A Bridge Too Far: Taboos in Fiction

 

       

 

Thanks to all the wonderful readers for their enthusiastic reception of SHADOW WIZARD! Just because it's so squee-worthy, here's a fabulous Reddit Gush about the book. Made me very happy!

This week at the SFF Seven, we're asking about limits. How far is too far in your writing? Is there anything you find taboo?

I think these are two different questions. I mean, they're literally two different questions, but I think the consideration of what is "too far" for me vs. what I find taboo are not the same at all. 

George R.R. Martin once told me about one of his favorite writing exercises to assign when he teaches workshops. He'd ask the students to write about the worst thing they ever did. Some, he said, were clearly fictionalizing. And others couldn't seem to come up with anything that terrible - which he figured for another sort of denial. But the point of the exercise was to demonstrate that all people - and thus all characters - can do really awful things. I mulled this over, and the conversation has clearly stuck with me, and I'm pretty clear that I do have places I won't go in my writing.

Some of the reactions to SHADOW WIZARD that I've seen remark on how awful some of the high houses in the Convocation are. In fact, some readers tap out on the world altogether, because it is so dark. I want to show in my work what absolute power does to people - it's a recurring theme for me - so perhaps I'm not so different from GRRM in that perspective. I have shown sexual abuse to the point of rape on the page, so that's clearly not too far for me. I won't show the death of a child or an animal-friend, however. That's just because it's too much sorrow for me. 

As far as taboos, however... I have a workshop I sometimes teach on writing sexual tension, and I delve heavily into taboos, especially as they apply to sex. In short, taboos exist in society for good reasons - they are instilled in us as children to protect our health (no dessert before dinner) and safety (don't touch the hot stove) and later they come from our larger communities to protect us all (murder is wrong). Because taboos are so deeply ingrained in us, breaking them releases a huge amount of emotional and spiritual energy. It's freeing to break taboos - which is why breaking sexual taboos (which often don't exist for very good reasons) can be so healthy.

The great thing about fiction is you can break all the taboos you want to! It's exhilarating for the writer and the reader. There's a reason we love kick-ass characters who kill with glee and ease. That releases the same energy in us as breaking the murder taboo, but without social or personal consequences. So... is there anything taboo for me in fiction? 

Probably not. 

Jeffe and her Iconic Scene

SHADOW WIZARD releases tomorrow!! Preorder price of $4.99 will be good into tomorrow, then it goes up. (Along with my grocery bill, alas!) The audiobook is being recorded now and should be available in about 2 weeks.

       

 

This week at the SFF Seven, we're asking: Do you have an iconic scene that inspires your writing?

 

I think most of my stories arise from certain pivotal images. For most every book I've written, I can almost certainly identify what the core image was. It's more than visual, however, and feels more like a snippet of a moment: a character in a situation. For a long time I have had an iconic scene. I started drawing it when  was a little girl and it's found its way into any number of stories over the years. I've never quite felt like I fully wrote the story of it, though it's haunted me less recently, so maybe I've come close enough for it to leave me alone.

 

The scene:

 

A woman stands on a cliff overlooking the ocean. Waves rise in whitecaps, dashing themselves against the rocks below. A wind off the water blows back her hair and gown. She's waiting...  Perhaps for an enemy to arrive on her shores? That's my usual feeling. Sometimes a large wolfhound is with her. Sometimes I think she's a sorceress, other times a queen.

 

If you've read a lot of my books, you'll probably recognize ways that this scene appears in various forms. I might've finally worked it out of my system with the Forgotten Empires trilogy, although it still didn't feel precisely like that iconic scene. Maybe I'll wend my way back to it someday!

 

For the time-being, however, I've been in the marshes and woodlands with the denizens of the Renegades of Magic world. SHADOW WIZARD takes us to a new high house (if you're familiar with the Bonds of Magic trilogy), and increasingly wild adventures. In this book, this snippet of a scene is one of my favorites:

 

She flung herself against him, embracing him with fierce tenacity, face buried against his neck, her chin digging rather sharply against his collarbone. For a slender, barely-there wraith, Seliah possessed a surprising amount of tensile strength. And she smelled of water in the moonlight, her tough, tense, thin little body vibrating with spiky silver magic, her breasts surprisingly—and distractingly—soft and full pressed against his chest. He couldn’t help a tiny fantasy of how it would feel to be buried inside that intensity, to have that passionate body surging against his, embracing and engulfing.

It's never going to happen, he told himself firmly.

Are you sure? part of him whispered back slyly.

Yes. Ruthlessly banishing the image, he refused to touch her any more than he already had. Holding his hands out, even more awkward than ever, he kind of waved them around as he waited for the hug to end.

It didn’t. Instead she held on, a buzzing bundle of intoxicating magic and tempting woman. Jadren tried patting her back, thinking maybe that would satisfy her enough to encourage her to go away, but she only purred, snuggling closer, like a cat who’d found the one cat-hater in the room and had no greater goal in life than encamping on his lap forever.

       

Circles of Community - How Writer Friends Keep Me Going

 

A gratifying milestone for me - DARK WIZARD has passed 500 ratings on Amazon! And with a 4.3 overall average, too. I'm so thrilled by all the love this book and series has received. 

