Trusting the Creative Process

 Happy Summer Solstice, all!

This week at the SFF Seven, we're talking about our greatest writing challenge and how we manage it.

In some ways, this is a moving target for me, because it seems that - like clockwork - each book presents its own challenge. With 64 published titles under my belt, I feel like I should have this process down and there shouldn't be surprises.

No such luck.

What I have to constantly remind myself is that the creative process is its own creature. It's this connection to something beyond ourselves and thus is not within our control. Particularly for a writer like myself - I am incapable of pre-plotting and write for discovery, relying entirely on intuition - letting go of that desire to control is critical. It can also be difficult, especially when I'm trying to write to a particular idea or market.

For example, I recently wrote one-hundred pages of a book for my agent, according to a very particular comp. Let's call it Ghost meets Out of Africa. (That is NOT it, but that's one of my all-time favorite fictional comps. Points if you can name the movie it's from.) In thinking about this project, I consulted my friend, Melinda Snodgrass, incredibly talented novelist and screenwriter who counts among her credits the Star Trek: Next Generation episode The Measure of a Man. I asked her how closely I should follow the beats of Ghost, if at all. She gave me an incredulous look and asked why, when I had a hugely successful story blueprint right there, I would do anything but follow those beats?

So, I tried.

Turns out that, not only am I incapable of pre-plotting, I also can't follow an outline to save my life. I struggled to write that book. Having the story laid out in essence should have made it easier. Instead it made it 1,000x worse. For me. Because that's not my process. Once I abandoned that outline (sorry, Melinda) and followed my intuition, the words began flowing.

That's the major challenge for me: remembering to trust the process. Particulars change with every book. This principle endures.

Preventing Burnout with Non-Monetized Creativity

 If you missed it, SHADOW WIZARD is now available for preorder! It releases September 29, 2022. This is Book One in my new trilogy, Renegades of Magic, and continues the story begun in the Bonds of Magic trilogy. Preorder links below!

     

 

Our topic this week at the SFF Seven involves our non-writing hobbies.

 

In various discussions around burn-out and sustainably productive writing habits, I've discovered that many professional authors (as in, getting paid to do it) have another creative outlet that is non-monetized. Ted Kooser, a U.S. Poet Laureate (1004-1006), told me that he painted as a hobby. His paintings were apparently glorious and much-sought, but he'd made the decision to only give them away. It was important to him to have a creative outlet that wasn't connected to money. This was a startling thought to me at the time, and one I've come back to often. 

 

Other authors I've talked with in various scenarios have also discovered that approach: that having a non-monetized creative outlet not only refills the well, but prevents burnout (or allows a creator to recover from it).

 

What happens to many of us - and I'm speaking of authors, but I imagine it happens with all creatives - is that we begin with writing as the hobby. It's the passion, the special something that we do because we LOVE it. Eventually, with persistence, hard work, and luck, we make that hobby into the profession. Then it's no longer the alternative to the day job and other responsibilities. It's become work.

 

Which, let me be clear, is good and natural. I'm a big believer in treating writing like my job. That's how I support myself and my family.

 

Still, to manage the creative self, I've found I need other outlets to refill the well and take the place of that other, special, and relaxing Thing. Keeping it non-monetized is the challenge. Especially since the pandemic began, I think we've all become adept at casting about for side-gigs. In fact, the gig-culture was going strong before that. It's tempting to take that successful hobby - I imagine Ted Kooser's friends admiring a painting, offering money for it, and him turning it down with a slight smile and shake of his head - and begin to dream of taking that art viral and making an avalanche of comforting money from it. 

 

I sometimes think there's a certain magic in refusing that temptation, in enjoying creativity for its own sake. 

 

And magic is precious.

Creative Outlets

 

Happy Sunday, all! Today's topic on the SFF Seven is The Hobby: What do you make when you aren't making words?

