Showing posts with label FaRoFeb. Show all posts
Showing posts with label FaRoFeb. Show all posts

Saturday, April 6, 2024

Anthology Cover Reveal!

Beyond the Veil Anthology - Pre-order now!

If I may paraphrase Lord Alfred Tennyson: In the spring an author's fancy lightly turns to anthology publications! I'm excited to be a part of Carnal Imprint's fall anthology, Beyond the Veil. This steamy fae romance collection of 9 stories has a theme very close to my heart - feathers and wings! My story is the second in my series of bird-shifter romantasy set in a version of medieval Andalusia. 

The Cover Reveal is today, so that is why I've thrown over the Worst Return on ROI topic. However, I think anthology participation can be hit or miss--worst returns are when the anthology and/or author group explodes, while the positive intangible returns (as Jeffe put it in her post earlier this week) of joining a group of like-minded authors and sharing the experience--and time and money--of a published work can be very high. I've participated in a couple of really wonderful experiences like this, but I also have at least one negative experience. Don't get me started on that one.

Last year, I joined the Bound in Magic anthology with a gorgeous group of up-and-coming fantasy romance authors. What a treat! I had too many commitments to contribute to this year's follow-up, but I've already secured my (pre-ordered) copy. I'm going to take it on my spring mini-holiday next month so I can savour it.


What anthologies have you read lately? Tell us in the comments!


Saturday, March 30, 2024

Tik Tok Trends - use 'em or lose 'em?

 

Photo by Thought Catalog on Unsplash

Tik Tok doesn't come naturally to me, as our other SFF 7 authors have also noted for them. But in the last year or so I've been trying to connect with readers on the app--because there are millions of readers on BookTok looking for their next read.

Just as readers go to Amazon to buy books, so readers flock to TikTok to discuss books. They're talking about their latest read, showing off their TBR list, and sharing funny trends and memes that have bookish content. Who wouldn't want to join in on the fun?

Well, introverted authors, or authors using pen names, might not love having to show their faces. Also, it can be challenging for those of us who are over the age of 25 to keep up with the fast pace of the trends. And there are so many users generating content that it is not easy to go viral without devoting a great deal of time and effort into the app.

Some authors seek a formula for success: use these words in your caption, make a book-flip-only account, post x number of times a day. The algorithm has its own mind, though, and what works for one author won't work for you. Although there is no single way to succeed, there are many ways to engage readers on the app. Trends can be a fun way to do this. 

When I started, I found BookTok follow parties were a great way to find like-minded readers and grow your following. The BookTokers I follow use simple and elaborate posts--some take no time to create and others can take hours. I've tried some of the easy kinds of posts that many BookTokers do: Meet the BookToker, Book Challenges, book flips, and book stacks, for example. Most of them can be done with a stack of books or even a single book. Others need you to stand and point, or lip sync to a sound. It takes time, but some authors say this time can be worthwhile to gain a larger following. It's rewarding to make short-form content--so different from novels!--and this creative outlet can provide more immediate gratification than book-writing does.

I'll never be someone who sets a trend, but it can be fun to participate in the community. There are lots of BookTok sounds you can find if you search "booktook trends" that can provide you with ideas. I've only dabbled in using costumes for posts, but I would love to do this more. These are more involved and I don't have the time while I'm teaching. Summer would be a good opportunity to experiment.

Proper BookTokers have a lovely full wall of books, but this isn't a requirement for everyone. TikTok doesn't want everyone to look and be perfect, it prefers authenticity and informal or spontaneous posts (even though many influencers devote a great deal of time to their posts). This approach is appealing to me. Sometimes I feel too chaotic and messy for Instagram, so showing more of my real self on TikTok seems more natural. I'm still getting comfortable onscreen and I haven't found my niche yet, but I've learned to focus on having fun and making connections rather than trying to make the perfect viral post.

Saturday, March 9, 2024

Tropes: Love them or hate them...

 

Tropes. Love them or hate them, as authors, we have our favorites to write and those that just bring us dread or maybe even make us cringe. Tropes play a huge role in the author's book. Maybe more than we care to admit. Do you even think about the tropes your books have? To be honest, I didn’t at first. I didn’t even truly think about it until it came time to market my books. 

    Once I started really thinking about tropes, I quickly realized my favorites. Some of my beloved tropes to write are fated/destined/soul mates. I have this trope in just about every book I write. I can’t help it. The hopeless romantic in me loves the idea of it. I tend to also like forced proximity, enemies to lovers, friends to lovers, and even frenemies to lovers. I also tend to write medium to fast-burn romances because my characters never seem to want a slow burn. I also tend to like the uneven social status. This particular trope is a favorite to write when I’m doing a werewolf story, which I tend to write for reading apps like Kindle Vella and Goodnovel. 

    On the flip side of the coin, there are tropes I simply can’t stand to write. I can’t stand the miscommunication trope. It causes unnecessary drama in my opinion. I also don’t like fake dating. I understand the appeal, but it’s not for me. I also can’t stand holiday romances, mainly Christmas ones. I feel like I have to release the book according to the holiday, and that it’s hard to market all year round. I’m not a fan of mistaken identity/amnesia. This one I’m simply not a fan of. One last trope that I am not a fan of is love triangles. I have never enjoyed love triangles. I think it’s because there is usually someone who ends up brokenhearted or with unrequited love, and those things make me sad. 