I've been busy writing SHADOW WIZARD, the next book in this world (coming 9/29! available for preorder now), and so missed my usual Wednesday blog post. I'm making that up today, because I really did want to address this week's topic at the SFF Seven. We're talking about Writing Community and asking: do you have a writing community and if so (online, phone calls, zoom, in person) how do your interactions refill your creative well?

I'm so deeply grateful for my writing community! I have many different ones, from one-on-one friendships to large, professional organizations. Here's a smattering of them and how they refill that well.

Friends

Just yesterday I had one of my monthly hour+ phone calls with writer bestie Grace Draven. We've been doing this for a couple of years now. Aside from our other messaging via text and FB messenger, and quick calls, we set aside time to have longer conversations about our business strategy. These talks help us both clarify our priorities.

 I get on Zoom daily with another writer bestie, Darynda Jones. We typically do three one-hour writing sprints with some chatting in between. Having that company while writing (even though we mute while actually working) gives me a sense of companionship, and the daily discussions of our writing keep us invigorated. We can also bounce ideas off of each other, from "what's the word I'm trying to think of?" to "Help me solve this plot problem!"

I also have other writer besties I communicate with via email or social media, people I can call upon for insight or emergency beta reads. We don't necessarily talk on a regular schedule, but knowing they're out there is priceless.

Small Groups

I'm part of various smaller communities, from a private author group on Facebook, to a Fantasy Romance Discord, to the much larger Science Fiction and Fantasy Writers Association (SFWA) Discord. I love to dip in and out of these groups, answering questions and asking them, too. They're fun and fantastic resources.

Professional Organizations

I already mentioned SFWA. As the current president of the organization, I get to interact with all kinds of creators, from newbie writers to names on the spines of books on my shelf. Getting to email with Neil Gaiman, have coffee with Catherine Asaro, or chat for a few hours with Jane Yolen are thrills I never quite get over. Feeling like a part of that larger community is validating for me on a critical level. I believe more in myself and in my work for having those associations.

Conferences

I just returned from WorldCon in Chicago - my first big conference since the COVID pandemic - and it brought home to me how wonderful these gatherings are. Conferences bring in so many different members of the reading, writing, and creating community that the cross-section of conversation is incredibly stimulating. More than the programming, just getting to be around other people who love the same stuff and sharing that excitement refills my creative well like nothing else. One of the great revelations of the pandemic for me was how much social stimulation I gain from conferences. I value them like never before.

I value all of my writing communities, and am so grateful for each and every one of you!

Jeffe's Top Five Worldbuilding Tips

SHADOW WIZARD coming September 29, 2022! Preorder now!!

     

This week at the SFF Seven, we're sharing our top five worldbuilding tips. Since I just returned from WorldCon in Chicago, where I gave a workshop on worldbuilding from a character-driven perspective, I'm going to cheat ever so slightly and pull from that.

1. All stories require worldbuilding

Even a story set in our contemporary world, written as realistically as possible, still requires worldbuilding because it's impossible to to replicate the complexity of our world. You will always be picking and choosing relevant details. Choose wisely. (And see Tip #5.)

2. Don't allow worldbuilding to be displacement activity for writing the actual story

Worldbuilding is fun! Writing is hard. It's easy to spend tons of time on research and worldbuilding and kid yourself that it's writing. It's not. Don't become the person with megabytes of maps and details and no actual text.

3. The world is yours to shape however you like - build it to challenge your characters

Story is about characters facing conflict. The world they live in creates external conflict for them and informs their internal conflict. Since you get to play deity here, build the world with challenging your characters in mind.

4. RPGs - role-playing games can distort your worldbuilding sense.

Many creatives learn worldbuilding from gaming, which can be a great exercise, but - as dedicated gamers have pointed out (I am not one) - game worlds often don't make any internal sense. Use caution in emulating that model.

5. Use the iceberg model

While you should know - or discover - all about your world, most of that detail should be like the iceberg beneath the surface. Only the tip of all that knowledge should show up in the story. If you've done the work and your world is internally consistent, that tip of the iceberg will be representative of the rest.

Preventing Burnout with Non-Monetized Creativity

 If you missed it, SHADOW WIZARD is now available for preorder! It releases September 29, 2022. This is Book One in my new trilogy, Renegades of Magic, and continues the story begun in the Bonds of Magic trilogy. Preorder links below!

     

 

Our topic this week at the SFF Seven involves our non-writing hobbies.

 

In various discussions around burn-out and sustainably productive writing habits, I've discovered that many professional authors (as in, getting paid to do it) have another creative outlet that is non-monetized. Ted Kooser, a U.S. Poet Laureate (1004-1006), told me that he painted as a hobby. His paintings were apparently glorious and much-sought, but he'd made the decision to only give them away. It was important to him to have a creative outlet that wasn't connected to money. This was a startling thought to me at the time, and one I've come back to often. 

 

Other authors I've talked with in various scenarios have also discovered that approach: that having a non-monetized creative outlet not only refills the well, but prevents burnout (or allows a creator to recover from it).

