting a different kind of fantasy, one likely written by a woman and there’s a good chance there’ll be kissing. If I see a solid colored cover with anything tech or medical related I’m expecting a thriller, hopefully sci-fi bent, especially if the image evokes robotics or machinery. 

As a reader I clearly use covers to tell me what kind of book I’m checking out. I frequently pick up books because the cover art caught my eye, especially fantasy books with incredible art. There are many book covers out there deserving of their very own gilded-frame!

Author View: I’m looking at book covers to tell me what kind of press/publishing house produced them to then decide if it’s the right kind of look I’d want for my books. The covers with a photoshop image superimposed on a background with un-matching font isn’t a place I’m going to look into. Covers with the right tone for the genre, well matched font, and/or beautiful art are definitely places I’m checking out. 

As an author I use covers as a quality gauge. The more professional looking the book, the more likely I am to put them on my list. Even if you have an agent it’s a good idea to do your homework and be knowledgeable of what types of books certain publishers produce. Then you’ll have an idea of what editors are more likely to enjoy reading your words. And when I say types of books I mean more than genre. Angry Robot is going to have a totally different fantasy flavor than say Wednesday Books. 

So, how do you look at book covers? 

Fantasy Covers: Elements Convey Sub-Genre

 This Week's Topic: Judging a Book by Its Cover

Cover Trends and What I Look for as an Author and a Reader

Hell yeah, I judge a book by its cover. If the cover looks like crap, I'm assuming the story was written like crap too. I don't have to use the "Look Inside" feature to know it wasn't professionally edited, either. Life's too short and my TBR pile is too big to waste time on a book with a shitty cover. A good cover is more than well-rendered art, there's the matter of the appropriate font too. I've seen eye-catching art ruined by bad font, and I weep. Anyone trying to resurrect ye ol' WordArt should be shot from a cannon, FWIW. Bad font screams "amateur" and "badly written content inside." 

Buuuuut, what about those covers that look like every.other.cover. in the genre? Are they bad for being too much alike? Ahahahah. Welcome to the wobbly line between delivering on reader expectations and trying to stand out in a listing of millions. Urban Fantasy covers tend to look a lot alike, and that's because readers identify that similarity with the genre so authors/artists deliver for the sake of sales (chicken->egg->chicken, yes). The core elements of a UF cover are: 

• Hot chick (or dude) on the cover
• Magic representation (aura, array, shifter-sidekick, etc.)
• Urban-ish nightscape
• Weapon (8 times out of 10)
• A gun or a sword are the most likely, though there is an occasional dagger or crossbow.  

Does the formulaic cover mean the book is formulaic too? Uh, maybe. Does it mean the story hits the big UF tropes? Probably. That's what the artist and author are trying to convey with the composition of elements on the cover. Wanna read a shifter novel? Look for an animal on the cover. Wanna read a vampire book? Look for the fang with a blood dribble. Witches? Pentagrams or familiars. Angels? Wings. Demons? Serpentine eyes. As long as the humanoid on the cover doesn't look like remedial Poser and the other elements have been properly layered and blended to create a cohesive picture, then we're headed in the right direction.

On the other hand, Fantasy books--be they High, Epic, Grimdark, Hopepunk, RPG, etc.,-- have a wider pool of "typical" from which to draw. Some don't have people on the cover at all, it's mostly symbols and swirls. Some have the caped man in various landscapes. Some have brilliantly illustrated--straight from a graphic novel--look to them. Regardless of the composition, it's the quality of the art and the appropriateness of the font that matters. Fantasy readers are picky as fuck about quality. It's not a genre where DIY covers are a good idea (unless you're a professional designer/artist in your other life). 

When it comes to using AI art on covers, keep in mind that most of the art produced by AI is stolen from artists and then remixed by algorithms; therefore, it doesn't have the appropriate commercial image licensing that's legally necessary for book covers. Yes, yes, yes. I know authors are publishing books with AI covers, but just because it's possible doesn't mean it's legal or ethical. 

Ergonomics for the Healthy Writer and Faroween!

