I'll do anything for story, but I won't do that

 Taboo, you say?

I'm not against leveraging a good taboo now and then. Have done, in fact. Certain cultures have a taboo against writing anything into the skin. Tattoos are equated with magic spells etched into your body that have to pull their energy from somewhere. I definitely used that in the Nightmare Ink books. How could I not? It lends itself so well to 'what if' and to imagining the unintended consequences of flouting the taboo. That's tasty stuff and I did my best to respect the cultures that hold that taboo to this day. It's important to me that my characters face down whatever chaos results from the choices they make.

But.

I draw a personal line at taboos that hurt or exploit innocents. Want me to hurt animals? You can piss right off. You'll always be able to read my stuff with the assurance that the dog will not die. In my world, some taboos deserve to remain untouchable forever. I feel like the line between taboo and kink is informed consent. Taboo is about victimizing someone. Kink is about having a good time while playing with the edges of what's deemed acceptable by society. Based on that, I'm pretty dead set against breaking taboos in my stories unless doing so drives my point of view characters. My mains characters knew what they signed up for when they volunteered for a story. They get what they get. I'm going to do my best to push them past what they think of as their limits. I'm going to do damage that they have to either recover and grow from or wither and die from. But handing over some innocent bystander to a bad guy for some taboo breaking simply for shock value or to 'show' you how bad my bad guy is? No thanks. First, there are taboos that do not bear thinking about in any way, shape, or form. If I hate the whole notion of certain taboos, I'm not going to write them. There are too many other ways to get at what I need to motivate characters to change. Second, there are taboos that aren't a part of my experience and I do not have the authority to speak to them or represent them in fiction. I might not be able to get inside of those taboos to comprehend what purpose the taboos serve. By that I mean that most taboos are protective - they're meant to stave off harm to individuals, a clan, a culture, or a society. I had a boss who had immigrated from Iran explain that the prohibition against pork in his culture was a protective measure against trichinosis. That's understandable. An example of a taboo I can't understand is a current Tik Tok semi-comedic, semi-horror meme. It comes from Appalachia where the saying is "If you hear someone call your name from the woods, no you didn't."  I understand the intent - to protect you from vanishing into the wild never to be seen again. Whether it's bug or feature, though, I don't comprehend it because I lack the imagination to grasp not having a modicum of power over what happens to me when I walk into the woods to investigate something I heard. This taboo isn't my story to tell. I lack the mindset and experience of people who grew up with grandmothers who drilled the taboo into their heads.

Yes. I'd probably be one of the first to die in a horror movie, killed because I foolishly rolled my eyes at a taboo I couldn't wrap my brain around. 

Where's Your Line?

TABOO

There are all levels of good and evil, sweet and nasty, lovely and horrible in creative works. And there are all kinds of taboo across the globe.

Which brings me to our topic of the week: how far is too far in your writing and is there anything you find taboo? 

Everyone will have something they find taboo because we all live in society. You can’t have something be taboo without society as a whole viewing the thing/action as unacceptable. Which means, put taboo into your characters lives! 

I’m not talking about using it to write lazily, KAK talked about it Tuesday. Whatever actions are enacted upon your characters or are done by your characters should have purpose and move the plot or their personal arc forward. Yes, there is a pool of people out there that enjoy gratuitousness for the sake of gratuitousness, but you’ll reach a wider audience if there is meaning behind actions. 

That said, of course there are things too taboo for me to write about, but there are also ones that toe the line. Murder, stealing, adultery, taking advantage of the old…kinda sounds like the ten commandments. Those taboos have become so commonplace in entertainment, and sadly in real life for many, that their unthinkableness is very thinkable—which translates to, very easy to write. 

I don’t think I’ll ever be able to write a character with a high level of profanity. It’s just not in me. And I still want to write about hope. As long as I know where my lines in the sand are, I’m good. 

How about you? How do you know how far is too far?

A Bridge Too Far: Taboos in Fiction

 

       

 

Thanks to all the wonderful readers for their enthusiastic reception of SHADOW WIZARD! Just because it's so squee-worthy, here's a fabulous Reddit Gush about the book. Made me very happy!

This week at the SFF Seven, we're asking about limits. How far is too far in your writing? Is there anything you find taboo?

I think these are two different questions. I mean, they're literally two different questions, but I think the consideration of what is "too far" for me vs. what I find taboo are not the same at all. 

George R.R. Martin once told me about one of his favorite writing exercises to assign when he teaches workshops. He'd ask the students to write about the worst thing they ever did. Some, he said, were clearly fictionalizing. And others couldn't seem to come up with anything that terrible - which he figured for another sort of denial. But the point of the exercise was to demonstrate that all people - and thus all characters - can do really awful things. I mulled this over, and the conversation has clearly stuck with me, and I'm pretty clear that I do have places I won't go in my writing.

Some of the reactions to SHADOW WIZARD that I've seen remark on how awful some of the high houses in the Convocation are. In fact, some readers tap out on the world altogether, because it is so dark. I want to show in my work what absolute power does to people - it's a recurring theme for me - so perhaps I'm not so different from GRRM in that perspective. I have shown sexual abuse to the point of rape on the page, so that's clearly not too far for me. I won't show the death of a child or an animal-friend, however. That's just because it's too much sorrow for me. 

As far as taboos, however... I have a workshop I sometimes teach on writing sexual tension, and I delve heavily into taboos, especially as they apply to sex. In short, taboos exist in society for good reasons - they are instilled in us as children to protect our health (no dessert before dinner) and safety (don't touch the hot stove) and later they come from our larger communities to protect us all (murder is wrong). Because taboos are so deeply ingrained in us, breaking them releases a huge amount of emotional and spiritual energy. It's freeing to break taboos - which is why breaking sexual taboos (which often don't exist for very good reasons) can be so healthy.

The great thing about fiction is you can break all the taboos you want to! It's exhilarating for the writer and the reader. There's a reason we love kick-ass characters who kill with glee and ease. That releases the same energy in us as breaking the murder taboo, but without social or personal consequences. So... is there anything taboo for me in fiction? 

Probably not. 

Go-To Taboo or Just Lazy Storytelling?

 What are the limits? How far is too far in my writing? Is there anything I find taboo?

Yanno, it depends on the subgenre. When I write high fantasy, there are no taboos. Anything can be interwoven into the story as long as it's part of the development of characters or plot. However, depravity in its many heinous facets for the sake of pandering to the prurient interest is lazy and trite. We really should strive to be better storytellers when we express the loss of personal agency, the stripping of power, the crumbling of independence, and the hollowness of defeat. Similarly, villainy needs more depth than dick-sticking.

When writing UF and Fantasy Romance, there are paths I won't tread. Primarily because these genres are about empowerment and building strong relationships--personal, familial, and community. Thus, the readers don't want to suffer through scenes of sexual violence. They're tired of misogyny. They want consent. Mutual respect. Healthy relationships. Flawed protagonists who aren't Too Dumb To Live nor Too Testosterone-Laden to Think. The age of the Alphahole faded with dial-up, so did the Helpless Heroine. It's not that certain topics or tropes are taboo, it's that the readers' expectations evolved. They expect our storytelling to evolve too.