    Then there is another side to tropes, the tropes we want to try and write. For me, this is hit or miss. For example, I tried writing an age gap, and it worked out beautifully. I wanted to try a second chance trope and that worked out for a couple of stories. I love the idea of time travel and I’ve tried to do the time travel trope. It ended with scraping what I had and starting over.  Sometimes trying new tropes is fun and it works out perfectly. Other times it’s a complete disaster, but that doesn’t mean I won’t try the trope in another story. It’s good to try and write new tropes, you never know what you might find that becomes your new bread and butter. 

    Now, for one more side of tropes. The tropes I hate to write but love to read. I love a good slow burn. I’ve tried to write a true slow burn on a few occasions. I’ve even had stories where I can see the slow-burn romance working, but my characters have other plans. I also enjoy Reverse Harem, but for some reason every time I try to write one I struggle bus with it and give up. I like reading the step-sibling trope, but writing is just not something I can bring myself to write for personal reasons. 

    Tropes serve a great role in the book world. So whether we love to hate them, or hate to love them, they are embedded into the book world. Some tropes we embrace and others we run from, but no matter what, tropes will always be something we can’t avoid whether it’s for marketing purposes or simply trying to figure out what to write/read next. Tropes drive us to chase the books we love. 


Birdy Rivers is an award-winning author. She was born in NJ and now resides in GA with her family. She has been writing since her teens and professionally writing since her mid-twenties. When she isn't writing she is raising her three daughters whom she jokingly refers to as her baby dragons, working full-time as a medical assistant, and spending time with family and friends. She enjoys reading, the outdoors, video games, and music. Music and writing have served as therapeutic measures for her depression and anxiety. Birdy is a huge mental health advocate and often features the struggles of mental health in her stories.

Saturday, February 24, 2024

How do you stop overthinking your writing?


Everyone does it. Your thoughts circle in an endless loop – anxiety and doubt overtake your ability to move forward. Unfortunately, it's common. I don’t know how to eliminate it, but I can share ways I’ve found helpful to move past it.

1. Find your process. Whether you’re just starting or have written dozens of books, find a process that works for you and use it. This may look a little different for each writer, but I’m talking about how you go from idea to done. I rely on the process I’ve built to help get out of the overthinking cycle. Overthinking hits hardest for me in the first draft and self-edits–before anyone else sees the story. I remind myself to trust the process. That my critique partners and editors will help me flesh out the areas that don’t quite make sense yet. We have dev editors, alpha and beta readers, and writing critique partners for a reason. We’ve selected them because we trust them to give us honest feedback. Especially if you’re struggling with overthinking an early draft, trust that you’ll work through the details, but you must get the story out first.

 

If you’re just starting and you don’t have people like this, whether they are fellow writers you can critique swap with or paid partners like dev editors or beta readers, I highly recommend finding them. Not everyone uses every type of partner. Find the ones that work for you.

 

2. Have a plan. This is not a stand between plotters and pantsers. How you get your words on paper is your own business. I find overthinking to be circuitous, a cycle of worry that isn’t really productive. One way I move forward is by revisiting my plan for publication. If you’re familiar with sales, this is like internal objection handling. Your brain might create reasons to get stuck in a cycle, and you get to sell it on why you want to move forward. It could look like this: 

 

Brain: this addition to the world-building would be great, but it needs to be in the beginning. 
Plan: Okay, Brain, I will write it down and address it in self-edits. Let's pretend that it has been there from the beginning for now. 

 

I’ll admit this is less helpful when your brain loops on self-doubt, but that is also an area of overthinking that writers must confront. Not every story is for every reader, and I have to be okay with that to create something and put it out in the world. In those cases, I anchor myself around why I’m doing this. I love writing, and I love sharing my stories. I want to find readers who enjoy my brand of storytelling.

 

3. Trust yourself. Cliche? Sure. But still fundamentally a way to unstick yourself from the overthinking cycle. I can’t prescribe what will work for you, but you’ll find the things that do. For me, pushing through a draft helps. I make changes as I go and clean up for consistency in self-edits. Each writer has to find their own ways to deal with overthinking because it is a common struggle, and I don’t think it goes away the more you write.


I hope it helps to know you’re not the only one overthinking your writing. Find the people and the process that works for you. Many think of writing as solitary, but storytelling inherently needs others. Find the people who will support you but give you constructive feedback.


Jillian Witt reads more romantic fantasy than is strictly necessary and writes books she would love to read. Her stories unleash powerful women into fantasy worlds, usually turn enemies into lovers, and always offer an escape from reality.
When not reading or writing, she’s enjoying all four seasons in Michigan with her partner and their dog, Loki.

TT and instagram @mythandmagicbookclub 

Saturday, February 17, 2024

Believability—and sexiness—is all about emotion

 



As a fantasy romance writer (now called romantasy, I guess?) today's topic is near and dear to my heart. While love scenes aren't necessary for a fantasy romance novel, they are common, and I tend to write on the steamier side. Let's just say I've got some experience with writing love scenes--I was actually editing one this week, adding a little more emotional depth and a few key details. I love the way that sex peels back the layers of a character and digs into the dynamics of a relationship. There is nothing more vulnerable than desire, and acting on that desire reveals a lot about a character, both to the reader and to themselves.

