Jeffe and her Iconic Scene

SHADOW WIZARD releases tomorrow!! Preorder price of $4.99 will be good into tomorrow, then it goes up. (Along with my grocery bill, alas!) The audiobook is being recorded now and should be available in about 2 weeks.

       

 

This week at the SFF Seven, we're asking: Do you have an iconic scene that inspires your writing?

 

I think most of my stories arise from certain pivotal images. For most every book I've written, I can almost certainly identify what the core image was. It's more than visual, however, and feels more like a snippet of a moment: a character in a situation. For a long time I have had an iconic scene. I started drawing it when  was a little girl and it's found its way into any number of stories over the years. I've never quite felt like I fully wrote the story of it, though it's haunted me less recently, so maybe I've come close enough for it to leave me alone.

 

The scene:

 

A woman stands on a cliff overlooking the ocean. Waves rise in whitecaps, dashing themselves against the rocks below. A wind off the water blows back her hair and gown. She's waiting...  Perhaps for an enemy to arrive on her shores? That's my usual feeling. Sometimes a large wolfhound is with her. Sometimes I think she's a sorceress, other times a queen.

 

If you've read a lot of my books, you'll probably recognize ways that this scene appears in various forms. I might've finally worked it out of my system with the Forgotten Empires trilogy, although it still didn't feel precisely like that iconic scene. Maybe I'll wend my way back to it someday!

 

For the time-being, however, I've been in the marshes and woodlands with the denizens of the Renegades of Magic world. SHADOW WIZARD takes us to a new high house (if you're familiar with the Bonds of Magic trilogy), and increasingly wild adventures. In this book, this snippet of a scene is one of my favorites:

 

She flung herself against him, embracing him with fierce tenacity, face buried against his neck, her chin digging rather sharply against his collarbone. For a slender, barely-there wraith, Seliah possessed a surprising amount of tensile strength. And she smelled of water in the moonlight, her tough, tense, thin little body vibrating with spiky silver magic, her breasts surprisingly—and distractingly—soft and full pressed against his chest. He couldn’t help a tiny fantasy of how it would feel to be buried inside that intensity, to have that passionate body surging against his, embracing and engulfing.

It's never going to happen, he told himself firmly.

Are you sure? part of him whispered back slyly.

Yes. Ruthlessly banishing the image, he refused to touch her any more than he already had. Holding his hands out, even more awkward than ever, he kind of waved them around as he waited for the hug to end.

It didn’t. Instead she held on, a buzzing bundle of intoxicating magic and tempting woman. Jadren tried patting her back, thinking maybe that would satisfy her enough to encourage her to go away, but she only purred, snuggling closer, like a cat who’d found the one cat-hater in the room and had no greater goal in life than encamping on his lap forever.

       

New #Fantasy #Romance Release: The Promised Queen (Forgotten Empires, Book3) by Jeffe Kennedy

 Our amazing Sunday blogger Jeffe Kennedy is at it again, releasing another new heart-pounding romantic fantasy! The third book in the Forgotten Empires trilogy. Yes, for you dear readers who like to wait until a series is complete, this is it! So, wait no longer and dive into the world of the Forgotten Empires today!

THE PROMISED QUEEN 

Forgotten Empires, Book 3

Claim the hand that wears the ring, and the empire falls.

Conrí, former Crown Prince of Oriel, claimed the hand that wears the Abiding Ring, but the prophecy remains unfulfilled. Queen Euthalia of Calanthe returned to her island kingdom, but broken in mind and body. With the blood of war unleashing ancient terrors, Calanthe isn’t the haven it once was.

Lia must use her magical bond with Calanthe to save their people while Con fights to hold off the vengeful Emperor Anure and his wizards. Con and Lia will have to trust in each other―and in love―to fend off ultimate disaster.

BUY IT NOW: Amazon | Bookshop.Org | IndieBound.Org

Miss the first two books in the trilogy? Get them here: 

Book 1 THE ORCHID THRONE 

Book 2: THE FIERY CROWN

Protagonists and The Promised Queen

Our topic at the SFF Seven this week is "Avoiding Same Protagonist, Different Name, Different Story: How do ensure your lead characters are unique per series/standalone?"

This isn't a great topic for me because I ... don't. In that, I don't ensure or strategize this kind of thing. Maybe because I'm an intuitive writer? Characters come to me and tell me about themselves. I don't have to avoid finding the same one any more than I have to worry about running into the same people over and over in the larger world.

But that's cool because it's release week for me! 

THE PROMISED QUEEN - book three in the Forgotten Empires - comes out on Tuesday, May 25!

        

As far as protagonists go, an early reviewer said this to me:

Really appreciate how at no point did Con become some magically articulate prince. He still said "...stuff" instead of somehow finding a way to wax eloquent in the third act. Thank the gods.

I love that! In honor of Con's uneducated and rough ways that have him saying "stuff," here's a scene where he does exactly that.

******************

We walked in quiet for a few steps, Lia turning us at a four way intersection where all the paths looked the same to me. “Do you know where you’re going?” I asked.

“Metaphorically in my life, or literally in this maze?” she replied lightly.

