The Heroine I Wished I'd Written

 This week at the SFF Seven, we're talking about our favorite heroines that we didn't write. 

I think you all know me by now, and thus know I don't much like picking favorite anythings. There's a lot of room in my universe for all the stuff I love and I don't really think in terms of ranking. All that said, I just completed a reread of Patricia McKillip's The Forgotten Beasts of Eld, one of my most cherished books of all time. It's a brilliant fantasy novel and one I wished I'd written. The heroine and protagonist is a wizard woman named Sybel. 

Don't pay attention to the stupid listings that call this book young adult (YA). First of all, in 1974 when this book was first published, there wasn't a YA category. Secondly, the only reason this is listed as YA, I assume, is because it's written by a woman with a female protagonist. If this deeply layered, fucking brilliant fantasy novel is YA, then so is The Lord of the Rings. 

ANYWAY.

Sybel is simply a brilliantly drawn heroine. She is a product of her upbringing, isolated physically and in her immense power. Living among the magical, nigh-mythical creatures she cares for, Sybel has to learn to deal with human beings. She is unflinchingly strong throughout the story, cleaving to her own sense of self, even when others try to rip that away from her. In her learning to first love, then to hate, then to move past both, she achieves her own mythic status. Even as the reader follows her self-destructive path, dreading the inevitable outcome, we also believe totally in her reasons, never failing to cheer her on. Sybel is the awkward, bookish, shy girl in all of us, who wrestles with the tumult of the wider world. 

In rereading, I found so many ways this story has infused my own work, though I despair of ever reaching this level. And Sybel is in all of my heroines. Maybe even a bit in myself. 

Who Influences My Writing. I Hope.

Thursday was neuter day for the boy cats. I've had 3 drunk kittens on my hands. It turns out that drunk kittens do not simply drink water. They stand IN the water dishes and start digging. This lead to an inch of water in the bathroom, a sodden kitchen counter, and three kittens dripping water from their bellies down. I'm have no idea what was in the pain meds the vet gave them, but I want some.

Oh. Right. I was supposed to tell you about the influences on my writing, not hallucinating kittens. None of these authors will be a surprise to anyone. I've mentioned them all before. As I look across the list, though, maybe this is my wishful thinking list. These are the people I'd like to have influencing my writing, because in each case, I love the turns of phrase. I adore the images these writers create. Certainly, I'm reading modern authors whose work with words makes me swoon, but it's probably early to claim they influence me as a writer just yet. So my no-surprise-to-anyone list of influencers:

1. Andre Norton
2. Charles de Lint
3. Robin McKinley
4. H.M. Hoover
5. Arthur C. Clarke

Andre Norton was my first book love - the one where I read a single story of hers and I was hooked and had to hunt down everything she'd ever written. I'm still looking for the westerns.

Charles de Lint writes words the way I imagine most people write music. I love the way his words go together. I can't figure out if it's painterly or musical or both. I just love his facility with the language.

Robin McKinley makes me love her worlds and her characters. It's no secret that Sunshine is one of my desert isle books.

H.M. Hoover - how do I explain this one. H.M. Hoover wrote kids books. These books are pretty damned dark. But to this day, despite my age, H.M. Hoover's writing makes me identify with a 10 year old heroine every single time.

Arthur C. Clarke - I love the themes in his work. Always have. The stories go together in a way that feels so effortless. Complex ideas and descriptions slid down so easily. I love getting to the end of one of his stories, my head whirling, and wonder how I got from page 1 to The End.

I guess the common theme is that these are people who write books that stay with me. In every case, the stories stuck with me not just for days, but for decades. These are the books that I kept in storage during the boat years, and then paid to haul across the continent when we moved. I can walk into my office right now and put my hands on books by each of these people. That's what I aspire to be. So yeah. This is my man-I-want-to-be-like-them list of authors who I hope influence my writing.

KAK's 5 Authors Who Influenced My Writing

Buckle-up, Betty, it's time for...

KAK's 5 Authors Who Influence My Writing:

1. Eleanor Hibbert aka Victoria Holt -- First author whose complete gothic romantic suspense works I devoured as a budding tweenager. She had at least eight pen names--one per genre. Had I grokked the concept of multiple pen names at that time, the base librarian would never have gotten rid of me. Holt sparked my love of mysteries. 
2. Morgan Llywelyn -- author of Irish historical fiction and mythology, she got my attention with Lion of Ireland, lured me back with The Bard, and hooked me forever with Red Branch. When she moved way ahead in time to 1916: The Irish Rebellion and followed that up with 1921, 1949, 1972 my American education hadn't prepared me for the gut-wrenching history through which the fiction was threaded. If Llywelyn's written it, I own it, with the exception of her Young Readers books. She rules world-building and balances it expertly alongside character development.
3. Sherrilyn Kenyon -- Comedy, action, romance, and the paranormal. When I decided I wanted to take writing seriously, she was the "it" author at the time, the darling, the rockstar. I read everything she'd published. It wasn't hard. These were easy, fast, fun reads centered around characters who stuck with you. That last part was the skill I was trying to develop as an author. Showalter, Cole, Sands, etc., are all part of the PNR Romance writers whose stories helped me dissect character-driven plots to get to the heart of the characters. 
4. Nigel Tranter -- Scottish historical fiction author (among other things). Deep, deep conspiracy-laden whodunnit court intrigue wrapped around actual historical figures. I bought the Bruce trilogy/omnibus-doorstop to take on a road trip. By the time I'd finished the tome, there would never again be a billion dollar Hollywood movie that could conjure vivid settings like a Tranter novel. I'd been spoiled by a man who got into writing fiction because of his interest in the architecture of medieval castles. Tranter was very prolific. I wish I could say I had read all of his fiction, but his works require intense focus because they are so rich.  His books are like a seven-layer chocolate cake that you love, but can only eat one thin sliver at a time. I aspire to weave the kind of engaging complexities into my novels that he did. 
5. Bernard Cornwell -- Historical fiction author of the best battle scenes ever. While Stonehenge is my favorite of his (yet probably the book with the fewest combat scenes), Sharpe's Eagle was where I cut my tweenage-teeth on boys in battle, the build-up, and the fallout of the actual shots-fired-conflict. That love hasn't waned. In case you're wondering, Sharpe is probably the only show/series in which Sean Bean actually lives to the end.

