What I Have and What I Want

As requested, I've put THE SNOWS OF WINDROVEN, HEART'S BLOOD, NEGOTIATION and THE CROWN OF THE QUEEN into print format! You can find those on my website. 

Our topic at the SFF Seven this week is One thing we're really good at as an author and one thing we'd like to do better.

Hrm. If I go by what I hear most, I'd say that I'm really good at worldbuilding. That's the compliment I get the most often on the books. Personally, I think I'm good at characters and dialogue. Really, I think the most important authorial skill I have is a strong work ethic and daily writing habit.

What would I like to do better? It's kind of intangible, really. I'm constantly trying to improve my craft, to make each book the best it can be. Frankly, I'd like to be able to write faster and not need to revise, but I'm not sure that's a practical plan. The intangible is that I'd like to write a book that appeals to so many readers that it becomes an enormous hit. That's not practical either, as phenoms like that aren't predictable. I guess I'm going to say I'd like to approach my writing work with consistent delight and gladness. THAT I can control.

My 5 Principles for Writing in 3 Genres

Graphics from DepositPhoto

Our task this week was supposed to be a flash fiction exercise but those just aren’t my thing, so I’m sharing a post I wrote recently as a guest for another blog (Paranormal Romantics and I apologize for repeating myself if you read this post over there), when I realized I’d published in each of my three very different genres recently.

I write scifi romance, fantasy and paranormal and I’ve had a release in each in the last few months. The stars must have aligned for me! The three genres are very different, especially since my paranormals are set in 1550 BCE in ancient Egypt. I’ve never had any problem switching ‘voices’ when I move from one set of books to the next and I think there are several factors at play (besides of course The Muse who I credit for all my creativity).

I do have five foundational principles, no matter which world I’m writing in – Your Mileage May Vary as to what works for you:

·         People are people, in the far past or the far future. They care about most of the same things we do and they fall in love…

·         Action and adventure existed in all eras, but scaled to the world around the characters…

·         A version of Special Forces kickass military existed in every time, even if they aren’t called by that title…

·         Any story is improved with a bit of mysticism and the inexplicable, judiciously mixed into the plot…

·         This is ROMANCE so there will be a Happy Ever After.

For the ancient Egyptian novels, I do tons of research, which undergirds all my stories set there, even though I do take some anachronistic liberties. I think, however, because my starting point is a culture so different from ours, and my going-in assumption is that the gods are ‘real’ and do play a part in every day events, I fell into a use of language and a frame of reference that lends itself to a “you are there” feeling for the readers. My characters can’t refer to anything that didn’t exist more than 3000 years ago – no computer-based terms like data or off the grid, no items “as hard as steel”, no borrowed French words (I love faux but not for these novels) and their way of looking at life was so different from ours, especially with their complete faith in an Afterlife lived exactly as life on earth was lived, only better if you took worldly goods into the tomb with you. I’ve read translations of poems, songs and official records from the period so I’m familiar with terms they did use. 

The reviewers at Dear Author paid me what I regarded as the supreme compliment once, saying of one novel “…these definitely aren’t 21st C people in linen kilts.”

DepositPhoto

For the scifi romance, I just let the writing and the story telling rip and put adventures out there. I don’t explain the blasters or the spaceships any more than you explain your microwave to yourself. I invent the desired surroundings, be it a space ship or an alien planet and I put my main characters into jeopardy and step back to see how it all works out. (I’m a seat of the pants writer, no outlines.) 

I have created an extensive galactic world for my novels, called The Sectors, with additional details as needed, and I’ve got a standard interstellar luxury cruise liner and other elements that reoccur. There’s an interstellar crime syndicate and an opposing crime fighting unit, mysterious elder aliens, an alien goddess ruling over a Brotherhood of bodyguard/assassins…rock stars, fashion designers and of course my Special Forces warfighters. Certain characters may pop up repeatedly from time to time, but the books are pretty much standalone.

My fantasy world of Claddare is on a smaller scale, with only two books set there so far, but when I “go there”, I know I’m in a medieval type setting, not-Earth but maybe a distant alternate, with powerful magic at play. I think for those books my Muse summons up memories of all the books and movies I’ve read that were set in such places, like Andre Norton’s Witch World and the movie ‘Ladyhawke’ and provides me with a ‘voice’ and a flow of language that fits the time and place, to tell my own stories. I don’t write to music as I find that too distracting but I like to listen to music when I’m thinking about plots and characters. I have a treasure trove of Celtic music that really puts me in the right mood.