In all honesty, there hasn't been much time lately for my creativity to flourish anywhere but with writing. However, I have quite a few creative outlets, and I dip into them when I'm not writing. It's just that writing is all I've done this year *insert OMG face.* 

I've never met a house I couldn't decorate, or a used piece of furniture or artwork I couldn't refinish or repurpose. I've made a lot of things by hand, everything from clothes to fancy shower curtains to bedspreads to lampshades to headboards. I'm not too shabby with a power tool either. 

This winter, I'm determined to take a break and do some home decorating. I have a couple pieces of furniture I want to paint and try some gold leafing on, and I need to finish my office design and redecorate a hall bath. Maybe I'll share pictures here when I'm done.

I also love to cook, and I toy with photography. Cooking sprees seem to be most prominent when I have writer's block. Photography is more of a relaxing hobby than anything. I get very focused on the framing within the lens, and then I love the editing process too. Some of my photographs are hanging in my home, and I've taken headshots, engagement pictures, and graduation pics for several people. It's a lot of fun, and something I wish I had more time to work on.

How about you? What are some of your hobbies?

Creativity on a Deadline

This week's topic at the SFF Seven is Creativity on a Deadline: How do you balance art with business demands?

Talk about a perfectly-timed topic. I've been working long (looooong) days since The Witch Collector came out in November. I'm also horrible at balancing anything. I'm an overachiever, I'll work myself to the bone, and I have the mental stamina of...I don't know. I have a lot. If my physical energy matched my brain energy, I would be ridiculously fit.

And it's a good thing I'm like this.

We writers have to be writers first and foremost, but also marketers, graphic design specialists, website designers and managers, promotional gurus, executive assistants, top-notch planners, salespeople, publishers, formatters, editors, copy editors... I could go on. It takes a village, and much of the time that village is one lone person who is ready to run to the hills any moment.

Kidding aside, this gig can be a ton of work beyond the writing itself. There's so much to building a readership, cultivating it, and creating a brand that sells books. It's a lesson in patience, perseverance, and dedication, with many days spent traveling down different avenues that might lead nowhere.

I always knew my work style and work ethic was intense, but until The Witch Collector released in November, I didn't really know how it would translate to my author career.

Now I do. And after almost seven months of being ON for seven days a week, I'm taking a break.

This weekend, I announced a social media hiatus. I'm also training my daughter as an assistant and letting her pick up some slack over the summer so I can focus on final edits of City of Ruin and write some pages on the other stories in the series. She's also a creative writer, singer, artist, and musician and has one semester left in the recording industry program at Middle Tennessee State University. She gets this process, and she knows how I like things done ;) She lives with me and we get along because we are literally the same human, so communication is awesome.

In truth, I needed to unplug more than I realized. It's been a whole 24 hours, and I've gotten so much done while simultaneously feeling the stress leave my body. Having trustworthy hands to keep the social media going and the Etsy store functioning is a life saver. 

What I've learned is that, in the future, even if my current assistant leaves me for Hollywood, taking a break from the business side of things to just WRITE is good for balancing my author life. It's also good for my soul.

Because it's okay to unplug from the mainframe sometimes and just be a storyteller. 

Happy Reading and Writing,

Charissa

What Dreams May Come

Corvid, the Void Boi, wants you to know that his human mom doesn't need to cultivate purposeful day dreams. She has him and he's a weirdo. 

Day dreaming. It's therapeutic and completely necessary for artists of all kinds. Yet we live in a culture that flings all kinds of accusations about laziness, worthlessness, and 'wasted' time. Add modern technology into the mix and most people over twelve have precious little time for the 'silliness' of day dreaming. 

In an attempt to reclaim some brain space, time, and day dreaming, I'm working my way through a book called Bored and Brilliant by Manoush Zomorodi. It's a treatise on how our devices have stolen away the free time our brains once filled with day dreams and with synthesizing our experiences. 

It's also a useful walk through the brain science that explains why we need wandering minds and 'useless' day dreaming. 

So yes. Day dreaming - the fun, the terrible, the startling. Bring it all on. It's necessary. It's enlivening. Certainly, creativity and stories are built on the foundation of day dreaming.

