Jeffe's One Rule of Character Leveling-Up

This coming Friday, July 30, at 6pm Mountain Time, I'll be joining these great friends and powerhouse Fantasy Romance authors for an online panel! Tickets are free for this event sponsored by Love's Sweet Arrow bookstore in Chicago. Join me, Jennifer Estep, L. Penelope, and Lexi Ryan for a chat moderated by Jen Prokop. Ask us anything!

Our topic at the SFF Seven this week is "Leveling-Up: Is it necessary for protagonists to continually gain power/ability/expertise as a series progresses?"

I had to mull over the basic premise of this question. Do I do this in my own books? I don't always have the same protagonists in successive books of a series, but when I do, do they continually level up?

I guess... yes. That's the pattern I've followed. 

My usual rule with writing in general and worldbuilding in particular is, when I discover I'm implementing an element or trope without consciously examining it, that indicates some programmed ideas I need to investigate. 

Thus the mulling. 

So, is it necessary for the protagonist to continually gain power/ability/expertise? No, it's not necessary. BUT, character growth is fundamental to my concept of storytelling and the progression of ability to control one's personal power is a key metaphor in books that are about magic. I suppose you could have the magical/paranormal abilities remain constant and have the character grow in other arenas. As human beings, however, our lives are largely about gaining and refining our skill sets. That aspect of humanity makes it an evergreen topic of interest for us. 

Now that I think about it, it might be fun to have a wizard at the top of their game get tired of it and try a new career, learning an entirely foreign skill set. 

The rule I do cling to is, if a fundamental of the world is set as a limitation of powers, then that can't be discarded in order to level up later. This is akin to making a disability magically vanish, or an incompatible species couple suddenly have a magic baby. Some limitations should be real and permanent, not exploded for plot sparkles. So sayeth I.

The Long Night of the Crystalline Moon

Our topic at the SFF Seven this week is what's on our minds. For me, it's writing the novella for the upcoming anthology UNDER A WINTER SKY. With Kelley Armstrong, Melissa Marr, L.Penelope, and myself, this is going to be a bang-up collection of stories. Mine, The Long Night of the Crystalline Moon is a prequel novella kicking off my brand new series, Heirs of Magic. Book 1 in that series - directly following the events of The Long Night of the Crystalline Moon will be out in December.  I'm super excited for this new set of stories - quests! shapeshifters! magic! illicit love affairs! enduring friendships! - that it's really all I'm thinking about. Preorder links and more info below!

   

Four powerhouse authors of fantasy and urban fantasy bring you a feast of romantic midwinter holiday adventures. These heartwarming and pulse-pounding tales celebrate Hanukah, Christmas, the solstice, Yule – and holidays from worlds beyond our own. With fancy-dress balls, faery bargains, time travel, blood sacrifice, and festive cocktails, these stories will delight lovers of fantasy and romance, with a dash of seasonal joy.

Ballgowns & Butterflies by Kelley Armstrong

The North Yorkshire moors are always a magical place, but they’re particularly enchanting at the holidays…especially if one gets to travel back in time to a Victorian Christmas. For Bronwyn Dale, it is the stuff of dreams. Fancy-dress balls, quirky small-town traditions, even that classic one-horse open sleigh, complete with jingle bells. There’s just the tiny problem of the Butterfly Effect. How does a time-traveler make a difference without disrupting the future forever?

The Long Night of the Crystalline Moon, a prequel novella to Heirs of Magic, by Jeffe Kennedy

Shapeshifter Prince Rhyian doesn’t especially want to spend the Feast of Moranu at Castle Ordnung. First of all, it’s literally freezing there, an uncomfortable change from the tropical paradise of his home. Secondly, it’s a mossback castle which means thick walls and too many rules. Thirdly, his childhood playmate and current nemesis, Lena, will be there. Not exactly a cause for celebration.

Princess Salena Nakoa KauPo nearly wriggled out of traveling to Ordnung with her parents, but her mother put her foot down declaring that, since everyone who ever mattered to her was going to be there to celebrate the 25th year of High Queen Ursula’s reign, Lena can suffer through a feast and a ball for one night. Of course, “everyone” includes the sons and daughters of her parents’ friends, and it also means that Rhyian, insufferable Prince of the Tala, will attend.

But on this special anniversary year, Moranu’s sacred feast falls on the long night of the crystalline moon—and Rhy and Lena discover there’s more than a bit of magic in the air.

Blood Martinis and Mistletoe by Melissa Marr

Half-dead witch Geneviève Crowe makes her living beheading the dead--and spends her free time trying not to get too attached to her business partner,  Eli Stonecroft, a faery in self-imposed exile in New Orleans. With a killer at her throat and a blood martini in her hand, Gen accepts what seems like a straight-forward faery bargain, but soon realizes that if she can't figure out a way out of this faery bargain, she'll be planning a wedding after the holidays.

