Most Unlikely to Write

I found this great ceramic Dia de los Muertos doll a couple of weeks ago. It's difficult to tell from the pic, but she's made entirely of ravens. I would have bought her in a heartbeat if she weren't so expensive. For those of you who've read THE SHIFT OF THE TIDE, there's an aspect to this doll that reminds me of Moranu with her many faces. Even the cover of that book is reminiscent of the same images for me. Do you all see that?

There's a key difference, however, between the two - and that links into this week's theme, which is the genre we are mostly unlikely to write.

As much as I'm fascinated by the dark and grotesque, I think you'll never find me writing horror. I'm not a fan of the unrelentingly grim. Likewise, I think you'll never find me writing Inspirational - as I also can't see going to all sweetness and light.

Personally and artistically, I live in the middle, at the intersection of both. Or, were I a citizen of my created world in The Twelve Kingdoms and The Uncharted Realms, I'd be at the intersection of all three goddesses. Yes, I'd love Moranu of the shadows, the night and many faces, but I'd also be an adherent of Danu, of the bright blade and unflinching justice and wisdom. I'd also look to Glorianna, goddess of soft light and in-between spaces, of love and beauty.

That's why I doubt I can write horror -- not enough of love and light. Nor am I likely to write anything that's all in the sweet direction, because I also love the shadows.

Still ... I might have to go back and buy that doll.

The Series Challenge

As a reader, I love series, with the more volumes and adventures the better. I grew up reading all the standard series for kids and Young Adults available at the time, starting with The Bobbsey Twins and moving on to Trixie Belden, Nancy Drew, Cherry Ames RN, Tom Swift Jr., Rick Brant, Tom Corbett Space Cadet, The Dare Boys, The Dana Sisters and even older series from my grandmother’s days as a girl (The Outdoor Girls anyone?). My family loved books and reading and my parents were always happy to buy me more to read. 

My favorite treat was a trip to a giant used bookstore in nearby Syracuse NY, where I could spend hours searching out new-to-me volumes in the various series I read, as well as comic books (DC superheroes mostly,  anything scifi, or World War II like Sgt. Rock; also Tomahawk, Tarzan and the like. Wasn’t into Archie, Disney, or Marvel.)

In those days before Amazon and eBay, it was nearly impossible for me to get all the books in a series or all issues of a comic book but I did my best. Fortunately I like to reread!

In junior high school and high school I happily wrote series. My first one bears too much resemblance to Tom Corbett, I’m sure, although I added all kinds of plot elements his creators never dreamed of, including a LOT of romance. My high school years’ series might remind a reader of ‘Star Trek’, but again with all kinds of additions like a secret base under Antarctica. I had no trouble writing new installments and ongoing adventures, romances and drama. I didn’t outline then either.

(When will this deathless prose be coming to an Amazon link on your tablet? Ummm, never! It was terrific learning for me but wow, totally unreadable now!)

My personal Mt Everest - Writing a Series!
Photo purchased from DepositPhoto

So why, with all this early steeping-in-series as both reader and writer, did I think I was only going to write standalone books as a published author? I had this absolute conviction I would never write a series, or at least not one that wasn’t connected, by which I mean revolving around the same Egyptian Pharoah’s court, or set in my Sectors, but with different characters. It’s not that I didn’t like the idea of a ‘real’ series, but just some mental block of my own. Since I don’t outline but am a plot-as-I-go author, I quailed at the idea of knowing today what might happen to which characters in book 5! My Muse also shuts down if I overthink a book plot too much, apparently feeling that the book is ‘done’ and there’s no need to write any more.

But I LOVE series like Nalini Singh’s (pick one, any one!) and Jeffe Kennedy’s Twelve Kingdoms and Uncharted Realms,  Lora Leigh’s Breeds, Christine Feehan’s Ghostwalkers and Sea Haven series, Ilona Andrews, Anne McCaffrey….well ok, apparently I was also intimidated at the mere idea of trying to write a series!

