Top 5 Worldbuilding Tips

 

Worldbuilding has the power to captivate a reader. To transport them from their everyday life to somewhere surprising and unique. It’s why I love reading and writing fantasy, because the worlds are rich, enticing, and dramatic, intriguing, brutal, and romantic. And for me, when it comes to worldbuilding, it’s both the big picture and the little details that count. 

Here are five worldbuilding tips I’ve picked up along the way:

1. Take inspiration from everywhere, everything, and everyone. Absolutely, read in your genre, that’s a given, but also watch and listen to media outside your usual sphere of influence. Podcasts, documentaries, history programs, mythology, fairy tales, the news … be a sponge, and seek out things that will force you to see the world from a different perspective. Check out science YouTube (or in my case, find someone else who has, and pick their brain!), watch people you do and don’t know, and notice what drives them and how they interact. Anything can spark an idea to enrich your world, from quantum computing, to crypto currencies, to the social hierarchies of indigenous tribes in the Amazon. Walk, watch films, look out the window on car journeys, listen to music, and don’t forget to write things down!
2. In Lean Management, there’s a concept call The Five Whys, and it works well for worldbuilding too. The basic method is to ask why five times, and within five whys, you’ve probably got to the root cause of why something is the way it is. Why does your world trade in the way it does? Why do they use certain materials? Why are the roads paved with gold? If you don't know why (at least roughly speaking), you might have holes in your world, or it might even be blocking you. You don't need to have EVERYTHING mapped out, but you do need to know the bones of how things work and play together: politics, infrastructure, magic, religion, education, employment, the economy, healthcare … you get the drift.
3. I had an amazing sociology teacher who told my class that the quest for power, wealth, and status drives a huge amount of human behavior (along with reproduction, of course). Think about how people get each of these things in your world. Is there something unique about how power, wealth, or status is derived? Who has these things now, and how do they pass from one person to another? Understanding that will help with character motivations too (especially for the bad guys).
4. Pay attention to the details, and remember consistency is key. Keep a wiki or spreadsheet to help you keep track (or a big piece of paper with all the important information. If low tech works best for you, it works best for you). Draw diagrams and maps, and experiment with what helps you most, along with what best sparks your creativity. To make sure the details work across your world, ask yourself questions from the perspective of all. You might be writing about the nobles, but does it make sense for a peasant, or a merchant, or a teacher, or a medic? Or better yet, have someone else ask you. Conversations often flush out holes.
5. Be playful, explore, be curious, and be open to “failure”. Worldbuilding should be fun, and nobody can limit your imagination. If you find yourself down a rabbit hole that doesn’t pan out, so what? You probably had a wild time exploring in your mind. Not every idea has to yield fruit, but push yourself to go further, think bigger, and be bolder, knowing that some ideas will “fail”. That’s fine. It’s part of the process. And a failure might spark an even better idea. But keep going, for a lush, alluring world will be your reward.

HR Moore writes escapist fantasy with dangerous politics and swoon-worthy romance. She’s known for pacy writing, plot twists, and heroines who take no prisoners. HR also started FaRoFeb (Fantasy Romance February), a community for readers and authors to elevate and celebrate the fantasy romance genre. 

You can connect with HR Moore (and get a free story) here: https://linktr.ee/hrmoore

Everything Happens for a Reason

World Building Tips

1. Be anti-monolith: One of the great disservices modern science fiction has done is convince some of us that worlds out there in the greater galaxy are monoliths. An ice world. A desert world. A water world. Reality is demonstrably different - and not simply because Earth has wild variation in climactic zones. Each of the worlds in the solar system demonstrate the same thing. Sure. Mars is red and dusty everywhere. But there's ice at the poles. The equator is warm. Relatively speaking. Even Mercury has wild temperature swings, from 800 degrees on the day side to -290 degrees on the night side. Of course, we can't talk about ecosystems per se, not on Mercury, but we could on Mars. If, someday, humans colonized Mars and began planting crops and trees and otherwise terraforming the Red Planet, there would be climactic zones. Plants would have to adapt or be engineered for different conditions. It's the long way of saying that while we can speak of Europa being a monolith (an ice and water moon) it's likely that most worlds are a combination of many climate types with unique and disparate ecosystems based on an evolutionary history distinct from Earth's.

2. Cultures develop in concert with the evolution of a species: Human culture developed concurrently as humans developed. As an example, caring for the dead is used as a hallmark of culture and is usually attributed to the Neanderthal about 130 thousand years ago. Recently, the discovery of Homo naledi in South Africa pushed the evidence for deliberate burial back to about 225 thousand years ago. The point being that sentient creatures being organizing into societies far earlier than most of us imagine. If a culture in your world does a particular thing, it's likely they've doing the thing far longer than you or your main characters think. It's a great point of conflict if an outsider comes in trying to change some long-held cultural activity. It's an even stronger conflict for someone within the culture to challenge long-standing tradition.

