Showing posts with label novella. Show all posts
Showing posts with label novella. Show all posts

Sunday, April 11, 2021

How to Write Shorter Works Successfully


THE SORCERESS QUEEN AND THE PIRATE ROGUE comes out April 19! This is Book Two in Heirs of Magic, and you can preorder a copy at the links below or via my website. :-)

   


This week at the SFF Seven, we're examining the differences between writing a short story, novella, novel, series. We're asking each other: Do you prepare for length beforehand or edit down (or add new stuff) afterward?

So, I have Strong Opinions about this. Something that may come as a surprise to exactly none of you. 

I am primarily a novelist now and the shortest works I write are novellas that are typically no less than 25K words. (My novels range from 90K-120K.) When I first started writing, I wrote essays and short stories. My first book - Wyoming Trucks, True Love, and the Weather Channel - was an essay collection. Writing those shorter lengths came naturally to me from work in school. 

When I transitioned to writing novels, it was MUCH more difficult than I expected. I had this idea that it would be like writing a really long essay. 

Reader: it was not. 

I had to learn the rhythm and pacing of a novel, which feels like an entirely different art form than writing novellas or shorts. Because... it is. It's a common error for an author to attempt to stretch a short story concept into a novel. Readers notice that the story feels "thin," stretched out for too long, and filled with stuff that's boring because it's unnecessary. Or, sometimes, a story that's novel-length gets wedged into a shorter format. Then it feels rushed, over too soon, and never fully explored.

So, my answer is that I *always* prepare for length beforehand. The story concept MUST fit the planned length. It's a matter of choosing a story with the correct scope for that length. Shorter works have fewer secondary characters and more straightforward conflicts. Very short works should explore a single idea. One surefire way to confine a story to a shorter length is to have it take place over a much shorter span of time. For example, my novella, THE LONG NIGHT OF THE CRYSTALLINE MOON, which is the prequel to Heirs of Magic, takes place over the course of a single night. This helps to make up for the fact that I have a lot of secondary characters - more than any other novella I've written. It wasn't ideal, but I made that choice because I was introducing a new series.

Naturally, there are no actual rules. Or, if there are, they're made to be broken. But I do think that adding or deleting to winnow a novel into a short, or fattening up a short to make it a novel, almost never works. 


Sunday, November 1, 2020

How Long Should Your Novel Be?


Apropos of #NaNoWriMo, our topic at the SFF Seven this week is "How long should my book be?" We're exploring the seemingly ever changing definitions of “book” length, novella length, etc.

It seems this question comes up around NaNoWriMo - National Novel Writing Month, where participants attempt to write a 50,000-word "novel" during November - because of that magical 50K word goal. I can tell you all with good authority, because I've heard it straight from the mouth of Chris Baty, founder of NaNoWriMo, that he picked 50,000 words as the month's goal because it seemed like a nice, round number to him. At the time, he had little idea of how long a novel should be.

It can be a bit misleading because, while novels are considered to be more than 40,000 words as defined by organizations sponsoring awards - like SFWA's Nebula Award* - it's rare for a novel to be that short. 

As far as traditional publishing is concerned, very few imprints consider books that are less than 80,000 words. The sweet spot for most publishers seems to be 85,000-100,000 words. Recently, several author friends and I have noted that our editors have asked us to trim our novels to be less than 120,000 words. We think that's a window dictated by printing press limitations. After that benchmark, the cost shoots up. Some imprints, like Harlequin category romances - very slim books - are around 55,000-60,000 words, but that's a very specific brand. Some literary fiction books might come in below 80,000 words, but again, that's a fairly specific genre, so you'd want to target that carefully.

And sure, with self-publishing it doesn't matter - except that readers have expectations. If something isn't clearly labeled as a novella or shorter, they tend to get cranky. Frankly, even if a novella or short is labeled clearly as such, reviews often note that it's too short. 

So: how long should your novel be? Shoot for 85,000-100,000 words and you'll be golden.

*Incidentally, the word-count definitions for the various story lengths as defined by SFWA are:

Short Story: less than 7,500 words;
Novelette: at least 7,500 words but less than 17,500 words;
Novella: at least 17,500 words but less than 40,000 words
Novel: 40,000 words or more.