Top 5 Worldbuilding Tips

Worldbuilding! What's in a world? A LOT. Ultimately, you can read posts like this all day, but many ideas might not come to you until you sit down and start writing. Still, there are plenty of things to think about beforehand, especially if you require a solid foundation before you start writing a story. Here are a few things that rumble around my brain when it comes to creating worlds.

1. Think about your magic system. This one is hard for me, because I don't know all the bits and pieces of my world until I write the book. Then I go back with knowledge in-hand and revise. But you still need a general idea of the rules of your magic system, its limits and costs, and its availability across your world. Just remember that too much planning on this part can possibly create boundaries that come at an expense to the story. So a little freedom might help.
2. Language: And I don't mean spoken language, although that's a given. In my novel, The Witch Collector, the ancient language is Elikesh. It's spoken completely different from the common tongue. It's also how the witches in my story create magick, and my heroine, who was born with the inability to speak, uses a hang language to communicate AND build her magick. So yes, language in that sense is critical to grasp. But also your story language. Consistency and uniqueness. Words that make your story YOURS and not like everything else. I have a background in history, so I pull from that knowledge for setting and word choice. I wanted my books to feel familiar and yet foreign at the same time. Word choice is so important. I can't stress it enough. Pay attention to those types of details when you read other books. They're what make a world come to life. Don't call it a glass bottle if it can be a cruet. That type of thing.
3. History and Lore: Every culture has a history and their own lore. Consider what your world's history and lore and legends might be. A fun exercise is to sit down and put yourself in your main character's shoes and point blank ask them what their world was like 100 years ago, 500, 1000. And just free write. It's an amazing experiment. Your brain will likely give you a great background to begin with.
4. Religion, Society, and Politics: Who worships who? Who doesn't worship at all? What is society like at large? How do people trade, source food, clothes, etc? What are the world's politics? Who rules? How do they rule? This list can be long, and again, I advise letting your creativity guide you after you have a fairly solid understanding of how the world works.
5. Consider diversity. Writing a diverse world can be a little intimidating, because if you're like me, you don't want to do any harm. You want the world in your stories to look like the one you live in, but more so, like the world you WISHED you lived in. We CAN create worlds with cultural, sexual, and gender diversity, we just need to do it well. In my fiction, I write characters of all stripes, and I wanted to have a world where being something other than cishet isn't taboo or sinful or any other negative labels that get painted on members of the LGBTQ+ community in our everyday life. Instead, they live, love, and fight like everyone else, and everyone else thinks nothing of who they kiss or don't kiss at night. Being LGBTQ+ is part of the norm instead of the exception, and it's respected. I also color my world. And again, I don't make being white the default. If you only ever describe the skin tone of people of color, then you're actively saying that white is the default and needs no clarification. So be careful, do your research, and use sensitivity readers, but please consider diversity.

Good luck and have FUN! 

~ Charissa

Daughter of the Moon Goddess by Sue Lynn Tan

 

UK Edition/Waterstones

Hi all! I've been a bit MIA the last two weeks. The Witch Collector released on 11/2 and let me tell you, it was exhausting. Far more so than I expected. On top of that, my house/kitchen is mid-remodel and I attempted to participate in NaNoWriMo, so it's been fun in my world this first half of November ;)

This week's blog topic at the SFF Seven is to promote BIPOC creatives. I chose to promote a fellow debut author, the lovely Sue Lynn Tan. Can we just take a moment to be in awe of this book cover by Waterstones?? And the GREEN pages?? I had to have it the moment I saw it! The US version is just as beautiful, though. It's one of those books that I feel I need in both forms because it's just that stunning.

US Edition

Here's a little info about Sue Lynn and her beautiful debut romantic fantasy novel.

     Blurb:

      A captivating debut fantasy inspired by the legend of Chang'e, the Chinese moon goddess, in which a young woman’s quest to free her mother pits her against the most powerful immortal in the realm.

      Growing up on the moon, Xingyin is accustomed to solitude, unaware that she is being hidden from the feared Celestial Emperor who exiled her mother for stealing his elixir of immortality. But when Xingyin’s magic flares and her existence is discovered, she is forced to flee her home, leaving her mother behind. Alone, powerless, and afraid, she makes her way to the Celestial Kingdom, a land of wonder and secrets. Disguising her identity, she seizes an opportunity to learn alongside the emperor's son, mastering archery and magic, even as passion flames between her and the prince.

To save her mother, Xingyin embarks on a perilous quest, confronting legendary creatures and vicious enemies across the earth and skies. But when treachery looms and forbidden magic threatens the kingdom, she must challenge the ruthless Celestial Emperor for her dream—striking a dangerous bargain in which she is torn between losing all she loves or plunging the realm into chaos.

Daughter of the Moon Goddess begins an enchanting, romantic duology which weaves ancient Chinese mythology into a sweeping adventure of immortals and magic—where love vies with honor, dreams are fraught with betrayal, and hope emerges triumphant.