So how do I keep them believable? There is a level of general staging to make sure that clothing doesn't suddenly change or disappear, and to ensure the action more or less makes sense. That level has to be handled gracefully to keep the reader in the scene, though how detailed or steamy is more driven by the tone of the story than believability. Beyond the basic mechanics, I tend to focus on the emotions rather than what body parts may or may not be involved.

A kiss can be incredibly powerful and passionate, if the POV character is swept away by it. Some sensory details can heighten the immersiveness of the scene--again especially ones that the POV character has a deep reaction to, or little details that reveal how the other character is feeling.

These days, I am also conscious of consent and modeling good sex practices (including safe sex when technologically appropriate) so I try to incorporate enthusiastic consent into my love scenes. Which honestly isn’t hard because—let’s be real— “yes” and “more” are two of the sexiest words ever, and the kind of characters I’m drawn to write love to hear them.

At the end of the day, believability flows from character, and their motives and emotions. If you have nailed those as an author, then the acts themselves are merely a matter of taste.

Jaycee Jarvis is an award winning fantasy romance author, who combines heartfelt romance with immersive magical worlds. When not lost in worlds of her own creation, she lives in the Pacific Northwest with her spouse, three children and a menagerie of pets.

Saturday, February 10, 2024

FaRoFeb celebrates together!


 HR Moore founded FaRoFeb to celebrate fantasy romance and romantasy books every year. It has a robust author community that celebrates each others' successes and cheers each other on via the discord server and on social media.

February is FaRoFeb's month, which includes extra exciting promos and events. Check out the remaining schedule and put it on your calendar for next year: https://farofeb.com/. The community has grown and we now have events throughout the year, so it's never too late to see what they're up to.

We've been working on the TikTok feed for FaRo - the newest place we can be found! We love sharing our reading interests with the BookTok community.

Finding like-minded, supportive communities is one key to a successful book release. You can learn from your peers about their book release tips, for instance, and support each other by sharing book release social media posts. Nobody should go through this alone. 

A hot tip, though. Make sure you've done your homework before you ask for advice in author communities. 

  • Has someone recently asked the same question in the facebook group? Read that post instead of asking the group to repeat their answers. 
  • Have you already checked some of the big author blogs and sites for answers (like the great advice we have on SFF 7 Authors this week)? If someone has already written about the topic, it's better to read that and then ask a follow-up question rather than, again, making the group repeat answers. 
  • Are you asking beginner questions in an advanced authors' group, or vice versa?  Remember you are not just taking from the community, but should be contributing too, so working at a similar level will be more helpful for everyone.

How do you prepare for your book releases? Let us know in the comments. And happy writing!



Sunday, February 4, 2024

In Our Romantasy Era


Join me next Saturday, Feb 10th, 4:00 - 5:30 PM ET/2:00 - 3:30 PM MT for a super fun panel: "In Our Romantasy Era" - how and why romantasy stories are resonating with readers and authors today. The event will take place in person at Beastly Books in Santa Fe, NM and online on Instagram live @farofeb and @beastlybooks418. Should be a great conversation!


 

Saturday, January 27, 2024

Finding Your Voice: How Your Writing Can Change

 



When I sat down to write this post, I realized I had a lot to say. So hold on to your bootstraps! I am blessed to watch young writers develop their craft because I teach a senior creative writing seminar at my university. This experience has led me to think extensively about what young writers need to learn.

Some of the students have been writing for years: they've shared their work since high school, published poems and stories, and won awards. Others are brand new to sharing their writing with others and honing their craft. It's a lively environment, bubbling with talent and new ideas. And I am grateful to be a part of their journey. As we all evolve as writers, I have learned a few things about the process.

Hone Your Craft

If you haven't seen Pablo Picasso's early work, you need to do this right now: https://mymodernmet.com/picasso-early-work/. You can't skip working on your craft and understanding the fundamentals and technical aspects. 

In my seminar, there are common technical elements the newer writers are still learning: paragraphing, punctuation for quotations, deleting filter words, and moving from telling to showing, for example. Info-dumping, effective first chapters, and deeper pov are elements all of them are still developing. There are any number of craft books to help you work on these skills. Sharing your work with your peers is also a great way to learn from others.

After that essential piece of advice (which includes the important reminder to read, read, read), the biggest piece of wisdom I share with my students is to find your voice.


Easier said than done.

We are all influenced by the many books and stories we're read - and reading a lot is crucial to becoming a great writer. But it's more than imitating or synthesizing the stories we've imbibed. We have to embrace our individual perspective of the world. And we have to let go of the negative voices in our heads and listen to ourselves. 

Embrace your Unique Perspective

Embracing our quirky individuality is a courageous act. Social media and consumer capitalism work on us every day feeding us messages to conform to society's values: watch this tv show, buy this product, do this thing everyone else is doing on TikTok, you are never enough. How do we resist these forces if we can't hide in a hole by ourselves with on wifi?

Turn off your phone and tv. Think about your unique experiences and interests. Consider your learning style and how you interact with the world. Lean into that.

  • Are you a cinematic writer who sees landscapes and colours first?
  • Are you more of a director who can visualize dialogue and character movements?
  • Do you feel everything intensely and write emotion-driven scenes?
  • Do you value the pov of the underdog, or the villain, or the racialized characters?
  • Do you see some injustices in the world that you'd like to change?
  • What are the common themes in your writing?

