Leveling Up Your Craft as a Writer

This week at the SFF Seven, we're asking each other if our writing changed - and, if so, how?

It might seem disingenuous to say this, but yes my writing has changed: I've gotten better. 

I mean, one would hope so! 

And I realize that "better" is a nebulous descriptor, so I'll attempt to define it. One thing about writing skill that it seems I end up telling newbies over and over is that I absolutely have gotten faster at every stage of the process. It's like when you learn to drive a car. (And I learned on a stick shift, so there was an extra layer of learning curve there.) At first you consciously think about a hundred different aspects of the task: the brake, the accelerator, (maybe the balance between the clutch, the brake, and the accelerator, which was a real treat), steering, watching the front, the side, the rear view, reading street signs and traffic signals, and thinking several cars ahead, and remembering where you're going... It's a LOT to think about and overwhelming at first. But later, after you've been driving for years, you don't think about all of that anymore, right? Mostly I think about where I'm going and how to best get there - and sometimes I zone out and forget even that, defaulting to familiar routes - but otherwise the rest is subconscious.

Writing is the same way! (I include revising in this.) After time and practice, you don't have to think about the zillion details of craft, liberating your mind to focus on storytelling. 

I think this is something that more experienced writers forget - how much we've internalized the mechanics of the process, allowing us to allocate more resources to our creative selves. This freedom allows us to try new things, write more difficult and complex stories, to test our writing chops. Maybe it's like, to extend the analogy, learning to drive a race car or fly a plane. Going for the fancier skills is predated by learning the basics.

The thing is, I think a lot of us who grow up reading the works that inspire us (which should be all of us, really) have this idea that we can leap directly to doing THAT. Everybody loves the concept of the wunderkind, the prodigy, the creative who makes a list like "30 under 30," as if that's meaningful in any way. Spoiler: it's not meaningful; it's just unusual, which is why we're fascinated.

So, do what I advise the writers in my mentoring Discord: take your time, learn the basics. It *will* get easier. And THEN you can deliberately choose to make it harder!

 

Why Daydreaming Increases Productivity

Our topic at the SFF 7 this week is: Dreamzoning (term from Robert Olen Butler’s book From Where You Dream): Do you daydream on purpose?

I'm not familiar with this book, but I absolutely daydream on purpose! I call it The Dreamthink. 

The Dreamthink is so central to my creativity and productivity that I gave it to the heroine of my Forgotten Empires trilogy. For her it's an actual form of magic, and you can see it referenced there in the whim for the upcoming THE PROMISED QUEEN. 

In my Forgotten Empires trilogy, the heroine—Queen Euthalia of Calanthe—uses the dreamthink to maintain her world. Because she’s magically sensitive, messages come to her in nightmares, when her mind is vulnerable. The world is a chaotic, broken, and wounded place—and it cries to her for help. When she wakes from these terrible dreams, she pretends to be asleep still, just to calm herself so she can face a day of politics. 

In some ways, she isn’t entirely faking it. She wakes, then goes into another stage of sleep: the dreamthink. 

Lia, who lives in a world that celebrates science and knowledge, but is not technologically advanced, has given this state its own name. It feels to her like a kind of light dreaming, where she can also guide where her mind goes. Those of you familiar with meditation or sleep stages, might recognize this as a trance state. Or it could be a Stage 1 sleep with theta waves (which are also present during meditation) or Stage 2 with sleep spindles in the brain activity. Magical or not, those are states of mind we all experience at some time or another. 

I know I do! I made up the term “dreamthink” for myself. (Even though I do understand meditative trances and sleep states – lol.) Once I became a full-time writer, I gave myself the gift of waking according to my own natural rhythms. I don’t set an alarm, so I emerge from sleep gradually. Often I’ll lie in bed in that light sleep state a while longer, and mull over the story I’m writing. That’s why I call it the dreamthink—because I can guide my mind to that particular story thread, and then dream about what might happen. It’s a lovely, low-key way to puzzle over plot issues, and wonderful ideas present themselves to me. 