But I’ve been sneaking up on the goal over time. I wrote several direct sequels (Star Survivor is the sequel to Wreck of the Nebula Dream for example) and my Muse began to relish the challenge of writing an actual series. In fact, when I finish my current Work in Progress, another in the loosely connected alien empath stories, the next planned thing on my plate is ……drum roll please…..a SERIES!!! Starting with Book 1 and moving through 5 books, with a series arc and everything. WOOT! I figured out a way to outline it at a high level so my finicky, cantankerous Muse doesn’t shut down. So we’ll see. I think I’ll probably still be writing standalone stories and interspersing them with any series that I do develop, plus I have sequels percolating for some of the earlier standalone books like Escape From Zulaire,  Lady of the Star Wind and others. I hear from readers quite often that they'd really like the sequel to this book or that book, which is always highly gratifying and also a bit terrifying because I want to do justice to the characters they enjoyed.

 I also LOVE my interstellar cruise liner, the Nebula Dream, so there will always be new stories set on board, with old friends and new ones.

So I guess my Muse accepts challenges after all!

Binge Reading, a Bookworm's Approach to Series

Do you remember as a kid finding a book in the library? It looked great, so you checked it out. Then you started reading. It's a hit out of the park. You LOVE this book. You're right in there with the characters, laughing, crying, fighting -- and then the book ends on a cliffhanger. Then and only then do you realize you have a book that's the first in a series.

Heart fluttering, you rush back to the library. There! On the shelf! More titles by the same author. You search frantically. You come up with books three and four and seven.

Right then. Right there. Your innocent little bookworm heart breaks just a little. And you learn. NEVER start a book without 1. first knowing whether it's part of a series and 2. that you can acquire the rest of the series.

Maybe your life was settled and you grew up in some rarified place where books were as important to your family as they are to you. If you did, you could generally be sure that if you developed an addiction to a series that was still being written (as opposed to one already completed) you'd be able to get a hold of the latest in the series when it finally came out. Those of us without such assurance, at the mercy of library systems without our loyalties to long-running series, learned never to start a series until it was finished and all the books in the series were available.

This is the long way of saying I strongly favor writing stand alone books, which is amusing, because everything I have is part of a series or leaves the door open to being a series. Funny how the world turns, isn't it?

As it happens, at the time that Enemy Within sold, series were THE thing. I'd written the book as a stand alone. Straight up, I admit that I did. And then my editor asked if I could make it a series. I was still so afraid someone would take back that publishing contract, I said that of course I could. So I did. Same thing happened with Nightmare Ink, though I wised up before I wrote that one and I planned it out as a series because I could see the handwriting on the wall. Sure enough. That same editor asked for a series treatment. At least this time around, I was ready for it. And now that I'm writing my series, I love them. I don't want to abandon them any more than I wanted to read the first book in a series I'd never find book number two for when I was a kid.

This isn't to say I don't love reading series. I do. And now that I'm an adult with my own book budget AND Amazon Prime, I can do my very favorite thing in the world: Find a series I love and buy the whole damned thing in one go. Because you binge watch GoT if you want. I'll binge read Jeffe's Twelve Kingdoms, thanks.

I desperately wanted a bookwormish sort of photo to give you. I don't have one. But I do have a little green garden frog who was hanging out in the zinnias yesterday. I have yet to ask what his reading preferences are.

Series over standalone

It should come to no surprise to anyone that I'm far more of a fan of writing a series over a standalone.  I am, however, also a big fan of the kind of series where each book tells a complete and cohesive story, while at the same time turning the wheels of a larger arc.  This is the kind of storytelling that appeals to me.

 
 

Back at ArmadilloCon, I was on a panel about plotting and planing a series, and in part of that, we talked about defining the different things we call "series".  Because there are three different things:

• SAGA: Where the series is One Grand Tale, which takes multiple volumes to tell.
• SEQUENCE: Where each book is its own individual story, but there is a definitive order and progression, and should be read in that order to make sense.
• FRANCHISE: Where each book is a complete and discrete story, and each one can be read with no prior knowledge or expectation.