I enjoy writing for the various worlds – some of my readers like all three, some only read one genre but I appreciate every single person! YAY for readers! Occasionally someone is a little irritated that I wrote an Egyptian instead of the next book in my Badari Warriors SFR series, but I love the creative exercise of switching back and forth and it’s refreshing to me to tell such different tales.

Here are the three most recent novels:

STAR CRUISE: IDOL’S CURSE in the USA Today Best Selling Pets In Space®4 anthology: An unusual bequest….Juli Shaeffer, the Nebula Zephyr’s cruise director, receives a mysterious bequest from the estate of a longtime passenger – a lump of rock taken from a reef on the planet Tahumaroa. Legend states anyone who steals from the ocean gods will be cursed. The passenger’s will requests the rock be returned to the beach so his heirs won’t be affected by the bad luck he believed he’d incurred. Juli doesn’t believe in superstitions and she agrees to carry out this small favor on the ship’s next stop at the planet in question.

Until the rock disappears from her office…

When the rock disappears and reappears in various locations around the ship, and seems connected to a steadily escalating series of mishaps, Juli turns to Third Officer Steve Aureli as the only one she feels she can trust. Along with Steve and his elderly Aunt Dian – a passenger aboard the Nebula Zephyr for this cruise – she investigates the strange series of malfunctions plaguing the interstellar luxury liner. Steve and Juli enlist his Aunt Dian’s dog, Charrli, a retired Sectors Z Corps canine, to help them track the missing rock as it moves about the ship.

Juli and Steve must find the rock, hang onto it and transport it to the planet’s surface, before the alien idol’s curse turns deadly. The attraction between the two of them grows as the threat to Juli becomes more and more focused. Can she carry out her task while he keeps her safe from the alien curse? Will the capricious alien idol bring them good fortune…or disaster?

Amazon      Apple Books     Kobo     Nook      Google

RETURN OF DANCER OF THE NILE (GODS OF EGYPT):  Nima, formerly a tavern dancer in the land of the Nile, has settled into the leisurely life of her dreams as the pampered, beloved wife to a high ranking general who’s also a member of Pharaoh’s court. She’s sworn never to dance for anyone else but Kamin, the man she loves. All is fine until one day news arrives that her husband has been killed in a chariot accident while on a trip to a remote city on Pharaoh’s behalf.

But as a reward for their previous service to Egypt against a dangerous enemy, the gods had promised Nima and Kamin they’d die at the same moment…so if she still lives, so must he.

Why is the ruler of the city lying to Pharaoh about Kamin’s death? What is the woman covering up? And where is Kamin?

Time for Nima the elegant lady to vanish from Thebes and Nima the skilled dancer to make her way in disguise to the far distant province and fight for Kamin’s life.  She’ll have to deal with angry gods, black magic, an enemy prince and a deadly ghost along the way.

Nima is the only one who can rescue her beloved from the dark fate planned for him by Egypt’s enemies…

Amazon     Apple Books       Nook    Kobo     Google

WINTER SOLSTICE DREAM: A MAGIC OF CLADDARE NOVELLA:  Torn from her home in the Dales as a child, Nadelma has made a place for herself as the head cook in the Witch Queen of Azrimar’s castle. She stays in the background of the busy court and uses her gentle magic gifts sparingly to help others. More or less content, she’s made peace with the hard facts of her life. Romance, marriage, a family – all beyond her dreams any longer.

Then Halvor, an ambitious Dales lord rides into the city, bringing his mercenaries to serve the king, with the promise of a rich reward, including a title and an estate. The only catch? He has to marry a highborn Azrimaran noblewoman to seal the treaty.

Fate conspires to throw Nadelma and Halvor into each other’s company and the connection is instant and deep but both resist the attraction. She knows she can never have him for herself. He must fulfill the treaty to secure a safe place for his people to live, since their holding in the Dales was destroyed by the black magic of the Shadow. Marriage to a noble damsel of the king’s choice is his fate.

Until he met Nadelma he thought his heart was frozen by the loss of all he cared for, back in the Dales. Now he knows better but his people must come first.

The situation is hopeless…or is it? For the king declares the city will celebrate Winter Solstice and hold a ball, where wishes and dreams just might come true.

Amazon      Apple Books      Nook      Kobo      Google

Note: All book covers from Fiona Jayde

Snippets from the Cutting Room Floor

I'm breaking rules this week. I'm on a pair of deadlines that require every last moment of concentration. So rather than 100 word flash fiction, I'm offering up a snippet of a deleted scene. This cutting from the editing room floor is from Enemy Storm, book three of the SFR series. Enjoy knowing you'll never see it again.