In the first book of the Forgotten Empires, THE ORCHID THRONE, Lia uses the dreamthink to wrestle the nightmares. As the story progresses into the second book, THE FIERY CROWN, and as Lia begins to use her native magic in a more deliberate way, she summons the dreamthink to quiet her conscious mind and unruly emotions. The trance state of the dreamthink allows her to access the magic of the land, to expand her mind into other realms of reality.

If only we all had magic to heal the world in these troubled times! But we all can find a sort of dreamthink for ourselves. I think you’ll find it’s a great salve to worries of all kinds.

For those hoping to access the creative subconscious, this deliberate daydreaming brings its own kind of magic. Productivity comes in many forms - and sometimes that's when you appear to be worlds away, magicking up your own.  

Finding Inspiration

pic from my hiking adventures

If you’re a writer, you’ve undoubtedly been asked where do you get your ideas from? About a thousand times. And the topic of the week might give you an easy way to answer: what other media inspires you? 

I write sci-fi and fantasy. And for me, it’s almost a right brain left brain kind of thing. So it makes sense that I’m inspired to write the different genres in different ways.

When I’m writing the future and coming up with all sorts of made-up tech I thrive off other science fiction media. Anyone watch Altered Carbon? Fan-freaking-tastic! The character journeys were fun to watch unfold, but it was the world and all those small details—how the characters interacted with and used that world that fired off hundreds of ideas. 

When I’m writing fantasy I need nature. When I’m dreaming up completely new worlds and magic I need to walk under the trees and step to the cliff’s edge. If I really can’t get out, or my imagination needs to travel to the type of local I’ve never been to, photography saves me. Beautiful images, vivid or faded, breath taking scenery.

#Ullrthehuskypup

Yes, I know the act of writing stems from the same brain location, but activating the scientific part of me is a completely different function than painting worlds with words. 

I should really remember this for when I’m feeling stuck in my writing. I sort of do consciously think this way, I frequently take the husky pup (I still miss my Loki dog) for walks to get the mind going, and I’ll binge on sci-fi movies/shows for ideas. 

But if I actively try to kickstart the part of my brain I need…sooner, maybe my sticky spots will be shorter lived! 

How about you? I envy the people that get inspired by music. So, do you use a certain type of media to inspire you? 

Feeding the Creative Subconscious with Beauty

Our topic at the SFF Seven this week is inspiration. What other media inspires us: fandom, music, photography, paintings?

For me, the answer is pretty much yes.

Yes to all of it. Books, poetry, news articles, music, visual arts of all kinds - it all feeds into a stewpot of inspiration for me. For today's post, however, I'll stick with visual arts, particularly paintings and drawings.

The above is a giclee by Diana Stetson called Raven Watching. My mom bought it for me a couple of weeks ago from a gallery in Santa Fe. It's an early birthday present, since the odds of us being together for my actual birthday aren't great. I love the sense of depth to this piece, and how the raven seems to be watching with a keen and knowing gaze. It looks exactly like the desert ravens around our house, too, so that's a lovely echo to bring indoors.

It's fitting, too, that my mom bought this gift for me, as she's the one who taught me to love art--largely by dragging me in and out of Santa Fe galleries on family vacations.

When I first began transitioning from being a scientist to a writer, I studied a great deal about being creative, especially the creative subconscious. One thing I gleaned was to surround myself with visual images that fed my subconscious. I read a quote from Anna Pavlova - which I inevitably can't find now - about the Imperial Ballet Academy where she studied. She said everywhere at the academy, they were surrounded by beauty - so that they would soak that in and bring it out again in their dance.

I took that to heart and surround myself with art that makes me feel reverence for the world. Sometimes I can point to specific inspirations. Other times... well, I hope that it's soaked in, ready to spring forth in new forms.