About Sue Lynn Tan:

Sue Lynn Tan writes fantasy novels inspired by the myths and legends she fell in love with as a child. Born in Malaysia, she studied in London and France, before settling in Hong Kong with her family.

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Her love for stories began with a gift from her father, her first compilation of fairytales from around the world. After devouring every fable she could find in the library, she discovered fantasy books – spending much of her childhood lost in magical worlds.

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Her debut, Daughter of the Moon Goddess, will be published by Harper Voyager in January 2022, with a sequel to come. It is an enchanting fantasy of love and family, immortals and magic – inspired by the beloved Chinese legend of Chang’e flying to the moon upon taking the elixir of immortality.

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When not writing or reading, she enjoys exploring the many hills, lakes, and temples around her home. She is also grateful to be within reach of bubble tea and spicy food, which she unfortunately cannot cook.

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Find her on Instagram and Twitter @SuelynnTan, or on her website www.suelynntan.com. She is represented by Naomi Davis of Bookends Literary Agency.

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Doesn't this sound so amazing?? Here's a link to Sue Lynn's website book page because there are so many awesome purchase options. You can also add the book on Goodreads here. Remember, it releases on January 11, 2022. I cannot wait to read this tale!

Celebrating BIPOC Creatives

Our topic at the SFF Seven this week is Promo for BIPOC Artists, Authors, and other Creatives.

I always hesitate to pick one person to talk up, or even a few, because there are so many wonderful BIPOC creators out there. So, instead of feeding you a fish, I'm going to show you a river full of fish. (I assume you know how to fish!) Keep in mind this is one river among many, but it's a good one. And I'm particularly proud because SFWA had a small part in helping this happen. (As in, we handed over money and these amazing people did all the heavy lifting.)

In fall of 2020, the first every FIYAHCON happened. It's a conference for BIPOC in speculative fiction. They deftly proved that not only can BIPOC creatives be found to staff conference panels, they made an entire convention of these sparklingly creative people. 

And they inaugurated the IGNYTE Awards. The Awards seek to celebrate the vibrancy and diversity of the current and future landscapes of science fiction, fantasy, and horror by recognizing incredible feats in storytelling and outstanding efforts toward inclusivity of the genre. I encourage you to check out all the nominees in this wide array of media. Follow the link for more information, but here's the list below. Go forth and feast!

Best Novel – Adult

for novel-length (40k+ words) works intended for the adult audience

The Dragon Republic – R.F. Kuang (Harper Voyager)

WINNER | Gods of Jade and Shadow – Silvia Moreno-Garcia (Del Rey)

Jade War – Fonda Lee (Orbit)

Storm of Locusts – Rebecca Roanhorse (Saga Press)

Kingdom of Copper – S. A. Chakraborty (Harper Voyager)

Best Novel – YA

for novel-length (40k+ words) works intended for the young adult audience

Pet – Akwaeke Emezi (Make Me a World/PRH Children’s Books)

Everlasting Rose – Dhonielle Clayton (Freeform)

Slay – Brittney Morris (Simon Pulse)

War Girls – Tochi Onyebuchi (Razorbill)

WINNER | We Hunt the Flame – Hafsah Faizal (FSG BYR)*

*BYR: “Books for Young Readers”

Best in MG

for works intended for the middle grade audience

WINNER | Tristan Strong Punches a Hole in the Sky – Kwame Mbalia (Disney Hyperion)

Just South of Home – Karen Strong (S&S BYR)*

The Mystwick School of Musicraft – Jessica Khoury (Audible/HMH BYR)* **

Other Words for Home – Jasmine Warga (HarperCollins)

Sal and Gabi Break the Universe – Carlos Hernandez (Disney Hyperion)

*BYR: “Books for Young Readers”

** audiobook released in 2019

Best Novella

for speculative works ranging from 17,500-39,999 words

The Deep – Rivers Solomon, Daveed Diggs, William Hutson, and Jonathan Snipes (Gallery/Saga Press)

The Survival of Molly Southbourne – Tade Thompson (Tor/Forge (Tor.com))

The Gurkha and the Lord of Tuesday – Saad Z. Hossain (Tor/Forge (Tor.com))

WINNER | This is How You Lose the Time War – Max Gladstone & Amal El-Mohtar (Gallery/Saga Press)

The Haunting of Tram Car 015 – P. Djèlí Clark (Tor/Forge (Tor.com))

Best Novelette

for speculative works ranging from 7,500-17,499 words

WINNER | Emergency Skin – N K Jemisin for the Amazon Forward Collection

While Dragons Claim the Sky – Jen Brown for FIYAH Literary Magazine

Circus Girl, The Hunter, and Mirror Boy – JY Neon Yang for Tor.com

The Archronology of Love – Caroline M. Yoachim for Lightspeed

Omphalos – Ted Chiang for Exhalation: Stories

Best Short Story

for speculative works ranging from 2,000-7,499 words

Ten Excerpts from an Annotated Bibliography on the Cannibal Women of Ratnabar Island – Nibedita Sen for Nightmare Magazine