Guess what? I'm a participating author in Our World or Others: A Faroween Scavenger Hunt October 19 - 29! Visit the FaRoFeb website on October 19 to choose your quest and compete for a chance to win incredible prizes including giftcards, paperbacks, ebooks, and more! There are six main prize packs as well as some bonus quests and games.

Everyone who completes one of the quests will win something! This is for anyone who loves reading fantasy romance, paranormal romance, and urban fantasy romance. Can't wait to see you there!

Our topic at the SFF Seven this week is "Tools of the Trade Ergonomic Edition." Because, let's face it, writers are notorious for experiencing various physical pains. Comes of sitting for hours everyday, hunched over a keyboard or paper (writing and reading!), forgetting to move but never forgetting those important snacks that keep our brains going. So, what do I do? I walk!

Yes, I have a walking desk with a treadmill, and have had one for nearly ten years now. Best investment I ever made! The current treadmill is from iMovr and goes from 5mph to 2.5mph. I usually walk between 1.5 and 2.2mph - the variation is really important! I have a hydraulic desk, the same one all these years, originally made by GeekDesk, which I can adjust to allow me to sit, stand, or walk. The minute height adjustments are particularly great, allowing me to have my forearms and wrists flat on the desk, my back straight, and my monitor at eye-level. I also vary them slightly from day to day and even hour to hour, so my body won't solidify into the same position for too long. 

No more butt in chair, hands on keyboard, people - get that writer body moving!

 

How Not to Hurt

I’d been ready to say that I didn’t think much about ergonomics, but then I took a look around. The lifelong pursuit of anything that might keep migraine pain to a dull roar has given me a whole lot of tools in my ergonomics toolbox. Some are things I just like. The rest are attempts to mitigate or prevent pain.

In the ‘I just like it’ category:

• Positive click keyboards. Straight. I expect some acknowledgement from the keys when I type. I need that sensory feedback or writing isn’t writing and I will be deeply dissatisfied.
• Writing in front of the fake fireplace on the sofa, usually with a cat in my lap – NOT ergonomic but warm, cozy, and purry.
• Writing in bed. Also not ergonomic, but at the end of a day, it’s a lovely segue into sleep.
• Noise canceling headphones. I swear to you these are why I am not currently doing life in a deep, dark prison somewhere.
• Creeptastic playlists. Ambient music has grown up on YouTube. I can find SciFi themed creepy stuff, I can find stuff that’s themed to particular fandoms – Alien, Cthulhu, zombie movies all kinds of stuff to write mayhem to.

In the ‘No Pain, Please’ category:

• Putting my monitor at eye level and my keyboard at waist level. I have an adjustable laptop desk with legs that can be adjusted any number of ways. I use it to get my laptop up high enough, so I look straight ahead at it. I use an auxiliary keyboard and mouse on my work surface to promote upright posture and to keep my head in a neutral, upright position rather than tilted down or carried forward of my spine. There was physical therapy involved in learning that this posture was my goal.
• Stand/sit desk – this is basically a desk that lets me stand when I want or sit when I need to, I also have a treadmill desk with one shelf set at eye level for the laptop and a waist high work surface for the keyboard and mouse. Variety, it turns out, also helps prevent pain.
• Blue blocker glasses. These really help reduce migraine pain. Not incidences of migraine – but with blue blockers, I don’t start a migraine and go from 0 to 60 on the pain scale in a few seconds flat. The blue blockers give me a much gentler ramp to ‘hey stupid, get flat’. If you need these, don’t cheap out. Real migraine glasses target two specific wavelengths of blue light. Cheapy glasses just throw a filter on some plastic and call it good. The real thing gives you targeted protection that’s worth the extra cash.
• Taking a daily 20-minute NSDR break. This isn’t just for posture. It’s for the brain and your entire nervous system.
• Exercises - I have a set of specific back and neck exercises designed to keep the shoulders pulled back and to counteract overstretch in the back of the neck. Those help.

