Showing posts with label bricks. Show all posts
Showing posts with label bricks. Show all posts

Sunday, August 29, 2021

Does Boring Writing Mean Boring Reading?


Our topic at the SFF Seven this week takes a look at the oft-quoted advice for writers: “If you’re bored writing, the reader will be bored reading.” And we're asking is this true or false?

Okay, I'll confess: it's me asking. This was totally my topic suggestion because this advice really irritates me - I think it's wrong, even dangerous - and I want to know what everyone else thinks about it.

So, I feel a little bad kicking off this topic, as I know I'll be setting the tone here.

But... whatever!

The reason I think this advice is flat wrong is threefold. 

First of all, the process of writing a book takes HUGELY longer than reading a book. Let's say it takes 5 hours to read a novel. (It seems like my Kindle often reports something in that neighborhood when I open a new book.) I'm a fairly fast writer, and I keep track of my numbers, so let's use my writing time for an example. It takes me, on average, 55 working days to draft and revise a novel. In general, I spend 3 hours/day actively writing to get that book finished. That's 165 hours of writing, at a conservative estimate. That means it takes a reader approximately 3% of the time to read what it takes me to write. And I'm a fast writer! The percentage will only go down from there. 

Put another way, a reader will read at least 33 times as fast as we write. Comparing the two experiences is ridiculous, particularly when it comes to a subjective quality of feeling bored, which is time-sensitive.

Secondly, the experience of boredom is entirely subjective. What I find boring is not what you may find boring. I get bored with fight scenes, in books and movies. I know that's a me thing, but they don't hold my attention. Lots of people love fight scenes, which is cool. But there is no objective qualifier of what is "boring."

Finally, writing is a job. It might be an awesome job - it is! - but it's also work, which means it can be a slog. Especially writing novels. Working incrementally for ~75 days (my total time to produce a novel, including days off) on one story can get dull. Some days I'm tired. Sometimes I'm writing stuff I already know, like backstory from previous books, or stuff that isn't particularly exciting, like transitions, but that I know the reader will need to understand the story. I don't know ANY writer who is 100% excited and invested in what they're writing every moment and every word. Sometimes, people, it's going to be boring - and that has nothing to do with how the reader perceives it.

I promise you this. Test it for yourself. Make note of some part of your work in progress that you found boring to write and find out later if any of your readers find it boring to read. I'm sure they won't.

That's why I find this advice dangerous. It implies that only the writing we find exciting in the moment is valid - perhaps even suggests that anything we find boring to write should be thrown out. This is bad for getting words written, which is our primary job. If a section of the story is boring to read when you revisit it? Sure, edit that puppy! That's what revision is for. But don't let feeling unenthused in the moment stop you from moving forward in the story. 

Neil Gaiman says that writing a novel is a process of laying bricks in a long road. Some days the sun will be hot, the work mind-numbing, the process slow and grueling. But the bricks have to be laid. Do the work and don't worry about how you feel. 


Sunday, March 17, 2019

Really, but No

Happy St. Patrick's Day! David and I are both from Irish families. You can see it in those smiling eyes, yes?

Our topic at the SFF Seven this week is "I don't think so. Name a piece of writing advice you do not agree with and explain why."

Some of you might be able to guess which bit of advice I'm going to say. It's been on my mind lately and I've mentioned it often enough that I already have a tag/label for it.

It's this one: "If You're Bored Your Readers Will Be Too."

Really, but no.

When I've posted about this before (Looks like I did nearly a year ago, so that's not TOO recent), people have argued with me. "People" meaning other writers. They contend that they must FEEL the feels in the story or their readers won't. I can't argue with anyone else's process - the First Rule of Being a Writer is Own Your Process - but I don't think the writing experience should be conflated with the reading experience.

The two are VERY different. In the most basic sense, reading is faster than writing. I suspect if we did a cage match of the slowest reader with the fastest writer, the reader would still prevail. Also, absorbing a story is different than creating one. Finally, "boredom" is a relative term.

I'm going to focus on this last one.

Anyone who's been a parent, or spent any time around kids, is familiar with the "I'm so boorrrrred" complaint. It's usually ill-timed, delivered when the adult is working hard on some necessary but unexciting task of their own.

Merriam-Webster - the dictionary with the most politically on-point Twitter feed of its ilk - defines boredom as the state of being weary and restless through lack of interest. That "weary and restless" part is what makes the complaint from kids irritating. They're expressing a restlessness of youth, and the weariness is mostly emotional. The usual temptation is suggest various household chores to absorb their energy, but we all know that doesn't answer the complaint.

What they need to do is solve their own problem, and find something to invest their energy into.

I argue that "boredom" in writing is much the same. When we feel weary and restless while writing, it's a sign that we're working on a problem that needs our attention and energy. When a reader is bored, it's a sign that we've failed to engage their interest.

See how these are two totally different problems?

That's why I think it's terrible advice. If the writer is bored, they need to work through it, knowing that feeling restless with the slow pace of writing is part of the process. If you're worried about the readers being bored, then you need to look at other factors, like plot, pacing, emotions, investment in the characters, and so forth.

Éirinn go Brách!