AI Art vs. Human Art

 

Photo by pure julia on Unsplash

Artificial Intelligence (AI) is becoming increasing popular in the world of art. AI-generated art is created using various techniques, such as algorithms and machine learning. While AI art is created with these programs, traditional art is created by human artists using their skills, creativity, and imagination. With traditional art, there is a level of control that the artist has over the final product. With AI art the algorithm is responsible for the final creation. Human artists have unrestricted freedom of choice in terms of aesthetic direction, colour palette, style choice, and revisions during the creative process.

AI programs are not producing original works of art, but rather replicas. The problem with AI generated art is that to learn how to create their artwork, they are pulling art from human artists without their agreement and without giving any acknowledgment to the original artist. Artists on the human side should have the choice to opt-in to these AI platforms using and learning from their work.

Personally, I do not agree with AI generated art as I understand the frustration of having your work taken without your consent, but I can see the appeal behind it. I think it should be created in a way that is not harmful to human artists, as I mentioned above by giving them credit and receiving their permission. 

Many people use AI-generated artwork for fun, for character inspiration, or for character artwork because it's an inexpensive way to express their creativity. Many see AI-generated artwork as an approach to making high-quality artwork accessible to a wider audience at a lower cost. Not to mention, it is created quickly and easily, and is becoming more difficult to distinguish the difference between AI art and human-created works of art. 

It can take some artists years to develop a signature style that truly expresses their voice and emotion. AI art does not need the time that human artists require to learn or to create. Algorithms can now make art for you in a matter of seconds, drastically shortening the time it takes from idea to finished product.

I wanted to reach out to an artist to get their opinion on AI art and how and if it has affected them since it has becoming more and more popular. I have many friends as well as artists I have worked with and this is what one of them had to say:

“Art is something done with great passion. Artists put a lot of hours and determination; the concept alone takes time. And once a brilliant idea clicks in my mind, it fills me with joy and motivates me to create more. It takes up to a week for me to create an artwork, if not more. 

It honestly feels bizarre. With the kind of attention it gets (AI art) and people appreciating something that was put together from the scraps of other artist’s work, honestly, it’s not only disheartening but highly demotivating as well. Being inspired by art is one thing, and copying and editing an art is another. The main issue here is using the work of other artists and getting away with it. It not only loses the originality, it is cheating many!”

Real artists will have a harder time keeping up with AI's rapid art production. Contrary to popular opinion, I do not think the rise of AI-generated artwork spells the death of human creativity. Nevertheless, I do think that many human artists will lose their inspiration and drive as a result of this trend.

Danielle Hill is an Amazon Top 10 author of drama filled, swoon worthy and magical contemporary fantasy novels. Danielle first came up with the idea for A Kingdom of Sun and Shadow in late 2017 and began publishing chapters on Episode shortly after. After a warm reception on Episode, she decided to expand the story and began writing the manuscript in February 2018.

Persistence On My Mind

On my mind today: this gal on the right who turned 19 on Thursday. She is the picture of persistence. She ached to be the queen of the household for so many years of her life. I honestly didn't know if she'd ever get to rule the roost. Erie held the position for most of Cuillean's life. When Erie died, Hatshepsut inherited the crown. Then Hatshepsut ceded her rulership to Cuillean just before dying unexpectedly. Cuillean is the undisputed queen of her domain at long last. Even if she's deaf as a post and drags one fore leg when she walks. Hobbles. Whatever. She keeps on. 

I'm doing my best to learn from her example. 

The other thing occupying my mind is a meme someone posted to a Facebook group. It hits kinda hard and I haven't gotten it out of my head for a few days, so I'm going to install it in yours and you can ponder (or wonder why humans are so intrinsically broken - whatever works) with me.

 

Feeding the Creative Subconscious with Beauty

Our topic at the SFF Seven this week is inspiration. What other media inspires us: fandom, music, photography, paintings?

For me, the answer is pretty much yes.