Echoes of Ash & Tears, an Earthsinger Chronicles Novella, by L. Penelope

Brought to live among the Cavefolk as an infant, Mooriah has long sought to secure her place in the clan and lose her outsider status. She’s a powerful blood mage, and when the chieftain’s son asks for help securing the safety of the clan, she agrees. But though she’s long been drawn to the warrior, any relationship between the two is forbidden. The arrival of a mysterious stranger with a tempting offer tests her loyalties, and when betrayal looms, will Mooriah’s secrets and hidden power put the future she’s dreamed of—and her adopted home—in jeopardy

 

Critique, Alpha Read or Beta - Which Is What?

Here's a little tease for you of the cover of UNDER A WINTER SKY - the midwinter holiday anthology I'm doing with, well, as you can see! Kelley Armstrong, Melissa Marr and L. Penelope. An amazing lineup and a seriously gorgeous cover. Look for the reveal on Tuesday, September 22 on Frolic! Preorder links are here. 

Also, I’m super excited to be doing this online event “at” Love’s Sweet Arrow bookstore with my brilliant author friends Maria Vale, Amanda Bouchet, and Kait Ballenger. Danielle Dresser, Editorial Manager for Fresh Fiction will moderate. Join us on Saturday, September 26, at 3pm ET for fun conversation! You can register here. 

Our topic at the SFF Seven this week is: How do you define Critique Partners, Alpha Readers, and Beta Readers?

I think this was my topic suggestion because I was sincerely interested in everyone's definitions. Seriously, I feel like writers use these terms very differently depending on the person. For me, I don't use "Alpha Reader" at all. I don't even know what that is except maybe a response to "Beta Reader." 

Can we divert a moment and discuss that simply adding the next Greek letter in either direction doesn't necessarily make the term meaningful? I mean, Beta Reader makes sense because it's like beta testing. The term "beta testing" comes from software development, where "the end-user (intended real user) validates the product for functionality, usability, reliability, and compatibility." Thus a Beta Reader is an end user - in this case, a reader - who takes the story out for a test drive by reading the completed work. Alpha testing, in its original sense, "is carried out in a much-controlled manner and it is not accessible by the end-users/market. Testing is carried out to simulate real-time behavior to match the usage of the product by the end-users in the market." To my mind, if alpha testing occurs entirely in-house, then Alpha Reading would be by the author. I am my own Alpha Reader, I suppose, which is just writing and revising. An "Alpha Reader" is not one step earlier in the process than a Beta Reader just because alpha is to the left of beta in the Greek alphabet. I won't die on this hill, but I did have to mini-rant about it.

Moving on!

What I think writers mean when they use the term "Alpha Reader" is actually a critique partner or group. Critique is the first pass by outside eyes. It's the thorough examination of the work by someone who isn't the writer. But, people don't seem to like the word "critique." It implies criticism and - let's face it - no writer loves criticism.

I think what's going on here reflects a level of author proficiency, too. It has certainly worked that way for me.

When I started out as a baby writer, lo these couple of decades ago, I took writing classes where we "workshopped" each other's writing. (Workshopping could be considered a deeper dig than critique, where other authors may actually help create and shape the story.) Some writers I met in those classes invited me to join their critique group. (Big milestone for baby writer me!) That first critique group really taught me a lot about writing and absolutely helped to launch my career.

After a few years, the group burned out - as these groups do, for particular reasons, though that's a whole 'nother topic - and I moved into using critique partners. These were writers I swapped work with. They've changed over the years, though some have been working with me for over ten years. (Hi Marcella!) We tend to hit each other up for specific projects/problems/questions these days, rather than regularly exchanging everything we write.

Fast forward to a few years ago and I was invited to join another crit group - this one specifically SFF. It ultimately didn't work for me. A writer friend suggested that the reason was that the group was trying to dig into my writing at a level I  no longer needed - and that I, in fact, found was harmful to my process. 

So guess what we've done? Formed a beta reading group! 

It's a group of writers all well-established in our careers, and we read each other's completed works. (Or completed chunks intended for submission on spec.) It's definitely a different level of analysis with thoughts on clarifications or missed opportunities. So far it's working great!

What's key is to figure out what will most help our process at that time. Not always easy, but like everything - a work in progress!

Spotlight to support Authors of Color

The world's on fire. We went silent last week at the SFF Seven to give space for the voices that needed to be heard, and now we all need to be on the same page. Because after the fire's out I hope the world is changed and stays changed. As James stated earlier in the week; Black Lives Matter and Black Authors Matter. 

