Website Mins, Mediums, and Maxs

 This Week's Topic: Author Websites Do's and Don'ts

We all know by now that authors need a home on the web that is theirs and not a social network's, right? Is it enough to have just a FaceBook page? No. A TickTok addy? No. Authors must have their own web destination. I'm in the camp that says authors need to have their own domain name too. Ideally, the domain name is the same as the author name/pen name.

KAKrantz.com Home Page

The whole point of a website for an author is so readers can find a listing of your works. Past, present, upcoming. Thus, at the bare minimum, an author should have:

• their name
• and any related pen names 
• their bio
• this usually includes an author headshot, short and/or long bio
• their works
• listed by genre, by series, by reading order
• should also include links to buy the works
• nice to provide a printable list
• and a means of contact
• whether it's a form-driven contact page that sends to the author's preferred email address, 
• links to their social media pages
• links to their discord, private community, etc 
• links to podcasts

Ought to haves, but not have-to-haves:

• One-click means to subscribe to their newsletter
• Also need the privacy policy page and cookie policy page if you're collecting any information on a user such as email address
• Press packet 
• Often incorporated into the About Me page, this includes author headshots/preferred images, short bio, and long bio. This is to help promotion/event organizers have the author's information at their convenience, be it for podcasts, blogs, articles, book clubs, etc.
• Where to Find Me
• If the author is touring, either virtually or IRL, a calendar of events/appearances with links to the event pages

Nice to haves, but not necessary:

• Series Extras
• Be it term glossaries, character guides, world maps, etc, it's nice to have a place where fans can download the extras that'll help them better enjoy the series.
• Writing Sample
• While big retailers offer a "look inside" preview of books, that's for audiences who are on their sites. Folks who came across the author's name before their work can get a sense of writing style from the sample on the author's website.
• Free Story Download
• This might be part of the author's newsletter lure (subscribe and get a free story!) or a separate short story to attract potential readers
• Sell-direct storefront
• If readers can buy books directly from the author, then those links should be on the book pages and on a unified storefront
• Other Author-Related Revenue Presence
• From freelance articles to workshops to Tarot readings to private coaching, etc., if the author has a writing-adjacent service or products, readers want to know

Now, as tempting as it is to put ALL THE THINGS on a website, clutter is an interest killer. The best websites are simple and straightforward, delivering what the reader needs.  After all, the end game is BOOK SALES. 

FWIW, there's a saying in web design that each click costs an additional 10% click-through rate. From a marketing standpoint, we have a "two clicks and they're gone" theory, so we try to put the buy option within two clicks of arriving at the main page. 

Tropes: Love them or hate them...

 

Photo by Tim Rebkavets on Unsplash

Tropes. Love them or hate them, as authors, we have our favorites to write and those that just bring us dread or maybe even make us cringe. Tropes play a huge role in the author's book. Maybe more than we care to admit. Do you even think about the tropes your books have? To be honest, I didn’t at first. I didn’t even truly think about it until it came time to market my books. 

    Once I started really thinking about tropes, I quickly realized my favorites. Some of my beloved tropes to write are fated/destined/soul mates. I have this trope in just about every book I write. I can’t help it. The hopeless romantic in me loves the idea of it. I tend to also like forced proximity, enemies to lovers, friends to lovers, and even frenemies to lovers. I also tend to write medium to fast-burn romances because my characters never seem to want a slow burn. I also tend to like the uneven social status. This particular trope is a favorite to write when I’m doing a werewolf story, which I tend to write for reading apps like Kindle Vella and Goodnovel. 

    On the flip side of the coin, there are tropes I simply can’t stand to write. I can’t stand the miscommunication trope. It causes unnecessary drama in my opinion. I also don’t like fake dating. I understand the appeal, but it’s not for me. I also can’t stand holiday romances, mainly Christmas ones. I feel like I have to release the book according to the holiday, and that it’s hard to market all year round. I’m not a fan of mistaken identity/amnesia. This one I’m simply not a fan of. One last trope that I am not a fan of is love triangles. I have never enjoyed love triangles. I think it’s because there is usually someone who ends up brokenhearted or with unrequited love, and those things make me sad. 

    Then there is another side to tropes, the tropes we want to try and write. For me, this is hit or miss. For example, I tried writing an age gap, and it worked out beautifully. I wanted to try a second chance trope and that worked out for a couple of stories. I love the idea of time travel and I’ve tried to do the time travel trope. It ended with scraping what I had and starting over.  Sometimes trying new tropes is fun and it works out perfectly. Other times it’s a complete disaster, but that doesn’t mean I won’t try the trope in another story. It’s good to try and write new tropes, you never know what you might find that becomes your new bread and butter. 

    Now, for one more side of tropes. The tropes I hate to write but love to read. I love a good slow burn. I’ve tried to write a true slow burn on a few occasions. I’ve even had stories where I can see the slow-burn romance working, but my characters have other plans. I also enjoy Reverse Harem, but for some reason every time I try to write one I struggle bus with it and give up. I like reading the step-sibling trope, but writing is just not something I can bring myself to write for personal reasons. 