One of my students was worried that her stories were too violent. But an underlying theme of her writing was telling stories about gender-based oppression from the survivor's point of view (and sometimes the survivors got justice or revenge). We know (cue the MeToo hashtag) that these stories are too often covered up or ignored. By bringing the subject to light, this writer showed us violence for a reason: to affirm the fictional experiences of her heroines. Social media or naysayers might say it's too violent. But tell that to the many, many survivors of gender-based violence and oppression who've been told they're wrong or they need to keep silent. 

This writer's courage to delve into difficult topics helps to challenge social norms and strives to make the world a better place. We need that.


Let Go and Listen

Your inner voice--your connection to the universe--is somewhere inside you. Maybe it's hiding or getting drowned out by all those social media and consumer capitalist messages, things your teachers and family told you, peer criticisms and bullies' words and actions, and all the other stuff that can hold us back and tell us our voice--our craft, our gift, our unique pov, the stuff that makes you an original--isn't good enough. My writer friend calls these the brain gremlins and they can be fierce! They are noisy. They can overpower the little voice inside you and make you doubt it's even there.

So how do we find it and listen to it? We need sensitive artist types to tell their stories and share their values. Empathy and humanity are key beliefs we share and transmit in our work. But we can often feel like they are being targeted and we're living in Octavia Butler's Parable of the Sower (oof, I just looked it up and the novel is set in 2024! Please, for the love of the goddess, will someone make it into a tv show! It's the Handmaid's Tale of the moment!)

There are not shortcuts to finding your voice. For me, it's a combination of lots of writing practice, a heap of therapy, and a good helping of my writers' group's support and encouragement. It boils down, in my mind, to believing in yourself and tuning into the experiences, values, and unique perspective you have, then channeling that into your writing. 

The medieval Christian mystics had a practice of self-annihilation, where they tried to rid themselves of all the external noise and devote themselves solely to the will of God. I see writing as a secular or agnostic form of this practice: you need to have faith in yourself and in the creative process, and to do this, you need to let go of all the noise and doubts and gremlins that try and separate you from this faith. Write from your heart, from your soul, and you will never go wrong.

Some of you might be wondering where the writing to market argument fits into this philosophy. I think you still can write to market while being true to yourself. But that is another story from the riverbank...

Saturday, January 13, 2024

Skillsets That Take the Pressure Off Writing


As writers, one of the most important things we do is tell stories. But sometimes the pressure that comes from trying to craft a compelling story can just grind our progress to a halt or build up too much tension in our own minds and prevent us from getting those words on the page. 

When that happens, it can help to fall back on other skillsets to help reduce that tension and figure out a way forward. These are a few of my favorites to turn to when the pressure of a story starts to get to me. 

As a bonus that really isn’t a true skill so much as it is an activity, I’ll add that walking is just one of my favorites. It’s gentle and contemplative, and it allows me to process things from my stories to life. So if you just need something to organize your thoughts, walking is a good option. 

But for something a little more, here are my favorite choices for taking the pressure off writing, having some fun, and sometimes getting a new perspective. 


Cooking

It’s rather handy because we do all have to eat. For almost as far back as I can remember, I’ve loved cooking meals and snacks inspired by what I was reading. Soon I realized I could transport that excitement and gain inspiration by preparing meals that were inspired by what I was writing. Bound By Blood (which probably should have been titled Bound By Soup) is the first book where I actually really delved into building out segments around recipes and in which I cooked almost everything I wrote about. But it helped so much in completing the draft and getting the right mindset down that now I incorporate it far sooner. 

Thinking about what my characters would eat and their general culture provides so much inspiration, and really it’s just fun to create recipes based on scenes or that I could imagine being prepared at certain points. Not all of them though. And never spider. Never again at least. There are some limits to how far I’ll go for creative inspiration in storytelling. So if I am writing about a character or world that is far afield of my actual tastes (or frankly budget), I just come up with fun alternatives or focus on what makes me feel inspired to keep going (which sometimes is basically just cheese). 


Drawing


I chuckle a bit because of how truly dreadful I am at drawing. While I am a decent cook so long as you don’t expect artistic presentation, my drawing skills run in the opposite direction. Once when I was trying to explain to an artist what I wanted for a cover illustration, I roughed out a sample image, and the artist messaged back “lol, I can see why you’re hiring an artist.” I definitely agree.

But that doesn’t mean that drawing doesn’t help take some of the edge off of writing as well. While I don’t do it every day, I regularly sit down and work on sketches. Being dreadful at it and accepting that also removes even more pressure. All I am trying to accomplish as I draw is expression, and a good drawing session with terrible lines and roughened forms. After one of those, I often find the words come along far smoother


Dancing

While perhaps a little less obvious, dance is another of my favorite skillsets for taking the pressure off. And, like drawing, it isn’t actually because I’m good at it. The best term for what I do is probably balter. Graceless but enthusiastic. 

There’s something about switching on music and moving in time to it (or even in rough approximations) that shakes up the mind in all sorts of good ways. Even better if it’s to music that reminds you of the story you’re working on or the characters or the world.

For each story I create, I have at least one playlist. Sometimes one for each of the characters if I need to get into their heads. 