Yes to all of it. Books, poetry, news articles, music, visual arts of all kinds - it all feeds into a stewpot of inspiration for me. For today's post, however, I'll stick with visual arts, particularly paintings and drawings.

The above is a giclee by Diana Stetson called Raven Watching. My mom bought it for me a couple of weeks ago from a gallery in Santa Fe. It's an early birthday present, since the odds of us being together for my actual birthday aren't great. I love the sense of depth to this piece, and how the raven seems to be watching with a keen and knowing gaze. It looks exactly like the desert ravens around our house, too, so that's a lovely echo to bring indoors.

It's fitting, too, that my mom bought this gift for me, as she's the one who taught me to love art--largely by dragging me in and out of Santa Fe galleries on family vacations.

When I first began transitioning from being a scientist to a writer, I studied a great deal about being creative, especially the creative subconscious. One thing I gleaned was to surround myself with visual images that fed my subconscious. I read a quote from Anna Pavlova - which I inevitably can't find now - about the Imperial Ballet Academy where she studied. She said everywhere at the academy, they were surrounded by beauty - so that they would soak that in and bring it out again in their dance.

I took that to heart and surround myself with art that makes me feel reverence for the world. Sometimes I can point to specific inspirations. Other times... well, I hope that it's soaked in, ready to spring forth in new forms.

Emergency Refilling of the Well

For a lot of us - especially Romance writers - the stress of the last few weeks has been at best distracting and at worst devastating. That kind of emotional stress, on top of the holiday season, which can be emotionally draining for many people, can leave us with empty wells. So what do you do when you need to be creative, but the well is dry?

In other words, how do you even when you can't even?

Our quite timely topic at the SFF Seven this week (thanks to KA Krantz for creating the new topic calendar!) is "Refilling the well – what do you do to nourish your creative self, long term and in an emergency?"

Just Don't.

When you can't even, not trying to is a great option.

I'm always amused when self-care articles include taking a hot bath. Doesn't it seem like EVERY SINGLE ONE DOES??? And yet, the theory behind this is what counts. In the bathtub we are typically alone - usually you can even lock the door and there's the whole bathroom = privacy thing - and so we get expectation-free time. We can nap, read, count the tiles - I have one friend who has a TV over her tub where she watches Downton Abbey - or simply stare into space.

The point is taking time to do "nothing" is great for refilling the well. We're geared that way. So whether it's yoga (which allows thinking to bleed away), meditating (like yoga that way), tile-counting (a kind of meditation), taking a long walk (same), or whatever allows your mind to go blank, do that thing.

Read, Watch Movies, Listen to Music, Look at Art - One at a Time

When was the last time you listened to music and did *nothing* else? What's the longest time recently that you've read without stopping to do something else, like check your phone or the time? When you watch movies or binge a show, do you also check Twitter or do some sort of other task simultaneously? Try doing just the one thing and nothing else. If you are happier doing something with your hands, mindless tasks like knitting or needlework don't count as distractions. Just try practicing doing only one thing. I remember being a teenager and lying there just listening to an entire album. The closest I've come since is when I'm driving.

Studies have shown that when we multitask, we're actually rapidly switching our attention from one thing to the next, which is draining. It's not good for our mental health. So consume that favorite media - and do ONLY that. Going to a movie in a movie theater can be great for that, as you *can't* do anything else but watch the movie. (Seriously, you shouldn't be looking at your phone - it lights up and annoys everyone else.)

I'm lucky enough to live in a place with a vibrant art scene. Walking around galleries and looking at art is something that makes it difficult for me to multitask - especially if I keep my phone in my bag! - and it fills my personal creative well. Museums are great for this, too, or even art books with wonderful paintings and photographs.

Unplug

It's okay to walk away from the Internet. The FOMO (Fear of Missing Out) can be strong, but time away can really help to cool the fires of urgency. In many ways, social media has become like the 24/7 news shows - after about thirty minutes, everything has been said and goes on repeat. It's almost impossible these days to really miss out on anything because someone is always out there ready to rehash and analyze. Go unplug. This comes back to the Just Don't. Go to a lake with no cell service, or take a walk and leave your phone behind. Set aside one day a week where you don't turn on the computer and you turn off your data plan.