 

What happens to many of us - and I'm speaking of authors, but I imagine it happens with all creatives - is that we begin with writing as the hobby. It's the passion, the special something that we do because we LOVE it. Eventually, with persistence, hard work, and luck, we make that hobby into the profession. Then it's no longer the alternative to the day job and other responsibilities. It's become work.

 

Which, let me be clear, is good and natural. I'm a big believer in treating writing like my job. That's how I support myself and my family.

 

Still, to manage the creative self, I've found I need other outlets to refill the well and take the place of that other, special, and relaxing Thing. Keeping it non-monetized is the challenge. Especially since the pandemic began, I think we've all become adept at casting about for side-gigs. In fact, the gig-culture was going strong before that. It's tempting to take that successful hobby - I imagine Ted Kooser's friends admiring a painting, offering money for it, and him turning it down with a slight smile and shake of his head - and begin to dream of taking that art viral and making an avalanche of comforting money from it. 

 

I sometimes think there's a certain magic in refusing that temptation, in enjoying creativity for its own sake. 

 

And magic is precious.

The Drive to Develop a Writing Practice

Look for the cover reveal for SHADOW WIZARD, book one in Renegades of Magic, the new trilogy continuing the Bonds of Magic epic tale! I'm getting the preorders set up today and plan to do the cover reveal on Instagram tomorrow, August 11, 2022. Members of my private Facebook group, Jeffe's Closet, may get a sneak peek ;-)

This week at the SFF Seven, we're asking: how has your writing practice changed over time?

It's interesting because the topic-suggester framed it as "Plus ça change, plus c'est la même chose" - my college French demanded I get the saying correct - which is a French saying that acknowledges that the more things change, the more they stay the same. In other words, that surface details may alter over time, but the essence of the thing, the recognizable cycle of events, is fundamentally inalterable. Often it's applied to history. So this suggests that our writing practice may change over time, but it also stays the same. Is this this case?

I'm saying no, at least for me. My writing practice has changed considerably since my newbie days. I was reflecting recently that, as a teen and young woman, I didn't really know how to apply myself to improving at a task. This largely came from the fact that, in school all the way through high school, I could get by without really trying. I had a good auditory and visual memory, and I tested well, so I didn't need to work hard to get A's. (Except in math, which I thought I wasn't good at, even though they put me in accelerated math classes. Turns out I likely wasn't good at it because I didn't like math, so I didn't listen in class. Oops.) In college and grad school, a number of professors began riding me to apply myself, to study and do the practice problems. I kind of tried to - especially when I had to retake Immunology for my biology major and really didn't want to have to retake second semester of organic chemistry - but there was a major problem: I didn't know how to study.

I remember thinking I needed to learn how to study, but I was mostly flailing about. It was only when I had novel deadlines to meet that I got very good at refining my ability to work in concentrated ways, incrementally, day after day. I don't often think of messages I'd like to give to my younger self, but I now wish I could advise that college student, that graduate student, to develop the habit of working for a couple of hours every morning. This is my best brain time. If I had done that in school, if I had spent just that much time working practice problems and reviewing the material, I likely would have done much better.

Of course, then I might have ended up as a research scientist after all, when I'm so happy as a novelist. Maybe it took working on something I truly cared about to inspire me to develop the practice to do it. Que sera, sera!

LONEN'S WAR Now in Audio!

     

Read Excerpt

 On my mind this week is the audiobook release of LONEN'S WAR! 

A little while back, I sold the audio rights for this self-published series, Sorcerous Moons, to Scribd. Megan Frampton is my editor there and she's been great to work with. Many thanks to Agent Sarah Younger of Nancy Yost Literary Agency for negotiating the deal. I feel like I should give Sarah a special shout-out because it's really great to have an agent who supports the indie side of my career, too. She invested a lot of time and energy into getting me the best possible contract with Scribd. Another plus: Scribd gave me a free subscription for a year! This is pretty amazing since other audiobook publishers of my books have refused to provide me with copies of my audiobooks. If I want to listen to my own freaking book on audio, I have to buy it. 

Grr.

Not so with Scribd! I've been super pleased with the process of working with them. There was a SNAFU in the original recording and they fixed it by re-recording the first three books. It set the production schedule back but they did it without complaint and I was impressed by their professionalism. 

The ensuing five books will be out on the following (tentative) schedule:

#2 ORIA'S GAMBIT August 16

#3 THE TIDES OF BARA September 13

#4 THE FORESTS OF DRU September 27

#5 ORIA'S ENCHANTMENT October 11

#6 LONEN'S REIGN October 25

Also, LONEN'S WAR is now wide and should be available on all retailer platforms. Print is coming any day now and just wait to see how super cool the set is together with the new covers! 

Very exciting to see this rejuvenation of my first entirely self-pubbed series. 

In other news...

Look for the cover reveal and preorder link for SHADOW WIZARD, Book #1 in Renegades of Magic, the trilogy that picks up after  Bonds of Magic! Look for SHADOW WIZARD coming September 29, 20222! Here's a sneak peek of the cover: