Release Day: Seasons of Sorcery (A Fantasy Anthology)

Congratulations to Jeffe on her short story in the Seasons of Sorcery Anthology, out today!

SEASONS OF SORCERY
A Fantasy Anthology
by Jeffe Kennedy, Jennifer Estep, Grace Draven, Amanda Bouchet

WINTER'S WEB BY JENNIFER ESTEP
An assassin at a renaissance faire. What could possibly go wrong? Everything, if you’re Gin Blanco. This Spider is trapped in someone else’s icy web—and it seems like they don’t want her to leave the faire alive . . .

A WILDERNESS OF GLASS BY GRACE DRAVEN
The stretch of sea known as the Gray rules the lives of those in the village of Ancilar, including widow Brida Gazi. In the aftermath of an autumn storm, Brida discovers one of the sea's secrets cast onto the shore—a discovery that will change her world, mend her soul, and put her in the greatest danger she's ever faced.

A CURSE FOR SPRING BY AMANDA BOUCHET
A malevolent spell strangles the kingdom of Leathen in catastrophic drought. Prince Daric must break the curse before his people starve. A once-mighty goddess trapped in a human body might be the key—but saving his kingdom could mean losing all that he loves.

THE DRAGONS OF SUMMER BY JEFFE KENNEDY
As unofficial consort to the High Queen, former mercenary Harlan Konyngrr faces a challenge worse than looming war and fearsome dragons. His long-held secrets threaten what he loves most—and he must make a choice between vows to two women.

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The Writing Never Ends

Simple fact of life number seven: The writing never stops.

When I'm reading s comic book, a short story, a novel or watching a TV show or a movie, I am always looking critically at what is going on. its not because I want to, mind you, but it has become the nature of the beast.

I cannot look at a story without going over the basic plot, the twist, the writing, the grammar and the characterization. I can no more do that than a mechanic can look at a car--jalopy or high octane, high performance vehicle--without automatically wanting to pop the hood and see what is what.

There are remarkably few authors that I can read simply for the sake of reading. In most cases there's a compulsion to look over sentences that ring true (or that feel like lies) and make sure I understand why those sentences evoke those emotions Magicians study each other's work and writers do the same.

Simply put, it's part of getting better at your craft. If you don't look at the work of others and examine the minutiae either you are sublimely confident or a fool. Possibly both.

Let me give an example: A few years back--more than I care to think about, actually, I had a publisher come up to me and as if i was interested in writing a big, fat juicy vampire novel for him. I had no desire whatsoever, Seriously. I'd worked for White Wolf Games on their World of Darkness books for some time, really and I'd written all i wanted to say about vampires.

That feeling lasted exactly 2.3 seconds. By the time the feeling was fading I was already in negotiation about what sort of prices we were talking for an advance and what formats the book would come out in. In this case it was cooing out as a signed limited edition in numbered and lettered formats. Maybe 550 copies all told.

First rule: If you are a freelancer and someone offers you a reasonable deal you say "Yes." I was and am a freelancer. I said yes.

Then I did my research. I read every vampire book I could get my hands on. That means THEY THIRST, by Robert R. McCammon, I AM LEGEND, by Richard Matheson, 'SALEM'S LOT by Stephen King, DRACULA, by Bram Stoker, LOST SOULS by Poppy Z. Brite, THE VAMPIRE CHRONICLES by Anne Rice, VAMPHYRRIC by Simon Clarke, ANNO DRACULA by Kim Newman, THE TOMB OF DRACULA comic books by Marv Wolfman and Gene Colan, everything and anything vampire related that I could find. And then I did the same thing with the movies and TV shows. I studied as much lore and legend of vampirism from around the world as I could, making sure to note the differences as they came around. I bathed in the stuff like it was blood and I was the Countess Bathory. I might not have a doctorate in vampire fiction, but it wasn't for lack of trying.

Why? Because if you are going to walk in familiar territory, you want to make that territory your own. I wanted to make sure I wasn't rehashing what had already been done as much as that is possible in a genre like vampires. Because, by God, I wanted MONSTERS, not sparkly things that claimed they were creatures of the night.

I read, and I read, and I read, and while I certainly got some enjoyment from the act, I also studied every story I could find from VARNEY, THE VAMPIRE, by James Malcom Rymer and Thomas Peckett Prest to FEVRE DREAM by George R. R. Martin. It's how we learn, isn't it? We study much, we see much. We make sure we are doing our best to be original in an area inundated by vampire tales.

The end result was BLOOD RED, a novel carefully studied and examined and then written faster than any NaNoWriMo novel ever was. I had an editor going over every chapter with me seconds after it was written, to correct typos and keep me on track. 127,000 words, give or take and finished with the first draft in three weeks. It's a personal record though I know others have beaten it.

A few years later I repeated the process to write the sequel, BLOOD HARVEST and I'll be doing it again, soon, when I start the last book in the series, BLOOD TIES.  I do these things because I must. Because, really, I need to make sure I'm not copying something I only vaguely recall reading from years ago. I don't want to make the mistake of attempting to rewrite Dracula. Bram Stoker did a much better job than I ever will with that character, but I must confess, I still love vampire stories, even after all of these years.

Monsters, not tragedy, that is my goal. I'm finishing one novel now and then, almost immediately thereafter, I'll be starting BLOOD TIES. It's due in a few months, you see, and I hate being late, regardless of how often I find myself in that state of delinquency.