Putting that on and dancing around the room to it can help me enter that space while also getting the blood flowing. And on low inspiration days when I have the energy, songs like “Bad Romance” are just excellent for enjoying movement period whether they actually fit my story or not. Even on bad pain days when I can’t really move my legs as much, chair dancing and interpretative swaying are fun options.

As a bonus, sharing those playlists with readers is also quite fun. In fact, all three of these include creating something that you can share with your readers if you want to let them in on that part of your life. (If you’re feeling really bold, I suppose you could record your dances and share those too, but that would probably increase the tension for me).


Amid the hosts of skillsets out there, cooking, drawing, and dancing are the three I love most for getting the pressure off storytelling. 

What about you? What skillsets help you reduce the pressure from writing and get you into a better place for your storytelling? 


Jessica M. Butler is a USA Today bestselling romantic fantasy author who never outgrew her love for telling stories and playing in imaginary worlds. She lives with her husband and law partner, James Fry, in rural Indiana where they are quite happy with their two cats and all of the wildlife and trees.


Saturday, September 23, 2023

Who is my favorite fictional hero (that’s not mine) and why?

 


The problem with picking a favourite hero is that all the rest will feel neglected. It’s a bit like having a favourite child - parents pretend they don’t have them but secretly they probably do. But if you won’t tell the others, I guess I can share.

Honestly, my favourite hero trope is the heart of gold and outside of glitter. The self-assured hero who knows absolutely that he is the god's gift to the whole wide world and isn’t afraid to flaunt it, preferably with an acerbic wit to match and possibly a love interest who completely flummoxes him. But deep underneath that acid and the flashy exterior, he’s probably hiding wounds of his own.

For that reason, there was only one hero that immediately came to mind. Rakken Tempestren, prince of the Court of Ten Thousand Spires, from A Rake of His Own by AJ Lancaster. We first meet him in the main series (Stariel) and I loved every scene that involved him, but it is in his own novel that he really gets the chance to shine. 

Rakken is a fae prince, one of the most talented living Fae sorcerers, and also a bit of a playboy. But underneath his attitude, he is unflinchingly loyal, and as the series and his own book progresses, we learn how much of his public persona is for show and that Rakken absolutely counts on people underestimating him because of it. He makes people believe he is the frivolous one so that he can be the weapon in the shadows.

But Rakken is absolutely at his best as a character when he meets his opposite. In this case, Marius Valstar, the nerdy botanist, whose bookish ways, immunity to Rakken’s powers and willingness to say no (something I doubt Rakken hears much) combine to put a big dent in Rakken’s armor. Sparks fly and Rakken finds himself drawn to Marius like a moth to the flame. We get to see him learning to care for mortals that he previously considered mostly interesting curiosities, and for the first time, being vulnerable with someone. 

Along the way, we see the pieces of Rakken that he hides - his sense of duty (to family, to those less powerful than him), and we see how no matter how much he wants to pretend to be aloof, Rake can’t help but let Marius into his heart. I love how Lancaster unfolds the story of Rakken like that, unveiling new hidden depths over time.

Rakken also shakes Marius up - makes him come out of his shell and breaks away pieces of his emotional armor. They change each other for the better, and call me sentimental, but that is my favourite part of a good romance hero.

Zack Bel writes about fairies, gothic fantasy and breathtaking romances. Based in far south Australia, they concoct their fantastical stories with occasional input from a menagerie of pets and house plants. Their debut novel The Nightingale Prince released in 2023. You can find them at https://zackbel.com/ 

Saturday, September 16, 2023

Nuns, Detectives, and a Heist

 


I've always had a fascination with nuns. Growing up in a large French-Canadian family, I viewed my two aunts who had taken the veil with curiosity tinged with fear (what is it about the habits that make them seem unapproachable?). I read the Dune series with delight at the Bene Gesserit's machinations. Recently, I devoured the Warrior Nun and Mrs. Davis television shows. You may not have realized it, but nuns hold a powerful place in the Western imagination.

I started seriously pursuing creative writing after studying and teaching medieval religion and literature at university. At first, I thought I needed to write historical fiction to use my academic studies to full effect. With nuns, of course, since everyone would share my obsession with these figures. 

The story idea had some promise--strong female characters, a community with secrets and interpersonal turmoil, and cool historical details. But I couldn't make it work. Like Marcella (see her post here), I tried to shove everything into the story. There were secret babies (more than one!), a kidnapping and a murder, a mystical prophetess, a snooty Duchess, and an evil bishop... I could go on, but you get the idea. It was full of cringe (the common theme this week), yet it still holds a special place in my heart.

I learned a great deal about writing from that unpublishable project (it was no The Other Boleyn Girl). The closed setting of a nunnery was a great way to explore character dynamics. I identified a slew of genres and tropes that I loved and wanted to use (just not all at once). And I realized that historical fiction was too limiting for my purposes. I got caught up in historical details rather than letting my imagination take the helm. 

Too much time was spent looking backward instead of forward when I first started writing creatively. It was only when I opened myself up to integrating all the parts of myself--all my weird and wonderful obsessions and knowledge--that I found my voice as a writer. Whereas academic writing requires the author to subsume themselves and create an "objective" perspective (with many many rules and limitations on what can and should be said - and don't get me started on the fallacy of anyone having a quote-unquote objective perspective), creative writing asks us to embrace our whole selves. We pour in our creativity, experiences, and interests. We take the books we've read, the passions we've felt, and the questions we have, throw them into the cauldron, and stir them up into a wonderful new potion. 