These are all great for long-term maintenance, and all things that I do. But what about in an emergency, when things hit a crisis point?

I do these things too, just more consciously. I make myself turn things off and I walk away. Looking at pretty pictures or nature goes a long way toward grounding myself again.

But if you all have suggestions for emergency well-refilling/stress chilling, I'd love to hear suggestions!

Favorite Holiday Reads

This book has already been mentioned. In fact, I think I bring it up every single time we do the holiday book thing. Here it is again, with good reason. It's my favorite. Has been for decades now. The story is aces. The art is utterly haunting - even though it's cartoon water color, it's vivid and fluid and alive. You feel like you're actually striding the strawberry fields. It doesn't matter how often I read the book, I end up on the emotional roller coaster of the story whether I mean to or not.

So sure. It's a silly little holiday book. A trifle. A book for kids and for kids at heart. And if you read it to one of your favorite kids, the art and the story will stick with you for days and days. Maybe for the entire year until the next time you read it to someone. Or have it read to you.

If you're of a certain age, you recall exactly what it was like to go see E.T. in the movie theater for the first time and to expose yourself to the master emotional manipulation that defines that movie. Red Ranger Came Calling is the watercolor and blue haze of swear words hanging over the fields and frightening the rabbits version. It's sublime emotional manipulation. 

To my mind, that makes it Art. Fight me. Just remember. I have back up.

Photo credit: Faye Heath

Finding Motivation when Life Spirals Downward

The moon rises over the mesa at Ghost Ranch where Georgia O'Keeffe had her summer home. We went on a sunset horseback ride to see her house and the landscape she painted.

It was just extraordinary.

We also did a tour of her winter home and studio in Abiquiu. I've done this one before and love to do it every time I have an out-of-town visitor interested. Seeing where and how this prolific and fantastic artist lived and worked is an enormous education in examining life choices. She surrounded herself with beauty and - though she was a millionaire by that point in her life - Georgia lived a very minimalist and simple life.

All of her choices focused on making herself into a better artist.

Our topic this week at the SFF Seven is "Finding motivation when life spirals downward."

What I've discovered - for myself and from examples like Georgia O'Keeffe - is that the spiral of my life depends on my art, not the other way around. Writing provides an anchor and a ley line* for my life. The creativity is the wellspring of energy, writing is how I channel it, and that channeling provides the buffer and balance for everything else.

Sure, being able to produce art depends on having a life set up to be peaceful enough to do that, but for me - as Georgia did - that means constructing my life to put my work at the center. If my writing is going well, everything else goes well.

*the concept of a "ley line" is found in fantasy a lot and is like a river of magical energy

Trigger Warnings - Do We Need Them?

The first SFWA Fantasy Story Bundle has been selling like hotcakes! Which...how DO hotcakes sell, anyway? Maybe fast before they cool off too much. But these stories will keep. For only $5 you get four full-length novels and for $15 total, you can get all twelve. Keep them forever and read at your leisure! A great way to discover new-to-you authors while supporting both those authors and the Science Fiction and Fantasy Writers of America, who does so much to advocate for the genre and the profession. The first book in my Sorcerous Moons fantasy romance series, Lonen's War, is a part of the bundle.

Our topic this week at the SFF Seven is Trigger Warnings: When Subject Matter is Controversial.

This topic itself has become somewhat controversial in recent years, almost worthy of a trigger warning right there. The thing is, "controversial" doesn't equate to an actual trigger. The term comes from mental health circles, where "triggers are external events or circumstances that may produce very uncomfortable emotional or psychiatric symptoms, such as anxiety, panic, discouragement, despair, or negative self-talk." (Reference) Thus a "trigger warning" is intended to advise people with mental health issues of this variety that they may want to steer clear of the content. For example, a fictional rape scene might come with a trigger warning to advise victims of rape that reading could adversely affect them.