3. Culture often develops in the direction of evolution: This specifically means that when a culture adopts a practice, it is because the practice confers either sexual advantage or survival advantage. Bonus if it's both. If someone within my made up culture takes up regular bathing, they're might gain reproductive advantage because they don't smell or because keeping clean prevents infection giving them more chances to reproduce over time. Another long way of saying that in world building, everything needs to happen for a reason.

Even though the book has been out for several years, I will always recommend Guns, Germs, and Steel by Jared Diamond (https://www.amazon.com/Guns-Germs-Steel-Fates-Societies-ebook/dp/B06X1CT33R) . It is the how-to book on world building because it breaks down the how earth societies and cultures developed. Why some cultures seemed to conquer the world, while other cultures sank into oblivion or where wiped out. It a very handy book in helping prompt world builders to consider how illness, domesticating animals, and developing agriculture changed the shape of humans and of human culture and at what price.

Maybe that's the final piece of world building advice: Everything has a price tag. Magic. Culture. Disrupting culture. Art. Religion. You get to decide what the price tag if for each of those. Even if you're creating your own world from scratch, the laws of physics still apply. The law of conservation of energy suggests that for every expenditure of energy for something like magic, there's an equal and opposite reaction somewhere else. You get to decide what and where.

Top 5 Worldbuilding Tips

Worldbuilding! What's in a world? A LOT. Ultimately, you can read posts like this all day, but many ideas might not come to you until you sit down and start writing. Still, there are plenty of things to think about beforehand, especially if you require a solid foundation before you start writing a story. Here are a few things that rumble around my brain when it comes to creating worlds.

1. Think about your magic system. This one is hard for me, because I don't know all the bits and pieces of my world until I write the book. Then I go back with knowledge in-hand and revise. But you still need a general idea of the rules of your magic system, its limits and costs, and its availability across your world. Just remember that too much planning on this part can possibly create boundaries that come at an expense to the story. So a little freedom might help.
2. Language: And I don't mean spoken language, although that's a given. In my novel, The Witch Collector, the ancient language is Elikesh. It's spoken completely different from the common tongue. It's also how the witches in my story create magick, and my heroine, who was born with the inability to speak, uses a hang language to communicate AND build her magick. So yes, language in that sense is critical to grasp. But also your story language. Consistency and uniqueness. Words that make your story YOURS and not like everything else. I have a background in history, so I pull from that knowledge for setting and word choice. I wanted my books to feel familiar and yet foreign at the same time. Word choice is so important. I can't stress it enough. Pay attention to those types of details when you read other books. They're what make a world come to life. Don't call it a glass bottle if it can be a cruet. That type of thing.
3. History and Lore: Every culture has a history and their own lore. Consider what your world's history and lore and legends might be. A fun exercise is to sit down and put yourself in your main character's shoes and point blank ask them what their world was like 100 years ago, 500, 1000. And just free write. It's an amazing experiment. Your brain will likely give you a great background to begin with.
4. Religion, Society, and Politics: Who worships who? Who doesn't worship at all? What is society like at large? How do people trade, source food, clothes, etc? What are the world's politics? Who rules? How do they rule? This list can be long, and again, I advise letting your creativity guide you after you have a fairly solid understanding of how the world works.
5. Consider diversity. Writing a diverse world can be a little intimidating, because if you're like me, you don't want to do any harm. You want the world in your stories to look like the one you live in, but more so, like the world you WISHED you lived in. We CAN create worlds with cultural, sexual, and gender diversity, we just need to do it well. In my fiction, I write characters of all stripes, and I wanted to have a world where being something other than cishet isn't taboo or sinful or any other negative labels that get painted on members of the LGBTQ+ community in our everyday life. Instead, they live, love, and fight like everyone else, and everyone else thinks nothing of who they kiss or don't kiss at night. Being LGBTQ+ is part of the norm instead of the exception, and it's respected. I also color my world. And again, I don't make being white the default. If you only ever describe the skin tone of people of color, then you're actively saying that white is the default and needs no clarification. So be careful, do your research, and use sensitivity readers, but please consider diversity.

Good luck and have FUN! 

~ Charissa

Dear Hollywood, what the hell?

 

Dear Hollywood,

What the hell?

It's been a while, and, to be honest, I'm feeling a bit disappointed. 

In the last ten years, CGI (3D Rendering) has come leaps and bounds. Compare Avatar (2009), and The Avengers: End Game (2019). For months now, I have been wondering...

Where are the dragons?!