My favourite cauldron is fantasy literature. It took me some time to get there, but it's where I can bring my whole self to my writing. Where I look forward, even as I look to the past. Where I have limitless options to play as I create. Where I can bring in  my fascination with religion and the supernatural, my desire for stories with strong women characters, my love of heist movies and spy stories, my fondness for romance and feel-good relationships, my lifelong reading of fantasy and science fiction novels, my penchant for fairy and folk tale themes, and anything else that moves me at that time! 

It can take some time to find our way when we begin writing. And that's ok. All the writing we do takes us further on the journey to find our voice.  

All the best,

Mimi

Saturday, September 9, 2023

How to Find Inspiration


One of the things I used to most fear when I was a young writer was running out of ideas or the motivation to work on stories. As it turns out, the ideas are the easy part. Finding inspiration, especially in a season of dryness or when the story just refuses to come, can be far harder. 

But even that can be managed. Here are some of my favorite tricks for getting the inspiration flowing again and a story back on track. 

Assess the Situation

One of the most crucial things you can do is determine the problem. If you’re tired or hungry or need a break, then working harder isn’t going to help you. If you’re dealing with burnout or emotional exhaustion, you need to address that as best you can.
Even if you are unable to fix all the situations that are causing the problems, doing something to address your actual physical or mental needs can help you get into a space where you can then continue the story. Just remember to address those needs sooner rather than later. 

Talk with a Friend

If you have author friends or a group with a safe space to chat, then talking about the story can help you spot the potential issues that could be holding you up or get you excited about the story once more. Especially if they are people who know the story. Sometimes we need a cheer session or others to believe in us or just an extra pair of eyes.  
(If you know what the actual issue or your needs with it are, do be sure to let the others know too. Especially if what you need is general excitement for the story rather than criticism.) 

Thought Release

This one helps me so much I do it every morning, even when the inspiration is flowing well. But when I am having a tough time, I will take a few extra minutes and complete it again just to clear my mind.
The basic premise is simple: sit and write whatever is in your mind for 10 – 15 minutes. And I mean whatever.
I get snippets of stories, bits of poems, tasks that need to be done, and even the occasional research note. But as I put them to paper, the act calms my mind and makes it easier for me to see what actually needs to be done. And oftentimes, that takes some stress and pressure away and makes it easier for me to see what needs to be done on my current story. 

Play a Game

Personally, I love video and phone games when it comes to seeking out inspiration. If you get a good story game, your mind will start putting together that story and you may find that that excitement spills over into your own and makes it easier for you get back in your own flow.
Do handle this with care if you’re on a tight deadline as it could mean that you wind up using up all your time. 
If you only have a short amount of time, try a smaller puzzle based one like Candy Crush or Tetris. A lot of times, your mind will work on the problem with the story as you are focusing on something else, and Tetris has been shown to help restructure the brain in such a way that it can even help reduce the impacts of trauma and intrusive thoughts. 

Set a Timer

I hate this tactic. But it works. 
Sit with your writing tools and a timer for 20 minutes. Set the timer. Switch your phone and Internet off. Now look at the page. Whatever you do, you have two options: write or stare. 
Technically, you can think about the story, of course. 
But nothing else. 
Eventually the words come. 
I can’t explain why, but it feels physically painful to do nothing and keep intentionally returning my focus to the project at hand rather than letting myself get distracted by a thousand other things. And somehow, that agonizing space of focus eventually leads to more words coming. Maybe not good words. But words that can be edited and finessed. 
The one thing I’ll add is that even though it works, I hate this tactic so much I avoid it if I can. It also wears me out faster. But if I’m on a deadline for a project I just can’t complete, then this is the one I pull out. And sometimes even the threat of it is enough to make my mind realize it can continue. 
But these are just a handful of possibilities. If you find these don’t work for you, keep experimenting. Something will work eventually. All seasons end, including seasons of dry inspiration and difficult stories. 
What about you? Do you have any tricks that work for you when it comes to finding inspiration?


Jessica M. Butler is a USA Today bestselling romantic fantasy author who never outgrew her love for telling stories and playing in imaginary worlds. She lives with her husband and law partner, James Fry, in rural Indiana where they are quite happy with their two cats and all of the wildlife and trees.

Sunday, September 3, 2023

Marketing and Making Author Friends



2023 has been a whirlwind - I can't believe it's the end of the summer already! In Canada we have Labour Day Weekend this weekend and then the children go back to school on Tuesday. The last days of fun and frolic until we have to get serious and studious again. Sigh!

Marketing

I'm finishing up a marketing course by Shelby Leigh and looking forward to implementing what I've learned this fall. Most authors don't have a degree or experience in marketing and it can seem overwhelming to promote our books. We can feel like it's impossible to be heard or that we can't find our readers. And much marketing advice for entrepreneurs doesn't translate quickly to the author setting. Finding those people who get it and can help us navigate the marketing waters is incredibly helpful. Shelby has been an important contributor to my knowledge and my confidence in promoting my books. And just in time, since it's Promo Week on the SFF 7 Authors blog!