However, the term - as can be witnessed by the wording of our topic - has come to be associated with anything controversial in any way. The term "triggering" has become part of the modern lexicon for any topic that elicits a strong reaction. Or even a response that's out of the ordinary.

The thing is... art SHOULD elicit a reaction. Certainly out of the ordinary. Hopefully a strong one.

Otherwise, what's the point?

Sure, a lot of our entertainment is designed to be soothing, to lull us back into a level of numbness where we don't have to think or feel. With that sort of thing, mild is best. TV sitcoms strive to be amusing without being controversial in any way. The edgier comedies have more divided audiences, with equal numbers hating the show as love it.

Genre fiction is often escapist, yes - but I think the best kind also stirs grand emotions and ideas in us. That's what I love best, when a book moves me and makes me think about things I normally don't. But that's not being triggered.

I'm blessed enough to be more or less trigger-free. I have my hot button, sure, but I know what most of them are and I'm able to manage my responses for the most part. For people with actual triggers, I do try to be aware of what those might be and warning people appropriately. That's the compassionate thing to do.

When Writing Is Work: Finding the Fun Again

Yesterday I got to take my stand-up paddle board out for a jaunt on Lake Sumner in New Mexico. It was a gorgeous day - warm and still, the water cool but not freezing. To my delighted surprise, I hadn't lost my skill with it since last fall. Rather, I'd improved! My balance and strength are much better. I even discovered what should have been a no-brainer, that the way I distribute my weight on the board contributes to the direction I turn as much as the paddling. There's a joy in both doing the work and in discovering I've improved, as much as in the simpler aspects of the sun, peace, and water.

Our topic this week is along those lines. The Business of Writing: How Do You Separate out the Work of Writing from the Pleasure of Writing?

This is one of those aspects of being a writer that tends to plague established authors more than aspiring ones. Don't get me wrong! The whole query-hell aspect of being an aspiring author, or the initial steps of self-publishing and trying to acquire an audience, those are their own special circles of torment. They're kind of like middle school and high school - full of angst and drama. None of us would go back to it for anything. I had dinner the other night with a lovely writer friend who's self-published some work and is in her fourth year of query hell with other work. It's hard. You just have to get through it.

So, yes, getting to be an established writer is better than being an aspiring one, in the way that being an adult is better than being a teenager - much more self-sufficiency, less drama, your own space where you can watch bad movies, drink wine, and eat junk food all night if you want to.

Not that I ever do that.

But, to extend the analogy, it's also more pressure than being a teenager. There are bills to pay. No one stands between you and the consequences of bad decisions. There's no more summers off or writing whatever takes your fancy, taking as long as you like to do it. You have to adult and treat writing like a, well, A JOB.

Because it is one.

And the thing about jobs is you have to do them even when you don't feel like it. When your art pays the bills, it becomes a business. That doesn't mean it CAN'T be a pleasure, but the two don't necessarily go hand in hand.

There's all those inspirational sayings like this one:

Which, in case you were confused, is not something Confucius said. I also found it attributed to Mark Twain. Also, no. I think it's one of those insipid things thought up by success coaches. I say insipid because it implies that if you love what you do it will never feel like work. This won't be news to any of you smart people, but *everything* feels like work sometimes. Anything worth doing takes effort. I love my stand-up paddle board, but sometimes it's a hell of a lot of work, especially paddling into the wind. I love my husband, but sometimes a relationship is work. There's nothing wrong with that.

Let me set that out on its own: THERE IS NOTHING WRONG with work.

There's nothing wrong with business. It's not drinking margaritas by the pool, but neither is writing. In fact, where most arts are concerned, this motivational poster has it spot on.

I know, I know. But really I don't mean that in a depressing way. Think of this: if we all wrote only the fun bits, we'd have 57,000 scraps of fabulous plot-bunnies and one-liners and zero novels or completed stories. Because at some point we have to do the parts we don't love. Sometimes we have to paddle into the wind.