Clearly, I'm writing a Sequence, and I like to refer to all the Maradaine books combined as the Maradaine Sequence.

Now, people have been asking me, "What's the best reading order for all the Maradaine books?"  There isn't a perfect answer to that, though even still, right now, release order is fine.  Though once we get past A Parliament of Bodies, that's going to get more complicated.

You could also read each series in a run, just as pictured above.

However, I think a lot of value can be gained by reading the books in in-world chronological order.

• The Thorn of Dentonhill
• A Murder of Mages
• The Holver Alley Crew
• The Alchemy of Chaos
• An Import of Intrigue
• Lady Henterman's Wardrobe
• The Imposters of Aventil
• A Parliament of Bodies

And that list will get adapted as more books get released/announced.  Now, you don't necessarily have to do that.  Especially since that listing would advise you to wait until after you get LHW in March before you get Imposters next month.  And, no, of course you shouldn't do that.  You should get Imposters as soon as you possibly can, because you're super excited about the Thorn/Constabulary crossover event.

Right?

Right.

SERIES vs. SINGLE TITLE

image from WIKIPEDIA

I have always loved reading series books. From Encyclopedia Brown by Donald J. Sobol to the Dragonlance novels by Weis & Hickman, I enjoyed revisiting the characters who felt like friends.

That said, both VICIOUS CIRCLE (#1 in the Persephone Alcmedi Series) and JOVIENNE (#1 in the Immanence Series) were written to be stand alone novels. It was after the fact, when the publishers asked for more, that I expanded on the world and the characters' arcs.

image from WIKIPEDIA

Why? Because, especially considering the market and advice being given when the PA Series was picked up, the commonly held notion was that one should never 'expect' they're going to get to write more. Looking back, that's silly. Readers have always, like me, wanted to revisit their friends and go on new adventures with them, and see what happened next. But publishers then, as I understood it, weren't as eager to promise second chances to new authors.

I'd be lying if I said I didn't want to write series. I do. God yes, I do. And to that end, there have always been ideas floating in my mind and typed into documents and filed away, ready to sprout when (not if) the word is given to expand.

DRAGON CON IS COMING!!!!!!!! THIS WEEKEND. *happy dance*

You know what that means, right?

My annual post: THINGS I OVERHEARD AT DRAGONCON

Look for it next week.

Release Day: Shift of the Tide by @JeffeKennedy

Today, we're celebrating the release of our own Jeffe Kennedy's Shift of the Tide! The third book in her Uncharted Realms Fantasy Romance Series.

SHIFT OF THE TIDE

A Quicksilver Heart

Released from the grip of a tyrant, the Twelve Kingdoms have thrown all that touch them into chaos. As the borders open, new enemies emerge to vie for their hard-won power—and old deceptions crumble under the strain…

The most talented shapeshifter of her generation, Zynda has one love in her life: freedom. The open air above her, the water before her, the sun on her skin or wings or fur—their sensual glories more than make up for her loneliness. She serves the High Queen’s company well, but she can’t trust her allies with her secrets, or the secrets of her people. Best that she should keep her distance, alone.

Except wherever she escapes, Marskal, the Queen’s quiet lieutenant, seems to find her. Solid, stubborn, and disciplined, he’s no more fluid than rock. Yet he knows what she likes, what thrills and unnerves her, when she’s hiding something. His lithe warrior’s body promises pleasure she has gone too long without. But no matter how careful, how tender, how incendiary he is, only Zynda can know the sacrifice she must make for her people’s future—and the time is drawing near…

BUY IT NOW:    Amazon   |   B&N   |   iTunes   |   Kobo  |   CreateSpace

Series Versus Standalone

Well,  that's easy!

BOTH.

Some stories are stand alones. They don't need or merit another book. It's exactly that simple. If I run across a tale that i want to tell where nothing more need be added, I sell it as a stand alone.