I mean, yes, we had Game of Thrones. But I want a blockbuster movie with dragons. I want to feel the roars in my bones with that sweet surround sound, and have my heart soar to the heavens when they fly up through the clouds. I want to see the scales so up close and personal, I can see my reflection in the movie theater seats.

I'm serious. Where are the dragon riders? My dragon shifters? Dragon eggs with their golden ridges and pearlescent coating?

You can't make me sit through two hours of epic superhero battles and monsters from other dimensions and tell me that there isn't space for an epic battle involving a winged friend or foe with a penchant for fire breathing and burning down towns. 

Obviously, this is a problem that needs to be remedied sooner rather than later. So... without further ado, here is my pitch for one of my novels, Lady of the Primordial Tree.

Betrayal, vengeance, forbidden love, and dragons. 

Sofia spent the first twenty years of her life in a quiet, isolated place where she was taught to do one thing: help women and avenge them.

She attributed the death of her mother to her father, and his mysterious past. So what does she do?

Why, only what any logical maiden in a high fantasy world would do! She runs away from home, goes on an epic quest, and meets the love of her life while fighting a sand dragon that bursts forth from the depths of a desert. Later, she meets a sea dragon, and then we find a beast so large and fearsome that she has to escape before the entire mountain palace she is currently locked up in is destroyed.

Don't tell me that would take an audience's breath away. 

I mean, people liked Dune, didn't they?

I'm just saying, it might be time we pass the baton to a woman writing some highly enjoyable high fantasy romance so we can give the other blockbusters a run for their money.

Frank Herbert decided that the most exotic name he could give his bat-like messenger creatures was  "cielagos", and I hate to break it to you, but that's just short for the Spanish word for bat, "Murcielago." You want some unoriginal Spanish to make things seem more "exotic" I'm bilingual, my name is Daniela. 

We want something new, and we want something good.

Dragons are in their renaissance. Strike the iron while it's hot! Dragon Shifters are also coming in hot and heavy, so there is huge earning potential for hundreds of thousands of Fantasy Romance readers. Please don't let us leave the dragon movies in the Eragon Era. I want to see the hues of red light as light shines through the wings, and the glimmer of scales as they slither through the moonlight. Show me the razor sharp teeth with bits of their last meal. Give me a wicked drake making friends with the misfit young adult who just so happens to be the Chosen One.

There are numerous books who have taken these creatures, and curated entire plots around them. Take your pick, and make it happen.

But please, for the love of all that is holy, GIVE ME A DRAGON, NOT A WYVERN.

(Since The Hobbit could not tell the difference, that movie does not count.)

Sincerely, 

A Concerned Reader and Highly Imaginative Author

Daniela A. Mera is an educator by day and writer by night. Her life has revolved around creating new worlds since infancy, when her mother used to turn down the lights and read from fantastical books til she could hardly keep her eyes open. She lives between Nevada, USA and Hidalgo, Mexico, living out her own fantastical dreams one day at a time. 

Sign up for her newsletter to get updates and free novellas or extra book chapters at www.Danielaamera.com 

Presidential or Kingly worldbuilding?

It’s no secret that my heart…or rather, my head, belongs in the clouds. Particularly clouds shaped like dragons and castles. So, it stands to reason that my fantasy books are centered around monarchies. 

Kings and queens, heirs to the thrones, lords and ladies, some of whom have magical powers or may be wizards. It’s all dramatic, and oh so much fun to read and write. 

What makes it fun? Honor. Honor goes hand in hand with knights and royalty. They’re supposed to be stuffed full of honor, right? Except when they’re human like us and make mistakes, or succumb to the lure of the wrong side of magic such as the True Father in the Earthsinger Chronicles by L. Penelope.

Honestly, the honor concept is also how I formulate my science fiction governments. They're all based on honor or the lack thereof. You can have space royalty, Jessie Mihalik’s Consortium Rebellion series is a great example of ruling families in space. There can also be galactic governments, has anyone heard of Star Wars? So many varieties of government, but they have a common thread.

Presidential or kingly, it all comes down to honor and how you build the rules around it. Then you’ll know if your spells, or blasters, will be pointed at the castle, or outwards, at the invaders. Even if the focus of your story isn’t centered on political upheaval, the laws of the land, the honor code, it still has to be there.

If you’re world building right now, are you wearing a crown or holding a gavel?

Escaping Summer in My Fantasy World

It's so bright and hot today ~whine~ that the place I'd most like to visit from one of my books is...

Nivurn.

It's a hostile land of unrelenting snow and ice, of perpetual night and warring monsters. (It sucks for my protagonist who is a fire-warrior deathly allergic to cold and wet.) On this icky, sticky summery start of July, I'll take the snow. I'd even take the creatures if I could have the gift of mind control that my protag does. For now, I'll settle for a mango daiquiri. ~dusts off the blender~