Circles of Community - How Writer Friends Keep Me Going

 

A gratifying milestone for me - DARK WIZARD has passed 500 ratings on Amazon! And with a 4.3 overall average, too. I'm so thrilled by all the love this book and series has received. 

I've been busy writing SHADOW WIZARD, the next book in this world (coming 9/29! available for preorder now), and so missed my usual Wednesday blog post. I'm making that up today, because I really did want to address this week's topic at the SFF Seven. We're talking about Writing Community and asking: do you have a writing community and if so (online, phone calls, zoom, in person) how do your interactions refill your creative well?

I'm so deeply grateful for my writing community! I have many different ones, from one-on-one friendships to large, professional organizations. Here's a smattering of them and how they refill that well.

Friends

Just yesterday I had one of my monthly hour+ phone calls with writer bestie Grace Draven. We've been doing this for a couple of years now. Aside from our other messaging via text and FB messenger, and quick calls, we set aside time to have longer conversations about our business strategy. These talks help us both clarify our priorities.

 I get on Zoom daily with another writer bestie, Darynda Jones. We typically do three one-hour writing sprints with some chatting in between. Having that company while writing (even though we mute while actually working) gives me a sense of companionship, and the daily discussions of our writing keep us invigorated. We can also bounce ideas off of each other, from "what's the word I'm trying to think of?" to "Help me solve this plot problem!"

I also have other writer besties I communicate with via email or social media, people I can call upon for insight or emergency beta reads. We don't necessarily talk on a regular schedule, but knowing they're out there is priceless.

Small Groups

I'm part of various smaller communities, from a private author group on Facebook, to a Fantasy Romance Discord, to the much larger Science Fiction and Fantasy Writers Association (SFWA) Discord. I love to dip in and out of these groups, answering questions and asking them, too. They're fun and fantastic resources.

Professional Organizations

I already mentioned SFWA. As the current president of the organization, I get to interact with all kinds of creators, from newbie writers to names on the spines of books on my shelf. Getting to email with Neil Gaiman, have coffee with Catherine Asaro, or chat for a few hours with Jane Yolen are thrills I never quite get over. Feeling like a part of that larger community is validating for me on a critical level. I believe more in myself and in my work for having those associations.

Conferences

I just returned from WorldCon in Chicago - my first big conference since the COVID pandemic - and it brought home to me how wonderful these gatherings are. Conferences bring in so many different members of the reading, writing, and creating community that the cross-section of conversation is incredibly stimulating. More than the programming, just getting to be around other people who love the same stuff and sharing that excitement refills my creative well like nothing else. One of the great revelations of the pandemic for me was how much social stimulation I gain from conferences. I value them like never before.

I value all of my writing communities, and am so grateful for each and every one of you!

What To Be And What Not To Be...That Is The Question

This week's topic at the SFF Seven is about vocational advice young writers receive because of the belief that writing doesn't put food on the table. 

I battled with this more than I care to talk about. I wanted to be a writer from the time I was so small, and the desire only grew the first time I went to a book signing, in high school. Both of my parents were musical and creative. Not writers, though. They also came from absolute poverty, born just after the Great Depression, hitting their twenties in the 1950's and early 1960's. Living just south of Nashville with musical sensations springing up in rural communities certainly had its effect on my dad. He played at the Grand Ole Opry and made it on several radio shows. But the stars didn't align, and though he gave up on that particular dream, he still played music until he passed at 81 years of age.

For me, when I would mention wanting to write a book and see where it took me, the advice was always that success that's enough to live off of just isn't realistic. My parents believed in me, but more so in my ability to sing than write novels. Our entire family is musical, and I love singing, but I am not a performer and never have been. They loved music, though, so that's where they wanted to focus when it came to me. But in reality, my talents funneled toward one path, and that was writing. 