Writing a book is hard. Publishing is hard. And if the deck is stacked against you before you even begin? It's even harder. So this week we're spotlighting some of our favorite reads by Authors of Color, particularly African American writers.

With the pandemic I've gone back and binged on some comfort reads, some series that I know well (have read multiple times already). One of them was:

Dragon Kin Series by G.A. Aiken (A.K.A. Shelly Laurenston)
This paranormal romance series is about dragon shapeshifters and those who fall in love with them. Book one has always been, and still is, my favorite. Annwyl's mouth makes me laugh out loud!


Earthsinger Chronicles by L. Penelope
This fantasy romance series has GORGEOUS covers! Which was what originally drew me to them in the first place. Then on Jeffe's First Cup of Coffee she started talking about L. Penelope's podcast, My Imaginary Friends, they both cross-reference each other in streaks. And after that, I had to crack open the first book. The series has magic and war...I was swept away! Cry of Metal & Bone comes out in August and might be my fave cover of the series so far!


MEM by Bethany C. Morrow
This art deco historical fiction has an exciting, sci-fi twist: scientists have discovered how to extract memories, and the result is a clone copy of the person! But one clone begins to have her own memories... It blew. My. Mind. It's definitely one of the novels I believe everyone should read. I'm eagerly waiting for news that Morrow has another sci-fi release coming. *crossing-fingers*

Have you read any of these? If not, seriously...check out the covers!! I'm such a sucker for a good book cover. 

Jeffe's Favorite Podcasts

Our topic at the SFF Seven this week is our favorite blogs and podcasts.

I must be a child of my era - or current fashion - because I don't really have any blogs I follow regularly. The only times I read blog posts are when I read the daily (mostly) posts here at the SFF Seven, or if I see something go by that looks interesting.

I do listen to a number of podcasts regularly. I'd be remiss if I didn't mention my own podcast, First Cup of Coffee. You can also see all episodes here, along with the various podcast services. I post four days/week - on Monday, Tuesday, Thursday, and Friday mornings - and chat over my first cup of coffee of the day. I try to give a real-world glimpse of what it's like to be a career author. That naturally leads into thoughts on writing, publishing, living, coping with the world, and wrangling cats.

I was inspired to do this by Nathan Lowell's Talking on My Morning Walk. Nathan is CFO of SFWA and an amazing author of SFF, particularly known for space opera. He takes a 20-minute walk every morning and talks about, well, writing, publishing, living, and coping with the world.

Another podcast I enjoy is L. Penelope's My Imaginary Friends. She was, in turn, inspired by my podcast (so flattered!), though she's been a successful vlogger from way back. She posts weekly about her writing, process, etc. I very much enjoy her short (key for me!) and engaging podcasts.

Leslye also turned me onto Writing Excuses. Notably, these podcasts are also brief - 15 minutes - and feature a number of guests along with the standard team of regular hosts: Mary Robinette Kowal, Dan Wells, Brandon Sanderson, and Howard Tayler. They've been going since 2008, so have a pretty established and polished presentation. They also delve deeply into craft discussions, which can be very interesting for writers.

Finally, I should also mention that both my podcast and My Imaginary Friends are part of the Frolic Podcast Network, which is a network of romance-themed podcasts. I've listened to them all and it's a great round-up of discussions on books, sex, love, and associated topics.

What about you all? I'm looking forward to getting some great recs this week!

Presidential or Kingly worldbuilding?

It’s no secret that my heart…or rather, my head, belongs in the clouds. Particularly clouds shaped like dragons and castles. So, it stands to reason that my fantasy books are centered around monarchies. 

Kings and queens, heirs to the thrones, lords and ladies, some of whom have magical powers or may be wizards. It’s all dramatic, and oh so much fun to read and write. 

What makes it fun? Honor. Honor goes hand in hand with knights and royalty. They’re supposed to be stuffed full of honor, right? Except when they’re human like us and make mistakes, or succumb to the lure of the wrong side of magic such as the True Father in the Earthsinger Chronicles by L. Penelope.

Honestly, the honor concept is also how I formulate my science fiction governments. They're all based on honor or the lack thereof. You can have space royalty, Jessie Mihalik’s Consortium Rebellion series is a great example of ruling families in space. There can also be galactic governments, has anyone heard of Star Wars? So many varieties of government, but they have a common thread.

Presidential or kingly, it all comes down to honor and how you build the rules around it. Then you’ll know if your spells, or blasters, will be pointed at the castle, or outwards, at the invaders. Even if the focus of your story isn’t centered on political upheaval, the laws of the land, the honor code, it still has to be there.

If you’re world building right now, are you wearing a crown or holding a gavel?