Recently I've been working up a new series for my new agent. (Yes! Totally burying that quasi-secret lead. I'll be able to announce all the details on March 29, because reasons. Anyway, I'm working up a new idea for her. She wanted ~20,000 words of the first book, and I can write 5,000 words/day when I'm cruising, so I figured I could do this in a week.

HA HA HA HA HA HA!

Turns out not so much. All that *WORLD-BUILDING* doncha know. So there I was, flailing away, with only 3K when I'd hoped to have 10K, beating myself up about it. And it occurred to me that I spent an entire year on the first draft of THE MARK OF THE TALA. I went and looked it up. An entire year on 80K. Which works out to a little over 200 words/day, for those of you who prefer not to think about math. Sure, I was working full time then, and traveling for the day job A LOT,

But I also had that day job income. I had no agent, no publisher, no contract. I played with that book for a year because I could. That was still high school for me. Maybe Freshman year of college, when I could still take whatever courses looked interesting because I didn't have to think seriously about my future yet.

Yes, it was fun.

The thing is, writing this new book can be fun, too. IF I can keep from flogging myself with unrealistic timelines and schedules. And if I can keep from fretting about paying the bills. And from worrying about what that scathing review said, or what the market is looking for, or... or... or!

All of this means that, as with all things adulting, it's up to us to find the fun in what we do. It can be a lot like reaching back to our carefree youth and rediscovering those aspects that felt like PLAY instead of work. When I wrote THE MARK OF THE TALA, I called it The Middle Princess and I just followed the story wherever it led, indulging myself in *my* favorite stuff.

You know what? There is absolutely no reason I can't do that with this book, too. Yes, this is my job, but it's a job I chose out of love. It's hard work at times, sure. It's also a joy.

Finding the fun in effort is a conscious choice.

Instead of thinking about the wind I'm paddling into, I need to focus on the joy of balance, of cool water splashing my feet and the sun warm on my skin. And of the pleasure in finding that I've improved, of discovering a cool new trick.

It's all fun, if we let it be.

Channel Your Outrage into Art

Can our calendar guru see into the future? If so, I want words with KAK on if she saw these elections results coming!

Maybe it's just me reading in. Our topic this week is: Writing fuel - taking caffeine (coffee and tea) off the table, what fuels your words?

Lemme tell you, folks - I've been writing a lot this week. And it's not because I upped my caffeine intake. It's no secret I was super excited to elect the first woman president of the U.S. I've also long admired Hillary Rodham Clinton and her stellar career. Along with her skin that must be six inches thick, because I don't know how she stands all the muck that's been flung at her over the years. And then she lost to a man who, while I understand he may be the hope of those who've felt silenced, has embodied the worst of human nature. Greed, selfishness, hatred, racism, bigotry. Those who voted for him assure us Trump won't be as bad as he seems, that he didn't mean everything he said, or that it's been exaggerated by the media.

We can only hope.

And keep vigilant.

Also, I've been writing a lot.

One thing about outrage, anger, and other strong emotions - they channel well into making art. My Twelve Kingdoms books started as my answer to despotic patriarchy. The series is the story of the fairy tale three princesses, each more beautiful than the last. They're the daughters of High King Uorsin. This is a spoiler if you haven't read the books, but Uorsin is not a nice guy. In fact, he's a tyrant, and he becomes increasingly unhinged over the course of the initial trilogy.

I found it interesting that some reviews of the third book, THE TALON OF THE HAWK, said that I took Uorsin too far, that he didn't need to be that awful. And yet real world examples easily that awful and worse.

None of that mattered to me, though. He met the sword of justice just as I wanted him to - and by the hands I felt should serve his sentence. And the women triumph.

I may have been working out a few things.

But that's what we do with art. We take that emotion, those experiences, and we channel and transform them. Art communicates a message. Stories do, too.

I've been writing a lot this week. I hope you all are finding an outlet for how you feel, too.