Life happened, and by the time I faced college, I already felt the pressure to do something with the brains I inherited more so than my creativity. I was pre-med at first, but after clinicals, I quickly realized that I couldn't face dying people every day. Then I tried the teaching path--my mother was a teacher. But that didn't hold my interest in the least. I couldn't face five year olds everyday either ;)

So I tried nursing. Respiratory therapy. Psychology. I made it into different programs and went to college FOREVER and managed business and a physical therapy clinic, but nothing ever felt right. Yes, I loved the medical field, and I could easily be a perpetual student, but the bottom line was that I was trying so hard to please people who didn't believe in my creative ability because they stopped believing in their own.

In my thirties, I realized that you only live one life, and that it was time to start the journey toward the career I really wanted. It took a decade to get anywhere, though I wrote, edited, and learned constantly, stealing any time I could at my day job, at night, early in the morning, on weekends. I just didn't know how to balance the career I envisioned with my life: four teen and pre-teen daughters, a spouse who worked out of state and out of the country, and ailing parents who were ultimately my responsibility to care for.

But, now, here I am doing the thing I so wish I'd found a way to do twenty years ago. I wish my entire adult life could've been filled with writing stories. But I was the type of person who didn't believe in myself because others didn't. My husband and kids always believed in me, but self-doubt is a poison when it's programmed into you at a young age. It annihilates motivation and suffocates any thoughts of perseverance.

My youngest daughter is a creative. She sings, plays multiple instruments, can write EVERYTHING, from amazing magazine articles to screenplays to poetry to novels. She even draws and paints. She's in her last year of college for a degree in the recording industry with a minor in songwriting and plans to turn her most recent screenplay into a novel this summer. 

The one thing I swore I would never do was tell her to try another vocational path rather than focusing on her creativity. Right now, that's easier, because she's still at home. But now is the time for her to try all the things. To see where her creativity can take her before life gets expensive, and she has no choice but to settle for a road she doesn't want to take. I want to give her every opportunity to build the foundation for a full, creative life that pays the bills. It isn't impossible. It just isn't easy.

I realize not everyone has that kind of support. I didn't have it. And the truth is, most writers struggle to keep a consistent income, so sometimes, that advice given to young people against the creative career path is meant to protect them from financial difficulty. But steering someone away from what they are best at doing on a day to day basis points them in the wrong direction. 

Again...we get ONE life. And it goes by so very fast.

So here's my counter-advice to all the bad stuff that can cloud your mind: If you want to be a writer, not as a hobby, but to make it your full-time or even part-time career, try to believe in yourself. Realize that it will likely take time to get to the point where writing sustains you, and understand that it is constant work to maintain that income. Being a writer is like having homework forever.

But I believe in you, even if no one else does, and I hope you find a way to follow your heart, your dreams, but most of all, your ability.

 Happy Reading and Writing,

~ Charissa

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Alexia's Favorite Perk to being an Author!

 Publishing is a strange, strange occupation…at least from my POV coming from the medical field. It’s time tables are opaque and responses from people lag for months until suddenly something is needed yesterday. 

It’s easy to pick out the dislikes in the book making biz, as it is with everything. But I like to focus on the good stuff—the highlights! 

My number one fave of being an author:

Being blessed to be included in some wonderful groups of authors!

This picture are my 2018 Golden Heart sisters, the Persisters. Having a group of writers that, no matter which publishing path they were taking, were starting out at about the same place was invaluable. Having these fabulous women, and the women I met through my Golden Heart experience, is definitely the best part of being an author and I hope that each and every one of you find a like-minded group to feel at home with. 

My next fave is being able to work from home and have this guy around all the time. 

Ullr the husky pup

Writing's a lonely gig! You're in your own head, you need no to minimal interruptions, quiet places rule, and all communication is done through email. It's easy to loose connections, which is maybe why authors are so fond of their pets. And I gotta say, I'm awfully fond of Ullr—even when he's a knucklehead and whining to go outside to chase squirrels. 