“Now you sound like Ambrose.”

“He has his moments. The answer is yes to both.”

“You know where you’re going in life?” 

“That has never been a question for me. My life belongs to Calanthe.” Before I could say anything to that, she continued. “And there’s a pattern to the turns in the maze, which everyone knows, even if they never come this way. The maze is here primarily to prevent anyone from stumbling into the heart of the night court by accident.”

“Am I going to be shocked by what I see?” I blurted out, figuring I’d better ask.

She gave me an assessing look, eyes glowing with color, like the decorative lanterns did. “You might be. Do you mind? We can turn back.”

“No way. Not after I just confessed to regretting not learning what I could when I had the opportunity.” Besides, maybe I’d get some ideas about pleasing Lia. If I could figure out how to be a better lover for her, she might want to marry me again.

“You could still learn, you know,” she offered. “It’s never too late.”

For a pained moment, I thought she’d read that thought—then I realized she meant reading and stuff. “I’d feel like an idiot.” I could just picture it, sitting there like a hulk in some schoolroom, painstakingly reading aloud from a kid’s book. 

“You said you feel like an idiot most of the time anyway,” she countered.

“Good point.” We turned twice more, and I began to get the pattern now. “Two lefts, then a right, and repeat?”

“Exactly. Now you know.”

“Not that I’d come this way without you.”

“You could. The night court would—”

“I know, I know. You offered this before and I said I didn’t want it. Quit bringing it up.”

“No need to growl, grumpy bear.”

I laughed, a hoarse grating sound. “I thought I was a wolf.”

“It changes, moment to moment,” she replied. “And you’re not, you know.”

“A wolf or a bear?”

“An idiot. You’re a very intelligent man. One of the smartest men I’ve been privileged to meet.”

Is Death Truly Inevitable?

This week at the SFF Seven we're discussing The Necessity of Death.

In fiction, of course! 

We're asking "Do You *Have* To Kill Characters for there to be enough risk? What other threats work better or just as effectively?"

This is one of those topics readers and writers alike seem to debate often. The readers, of course, never want any character they love to die. This includes all animals and children, named or not. (As a reader, I agree!) 

Writers, however, often feel the pinch of this expectation. Death is, after all, a part of life. And without the peril of death, the stakes of any conflict can feel flat. Though we do enjoy making our readers cry, we also want them to be happy with the story. A cathartic ugly cry is a wonderful reading experience. Coming away from a book bitter and grieving? I don't like it, myself.

I recall an author asking this question on some writer forum a while back. He had a long-running series with a central protagonist. All along, he'd planned to kill this guy at the end. But, the series had gone longer than he anticipated, gaining many passionate readers. Seeing this character's fate coming, they'd begun writing to the author to beg him not to kill the character at the end. The author was seriously torn. He felt that this certain death was so integral to the story - as indeed it must have been, for readers to anticipate and write to him about it - that he worried doing anything else would be a cheat.

Would it have been? 

One well-known author killed her protagonist at the of a series, to great dismay from her readers. This was something she'd planned from the beginning, as she wrote the books in reaction to what she felt was a cheat ending to the Harry Potter series. She thought Harry should've died at the end, so created her own series to execute that exact arc. That author has defended the ending by saying that the series is about this character learning to be selfless and that only by making the "ultimate sacrifice" - by dying - could she truly learn that lesson.

But... is that the case?

This is the crux of what we're asking here. Is death of a character necessary to demonstrate something? You'll notice I put "ultimate sacrifice" in quotation marks, but is giving up one's own life really the greatest sacrifice? I'd argue that dying can be easier than living through difficulty. Making restitution to people you've wronged can take tremendous effort and suffering - something that arguably takes much more strength of character than escaping into death. 

With THE PROMISED QUEEN coming out next week, quite a few readers are revisiting the first two books in The Forgotten Empires - THE ORCHID THRONE and THE FIERY CROWN - and making guesses about how the trilogy will end. There are a few questions they want answered and one has to do with the quote above. I think I'm spoiling nothing when I say that I believe that repaying debts and suffering to truly change is far more meaningful for a character than merely dying. 

        

A Writing Habit That Works for YOU

Amazingly enough, it's already May - which means THE PROMISED QUEEN, the third and final book in the Forgotten Empires trilogy, is out in just two weeks. That comes as a shock to me, I can tell you! 

It also makes this particular graphic quite apt and goes well with our topic this week: "When Life Gets In The Way: dealing with a schedule for writing when the world wants to go off the rails."

Nothing like a global pandemic and the attendant chaos to shake up the world a bit, huh?

I've been fortunate compared to many of the creatives I know - so many people have struggled to create art during this extraordinary time of upheaval - in that I've maintained a consistent output of words. In fact, I wrote nearly 120K more words in 2020 than in 2019 (recall that I am dubbed The Spreadsheet Queen for a reason), which I largely attribute to the fact that I didn't travel in 2020.

So, why was I able to stay on schedule when others couldn't?

There are a lot of reasons for that - including that I am blessed with happy brain chemistry and I'm not prone to anxiety - but I think the number one reason is that I've built a consistent writing habit. That's the foundation that keeps me stable and productive.