            "Let me get this straight,” I said. “We’re at war. We’re losing ground. My people are dying. You're stringing me up after a short mockery of a trial, and we're playing paper dolls?"

            The queen met my gaze. "We’re en route to the front line. I’ve done everything I can until we get there. So have you. We are engaging in a bit of theater."

            "You want to present me as something I'm not?"

            She tossed a fierce grin my way. "That's one way of looking at it. The other is that it behooves us to provide an image in sharp contrast to my people's assumptions regarding you."

            Awareness hit like an explosion. "You need me to look harmless."

            "Oh no," she said, amusement in her eyes. "That would be impossible. So we shift the narrative."

            “You’re stripping me bare and remaking me in . . .

            “Yes,” Eilod said, the word forceful, her gaze intent on mine in the mirror. “That is exactly what I’m doing. It serves my purpose to change what people see when you walk into that tribunal.”

            “What? Defenseless? Fragile?”

            “Vulnerable,” Eilod said. “You will stir hearts and awaken the protective instincts of citizens across the empire. I will paint a vivid picture the fourteen year old you’d been when soldiers killed your parents. Parents across the empire will look at their own children and contemplate abandoning them to death in order to protect them the way your parents died to protect you.”

And this is where I leave you

So, friends, if you've been paying attention, you may have noticed that my output on here has been... sporadic.  To say the least.  And that's because I've been working hard, and my Big Crazy Plan has been catching up with me.

WAY BACK in 2011, when I was still a Baby Writer trying to get an agent, I decided that I Would Do The Blog every Monday and Thursday, largely as a way to force myself into habit and discipline.  This was in no small part due to being at a conference where one panelist made a point that it's better to Not Have A Blog than it is to have a blog that's updated in a haphazard and dilettante way, especially if you're a Baby Writer trying to show that You Are A Professional Writer Person.  So I dug into that diligence, continuing through selling my first books, and then getting invited to be here on SFF Seven.

But, in the years since then, my focus and needs as a writer has shifted, and while it's been great... it's also been a lot to juggle all the different things.  And one of those things is, of course, maintaining the regular blog posts here.

It's been great here, and I've been thrilled with sharing this space with all these people here.  But, unfortunately, I've reached a point where something has to give, and sadly, SFF Seven makes the most sense. 

I hope a few of the things I've posted over the years have been intriguing or insightful or in some way helpful.  Or at least fun. 

I may still pop in from time to time, when I have something to scream about.  But for now, I'll take a bow, and do one last bit of shouty:


MARADAINE! Four braided series set in the same city!  If you've waited this long, please go put your hands on it!

All right, that's good.  Do good works, people.  I'll see you down in the word mines.

Flash Fiction, the Great Intimidator

I used to write a whole bunch of flash fiction before I knew that's what it was called. And then one day I went to a con and listened to a panel full of people who were experts at this, and now... man, I don't want to invade their genius space ever, ever again. It's too pristine.

Just, whoa levels of intimidated here.

So instead of writing a 100-word story about my most recent release, More Than Stardust, here's a 100-word excerpt that kind of gets to the core of the story:

So long as Chloe was some version of her freaky, robot, inhuman self, so long as she was other and awful and immortal, she would be fine.

And he would not.

Two people so different could never be together. Not really. Not to last.

Such a slip of a thing was a human life, a few dozen years, likely no more than a hundred. A burst of bright in darkness, a flurry of wonder, and then it was done. Gone. And all the magic it held in those short, precious years, just ceased existing.

How was any of that fair?

The Immortal Spy: Series Summary

Our challenge this week is to write 100 words --no more, no less--describing our current WiP or series. Dear Reader, it ain't as easy as it sounds. But, I am up for the challenge, so here we go:

THE IMMORTAL SPY
An Urban Fantasy Series

An immortal gatekeeper with a crippling case of amnesia works in the shadows, leveraging intel and assets to save the collective of Mid Worlds from its own hostile government and a ravenous army of foreign invaders. Aided by a raucous mix of spies and soldiers, the gatekeeper will thwart Fates, gods, angels, and dragons to protect the Mids, reclaim her past, and access untold powers. In a series where enemies are allies and old lovers surface with suspicious agendas, the IMMORTAL SPY takes readers from the very real streets of Old Town Alexandria, Virginia, to fictitious locales prowled by sinister deities.

Encouraging Creative Flow and Gradually Increasing Word Count

We revealed the cover of THE FATE OF THE TALA! So now everyone knows who the mystery protagonist is. (If you can't guess from the image, the description - and preorder link - are here.)