What are your best and worst aspects of being an author?

When things Don’t Work out the way You wanted them to

Life is like a broken butter dish, you never know—wait, wrong line. But I did crush my butter dish and I don’t know what I’m gonna get to replace it. 

Cracked, broken, disappointments. There’s a million sayings about failing: When the going gets tough, the tough get going. Failure is part of success. Think positively and positive things will happen. Hang in there, baby. 

And since we’re all human here—apologies if you’re reading this, ART—we’ve experienced things not going to plan in countless ways. Butter dish, am I right? Though that’s not the only disappointment on my mind this week, I’m also obsessing over how I keep failing to get any writing done. 

So, authors, how do we deal with disappointments in regards to writing?

The past couple of weeks have been challenging for me health wise. It’s difficult to look at screens or even move quickly when your head isn’t on straight, literally. I’m becoming a regular at the chiropractor’s office and I’m running out of audiobooks (that’s my SOS for any audiobook recommendations you may have). And I’m still struggling to get any words down! 

Then I saw a fellow author’s post on Instagram about setting goals for the week, big or small…that you intend to celebrate! These wise words are from @ChandraBlumberg if you’re wondering, she’s positive, uplifting, and has a bright smile. Go follow her. 

Her words were a simple reminder that struck me. I prefer to start my days off with a little yoga and prayer and meditation time before I even come down the stairs. No, it doesn’t always happen because I have a dog that snores and kids that sleepwalk, but I feel better and happier when I start my day off that way. Now, why can’t I translate that to my writing? Why do I only see the pieces that don’t go according to plan and not the celebratory parts?

In 2018 one of my manuscripts was a finalist in the Golden Heart and this national award put me with a group of likeminded writers. We chose our class name: Persisters because we were a bunch of women who would persist in their dreams to write. I’m thankful for each one of these women and wish I had more time to talk with them, but even the bits of check-ins here and there are a boost. They remind me that we all have struggles, writing related and not. They remind me that I want to keep going because they’re proof that hard work does pay off. And they remind me that they’re here for me to unload, writing related or not. 

For me, that’s something that I need to be able to keep writing. Things don't always go according to plan‚ and that’s okay! Yes, this is what happens when the topic is what's on my mind...you get to ramble along with me. 

It's okay because I need my Persisters and fellow authors on Instagram to remind me that I’m not alone in this. I’m going to make a conscious effort to celebrate a little thing, writing related, each morning. I’ll take stock of my to-do list and set an attainable goal that won’t stress me out. And I’m going to keep cheering on everyone else because you never know when a kind word or a bit of encouragement will make all the difference. 

Have you found your writing community and surrounded yourself with those who want to lift you up? 

Celebrating BIPOC Creatives

Our topic at the SFF Seven this week is Promo for BIPOC Artists, Authors, and other Creatives.

I always hesitate to pick one person to talk up, or even a few, because there are so many wonderful BIPOC creators out there. So, instead of feeding you a fish, I'm going to show you a river full of fish. (I assume you know how to fish!) Keep in mind this is one river among many, but it's a good one. And I'm particularly proud because SFWA had a small part in helping this happen. (As in, we handed over money and these amazing people did all the heavy lifting.)

In fall of 2020, the first every FIYAHCON happened. It's a conference for BIPOC in speculative fiction. They deftly proved that not only can BIPOC creatives be found to staff conference panels, they made an entire convention of these sparklingly creative people. 

And they inaugurated the IGNYTE Awards. The Awards seek to celebrate the vibrancy and diversity of the current and future landscapes of science fiction, fantasy, and horror by recognizing incredible feats in storytelling and outstanding efforts toward inclusivity of the genre. I encourage you to check out all the nominees in this wide array of media. Follow the link for more information, but here's the list below. Go forth and feast!

