Showing posts with label writer tip. Show all posts
Showing posts with label writer tip. Show all posts

Sunday, June 26, 2022

Author Drama

 


This week's topic at the SFF Seven is about Author Drama and whether we think it's idiocy or a PR campaign.

This post is going to be super short, because I think about author drama exactly 0%. What drama I've seen has usually been to the author's detriment, whether caused by them or inflicted upon them. I'm sure there are authors who seek drama for PR purposes, people who see ways to cash in on stirring the pot of their choice. To me, that's a pretty terrible tactic and not anything that's on my radar. I don't know how people have time for creating drama for PR purposes. I barely have time to look up from all my writer duties. 

So, I'll just be over here drama free, thank you very much ;)

~ Charissa

Monday, May 30, 2022

What To Be And What Not To Be...That Is The Question

This week's topic at the SFF Seven is about vocational advice young writers receive because of the belief that writing doesn't put food on the table. 

I battled with this more than I care to talk about. I wanted to be a writer from the time I was so small, and the desire only grew the first time I went to a book signing, in high school. Both of my parents were musical and creative. Not writers, though. They also came from absolute poverty, born just after the Great Depression, hitting their twenties in the 1950's and early 1960's. Living just south of Nashville with musical sensations springing up in rural communities certainly had its effect on my dad. He played at the Grand Ole Opry and made it on several radio shows. But the stars didn't align, and though he gave up on that particular dream, he still played music until he passed at 81 years of age.

For me, when I would mention wanting to write a book and see where it took me, the advice was always that success that's enough to live off of just isn't realistic. My parents believed in me, but more so in my ability to sing than write novels. Our entire family is musical, and I love singing, but I am not a performer and never have been. They loved music, though, so that's where they wanted to focus when it came to me. But in reality, my talents funneled toward one path, and that was writing. 

Life happened, and by the time I faced college, I already felt the pressure to do something with the brains I inherited more so than my creativity. I was pre-med at first, but after clinicals, I quickly realized that I couldn't face dying people every day. Then I tried the teaching path--my mother was a teacher. But that didn't hold my interest in the least. I couldn't face five year olds everyday either ;)

So I tried nursing. Respiratory therapy. Psychology. I made it into different programs and went to college FOREVER and managed business and a physical therapy clinic, but nothing ever felt right. Yes, I loved the medical field, and I could easily be a perpetual student, but the bottom line was that I was trying so hard to please people who didn't believe in my creative ability because they stopped believing in their own.

In my thirties, I realized that you only live one life, and that it was time to start the journey toward the career I really wanted. It took a decade to get anywhere, though I wrote, edited, and learned constantly, stealing any time I could at my day job, at night, early in the morning, on weekends. I just didn't know how to balance the career I envisioned with my life: four teen and pre-teen daughters, a spouse who worked out of state and out of the country, and ailing parents who were ultimately my responsibility to care for.

But, now, here I am doing the thing I so wish I'd found a way to do twenty years ago. I wish my entire adult life could've been filled with writing stories. But I was the type of person who didn't believe in myself because others didn't. My husband and kids always believed in me, but self-doubt is a poison when it's programmed into you at a young age. It annihilates motivation and suffocates any thoughts of perseverance.

My youngest daughter is a creative. She sings, plays multiple instruments, can write EVERYTHING, from amazing magazine articles to screenplays to poetry to novels. She even draws and paints. She's in her last year of college for a degree in the recording industry with a minor in songwriting and plans to turn her most recent screenplay into a novel this summer. 

The one thing I swore I would never do was tell her to try another vocational path rather than focusing on her creativity. Right now, that's easier, because she's still at home. But now is the time for her to try all the things. To see where her creativity can take her before life gets expensive, and she has no choice but to settle for a road she doesn't want to take. I want to give her every opportunity to build the foundation for a full, creative life that pays the bills. It isn't impossible. It just isn't easy.

I realize not everyone has that kind of support. I didn't have it. And the truth is, most writers struggle to keep a consistent income, so sometimes, that advice given to young people against the creative career path is meant to protect them from financial difficulty. But steering someone away from what they are best at doing on a day to day basis points them in the wrong direction. 

Again...we get ONE life. And it goes by so very fast.

So here's my counter-advice to all the bad stuff that can cloud your mind: If you want to be a writer, not as a hobby, but to make it your full-time or even part-time career, try to believe in yourself. Realize that it will likely take time to get to the point where writing sustains you, and understand that it is constant work to maintain that income. Being a writer is like having homework forever.

But I believe in you, even if no one else does, and I hope you find a way to follow your heart, your dreams, but most of all, your ability.

 Happy Reading and Writing,

~ Charissa



Sale Begins June 1st


Thursday, May 14, 2020

Why I avoid knitting...scenes that is.



I’m a Type A, technically-minded person…that’s why I was a laboratorian! And working in lab you’re trained to follow point A to point Z in the correct order. 

And knitting is like that. You follow a pattern, you piece it together in a certain way. So I should be good at knitting? Except…we’re not talking about the yarn kind of knitting today. We’re talking about knitting scenes of a book together.

So it’s really not surprising that I write from beginning to end; no detours, no skipping ahead, no passing go to collect $200 dollars. It’s how my brain is wired. And knowing how your own brain works is key.

Some writers I know need the candy bar method Vivien mentioned yesterday. They have that one perfect scene complete in their head and once they put it to paper, the creative floodgates open and they can knit their story together. Does that way of writing work for you?

If so, huzzah! Go forth and write! If it doesn’t…maybe your brain’s more analytical and the following might help. 

Each book I’ve written, and the manuscripts I’ve outlined and started, all began with that one perfect scene for me. Usually the scene comes from one of my dreams, like it’s been handed to me in a mini-movie format. But I never try to write it as a chapter right away. Because…that would be out of order.

Instead, I take my perfect scene, or you take your instigating idea, and sketch out the scene in outline format so I don’t forget the details.

*Note: I always know exactly where my scene fits in my story: beginning, end, climactic moment etc. If you don’t know this yet, take some time to brainstorm and ask yourself: what happens after, what needs to happen before, what changes for your MC (main character) in this scene?

Now that you know exactly where your perfect scene/idea sits in the timeline, it’s synopsis time! 

*Second Note: Lots of writers do not use a detailed outline/synopsis to write. YMMV This step is included here because my technical brain follows a well-laid plan easiest.

When writing my synopsis I build from or around my originating scene and the rest of the world and plot details flow from there. I like to go for super detailed here…remember, lab girl here? The more detail and direction I put down in this stage the better off I am in the drafting stage and THE LESS I HAVE TO TRY KNIT IN LATER!

All that because I suck at knitting in scenes. Why? I say it’s because when I plot out my books I do a lot of detail on the frontside and when I’ve needed to weave in new scenes that change things in the timeline…it gets messy. 

Sort of like Ullr’s rope bone that started out all tightly woven together (pictured at top of post). The rope was smooth and strong, but once my pup started tugging here and there it began to unravel in spots. That's what I feel like happens to my books when I mess with them and try to knit in scenes. 

So I do my best to not have to, or at least not have to knit in major scenes that shift the trajectory of the story. That’s like…like, your chemistry analyzer going down before you even get your day’s samples loaded! 

I’ll keep attempting to avoid that nightmare. How ‘bout you? Do you avoid knitting or are you a master weaver?