Our topic at the SFF Seven this week is a challenge to write a drabble related to our most recent book or series. (A drabble is a scene in exactly 100 words. No more, no less.)

As usual for me with writing challenges, I'm going to pass on this one. I have good reasons for it, which I'm talking about on today's podcast. I'm doing daily podcasts at First Cup of Coffee during NaNoWriMo encouraging writers to embrace creative flow, i.e.: Pants that NaNoWriMo story!

On yesterday's podcast, First Cup of Coffee - November 2, 2019, I talked about building up daily wordcount gradually. So I've resurrected a previous post that gives a suggested strategy for hitting that 50K in November NaNoWriMo goal.

Here's the essence of it:

I take my own advice. The sort I had the opportunity to hand out a couple of weeks ago when Chris Baty, the founder of NaNoWriMo, visited our local chapter meeting, something I mentioned in last week’s post, too. One gal asked if Chris had advice on how to get going on writing those 1,667 words/day to make the 50K words/month that’s the NaNoWriMo goal. He said he didn’t so I offered mine. I told her that the temptation is to do the math exactly that way – to divide 50K by the 30 days of November and focus on achieving 1,667 words for each of those days. The problem with that approach is that writing that many words on the first day is akin to learning to run a marathon by going out and running ten miles right off the bat.

Yeah, you can probably do it, but you’ll feel the pain later.

In fact, you might be able to do it for a couple/three/four days – and then the crash occurs. Like my recovery time recently, it’s a natural sequel to going flat out.

Better, I told her, to treat it like that marathon training. Build up a little more every day. Stop before you’re tired, because that energy will translate to the next day. Consider setting up a schedule for NaNoWriMo like this:

1 100
2 200
3 300
4 400
5 500
6 750
7 1000
8 1250
9 1500
10 1750
11 2000
12 2000
13 2000
14 2000
15 2000
16 2100
17 2100
18 2100
19 2100
20 2100
21 2100
22 2200
23 2200
24 2200
25 2200
26 2200
27 2200
28 2200
29 2200
30 2200

By the end of November 30, you’d have 50,150 words. Best of all, by the time you’ve got yourself doing 2,200 words a day, it will feel very easy and natural. Because you’d be in shape for it.

Another great aspect of this method is that if you're feeling like you're "already behind" - with this schedule you're not!

Visit to a Dead Science Fiction Project

DepositPhoto

Our topic at the SFF Seven this week is to Share Something Great from a Dead Project.

First of all, I have very few projects that won’t ever be worked on. All of my scifi romance novels have been published and I just keep going on new projects. I don’t sit down to write a book and step away from it. I can think of maybe three short stories I wrote as an adult, which I can’t imagine going back to. There won’t be an excerpt today, however, because all three were laboriously typed on my old Royal and don’t exist anywhere electronically. So even if I wanted to dig through the storage boxes (I don’t) I’m not going to transcribe a 500 words or so snippet at this late date. I’d probably start editing it!

My SFR occurs in the Sectors, which is the name I gave my interstellar civilization. These three stories were early early attempts at writing in the Sectors, which was useful practice but I moved on. I did keep the name and concept of one location, Taychelle’s Planet, which I like to drop into current books. It was like Antarctica and they make good vodka there. 

The story that came to mind first for this week’s exercise involved a planet in the path of an invading alien armada. (I can’t remember if I named these aliens as the Mawreg, who are the Big Bad in my Sectors books but they were clearly the prototypes.)  Everyone had been evacuated but for one family from a ranch way out in the back of beyond. Three volunteers were waiting at the space port with the last ship, and would take these people to safety if they could get to the port in time. There was a baby being born, a flyer crash, a rescue, a brave pilot and takeoff in the teeth of the incoming enemy…and a happy ending of course. The baby gets named for the pilot who saved them all. No romance that I can recall, which is another reason I let this project lapse after finishing the first draft.

I also remember basing the space port on the USMC air station where my late husband worked at one time, as far as the setup and the atmosphere.

My most recent 2019 Sectors novel was STAR CRUISE: IDOL’S CURSE, which appears in the USA Today Best Selling Pets In Space® 4 anthology. A portion of the royalties earned through Veteran’s Day November 11^th goes to Hero Dogs, Inc., a charity which provides service dogs to veterans in need and first responders.

Usually I start with the concept of the pet for my PISA stories and develop the plot from what the animal ‘suggests’ to me but this time my jumping off place was legends about bad luck hitting tourists who steal rocks from certain locales.