Promo

Shelby helped me define the themes and emotions that go into my stories and will resonate with my readers. I've always been a fan of the Fated Mates trope and I love writing shifter stories. For me, these themes connect with reader's desires to read about a true connection and partnership between equals in romantic relationships, as well as our need for belonging and community. Shifters for me are about transformation and being our best selves while facing the evils of the world. Giving us hope for a better future.

You can read Book 2 in the Laurentian Mountain Clan series I'm writing. Mind's Peace introduces a geeky billionaire shifter and his curvy librarian soulmate who have to work together to discover where to find the ancient sorcerers who have attacked the shifter clan. Along the way, our librarian heroine comes to terms with her magical powers of prescience and controlling fires. 

He was looking for answers, not his Fated Mate.

After his cheating girlfriend dumps him, Thomas Ducharme, Lieutenant of the Laurentian Mountain Clan, believes he has nothing to offer. The Fated Mates prophecy will never apply to him. But shadowy supernaturals have allied with a rival clan and his energy is used best by discovering the origins of Frè res Gris Consortium.

Ever since Tatienne Laflamme lost her parents in a house fire, she has feared her fiery nightmares. She was left to raise her sister, but she can't stop her passion when she meets billionare ski mogul Thomas Ducharme. Thomas knows she belongs with him. She just has to let him in.

As Tatienne helps Thomas seek the truth of his foes, she becomes a target and is pulled into the world of shifters and the conflict between clans. When their enemies endanger her and her sister, Tatienne finds the courage to harness her dreams to find the Frè res Gris Consortium. Thomas' s pack gets closer to answers, and they can' t do it without her.

The fire in her heart can help them defeat the clan' s foes. But how can she confront her fears and accept the peace that Thomas offers?

Read in KU or get your copy here! Mind's Peace Book Link.


Making Author Friends

This spring I also contributed to a fantasy romance anthology, Bound in Magic, which featured a dazzling array of fantasy settings, lots of bada$$ women characters, and all kinds of true love. The limited edition collection of stories has concluded, but my friendships with the awesome group of authors continues (stay tuned for information about the next collection, coming spring 2024).

You can check out the amazing featured authors on instagram:

Coincidentally, this collection featured stories from three Canadian authors of fantasy romance! Elayna and Danielle are my fellow countrywomen and I'm thrilled to get to know them better along with the other authors in the anthology (special shout out to our fearless leader, Priscilla Rose!).



Danielle's first book came out in 2022, same as mine. (Funny story, that's how the Bound in Magic collection began, with a group of debut authors featured in the FaRoFeb blog.


Her Twingenuity series is a gorgeous take on twin sisters who change places. 


Amara was like any other princess from a once magical kingdom. Like most, she had secrets, her biggest one of all; She’s actually her twin sister Avery.

After Avery is taken from her ordinary life and brought to the mysterious kingdom of Soluna, she is introduced to the heir to the throne, and her twin sister, Amara.

Not everyone believes Amara is the rightful heir so she ventures off on the quest of her life to prove them wrong, leaving Avery behind to impersonate a sister and life she knows nothing about.

Follow both Avery and Amara as they discover more about themselves than they ever thought possible, including unbelievable powers.


You can read Book 1 here:  https://books2read.com/A-Kingdom-of-Sun-and-shadow/.



I'm thrilled to support Danielle and my fellow authors by buying and reading their books. Indie authors are a wonderful bunch of people! Check them out now. 

Love, Mimi


Saturday, August 5, 2023

Card carrying fan-girl



Question of the week: Do I read in the genre I write?


This question is an easy one for me, because I’m very proud to have been an avid reader of my niche, fantasy romance, long before I was a writer. To be honest, I'm a little skeptical of writers who say they don't read in the genre they write. This cynical attitude probably comes from being a part of romance spaces where the voracious readership means that sometimes people who know nothing about romance think writing it is an easy way to make a buck. With no appreciation for a genre and what makes readers love it, an author is just going to flounder.

At the same time, I'm totally sympathetic to authors who started writing from a place of love--as a fan of their genre, whatever that genre might be--and now struggle to find the time to read as much as they used to. I certainly go through reading dry spells when I'm more interested in my own stories that anything written by some one else. There is also something to be said for taking a break from reading works similar to yours when you are in the midst of drafting in order to hold onto a purity of your own voice.

But my own reading dry spells never last long—reading is just too important to me, and has always been my favorite way to relax. I also enjoy engaging with readers over our shared love of books. It’s fun to get recommendations from readers, or to be able to point them at books I love when they are looking for a specific trope or theme. If I’m not reading widely in my genre, then I feel like I’m missing out!


   

Jaycee Jarvis is an award winning fantasy romance author, who combines heartfelt romance with immersive magical worlds. When not lost in worlds of her own creation, she lives in the Pacific Northwest with her spouse, three children and a menagerie of pets.

Mastadon: @Jaycee@romancelandia.club

Saturday, July 22, 2023

Three essential traits of the non-AlphaHole hero

 


There has been a lot of talk in the romance writing community of late about dark heroes and whether they are ‘AlphaHoles’ (alpha male arseholes) that are setting a poor example. The conversation usually revolves around main male characters (MMCs) as they appear in F/M romances, but of course AlphaHoles can be gay, or they can be of any gender. In this article, I’ll be talking predominantly about MMCs in F/M romance, but the principles apply in other situations too. The popular examples I give at the end aren’t even from romances. Because of course, what we learn of character from romance can apply to other genres.

