How Far is Too Far?

This week's topic at the SFF Seven is how far is too far in your writing? Is there anything you find taboo?

First of all, let me say that this is a pretty complex topic if you sit down and really think about what taboo means across different cultures and how it can be used in fiction as a means to examine our own societal 'norms,' boundaries, and structures. When placed in the hands of a skilled and careful writer, taboo can be explored and provide an entirely different view of something we might otherwise never think about or understand.

Taboo by definition is: proscribed by society as improper or unacceptable.

The list for taboo subject matter could go on for ages, because everyone is different in what they find improper or unacceptable. For me, there are definitely lines that I don't think I will ever cross, like rape and incest. I can't make myself watch Game of Thrones, and those are some of the reasons why. For me as a viewer, it's just not something I want to see. I will also never watch Dahmer, no matter what anyone says, because that's too real for me. However, show me The Walking Dead with people getting eaten by zombies, and I'm just fine *shrugs.* 

One of the most recent taboo things I read was a scene in Empire of the Vampire by Jay Kristoff, a book I will finish if it kills me. There's a newly emerging vampire-type situation for a character and his menstruating girlfriend. Menstruation isn't as taboo in the US as it is in some other countries, but it's still often viewed as an unclean part of a woman's life, especially in sexual situations. In Kristoff's hands, this scene read like poetry, you guys.

Salt and iron. Autumn and rust. Flooding over my tongue and answering every question I’d never known how to ask. Because the answer was the same. Always the same. Blood. Blood.

Kristoff, Jay. Empire of the Vampire (p. 37). St. Martin's Publishing Group. Kindle Edition. 

And then, then God help me, I sank my teeth into her, her back arching, her every muscle taut as she threw back her head and pulled me closer, trying not to scream. And I knew the color of want then. And its color was red.

Kristoff, Jay. Empire of the Vampire (pp. 37-38). St. Martin's Publishing Group. Kindle Edition. 

I think writing is about pushing limits. It's about exploring darknesses along with the light. It's about discussing what lives in the shadows and what we as a society force into the shadows. It's also about tearing down social constructs that don't fit us as individuals and illuminating hate that just so happens to wear the clothes of taboo. Sorry, but religion doesn't get to decide what's right and wrong for all. 

I could talk for days on this topic haha, but I won't. Instead, I'll leave you with an article by Vylar Kaftan that explains the importance of writing the taboo far better than I ever could.

Here's an excerpt:

Taboos fascinate many writers and artists because we are rebels at heart. We’re drawn to the forbidden, the denied, the unacceptable. In order to show the world in all its beauty and grossness, we portray both the sacred and the profane, sometimes in the same sentence (holy shit, it’s true!). Many speculative fiction readers also find taboos fascinating, because they show what is different or excluded in humanity. A good percent of science fiction fans already feel quirky or weird compared to the ordinary world; it’s hardly surprising that stories about taboos often appeal to these readers. In this article, I’ll discuss briefly the nature of taboos and why speculative fiction is uniquely well-suited to handle these topics.

What's the last taboo topic you read about?

~ Charissa