The interesting piece is that with migraine, you get hallucinations. Not every time. But it seems to be a feature. Hallucinations are the feral cousins of day dreaming. Day dreams can be directed. Hallucinations can't. Yet they're useful, too. Some of the grimmest of my scenes came straight out of migraine hallucination. To be clear, tho, I'd flat give them up if I could exorcise the migraines. There are other ways to get into the altered states required to bring up vision, if not hallucination. I'd take it if I could get it. Until then, day dreams are welcome companions. Hallucinations, well. They show up, welcome or not, and stay until they're good and ready to leave.
 

When You've Got Plenty O' [Creative] Nuttin'

Happy 2020, Dear Readers!

Did you write down your Determinations for the year? Do any of them involve creative pursuits? Are you staring at the beginning, wondering if your abundant creativity went the way of 2019?

It happens to all of us! As professional authors, we often find ourselves feeling like we've drained the creative well. Each of us has our own way of refilling it. Jeffe's great suggestions kicked off the week, and each of your friendly SFF Seven bloggers will offer their ways of gettin' their giggity back.

Me? I binge watch TV and read/whittle down my TBR pile, particularly genres from which I drift away while I'm writing. When I'm writing, I exist in the bubble of my fictional world, so when that bubble bursts...it's a blessing.

Bonus that I discovered over the winter holiday: my eldest nibling has reached the tweenage years (that's no kindness, my sister assures me) and said nibling has developed a keen interest in animae. I hate to admit, it's been decades a few years since I let my animae addiction run wild, but now that I have a young whippersnapper to make recommendations, I'm fluffing the pillows, grabbing the snuggy, and settling in for a winter binge-fest.

Bring on the weird! I need a creativity refill!

To Self, with Gratitude

Our topic here at the SFF Seven this week is "With Gratitude: Shout Out to someone who makes you a better author (peer, editor, reviewer, SO, pet, etc.)."

Mine is weird, I know - but it dovetails with what I've been talking about the last couple of days on my First Cup of Coffee podcast - and it's on my mind.

I don't mean to imply that there aren't a whole host of people out there deserving of a shout-out for all they've done for me. I'm truly wealthy in wonderful friends, family, and colleagues. In fact, I have the great fear we all suffer, that if I were to list them, I'd forget someone fatally important.

But I think it's also critically important to remember to have gratitude for our selves. I've been talking about the subconscious creative self - which is something every one of us has, whether we're actively engaged in an art or not. Our subconscious is the self without words or timelines, that connects to a realm our conscious brains cannot. Sometimes it's easier to think of the subconscious self like a beloved dog or cat. We have a loving and nurturing relationship with it, one that flows both directions. And, just like with our pets, it responds best to affection, not criticism.

Also, as with our pets, they don't always do what we think we want them to do - and the surprises give us the greatest delights.

So, I'm taking a moment today to express gratitude to my subconscious creative self, which has labored long and faithfully to feed me stories to write down. I'm truly grateful for all the blessings in my life.

Hope you all have blessings and reasons for gratitude also.

Encouraging Creative Flow and Gradually Increasing Word Count

We revealed the cover of THE FATE OF THE TALA! So now everyone knows who the mystery protagonist is. (If you can't guess from the image, the description - and preorder link - are here.)

Our topic at the SFF Seven this week is a challenge to write a drabble related to our most recent book or series. (A drabble is a scene in exactly 100 words. No more, no less.)

As usual for me with writing challenges, I'm going to pass on this one. I have good reasons for it, which I'm talking about on today's podcast. I'm doing daily podcasts at First Cup of Coffee during NaNoWriMo encouraging writers to embrace creative flow, i.e.: Pants that NaNoWriMo story!

On yesterday's podcast, First Cup of Coffee - November 2, 2019, I talked about building up daily wordcount gradually. So I've resurrected a previous post that gives a suggested strategy for hitting that 50K in November NaNoWriMo goal.

