Me and the Rise of Romantasy

 A weird thing about me: I'm always a bit ahead of my time. I don't know why this is, but it's been true all of my life. And it's not nearly as cool as it sounds (if it does sound cool). In truth, it's not a great thing at all, because it means I'm never in the full swing of the cultural zeitgeist. I'm the odd duck, the one not marching along with everyone else. 

Many of you have heard these stories of my trajectory (which implies a straight course and steady momentum which would be entirely incorrect). In summary:

1. No one knew how to market the weird cross-genre stuff I was writing, starting back in 2007ish.
2. Catherine Asaro told me to keep going and just know that writing cross genre would be like wading through hip-deep snow.
3. Agent at a conf in 2010 told me my work fell in the cracks between genres. I cried. Friends dubbed me "Crack Ho."
4. I didn't know I was writing Fantasy Romance until Carina Press took a chance on a crazy, cross-genre kid and published my books under that genre label.

Fast forward to today and the coining of the term Romantasy.

A number of readers have contacted me recently, having just encountered the term, largely via the new Goodreads Choice Awards category. I'm not sure who coined the term, but the portmanteau of Romance + Fantasy has now come to encompass Fantasy Romance and Romantic Fantasy. This has been occurring first in the Indie spaces and now is moving into traditional publishing as they catch onto the trend. Just last February - on Valentine's Day - Devi Pillai, Publisher at Tor, the notable publisher of science fiction and fantasy (SFF), announced that they'd created a new imprint: Bramble. Monique Patterson, Editorial Director at St. Martin's Press, moved over to head up Bramble, which will be SFF + Romance.

In very cool news for me, Monique was featured in Publisher's Weekly Notables of 2023 and namechecked me! (Along with my friend and colleague, Amanda Bouchet.) Monique said:

Romantasy may be the shiny new portmanteau on the block, but the fusing of speculative fiction and romance, Patterson notes, is nothing novel. She points to series by such authors as Amanda Bouchet and Jeffe Kennedy that would likely be categorized as romantasy now, but came out before the term was coined. It was tough putting out such books in years past, but they “would probably do wonderfully now,” she says.

Isn't that cool? I was so pleased to be mentioned in this context. From Crack Ho to Trailblazer! 

Ain't that just the way it goes?

Fierce Hearts and Adamant Spirits: Charity Anthologies for Ukraine

Hey all! I wanted to use this week's space to share about a project that Jeffe Kennedy and I are involved in. The Romantic Fantasy Shelf put together two amazing anthologies recently that released on March 31st. All proceeds go to the International Rescue Committee which is donating all raised funds to Ukrainian refugees. Receipts will be posted publicly by the Romantic Fantasy Shelf.

Jeffe and I have work in Fierce Hearts, an anthology filled with romantic fantasy and fantasy romance short stories, novelettes, novellas, novels, and chapter samplers for anticipated novels. Adamant Spirits is of the paranormal/sci-fi/urban fantasy romance variety. Over 40+ authors contributed to each book, totaling over 1.1 million donated words. 

We would love your support! It's for such a good cause. As of 4/5/22, 3266+ copies had been sold, for a total of $11,879 raised. That's amazing, and I cannot wait to see how much we raise over the next few months. 

If you'd like to check out these anthologies, I've included the universal links to Fierce Hearts and Adamant Spirits. Paperbacks will be available soon!

Thank you!

~ Charissa

The Art of the Book Cover

Hey all! This week's topic here at the SFF Seven is Cover Trends: What was, is, and will be 'hot' in cover art/style for your sub-genre? If you have a say in your covers, will you chase the trend or will you stick with the image in your mind?

I write romantic fantasy, and best I can tell, most books in my sub-genre have aimed toward symbol and typography covers over the last few years. Black and gold are popular too, but then other covers go for bolder colors. Here are a few examples:

I have noticed, however, that some covers in romantic fantasy that contain more of a fairytale vibe are leaning toward these artsy, folkloric covers.

Luckily for me, I only have the Witch Walker trilogy to deal with for now, and those covers have been completed since 2020. I also had input, which I appreciated from my publisher. This happened because they thankfully trust my judgment and knew I had a vision for this trilogy. I made mock-ups, sent them to the publisher who then sent them to the cover designer, and here we are. I think they're really beautiful, and I cannot wait to see them side by side in hardback!

As for where I see trends going? I don't really know. Any book that's popular enough can sway the market. If you look at Atlas Six, a dark academia/romantic fantasy TikTok sensation that went trad recently, you'll see a very minimal and mystical vibe with a mostly black cover. But then if you take a peek at Daughter of the Moon Goddess, a fairytale romantic fantasy, you'll see all this gorgeous pastel artwork that is just breathtaking. I love them both!!

I don't have my thumb on the cover-trend pulse, but I know a good cover when I see one ;)

What about you? What covers do you love in the romantic fantasy genre?

Daughter of the Moon Goddess by Sue Lynn Tan

 

UK Edition/Waterstones

Hi all! I've been a bit MIA the last two weeks. The Witch Collector released on 11/2 and let me tell you, it was exhausting. Far more so than I expected. On top of that, my house/kitchen is mid-remodel and I attempted to participate in NaNoWriMo, so it's been fun in my world this first half of November ;)

This week's blog topic at the SFF Seven is to promote BIPOC creatives. I chose to promote a fellow debut author, the lovely Sue Lynn Tan. Can we just take a moment to be in awe of this book cover by Waterstones?? And the GREEN pages?? I had to have it the moment I saw it! The US version is just as beautiful, though. It's one of those books that I feel I need in both forms because it's just that stunning.

US Edition

Here's a little info about Sue Lynn and her beautiful debut romantic fantasy novel.