Personally, I prefer a gentle MMC. Think butler or scholar vibes. It’s what I write, and it’s what I prefer to read (though as a writer, I often read outside my comfort zone). But in gay romances, even when there is one gentle MMC, the other one is often not so gentle for contrast (think A Rake of His Own by AJ Lancaster).

Also, despite my own preferences, I have a policy to not ‘yuck someone’s yum’, so when I sat down to think of three traits of a non-AlphaHole hero, I thought of traits that could be applied equally to gentle and, er, more forceful heroes:

They are aware of the personhood of other people, particularly their romantic partner


A non-AlphaHole hero knows that everyone is a person with their own wants and needs. He knows it’s not all about him. He remembers his love interest’s likes and dislikes, and he respects their commitments to the other people in their life. If he is pushy, he checks first to see if it’s OK to apply that pushiness in new situations (e.g. the bedroom). This knowledge may be something he has a handle on from the beginning of the story, or it may be something that develops over time as part of his character development.

If the MMC is forging ahead with only his own plotline and other characters have to fit their own stories into the gaps around him, he might just be an AlphaHole.

They know how to use their power for the sake of others

A non-AlphaHole hero will, at some point in the story, put his own goals aside for a while to act on behalf of someone else. This may be something he is actively choosing to do if he is aware of how his power affects others, or it may be something he instinctively does, and then along the way he learns about his influence.

If the MMC continues to draw all the other characters into his own plotline and use them for his own ends throughout the story, he may just be an AlphaHole.

They reject toxic masculinity and decide for themselves how they will ‘be a man’

A non-AlphaHole hero may be masculine, but he’s not ‘toxic’. The exception may be for some toxicity to appear at the beginning of the story, but for the hero to learn how not to be toxic and to be a man on his own terms, in a way that doesn’t hurt those he cares for.

If the MMC acts even remotely like an internet incel after act 1, then he is an AlphaHole.

Put these three traits together, and you’ll see that you can have a very dark, very dangerous hero who is nonetheless not an AlphaHole.


There’s a reason that recently in SFF TV, the beloved ‘daddy’ of scifi is Pedro Pascal’s Din Djarin in The Mandalorian, and everyone’s favourite fantasy hero is Henry Cavill’s Geralt of Rivia in The Witcher. One is a masculine, arse-kicking man who has dedicated his life to looking after a lost infant, and one is a masculine, arse-kicking man who has dedicated his life to looking after an orphaned girl. Each one has made choices about how to live his life that take into consideration the needs of other characters and uses his own power for the sake of others in a way that is the opposite of toxic masculinity. It has been wonderful to see men in protective caregiving roles get so much love and attention. Their popularity as hardened warrior characters is because of their attentive care of these children, not despite it.

A non-AlphaHole doesn’t have to be looking after children, but he does need to look after someone, and let himself be looked after in turn. Because it’s that reciprocity that shows us he remembers that he’s still human, no matter what dark turns his fate has made.



Calanthe Colt (pen name) is a SFF romance author from Aotearoa New Zealand. She writes romantic books that balance exciting adventure or tense situations with the quieter moments of life. Her stories usually have magic, almost always have cooking or gardening, and definitely always have sweet romances that, no matter the heat level, are comforting, like a snuggly blanket and a mug of hot chocolate on a rainy day.
Her debut book Goddess Found, a standalone fantasy romance with cosy vibes, is out now. 



Saturday, July 1, 2023

In Search of Emotional Resonance

 

Photo by Clark Young on Unsplash


The question this week is, do I have to feel the exact emotion I'm writing? And my answer is more complicated than a yes or no—like many aspects of writing, there is nuance here!

To me emotion is at the heart of story. Readers seek out the stories that they do in order to experience emotions vicariously. Sometimes that emotion is even right there in the name of the genre, like in thrillers. Romance novels tend to have a wide range of emotional expectations, from swoony love interests to heart-wrenching action and as a fantasy romance writer it is always my goal to bring those emotions to life. 

Getting authentic emotions onto the page requires a certain level of vulnerability and being in touch with my own memories and visceral reactions, so in that way I do go through the same emotions as my characters. At the same time, I don't usually experience those emotions fully while writing. It would be pretty hard to type while weeping or fuming, so if nothing else, my characters live and express and experience their emotions in a much richer fashion than I do. 

One of the joys of writing fiction is the chance to dramatize actions and events, bringing characters and situations vividly to life. Even when I tap into a particularly powerful memory or experience, fictionalizing it takes it to a new level. Creating emotional resonance with my readers is the goal, which sometimes means reaching for higher highs and lower lows than I experience in my everyday life.




Jaycee Jarvis is an award winning fantasy romance author, who combines heartfelt romance with immersive magical worlds. When not lost in worlds of her own creation, she lives in the Pacific Northwest with her spouse, three children and a menagerie of pets. 


Find her at http://www.jayceejarvis.com/ 

Facebook: https://www.facebook.com/AuthorJayceeJarvis

Mastadon: @Jaycee@romancelandia.club

Twitter: @JayceeJarvis