    Tropes serve a great role in the book world. So whether we love to hate them, or hate to love them, they are embedded into the book world. Some tropes we embrace and others we run from, but no matter what, tropes will always be something we can’t avoid whether it’s for marketing purposes or simply trying to figure out what to write/read next. Tropes drive us to chase the books we love. 

Birdy Rivers is an award-winning author. She was born in NJ and now resides in GA with her family. She has been writing since her teens and professionally writing since her mid-twenties. When she isn't writing she is raising her three daughters whom she jokingly refers to as her baby dragons, working full-time as a medical assistant, and spending time with family and friends. She enjoys reading, the outdoors, video games, and music. Music and writing have served as therapeutic measures for her depression and anxiety. Birdy is a huge mental health advocate and often features the struggles of mental health in her stories.

Tropey Tropes

In all honesty, I don't think much about tropes. Not consciously, anyway. Clearly, though, they're tucked up in the subconscious, because they emerge in writing anyway. If I think about what ends up in my writing, it's always the same stuff:

• Found family
• Finding or making one's own place in the world
• Enemies to lovers
• Cheating the rules/authority/establishment

The things you won't see from me if I can help it are the same things Jeffe mentioned - damaging, misogynistic, racist, homophobic, transphobic, writer punching down or laterally in any way. Not here for it. Bully trope? Only if they get taken down hard. Even then, the take down needs to happen in the first quarter of the book so the rest of the story can be that bully's redemption tour. Otherwise, I'm out. You wanna kill off family or besties or beloveds in order to motivate a character? I'm going to cringe because it's lazy and it makes a character super suspect in my mind because if someone has to die before the character will move their asses to do what's right, they're either stupid or terrible people. Yes. I'm being judgy. Stuff went down this week and I'm in a MOOD. I'm not saying you can't kill people off in books. I'm in trouble if we can't. But as a driver for a hero or heroine? Yikes. So anyway. Come at me with the torches and pitchforks. Tell me I'm being a small-minded pain in the backside. 

Unloved & Beloved Fantasy Tropes

 This Week's Topic:  Which Tropes Do I Love to Write and Which Do I Loathe?

I don't know if there is a Fantasy trope I loathe to write. The Damsel in Distress probably comes the closest, but I'd totally make it "the tribe/village/town in distress" instead of a TDTL heroine. Avenge My Slaughtered Wife/Mother/Daughter? I hate the conceit that women have to die for men to succeed. That's not to say I don't love a good revenge story; just don't bump off the Important Woman...or the dog. No killing the dog, ever.

I'm wholly in bed with The Mentor trope. Magical artifacts and magical creatures? Pffft, hell yes! Antagonist as former bestie? Love it. Chosen One and The Prophecy? Sure, them's a bedrock of Fantasy. Overpowered Protagonist? Done it. Lost family? Any day, any time. Parallel dimensions/other worlds? Absolutely. Portal? Yaaaas. The Dying of Magic/The Birth of Magic? Yup, yup, yup. My list of beloved tropes is much longer than I'll post, but you get the gist.

The trope I'm too chicken to tackle? Alternate History.  I love reading 'em. Writing 'em? 🐔🐣🐔

I don't seek to write tropes, but I end up writing them anyway

 

Some tropes and storytelling elements resonate strongly with many readers, so I often see them used to market books. When I’m writing a story, though, I don't consciously think about tropes, and I don't aim to include or exclude any of them.

The stories I write explore some themes and conventions often, though. The romantic trope I use most often is "Friends to Lovers." I find I can write more convincingly about a couple who has an existing dynamic and I enjoy writing about how friendships can change.

I don’t hate any tropes, but there are some that my writing hasn't touched on so far. In science fiction and fantasy, I haven't written a "Chosen One" storyline. In the real world, I find the background of extraordinary people is often already compelling story. No predetermination is necessary.

I also haven’t written a story in which two characters in a romantic relationship are "Fated Mates." I prefer to write stories about the reasons why two people may continuously choose to be each other’s partners and how they build a lasting relationship.

Both of these tropes I haven't written rely on fate or predetermination, which I don’t know how to write about in an interesting way. I won’t rule out writing stories with these elements in the future, though! My writing, like the rest of my life, has changed over the years, and I believe it will continue to do so.

Trope-tastic - Love 'Em and Loathe 'Em

 This week at the SFF Seven. we're asking each other which tropes you love to write and which do you loathe?