I’ve always been fascinated by these myths and the tales of bad luck people believe they incur if they ‘steal’ a rock from a certain place. (And when I was researching this topic, I discovered there are various tourist spots where this belief flourishes, not just in Hawaii. The Petrified Forest in northern Arizona is another area where people frantically return rocks to the park after thinking their illicit souvenir has brought them bad luck.) I wanted to be sure I wasn’t doing cultural appropriation if I took this basic concept for my story, so I was relieved to find the modern legend arises in various places and is believed to have been begun in one locale by a tour bus driver who didn’t want volcanic ash and grit from purloined chunks off the beach or mountain messing up his vehicles. Another variation on the story says because it’s against the law to remove anything from a national park, a ranger invented the story to add an additional layer of ‘scariness’ to deter would-be souvenir hunters.

Of  course since I’m writing science fiction, I then took the entire topic a step further and gave my ‘rock’ some scary attributes, the ability to do real harm and a bit of carving to justify referring to an idol’s curse in the title.

It seemed to me the idea of tourists and souvenirs fit in very nicely with my luxury cruise ship, and then since an entire deck of the ship is devoted to recreating a beach from the planet Tahumaroa Two, it was logical for the rock or ‘idol’ in question in my story to have come from that planet and need to go back there. This led me to ponder who in the crew would be likely to become involved with returning a rock and I decided it was time for the Cruise Director, Juli Shaeffer, to get her story. She’s been referenced many times in other STAR CRUISE stories but we really never met her.  I got to do all kinds of fun research into what exactly a cruise director does on Earth and then embellish and enhance for my starship.

My next challenge was how to put a pet front and center in the story, and to engage them in a meaningful fashion with the action. I decided Juli and Third Officer Steve Aureli had unfinished romantic business, and that Steve has an elderly aunt traveling aboard this particular cruise. Every time I thought about the character of Aunt Dian, I saw one of the Gabor sisters in my head, dressed in pink and a froufrou feather boa, clutching a tiny dog. (The Gabors were famous actresses in their day and Eva from the ‘Green Acres’ TV show is kind of who I was going for, although ZsaZsa did play Queen of Outer space once in a movie.) 

Of course Dian and Charrli, her dog, have a lot more backstory and aren’t what they seem on the surface. For one thing, they’re veterans of the Sectors Special Forces Z Corps, which means Charrli is very smart and telepathic with Dian. Charrli bonds with Juli and has an affinity for the rock or idol of the novel’s title.

Then I let the events unfold from there!

The blurb: An unusual bequest….

Juli Shaeffer, the Nebula Zephyr’s cruise director, receives a mysterious bequest from the estate of a longtime passenger – a lump of rock taken from a reef on the planet Tahumaroa. Legend states anyone who steals from the ocean gods will be cursed. The passenger’s will requests the rock be returned to the beach so his heirs won’t be affected by the bad luck he believed he’d incurred. Juli doesn’t believe in superstitions and she agrees to carry out this small favor on the ship’s next stop at the planet in question.

Until the rock disappears from her office…

When the rock disappears and reappears in various locations around the ship, and seems connected to a steadily escalating series of mishaps, Juli turns to Third Officer Steve Aureli as the only one she feels she can trust. Along with Steve and his elderly Aunt Dian – a passenger aboard the Nebula Zephyr for this cruise - she investigates the strange series of malfunctions plaguing the interstellar luxury liner. Steve and Juli enlist his Aunt Dian’s dog, Charrli, a retired Sectors Z Corps canine, to help them track the missing rock as it moves about the ship.

Juli and Steve must find the rock, hang onto it and transport it to the planet’s surface, before the alien idol’s curse turns deadly. The attraction between the two of them grows as the threat to Juli becomes more and more focused. Can she carry out her task while he keeps her safe from the alien curse? Will the capricious alien idol bring them good fortune…or disaster?

All Buy Links: https://www.petsinspaceantho.com/books/pets-in-space-4/

Amazon: https://www.amazon.com/dp/B07WCQF358/

Amazon UK: https://www.amazon.co.uk/dp/B07WCQF358/

Amazon CA: https://www.amazon.ca/dp/B07WCQF358/

Amazon AU: https://www.amazon.com.au/dp/B07WCQF358/

Kobo: https://www.kobo.com/us/en/ebook/pets-in-space-4

Books: https://books.apple.com/us/book/pets-in-space-4/id1476281234

Nook: https://www.barnesandnoble.com/w/pets-in-space-4-s-e-smith/1132911108?ean=2940163094325

GooglePlay: https://play.google.com/store/books/details/S_E_Smith_Pets_in_Space_4?id=jXuoDwAAQBAJ