BUT, if I think there are more stories to be told about a certain character or place, I'm perfectly glad to revisit.

In fact that's happening right now. I'm working on a sequel to a book I wrote YEARS ago called SERENITY FALLS. When i first wrote the mammoth it took me a full year. trust me, for me that's a very long time. Why? because it was complex, because it had 183 named characters and because I was telling the entire history of the town, spanning several hundred years.

It was all it needed to be.

And then I had an idea for a sequel.

I'll have the first draft finished soon.

SERENITY FALLS, by the way, was so large that when it came out as a mass market edition it required that I rewrite a portion so that it could be made into a series. That's right. My book came out as a trilogy.

The thing is, as I have said many times, I don't like to limit myself. I've got 75,000 words of s weird western written, I put it on hold when my wife passed away. I'm looking at it now and thinking it's time to finish it up. I mean, come on, we're talking the majority of the novel written.

And while waiting on that novel? I've written four sequels, all of them novellas or short stories. Haven't finished the main story, mind you, but there are ideas and more ideas.

The novel is called BOOM TOWN

The shot stories are called in order, "Black Train Blues," 'The Devoted," "White Blank Page, (Songs in the key of white)," and, with Charles R. Rutledge, "What Rough Beast," A lovely chapbook.

Currently I am finishing up a series of three novels for THE TIDES OF WAR. Before that I was working on the SEVEN FORGES series, which is four books deep and will have three additional books soon if I have any say in the matter.

That last couple? I actually planned them as series.


For me the story should be exactly the length it needs to be and if there are spin offs, I'm okay with that.

Oh, and one more example: Jnathan Crowlery is recurring character of mine. Here's a list of stories and novels he;s shown up in:
UNDER THE OVERTREE, SERENITY FALLS (WRIT IN BLOOD, THE PACK and DARK CARNIVAL), "War Stories," "That Old Black Magic," "Home For The Holidays," "Little Boy Blue," "Vendetta," CHERRY HILL, BOOM TOWN, ""Black Train Blues," 'The Devoted," "White Blank Page, (Songs in the key of white)," "What Rough Beast," "Black Tides,"and  BACK TO SERENITY. There are probably a few more.

What can I say? I am kind of fond of the character.

Writing a Series vs. a Standalone

This week's topic is apropos for me, as THE SHIFT OF THE TIDE releases on Tuesday!

It's the third book in The Uncharted Realms series. Or the sixth in The Twelve Kingdoms, depending on how you slice these things. For some people these lines are more definitive than they are for me. Our topic is: Working in a series as opposed to working on a standalone book. What are the differences and how much do you plan ahead?

I confess that I've never written a standalone fantasy. The stories all feel too big to me to contain in one book. With a contemporary or erotic romance, I can write a standalone. With a standalone book of that sort, the story is mainly about the couple and how they come together, to change, grow, and find happiness. With fantasy, the arcs are bigger, more politically sweeping.

That said, you all know I don't plan ahead. Much.

Some of it is easy - the big bad must be defeated. Because I'm not George R.R. Martin. *cough* But finding my way to that resolution can be convoluted and full of twists and turns I can't predict ahead of time. I thought I'd maybe resolve the big battle with Deyrr in THE SHIFT OF THE TIDE, but instead the plot thickened and the stakes escalated.

At this point, I think it will take two more books to wrap it all up. THE ARROWS OF THE HEART comes next and will take us most of the way. Then I think I'll need one more.

Interestingly enough, speaking of planning, I'm doing a spinoff trilogy called The Lost Princess Chronicles. Those books will be PRINCESS OF DASNARIA, EXILE OF DASNARIA, and WARRIOR OF DASNARIA. If all goes according to my (hopefully not too optimistic) plan, the event of WARRIOR OF DASNARIA will coincide and interlace with those of the book after ARROWS OF THE HEART.

I actually have a plan! Now to hope it all works out...