Finding Motivation when Life Spirals Downward

The moon rises over the mesa at Ghost Ranch where Georgia O'Keeffe had her summer home. We went on a sunset horseback ride to see her house and the landscape she painted.

It was just extraordinary.

We also did a tour of her winter home and studio in Abiquiu. I've done this one before and love to do it every time I have an out-of-town visitor interested. Seeing where and how this prolific and fantastic artist lived and worked is an enormous education in examining life choices. She surrounded herself with beauty and - though she was a millionaire by that point in her life - Georgia lived a very minimalist and simple life.

All of her choices focused on making herself into a better artist.

Our topic this week at the SFF Seven is "Finding motivation when life spirals downward."

What I've discovered - for myself and from examples like Georgia O'Keeffe - is that the spiral of my life depends on my art, not the other way around. Writing provides an anchor and a ley line* for my life. The creativity is the wellspring of energy, writing is how I channel it, and that channeling provides the buffer and balance for everything else.

Sure, being able to produce art depends on having a life set up to be peaceful enough to do that, but for me - as Georgia did - that means constructing my life to put my work at the center. If my writing is going well, everything else goes well.

*the concept of a "ley line" is found in fantasy a lot and is like a river of magical energy

When goal-setting becomes counterproductive

I used to be a huge goal-setter and plan-maker. Once, during a 16-week technical writing contract that turned out to be pure agony -- I had to physically clock in and wear pantyhose, for the love of everything holy! -- I hand-drew a calendar and gleefully X'd out each completed day. So satisfying! Later, when I managed a department, I had to-do lists and calendars running for twenty or more projects at a time and felt like I was queen of the freakin universe. My personal planning during college was a thing of beauty.

But becoming a writer broke something inside my brain. (At least one thing, you might say.) I don't make plans anymore. I can't. It hurts too much.

As much as folks say you can't take anything personally in this business -- because it's, well, a business -- the near-constant barrage of failure can be traumatic. I've heard of writers making plans to have X number of releases or hit certain lists or write X number of words each day or earn enough to quit the day job, and I'm not saying don't ever do those things. What I'm saying is be prepared for your meticulously laid plans to go sideways with no warning and through no fault of your own. And be prepared for that to happen a lot.

Writing for publishers is notoriously out of writers' control. I've experienced publishers that went out of business, lines that were discontinued immediately after my story was released, publishers that spontaneously decided not to pay out royalties, one series that just stopped abruptly, crap sales, snarky reviews, and anthologies that languished sometimes for years after the contracts were signed.

At the beginning of this writing adventure, of course I made short-term, medium-term, and long-term career plans. I was the queen, remember? I wrote my goals down, affirmed them, created calendars and lists and committed myself whole-heartedly to gettin shit done.

And each time the industry spasmed and one of my stories -- one of my goals -- was affected, I would look at all those intricate plans and see only lists of failures. Irrationally but inevitably I decided these were my failures, and I owned them.

It's not easy to admit, but there were times when the failures became too much, too many, and depression crept in. My critique partner and I went through a lot of similar experiences and took to calling the big D "the pit." We'd text things like "Pit's deep today," and the other would reply with something like, "Yeah, but you're still good. I still believe in you."

So, I don't make goals anymore. I don't have plans in the detailed sense, save one:

I plan to write stories for as long as I am able and
make them available to whomever wants to read them. 

How precisely this master plan goes down is a wide open who-knows. And that's okay.

Life goals: writing retreat in a castle

Last year at the RWA national convention in Orlando, I overheard some writers talking -- was it in a speech? Or was I just that creepy lurker in the lobby unintentionally overhearing everyone else’s conversations?! I really don’t recall -- about a retreat they’d been on together. They pooled funds from, like, ten writers and rented a castle in Ireland for three weeks.

A castle.

In Ireland.

For three weeks.

Also? It was haunted.

So whether I heard it legit, spied it, or made it up, none of that really matters because...

A castle.

In Ireland.

For three weeks.

With a ghost.

(And also he was probably a hot, angsty, Victorian ghost. Hush, you, this is my happy place!)

This is now filed in my brain under Life Goals. Who’s in?