Best Novel – Adult

for novel-length (40k+ words) works intended for the adult audience

The Dragon Republic – R.F. Kuang (Harper Voyager)

WINNER | Gods of Jade and Shadow – Silvia Moreno-Garcia (Del Rey)

Jade War – Fonda Lee (Orbit)

Storm of Locusts – Rebecca Roanhorse (Saga Press)

Kingdom of Copper – S. A. Chakraborty (Harper Voyager)

Best Novel – YA

for novel-length (40k+ words) works intended for the young adult audience

Pet – Akwaeke Emezi (Make Me a World/PRH Children’s Books)

Everlasting Rose – Dhonielle Clayton (Freeform)

Slay – Brittney Morris (Simon Pulse)

War Girls – Tochi Onyebuchi (Razorbill)

WINNER | We Hunt the Flame – Hafsah Faizal (FSG BYR)*

*BYR: “Books for Young Readers”

Best in MG

for works intended for the middle grade audience

WINNER | Tristan Strong Punches a Hole in the Sky – Kwame Mbalia (Disney Hyperion)

Just South of Home – Karen Strong (S&S BYR)*

The Mystwick School of Musicraft – Jessica Khoury (Audible/HMH BYR)* **

Other Words for Home – Jasmine Warga (HarperCollins)

Sal and Gabi Break the Universe – Carlos Hernandez (Disney Hyperion)

*BYR: “Books for Young Readers”

** audiobook released in 2019

Best Novella

for speculative works ranging from 17,500-39,999 words

The Deep – Rivers Solomon, Daveed Diggs, William Hutson, and Jonathan Snipes (Gallery/Saga Press)

The Survival of Molly Southbourne – Tade Thompson (Tor/Forge (Tor.com))

The Gurkha and the Lord of Tuesday – Saad Z. Hossain (Tor/Forge (Tor.com))

WINNER | This is How You Lose the Time War – Max Gladstone & Amal El-Mohtar (Gallery/Saga Press)

The Haunting of Tram Car 015 – P. Djèlí Clark (Tor/Forge (Tor.com))

Best Novelette

for speculative works ranging from 7,500-17,499 words

WINNER | Emergency Skin – N K Jemisin for the Amazon Forward Collection

While Dragons Claim the Sky – Jen Brown for FIYAH Literary Magazine

Circus Girl, The Hunter, and Mirror Boy – JY Neon Yang for Tor.com

The Archronology of Love – Caroline M. Yoachim for Lightspeed

Omphalos – Ted Chiang for Exhalation: Stories

Best Short Story

for speculative works ranging from 2,000-7,499 words

Ten Excerpts from an Annotated Bibliography on the Cannibal Women of Ratnabar Island – Nibedita Sen for Nightmare Magazine

Dune Song – Suyi Davies Okungbowa for Apex Magazine

And Now His Lordship is Laughing – Shiv Ramdas for Strange Horizons

Canst Thou Draw Out the Leviathan – Christopher Caldwell for Uncanny Magazine

WINNER | A Brief Lesson in Native American Astronomy – Rebecca Roanhorse for Mythic Dream

Best in Speculative Poetry

Heaven is Expensive – Ruben Reyes, Jr. for Strange Horizons

Elegy for the Self as Villeneuve’s Beast – Brandon O’Brien for Uncanny Magazine

WINNER | A Conversation Between the Embalmed Heads of Lampião and Maria Bonita on Public Display at the Baiano State Forensic Institute, Circa Mid-20th Century – Woody Dismukes for Strange Horizons

Those Who Tell the Stories – Davian Aw for Strange Horizons

goddess in forced repose – Tamara Jerée for Uncanny Magazine

Critics Award

for reviews and analysis of the field of speculative literature

Jesse – Bowties & Books

Charles Payseur – Quick Sip Reviews

Maria Haskins

WINNER | Alex Brown – Tor.com

Liz Bourke

Best Fiction Podcast

for excellence in audio performance and production for speculative fiction

PodCastle – Editors Jen R. Albert, Cherae Clark, Khaalidah Muhammad-Ali, Host + Assistant Editor Setsu Uzume, & Audio Producer Peter Adrian Behravesh