The tropes I love are pretty easy to identify for anyone who's read more than one of my books. My favorites are:

• Enemies to Lovers
• Marriage of Convenience/Political Marriage/Marriage of State
• Forced Proximity
• He Falls First 
• Learning to Use magic/special abilities/wrestling own power

 

As for the tropes I loathe? Loathe is a strong word. I'm not sure I loathe any tropes. Ones I'm less fond of are:

• Second chance (I just don't believe that whatever broke them up the first time won't break them up again)
• Bully Romance (no no no - toxicity and abuse isn't romantic to me)
• Fated Mates (hard to make this one work)
• Faux Medieval Fantasy Worlds (Enough already - and besides medieval times were never like that)
• Chosen One (yawn)

 

The ones I truly dislike are the damaging ones, like: 

• Woman in the Refrigerator (women are people, not plot devices)
• Clumsy Heroine (it's not endearing to me)
• Racist Cliches (enough said)
• Bury Your Gays (see Woman in the Refrigerator)
• Having Kids as the Solution to Happiness (Spoiler: having kids is *hard* - they don't solve your problems or give your life the meaning it lacked)

When Conventions are Worth It

 I haven’t been to a book convention in – a long time. A looooong time. However. I do have a history with cons of all kinds, and so, while I might not be especially qualified to talk about whether book cons are worth it, I do have thoughts.

IMO, a con is worth it if:

You enjoy the premise of the con as a fan. You won’t be making the money you spent on attending the convention. Make sure you’re parting with your hard-earned dollars for a good reason – that being that you are engaging in an experience that brings you joy (outside of selling books).

You’re nominated for an award. Even then, I’m on the fence about this one these days. So many awards are problematic enough to include a cringe factor to them. This one must be a personal call. Am I relieved and grateful that the award nominations I once had were before the industry had its eyes unwillingly opened to the mounting issues? Heck yes.

You’re looking for an agent or you’re shopping a manuscript AND you can get pitch appointments. Pitch appointments, especially with editors for houses you’re targeting, are an amazing source of submission invites. I favor smaller, more local events where there aren’t 10k of my nearest and dearest vying for the same appointments. Getting in front of editors and agents is absolutely worth the time and trouble. Get a chance to put ‘Requested Material’ on a submission just once and see if you don’t agree.

You’re into meeting other authors, book lovers, and assorted weirdos. The breadth and depth of humanity is usually represented at a conference. If you enjoy striking up conversations with strangers about shared interests – cons are for you.

You’re using the con as a mini writer’s retreat, to recharge batteries, or to remember who you are outside of the roles and expectations of the rest of your life. Sometimes, a con is just a good excuse to get away so you don’t have to threaten the very next person who won’t leave you alone for five minutes while you pee, for the love of pete.

Cons are not worth it if:

You expect a return on investment. This is not why we con. At least, not why 98% con.

You’re expecting a miracle – like an agent begging to rep you or an editor begging to buy your book on the spot, you will be disappointed. If you’re signing and expecting to see lines out the door, you probably will see that. For someone else. At least initially.

You’re immunocompromised or live with someone who is. Fact of our lives, now, I’m afraid. Anyplace a large group of people are gathered indoors is a super spreader event. It might be Covid. It might be flu. It might be RSV. It might be measles. It might be TB. It might be the common cold. I hate it with every fiber of my being but every con now requires a fully informed, individual risk assessment.

Will I go to a con again? Yes. Comicon is still my happy place and I'd really like to get to one of the big SFWA cons at some point. Darn day job, tho. 

Want to Book Con?

Book Conventions: love them or leave them?

When you read a book you love what’s one of the first things you want to do? Talk about it with someone else who loves it too! And that’s how book conventions came to be.

At least in my mind. 

But as an author conventions become more than being a fan, they also become work. If you’re new to the book/author convention world maybe you’re wondering which ones are worth the money. Or maybe you’re wondering which ones will give your shiny new book the most exposure. Or maybe you want to meet other writers who might end up becoming writing buddies, or critique partners, or mentors. 

All of those reasons and more are why attending one might be right for you. But every con is different and you’ll need to research to find out which ones match with your goals. And no matter what goal you’ve got, attending a con will cost you $$. So, let’s take a look at what’s out there!

This list is by no means comprehensive. There are cons of all sizes that cater to all genres. The easiest ones to quickly look up are the ones connected to professional writing groups and associations. SFWA holds the Nebulas. Worldcon has the Hugos. If you’re looking for a fantasy specific con check out FantasyCons.com. They list these smaller conventions by date and show the location.  

If you’re looking for general fiction ones, check out the list The Write Life put together. Select by genre or location, they’re all on the same page. Or maybe you’re looking for something local to do a signing at or rub elbows with authors within driving distance of you. In that case, check out Writer’s Digest’s list of book fairs and festivals. 

There are also plenty of writing conventions aimed at teaching you how to put together a novel, how to format, how to pitch, how to self-publish, etc. Watch out for those. Some have useful information, but sometimes it’s packaged at a steep price or the information could’ve been gleaned by reading some free online resources. Some offer pitch appointments with agents if you're on the traditional publishing pathway, which can be the highlight of attending this type.

Attending a book/author convention can be energizing! Meeting people in the same writing stage as you can be uplifting. And making connections with industry professionals can be beneficial. Weigh your pros and cons after doing your research. Hopefully you’ll find one that’s easy to get to that you’ll enjoy!

Do you have any cons on your wishlist or ones you’ve been to that you’d recommend?