In the normal course of generating a story, writing shouldn’t hurt. If it does, there’s likely a reasonable ergonomic solution. Sometimes, it means getting a professional like a physical therapist involved. Sometimes it means breaking up a repetitive motion cycle and giving weary muscles a rest. Ergonomics come down to you conducting a set of informed experiments to find out what helps you. It’s hard to have fun when what you love hurts you.

Ergonomic Free Here!

This is my writing view today. Beautiful, pine covered hills, blue sky, and a hand-made pine table. Which is definitely not in line with the week’s theme: the Ergonomic Edition.

No, this pine table doesn’t adjust. But it’s smooth and filled with wood grain character. No, the matching hand-carved pine chair definitely doesn’t adjust and turns the butt numb after an hour. But it’s got arms for me to rest my elbows on as I gaze out at nature and imagine what our near-future sci-fi world is filled with. And no, my laptop doesn’t support my wrists and gets a pretty good glare when the sun comes up. But it can travel from table to patio table with ease, enabling me to smell the pine and hear the wind rushing through the needles. 

At home I have a split keyboard which my wrists do love. I can work for hours without pain. And my desk chair at least goes up and down, but the best part about it is that it has a wide seat so I can sit crosslegged when I want to. 

Out of all the ergonomic options, I wish I were adept at using voice to text. How wonderful would that be! To walk around, pace the room, stroll outside while simultaneously writing? Amazing. But I haven’t trained my brain to use that tech yet. Someday, maybe. 

How about you? What ergonomic tools do you use and love?

I'm Not The Poster Child for Ergonomics

 This Week's Topic: Tools of the Trade Ergonomic Edition

Split keyboard or straight, laptop or desktop, phone, voice-to-text, etc.

This is another post where you'll likely not want to emulate me. Despite being a middle-aged broad, I don't give much thought to ergonomics and my writing setup. 

I don't write at a desk or a table, which is where a lot of ergonomic preventative measures are applied. Instead, I am Goldilocks, sitting in whatever comfy recliner, armchair, or couch fits my mood. Sometimes I use a cushioned lap desk to elevate my screen; though most often I just eat more holiday cookies to fluff up my thighs. {cough} {looks askance}

I write on my laptop (backlit keyboard + number pad). I don't own a desktop, and the few times I've used my phone for working on the WiP were total disastrophies. I've had the big ol' 18-inch screen and the small tablet 11-inch, but find a 14-inch or 15-inch is the sweet spot for text-heavy work. The only thing I hate about composing on my laptop is that the trackpad is centered under the QWERTY keyboard instead of the whole keyboard. I'm forever right-clicking when I want to left-click because of that. (Yes, I'm a PC user. Yes, I must have the number pad or I'll really go 'nanners.)

I don't use voice-to-text for drafting; though, that may be a "yet" statement. Mostly because speaking the punctuation breaks my train of thought faster than seeing the world's longest run-on sentence on my screen. For me, there's something almost subconsciously affirming about the clickety-clack of typing that keeps me in the creative thrall. That said, I do use text-to-voice for editing. I like having the computer read my mss back to me so I can catch missing and redundant words, along with nonsensical statements. 

So far, I'm fortunate to not suffer carpal tunnel, so I don't need a wrist brace. I am diligent about getting up and taking a short walk every two hours to avoid blood clots (my dog is trained to pester me at the appointed hours).  

Looking up/away frequently from my screen to allow my eyes to shift focus happens whenever I think, so I've got that guidance well covered. My computer screen is permanently set to "night mode" to minimize blue light. Recently, the news that viewing the world through rose-colored glasses helps relieve light sensitivity for migraine sufferers crossed my feeds. The power of FL-41 tint could be pure marketing hype or it could be scientifically proven, either way, I just received my pink glasses. 

So, uhm, yeah, thar' be the ways this couch potato avoids the ouchies of sitting on her ass all day. 😇

A Change of Scenery

Happy Friday the 13th. Watch out for weirdos bearing knives. And chainsaws. And . . .

Listen. I haven't been to a conference in a very long time. I'm not likely to hit a conference for a very long time. Between Covid and cash, me traveling to conferences just isn't likely. So count me out on those. Networking with like-minded authors will have to happen some other way for the foreseeable future.