If you haven't read at least three books by each of these authors, do it. They're very different storytellers in voice, style, and content. Yes, my influences are all...white. Yes, that is a large part of the reason I'm making a conscious effort now to read more diversely. I'm eager to learn from a wider pool of influencers.

The Godparents: Jeffe's Top Five Influences as a Writer

We're heading into the last week of the Science Fiction and Fantasy Writers of America (SFWA) Fantasy Storybundle. The theme is "Kickass Heroines" and this is such a kickass collection. I was one of the first to download it, even though my own book is in it, and I've read a couple of others. So many fantastic books for an amazing price.

The Bundle was curated by Terry Mixon who says:

SFWA is over 50 years old and its membership consists of professional writers and publishing professionals from around the globe. It administers the Nebula Awards each year, and so very much more. It was a real pleasure reading the submissions from SFWA members this year and, as every year, we had a rough time narrowing the selection to just a few books. We think you'll be delighted as there is something for everyone in this great bundle.

 • The Arrows of the Heart by Jeffe Kennedy. What do you do when your boyfriend is an animal? Really. An animal.

 • The Twenty-Sided Sorceress, Books 1-3 by Annie Bellet. Gamer. Nerd. Sorceress. After twenty-five years fleeing from a powerful sorcerer, a mostly-human woman is finally safe – if she can resist using her magic. Or can she?

 • The Dragon Blood Collection, Books 1-3 by Lindsay Buroker. A dashing pilot, a comely sorceress, and a smart-mouthed soulsword all come together in a world intent on killing them.

 • Radiance by Grace Draven. A marriage between alien kingdoms – and two "spares" who find beauty in each other, and that heroism comes in many forms.

 • Ashwin by Kit Rocha. Can a genetically manipulated soldier be a hero? A healer finds a way to love a man without feelings—and fight for brightness in a dark world.

 • The Raven and the Reindeer by Ursula Vernon. An enthralling remix of a classic fairy tale, with a practical heroine who follows her heart to a very different ending.

There are more than those, too. Check out the deal here. 

*****
Our topic this week at the SFF Seven is "The Godparents: Your top five influences as a writer."

At least the person who suggested this one is letting me have five?

This isn't the definitive list, but it does come pretty close to encapsulating my major influences. These are the authors I not only love, but who influenced the way I write.

Tanith Lee

Anne McCaffrey

Patricia McKillip

Robin McKinley

Anne Rice

I linked to the best pages I could find for each (avoiding Wikipedia if possible). Sadly Tanith Lee and Anne McCaffrey are both dead now. I have no idea why three of them are "Mc" names - except that perhaps I identify with the Celtic voice, and they would've all been shelved close together. This goes beyond discoverability, however, as I started reading Robin McKinley much later.

All of these women write vividly sensual fantasy with women who are the front and center heroes of their own journeys. (With Anne Rice, it depends on the book.) They all created worlds I wanted to live in, presented complex interpersonal relationships, and explored shades of morality in fascinating ways.

They have been wonderful Godmothers to me, one and all.

It's Your Book, But You Need To Write It My Way

When fans tell you how to write your book, do you listen?

~shifty eyes~  

~leans forward~

~whispers~

What fans?

Just kidding. Sort of. Mebbe. There is no greater compliment than fans who really connect with your work. Some of those fans will shout their passion from every review page, book party table, and fan-Con hallway (gods bless 'em; most authors really need that visibility boost). Similarly, everybody has an opinion. So when those opinions about your work collide with a passion for the characters, world, and plot there might be a few "suggestions" made.

Don't kill that character. 

Ship these two characters. 

Get that character some religion. 

Not that religion.

Speaking practically, in a series where books are still being written, the author is most likely writing two or three books ahead of what's just hitting the shelves. A lot of those "suggestions" are too late.  Similarly, the series may only have been contracted for X number of books or the series was sold as a trilogy so there are certain plot points, milestones, character developments that have to occur at a specific in the timeline in order to satisfactorily end the series. Again, the suggestions are too late.

Now, what if, what if it's not too late? What if--because the author is a super-slow writer publishing on their own damn schedule like moi--there's time for fans to voice an opinion and have it be heard? Well, the kind of feedback that might sway me is if a minor character turns out to be a fan-favorite; that character might end up with more page time. Not so much as to take away from the story, but sure, why not give a nod to the fan base? Plot suggestions? No, sorry. My world, my crazy. Who lives and who dies? Sometimes those developments surprise even me. Who's going to get laid, when, and how explicitly will it be depicted?

Dudes. 

Duuuudes. 

Come on. 

Nookie will happen if and when it's meant to during the characters' developments. Whether it happens on page or off depends on a lot of things. It's not a radio show; the characters aren't taking requests.