     Blurb:

      A captivating debut fantasy inspired by the legend of Chang'e, the Chinese moon goddess, in which a young woman’s quest to free her mother pits her against the most powerful immortal in the realm.

      Growing up on the moon, Xingyin is accustomed to solitude, unaware that she is being hidden from the feared Celestial Emperor who exiled her mother for stealing his elixir of immortality. But when Xingyin’s magic flares and her existence is discovered, she is forced to flee her home, leaving her mother behind. Alone, powerless, and afraid, she makes her way to the Celestial Kingdom, a land of wonder and secrets. Disguising her identity, she seizes an opportunity to learn alongside the emperor's son, mastering archery and magic, even as passion flames between her and the prince.

To save her mother, Xingyin embarks on a perilous quest, confronting legendary creatures and vicious enemies across the earth and skies. But when treachery looms and forbidden magic threatens the kingdom, she must challenge the ruthless Celestial Emperor for her dream—striking a dangerous bargain in which she is torn between losing all she loves or plunging the realm into chaos.

Daughter of the Moon Goddess begins an enchanting, romantic duology which weaves ancient Chinese mythology into a sweeping adventure of immortals and magic—where love vies with honor, dreams are fraught with betrayal, and hope emerges triumphant.

About Sue Lynn Tan:

Sue Lynn Tan writes fantasy novels inspired by the myths and legends she fell in love with as a child. Born in Malaysia, she studied in London and France, before settling in Hong Kong with her family.

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Her love for stories began with a gift from her father, her first compilation of fairytales from around the world. After devouring every fable she could find in the library, she discovered fantasy books – spending much of her childhood lost in magical worlds.

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Her debut, Daughter of the Moon Goddess, will be published by Harper Voyager in January 2022, with a sequel to come. It is an enchanting fantasy of love and family, immortals and magic – inspired by the beloved Chinese legend of Chang’e flying to the moon upon taking the elixir of immortality.

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When not writing or reading, she enjoys exploring the many hills, lakes, and temples around her home. She is also grateful to be within reach of bubble tea and spicy food, which she unfortunately cannot cook.

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Find her on Instagram and Twitter @SuelynnTan, or on her website www.suelynntan.com. She is represented by Naomi Davis of Bookends Literary Agency.

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Doesn't this sound so amazing?? Here's a link to Sue Lynn's website book page because there are so many awesome purchase options. You can also add the book on Goodreads here. Remember, it releases on January 11, 2022. I cannot wait to read this tale!

All Hail the Rebels

 

Sometimes, the rule of the land is meant to keep the powerless powerless. All hail the rebels who mean to change that.

~ Raina Bloodgood, The Witch Collector

Politics. Not my favorite topic. I do enjoy reading about politics in world history, as well as the causes of ancient and even more contemporary wars, but I am not one to sit and watch the news. It depresses me, every time. That being said, politics still plays into my fiction. I'm not the best at the governmental aspects of worldbuilding, I admit, probably because of my aversion to stupid people being in positions of power.

But! In The Witch Collector for instance, political tensions are a huge part of the backdrop and drive the external conflict. Since this is book one in a triology, however, and thus act one in the story arc, I narrow my lens and focus mostly on the relationship of the hero and heroine, my rebels.

Book one follows Raina Bloodgood and Alexus Thibault as they navigate the initial story problems that will later propel them from their normal worlds into a world they've either avoided (Alexus) or never seen (Raina). They live on what's called the Northland Break, a small piece of the broken empire of Tiressia, a supercontinent that experienced a tectonic shift millions of years before, and was once under the rule of a succession of human kings, each of whom answered to the gods.

But then the gods came down and took their own rule, one in the Northlands, one in the Eastland Territories, one in the Summerlands, and another in what's known as the Western Drifts. Much of the conflict that developed is of a godly nature, meaning greed, insatiable appetites for all sorts of pleasure, and complete adoration was paramount in their focus. They wanted what they wanted when they wanted it, regardless of the humans, halflings, witches, magi, and sorcerers they had to step on or destroy to sate their desires. 

As tensions rose, bad things happened and two of the gods, Asha and Neri, were condemed and buried in the Summerlands. The City of Ruin is where their bones rest, at a place called the Grove of the Gods on Mount Ulra. Another god, Urdin of the Western Drifts, the best of the deities, died battling the Eastland god, Thamaos. Both were also buried at the grove.

Part of the conflict that led to all four gods' destruction was two simple human lovers. The fallout of that romance was not only a catalyst to the gods' demise, but left the Tiressian world with two immortal rulers, a Frost King and a Fire Queen, cast north and south of one another, who would never again be able to survive the other's presence. 

In this story, greed and revenge reign, and even gods can rise again, unless a witch and a Witch Collector can become allies and prevent worldwide calamity.

So. Yes, I use politics in my fiction. It won't show as much in book one as the next two books, because the MC has to learn the hidden history of the world she's occupied for twenty-four years and correct the thinking that three centuries of false lore have impressed upon the Northland people. This is a story of a young woman who lives a very sheltered existence and doesn't even realize it. She thinks she understands her world, and that it's the immortal king of the North who's ruining her life. Little does she know at the onset how protected she's been, and that sometimes, the world we don't see is absoutely stunning and beautiful and can open our minds to different cultures, but it can also be a rude awakening. Sometimes, the lives we think are so terrible are nothing in comparison to the trials many people live through day in and day out. My goal is to show that through Raina, to show her understanding of the complexities of Tiressia, and how those complexities affect her as an individual, deepening with every page.

If The Witch Collector sounds like a book you might like to read, I would love it if you added it to your Goodreads. If you'd like to pre-order the e-book, it's available on several platforms now. Print will be available in September!!

XOXO,