Dune Song – Suyi Davies Okungbowa for Apex Magazine

And Now His Lordship is Laughing – Shiv Ramdas for Strange Horizons

Canst Thou Draw Out the Leviathan – Christopher Caldwell for Uncanny Magazine

WINNER | A Brief Lesson in Native American Astronomy – Rebecca Roanhorse for Mythic Dream

Best in Speculative Poetry

Heaven is Expensive – Ruben Reyes, Jr. for Strange Horizons

Elegy for the Self as Villeneuve’s Beast – Brandon O’Brien for Uncanny Magazine

WINNER | A Conversation Between the Embalmed Heads of Lampião and Maria Bonita on Public Display at the Baiano State Forensic Institute, Circa Mid-20th Century – Woody Dismukes for Strange Horizons

Those Who Tell the Stories – Davian Aw for Strange Horizons

goddess in forced repose – Tamara Jerée for Uncanny Magazine

Critics Award

for reviews and analysis of the field of speculative literature

Jesse – Bowties & Books

Charles Payseur – Quick Sip Reviews

Maria Haskins

WINNER | Alex Brown – Tor.com

Liz Bourke

Best Fiction Podcast

for excellence in audio performance and production for speculative fiction

PodCastle – Editors Jen R. Albert, Cherae Clark, Khaalidah Muhammad-Ali, Host + Assistant Editor Setsu Uzume, & Audio Producer Peter Adrian Behravesh

Nightlight Podcast – Tonia Ransom

WINNER | LeVar Burton Reads – LeVar Burton, Julia Smith, Adam Deibert, Brendan Byrnes, Mischa Stanton, Kristen Torres, Jenny Radelet, Josephine Martorana, Chris Bannon

Beneath Ceaseless Skies – Editor Scott H. Andrews

Obsidian Podcast – Co-Creators, Producers, and Writers Adetola Abdulkadir & Safiyah Cheatam

Best Artist

for contributions in visual speculative storytelling

Geneva Bowers

Nilah Magruder

WINNER | Grace P. Fong

John Picacio

Paul Lewin

Best Comics Team

for comics, graphic novels, and sequential storytelling

WINNER | These Savage Shores – Ram V, Sumit Kumar, Vitorio Astone, Aditya Bidikar, & Tim Daniel

Blackbird Vol. 1 – Sam Humphries, Jen Bartel, & Triona Farrell

Excellence – Khary Randolph, Brandon Thomas, Emilio Lopez, & Deron Bennett

Coda – Simon Spurrier, Matías Bergara, Michael Doig, Jim Campbell, & Colin Bell

Bitter Root – David F Walker, Chuck Brown, & Sanford Greene

Best Anthology/Collected Works

The Mythic Dream – Editors Dominik Parisien & Navah Wolfe

Broken Stars: Contemporary Chinese Fiction in Translation – Editor, Translator Ken Liu

WINNER | New Suns: Original Speculative Fiction by People of Color – Editor Nisi Shawl

This Place: 150 Years Retold – Kateri Akiwenzie-Damm, Sonny Assu, Brandon Mitchell, Rachel and Sean Qitsualik-Tinsley, David A. Robertson, Niigaanwewidam James Sinclair, Jen Storm, Richard Van Camp, Katherena Vermette, Chelsea Vowel | illustrated by Tara Audibert, Kyle Charles, GMB Chomichuk, Natasha Donovan, Scott B. Henderson, Ryan Howe, Andrew Lodwick, Jen Storm | colour by Scott A. Ford, Donovan Yaciuk

A People’s Future of the United States – Victor LaValle & John Joseph Adams

Best in Creative Nonfiction

for works related to the field of speculative fiction

AfroSurrealism: The African Diaspora’s Surrealist Fiction – Rochelle Spencer (Routledge)

The Dark Fantastic – Ebony Elizabeth Thomas (NYU Press)

WINNER | Black Horror Rising – Tananarive Due (Uncanny Magazine)

Our Opinions are Correct – Charlie Jane Anders & Annalee Newitz

Tongue-Tied: A Catalog of Losses – Layla Al-Bedawi (Fireside Fiction)

The Ember Award

for unsung contributions to genre

Tananarive Due

WINNER | LeVar Burton

Keidra Chaney

Nisi Shawl

Malon Edwards

The Community Award

for Outstanding Efforts in Service of Inclusion and Equitable Practice in Genre

Beth Phelan

Mary Robinette Kowal

Diana M. Pho

Writing The Other – Nisi Shawl + K Tempest Bradford

WINNER | Strange Horizons – Gautam Bhatia, Vajra Chandrasekera, Joyce Chng, Kate Cowan, Tahlia Day, William Ellwood, Rebecca Evans, Ciro Faienza, Lila Garrott, Dan Hartland, Amanda Jean, Lulu Kadhim, Maureen Kincaid Speller, Catherine Krahe, Anaea Lay, Dante Luiz, Heather McDougal, AJ Odasso, Vanessa Rose Phin, Clark Seanor, Romie Stott, Aishwarya Subramanian, Fred G. Yost, and the SH copyediting team and first readers