But writing retreats. Mmmmm. Let's chat about writing retreats. Here's my TLDR:

1. Writing retreats are best done solo.
2. Writing retreats are best done when you're the kind of person who needs a shot of the unfamiliar to jolt you - to put you in beginners mind where you wonder at all the things you've never seen before.
3. Writing retreats are *necessary* if you feel like you are in an environment in your home wherein you cannot fully inhabit your creative self without masking.

Here's my attempt to explain. Aka: The deep dive.

1. Writing retreats - go solo. Unless you are some titan of discipline, going on a writing retreat with other people means no writing will happen. I know going in when someone says 'let's go here and write' that what will actually happen will be lots and lots of talking, lots and lots of eating, and absolutely zero writing. We might talk about writing, but we won't actually put words on paper. The point of a writing retreat, for me, is to isolate long enough to begin hearing my own voice. Not everyone else's. Not my partner's. Not my parents'. Not my boss's. Not even my own set of 'shoulds' that I plague myself with on a daily basis. A retreat needs to present a place where I can exist without any responsibility to any other living thing other than myself for a few days. 

2. A retreat works best for me If there's something new and different to see or experience. A simple change of scenery can work magic. Going somewhere I don't know kicks me out of cognitive ruts and I can come to my stories with new vision. Beginners mind sees everything as if for the first time - without preconceived thoughts or ideas. That allows room for new approaches, if they're wanted.

3. We all wear masks. Most, we wear joyfully: parent, partner, friend, etc. Some are less joyful, but they are the sum of what helps make us acceptable to others. This is basic socialization and there's nothing wrong with acknowledging that we live in community with other humans and should probably strive to work and play well with others. The trouble comes from not having a safe place to unmask. Some of us are lucky enough to be partnered with someone who values who we are when we're not masking. Some of us aren't. Because masking accrues a cost, it can contribute to burn out. So retreats are a lovely option for people who need a safe place to take off all the masks and remember who they are in and of themselves - not who they are as defined by anyone else. This may not be a universal experience. It may be a spectrum thing. Take it if it resonates for you. 

So yes. I love writing retreats. I love wandering off into isolation, to exist in silence for a space of time, speaking only to order food, if I want. I love spending all that silence listening to what's going on inside, writing as fast as I can, uncovering whatever needs to be heard or seen or perceived.  I often pick up new stories on retreats. I hope they can be as fertile for you. 

TWISTED MAGIC and Writing Retreats

 First things first, if you preordered TWISTED MAGIC, you'll have gotten a notice that I've delayed the release. I know, I know - yet again. (Well, first time for this book, but I really thought I'd given myself enough time.) The new release date is November 28. That should give me plenty of breathing room. (Famous last words!) Seriously, I am at midpoint and on the downhill run. I just knew I couldn't have it completely done by October 26 (two weeks away!), which was the upload drop-dead date. 

Apologies. I know you all are waiting. But it's going to be awesome!

     

 

More on topic: this week's subject is writing retreats. We're asking each other if they work for us and, if so, in what way?

I'm pretty sure I suggested this topic because this continues to be a conundrum for me. I love the IDEA of writing retreats. When I see writer friends posting about being on retreats, I am invariably envious. I want to go! I want to be there, with the friends, in the pretty places, thinking and talking about writing all day. 

In truth, I have gone on very few writing retreats. The only one I can think of in recent years is when I went to Kauai almost a year ago and stayed in the gorgeous beachfront home of a friend along with three other writing companions. It was a fabulous group and we did have wonderful conversations. 

I got very little written. 

What I think it comes down to for me is that I'm fortunate enough to have a serene home life which is entirely built around enabling me to write as productively as possible. For many people, it seems that going on retreat gives them time and quiet away from the demands of home. For me? Being around people at a retreat is considerably "noisier" than my daily life. 

So, I've come to face that, for me, writing "retreats" are truly excursions. They aren't time away; they're time into. 

That's not necessarily a bad thing. As KAK noted on Monday, there can be other reasons to go. But I have to realize I'm not going to be maximizing wordcount.