Martial artists like to poke at practitioners of yoga and meditation by saying, "But what happens when someone knocks you off your pillow?" The jibe is meant to shame those not into the fighting arts by implying that meditation is fine and all, but if you're attacked, it's fundamentally useless.

Believe me - I know this is exactly what they mean, as I used to train with martial artists fond of saying that very thing.

Whenever someone asks me about this topic, about work/life balance or maintaining creativity through upheaval, I think of that quip. 

What happens when someone knocks you off your pillow?

The answer is pretty obvious: You get back on.

See, the whole point of meditation (or prayer or self-care or whatever works for you) is to discover a solid, peaceful foundation within yourself. That's why it's called a "practice." It's something that you develop over time by doing it repeatedly. Nobody ever said it was in order to spend your entire life on a pillow in a meditative state. Once you discover that foundation, that silent core of peacefulness, then you know how to find it again. 

No one ever promised us lives where everything is perfect all the time. Things are going to happen to derail us - and the best we can do is find our way back to that foundation again, rather than being tossed about endlessly from one crisis to another.

A writing habit provides that foundation. The great thing about habits is we default to them. Bad and good, habits drive our unconscious decisions. Why not build a writing habit that works for you instead of against you?

Then, when the world knocks you off schedule, it's easy to get right back on again.

Backstabbers and Betrayals: Beware the Ides of March!

This week at the SFF Seven, we're asking for our most dastardly characters or favorite backstabbers. 

One of my favorite backstabbers is a subject of some historical controversy: Bess Throckmorton. She was one of Queen Elizabeth I's ladies in waiting - and her sometime favorite. Until Bess fell in love with and Married Sir Walter Raleigh, who the queen also loved. At least, that's how the story goes in Elizabeth: The Golden Age, and that's the version that inspired aspects of my Forgotten Empires trilogy.

I loved how this dynamic was portrayed in the movie - and I particularly felt for Elizabeth and her heartbreak, though I think we're supposed to sympathize with Bess. Elizabeth, though, loses the illusion that Raleigh might love her for herself and she loses her belief in Bess's friendship. 

I based the dynamic between Lia, the Queen of Calanthe, and her favorite lady-in-waiting, Tertulyn, on Elizabeth and Bess. But I told it my way and changed up the details. Still, it was super fun to write my own backstabber story!

Also, you can preorder book #3, THE PROMISED QUEEN!

        

Why Daydreaming Increases Productivity

Our topic at the SFF 7 this week is: Dreamzoning (term from Robert Olen Butler’s book From Where You Dream): Do you daydream on purpose?

I'm not familiar with this book, but I absolutely daydream on purpose! I call it The Dreamthink. 

The Dreamthink is so central to my creativity and productivity that I gave it to the heroine of my Forgotten Empires trilogy. For her it's an actual form of magic, and you can see it referenced there in the whim for the upcoming THE PROMISED QUEEN. 

In my Forgotten Empires trilogy, the heroine—Queen Euthalia of Calanthe—uses the dreamthink to maintain her world. Because she’s magically sensitive, messages come to her in nightmares, when her mind is vulnerable. The world is a chaotic, broken, and wounded place—and it cries to her for help. When she wakes from these terrible dreams, she pretends to be asleep still, just to calm herself so she can face a day of politics. 

In some ways, she isn’t entirely faking it. She wakes, then goes into another stage of sleep: the dreamthink. 

Lia, who lives in a world that celebrates science and knowledge, but is not technologically advanced, has given this state its own name. It feels to her like a kind of light dreaming, where she can also guide where her mind goes. Those of you familiar with meditation or sleep stages, might recognize this as a trance state. Or it could be a Stage 1 sleep with theta waves (which are also present during meditation) or Stage 2 with sleep spindles in the brain activity. Magical or not, those are states of mind we all experience at some time or another. 

I know I do! I made up the term “dreamthink” for myself. (Even though I do understand meditative trances and sleep states – lol.) Once I became a full-time writer, I gave myself the gift of waking according to my own natural rhythms. I don’t set an alarm, so I emerge from sleep gradually. Often I’ll lie in bed in that light sleep state a while longer, and mull over the story I’m writing. That’s why I call it the dreamthink—because I can guide my mind to that particular story thread, and then dream about what might happen. It’s a lovely, low-key way to puzzle over plot issues, and wonderful ideas present themselves to me. 

In the first book of the Forgotten Empires, THE ORCHID THRONE, Lia uses the dreamthink to wrestle the nightmares. As the story progresses into the second book, THE FIERY CROWN, and as Lia begins to use her native magic in a more deliberate way, she summons the dreamthink to quiet her conscious mind and unruly emotions. The trance state of the dreamthink allows her to access the magic of the land, to expand her mind into other realms of reality.

If only we all had magic to heal the world in these troubled times! But we all can find a sort of dreamthink for ourselves. I think you’ll find it’s a great salve to worries of all kinds.

For those hoping to access the creative subconscious, this deliberate daydreaming brings its own kind of magic. Productivity comes in many forms - and sometimes that's when you appear to be worlds away, magicking up your own.