Here's the essence of it:

I take my own advice. The sort I had the opportunity to hand out a couple of weeks ago when Chris Baty, the founder of NaNoWriMo, visited our local chapter meeting, something I mentioned in last week’s post, too. One gal asked if Chris had advice on how to get going on writing those 1,667 words/day to make the 50K words/month that’s the NaNoWriMo goal. He said he didn’t so I offered mine. I told her that the temptation is to do the math exactly that way – to divide 50K by the 30 days of November and focus on achieving 1,667 words for each of those days. The problem with that approach is that writing that many words on the first day is akin to learning to run a marathon by going out and running ten miles right off the bat.

Yeah, you can probably do it, but you’ll feel the pain later.

In fact, you might be able to do it for a couple/three/four days – and then the crash occurs. Like my recovery time recently, it’s a natural sequel to going flat out.

Better, I told her, to treat it like that marathon training. Build up a little more every day. Stop before you’re tired, because that energy will translate to the next day. Consider setting up a schedule for NaNoWriMo like this:

1 100
2 200
3 300
4 400
5 500
6 750
7 1000
8 1250
9 1500
10 1750
11 2000
12 2000
13 2000
14 2000
15 2000
16 2100
17 2100
18 2100
19 2100
20 2100
21 2100
22 2200
23 2200
24 2200
25 2200
26 2200
27 2200
28 2200
29 2200
30 2200

By the end of November 30, you’d have 50,150 words. Best of all, by the time you’ve got yourself doing 2,200 words a day, it will feel very easy and natural. Because you’d be in shape for it.

Another great aspect of this method is that if you're feeling like you're "already behind" - with this schedule you're not!

Listening for the Quiet Voice of Creativity

AMID THE WINTER SNOW, an anthology of fantasy romance holiday novellas is now available for pre-order! It releases December 12, 2017 and contains four all-new, meaty novellas in each of our fantasy worlds. Early reviews have called it "gorgeous," which I just love.

As the snows fall and hearths burn, four stories of Midwinter beginnings prove that love can fight its way through the chillest night…

THE DARKEST MIDNIGHT, by Grace Draven
The mark Jahna Ulfrida was born with has made her a target of the cruel and idle all her life. During the long, crowded festivities of Deyalda, there’s nowhere to escape. Until a handsome stranger promises to teach her to save herself…

THE CHOSEN, by Thea Harrison
In her visions, Lily sees two men fighting for her tiny country’s allegiance: the wolf and the tiger, each deadly, each cunning. One will bring Ys chaos and death, one a gentler path—but she’s destined to love whichever she chooses. The midwinter Masque is upon them, and the wolf is at her door…

THE STORM, by Elizabeth Hunter
When her soul mate died in a massacre of the half-angelic Irin people, Renata thought she’d never feel happiness again. She’s retreated to the snowy Dolomites to remember her hurts—until determined, irrepressible Maxim arrives to insist on joy, too. And before she can throw him out, they discover a secret the Irin have to know…

THE SNOWS OF WINDROVEN, by Jeffe Kennedy
As a blizzard threatens their mountain keep, the new Queen Amelia of the Twelve Kingdoms and her unofficial consort Ash face their own storm. Ash knows a scarred, jumpy ex-convict isn’t the companion his queen needs. But when a surprise attack confines them together in their isolated sanctuary, the feast of midwinter might tempt even Ash into childlike hope…

Amazon

Barnes & Noble

Google Play

iBooks

Kobo

We've been getting an amazing response, so thanks to everyone who's already pre-ordered!

Our topic this week is writing in a vacuum—which is better for you, writing in a closed space or writing where people can interact with you?

This is a short and easy answer for me, because I'm a vacuum kind of gal. I like total silence and minimal distractions. I keep my desk pretty well cleared off. I have a long and peaceful view down the Galisteo Basin to the mountains. My very favorite is if no one else is in the house.

If I can get a lot of quiet psychic space, that's ideal.

I can write on airplanes, or in Starbucks, if that's the only way I'm going to get the wordcount in, but I'm happiness with utter quiet. I believe that's the best way to let the subconscious speak. Sometimes the voice of creativity whispers. In total silence, I hear it best.