Nightlight Podcast – Tonia Ransom

WINNER | LeVar Burton Reads – LeVar Burton, Julia Smith, Adam Deibert, Brendan Byrnes, Mischa Stanton, Kristen Torres, Jenny Radelet, Josephine Martorana, Chris Bannon

Beneath Ceaseless Skies – Editor Scott H. Andrews

Obsidian Podcast – Co-Creators, Producers, and Writers Adetola Abdulkadir & Safiyah Cheatam

Best Artist

for contributions in visual speculative storytelling

Geneva Bowers

Nilah Magruder

WINNER | Grace P. Fong

John Picacio

Paul Lewin

Best Comics Team

for comics, graphic novels, and sequential storytelling

WINNER | These Savage Shores – Ram V, Sumit Kumar, Vitorio Astone, Aditya Bidikar, & Tim Daniel

Blackbird Vol. 1 – Sam Humphries, Jen Bartel, & Triona Farrell

Excellence – Khary Randolph, Brandon Thomas, Emilio Lopez, & Deron Bennett

Coda – Simon Spurrier, Matías Bergara, Michael Doig, Jim Campbell, & Colin Bell

Bitter Root – David F Walker, Chuck Brown, & Sanford Greene

Best Anthology/Collected Works

The Mythic Dream – Editors Dominik Parisien & Navah Wolfe

Broken Stars: Contemporary Chinese Fiction in Translation – Editor, Translator Ken Liu

WINNER | New Suns: Original Speculative Fiction by People of Color – Editor Nisi Shawl

This Place: 150 Years Retold – Kateri Akiwenzie-Damm, Sonny Assu, Brandon Mitchell, Rachel and Sean Qitsualik-Tinsley, David A. Robertson, Niigaanwewidam James Sinclair, Jen Storm, Richard Van Camp, Katherena Vermette, Chelsea Vowel | illustrated by Tara Audibert, Kyle Charles, GMB Chomichuk, Natasha Donovan, Scott B. Henderson, Ryan Howe, Andrew Lodwick, Jen Storm | colour by Scott A. Ford, Donovan Yaciuk

A People’s Future of the United States – Victor LaValle & John Joseph Adams

Best in Creative Nonfiction

for works related to the field of speculative fiction

AfroSurrealism: The African Diaspora’s Surrealist Fiction – Rochelle Spencer (Routledge)

The Dark Fantastic – Ebony Elizabeth Thomas (NYU Press)

WINNER | Black Horror Rising – Tananarive Due (Uncanny Magazine)

Our Opinions are Correct – Charlie Jane Anders & Annalee Newitz

Tongue-Tied: A Catalog of Losses – Layla Al-Bedawi (Fireside Fiction)

The Ember Award

for unsung contributions to genre

Tananarive Due

WINNER | LeVar Burton

Keidra Chaney

Nisi Shawl

Malon Edwards

The Community Award

for Outstanding Efforts in Service of Inclusion and Equitable Practice in Genre

Beth Phelan

Mary Robinette Kowal

Diana M. Pho

Writing The Other – Nisi Shawl + K Tempest Bradford

WINNER | Strange Horizons – Gautam Bhatia, Vajra Chandrasekera, Joyce Chng, Kate Cowan, Tahlia Day, William Ellwood, Rebecca Evans, Ciro Faienza, Lila Garrott, Dan Hartland, Amanda Jean, Lulu Kadhim, Maureen Kincaid Speller, Catherine Krahe, Anaea Lay, Dante Luiz, Heather McDougal, AJ Odasso, Vanessa Rose Phin, Clark Seanor, Romie Stott, Aishwarya Subramanian, Fred G. Yost, and the SH copyediting team and first readers