I will read many books. I will watch movies new and old. I will absorb them all and I will enjoy them, but make no mistake, I'll be working very hard at the same time.

That is, of course, before the first word is typed in the manuscript.

James A. Moore
The covers for BLOOD RED and BLOOD HARVEST by Edward Miller. from the Earthling Publication Limited Editions.

And HERE is a link to the short story that started it all. 

Why Building a Writing Habit is Essential

WARRIOR OF THE WORLD, which comes out January 8 2019, is being featured in a Goodreads giveaway until November 27! Great opportunity to win one of a hundred free copies! Kensington has also started a reader Facebook group called Between the Chapters. Lots of great giveaways on there - along with author chats. I'll be doing one in January, so join up and enjoy the party!

Our topic at the SFF Seven this week is one I suggested, on the idea that “Even When You’re Not Writing, You’re Writing.”

It's a good one for NaNoWriMo month, because there's so much fierce focus getting words on the page - which is something I absolutely believe in. NaNoWriMo (National Novel-Writing Month, for the uninitiated) is fantastic for building a writing habit, something that's essential for being a writer. There's a lot of reasons for this - as it's something I talk and blog about frequently - but one of the things that building a writing habit does is it allows your mind to work even when you aren't.

This can get dicey because people can be so good at denial. I can't tell you how often someone has said to me "I've got the entire book written in my head - I just need to write it down."

If you have written books, you know very well how much is packed into the space of that hyphen. If you haven't written a book, and revised it, preferably several of them, then you might not realize what a huge disconnect there is between those two ideas.

This is because WRITING IT DOWN IS THE HARD PART.

Seriously. It's hard. So difficult that most people never make it to the other side of that hyphen. Or they start and never finish.

Writing the story down, getting it right, is where all the craft, skill, dedication and perseverance of being a writer come in. You can market your little heart out, but if the story isn't there, if you haven't gotten the words down and refined to the utmost agree, you've got nothing to sell readers. 

This is why authors build and maintain writing habits. You don't get better until you write A LOT. Some say a million words to get there and I think that's probably a reasonable number. That means that even if you "win" NaNoWriMo and write 50,000 words in the month of November, you've still got 95% of the work to do to get to the point where your writing begins to hang together and actually be *good* - or, put another way, do NaNoWriMo for 19 more months.

Ouch, right?

By that I don't mean you have to write 50K/month for two years, but if you spend two years writing consistently - whatever works for you, whether every day or not - then you'll be getting somewhere. That can be offputting, but every successful writer I know has some version of that as part of their story.

The best part is, once you build that writing habit, something magical happens: the story really does begin to write in your head. Even when you're not actually putting words on the page, part of yourself is brewing the story, so that when you go to write, it's there for you and flows out.

BUT!

This is a really huge BUT -

Remember that this is on the OTHER SIDE OF THE HYPHEN. If you think the story is all written in your head, but you've never written and *finished* an entire book, you're very likely kidding yourself. There's just no way around that.

So cheers to all in the middle stretch of NaNoWriMo! This is when it starts to feel grueling. Remember that you're building a great habit. Keep it up!

No Crossing the Streams

This is what wildly inaccurate reviews feel like. You press the publish button, something goes clunk, a review for a book that bears remarkably little resemblance to yours comes in, you blink, and you wonder what the hell just happened.

In this case, an aged Cuisinart lid gave up its seal, and here I am, wearing a gritty, smelly slurry of chicken liver and feline supplements. The only option for this was a washdown of the kitchen and a shower.

Recovering from a review that deliberately twists, misreads or otherwise misinterprets your writing is a little harder. On one hand, you want to correct the misconceptions, but holy cow. Where to even start?? Not to mention that it's thankless. On the other hand, there's that pesky truism about the book being the purview of the author and reviews being the purview of the reader and ne'er should the twain meet. It's sort of a Ghost Busters quote. "Don't cross the streams."

Am I saying you just have to sit on your hands when someone butchers your story in a review or blog post? Yep. Do not respond at all. That way lies madness. Your only real option is detachment. Develop the means to convince yourself that the moment you hit publish, your book is no longer yours. You've flung it out to the wide world and it now belongs to anyone and everyone who reads (or misreads) it. 

Remember this vital fact: a review says as much or more about the reviewer than it does about your story. Someone ripping up your story when all the other reviewers seem to like it? It's because you wrote the idea that reviewer has been nursing, but not writing, for decades. Someone assigning events to your story that aren't there? Reflection of the crap storm of their lives when they read.

A few of us on this blog have seen what happens when an author engages a reviewer who got the facts of a story dead wrong. Never, ever, ever have I seen it end well, no matter how respectfully the author approached the conversation. So just don't. If inaccurate reviews twist you up, DON'T READ YOUR REVIEWS. Not even kidding. Know your limits. 

And then, finally. Trust your readers. In the single instance when someone confused one of my books with -- I don't know -- a hallucination maybe and wrote a review based thereupon, other reviewers called them out in their reviews. You can't count on that, of course, but plenty of reviewers hate seeing factually inaccurate reviews, too, and will take pains to correct the misunderstandings. And that's super complementary, I think. 

Embracing the Hostile Read

There's an old saying, "No text can survive a hostile read." 

I also like this exchange from the West Wing, when Sam Seaborn is told that a passage from a speech given by the First Lady has angered an activist group.

SAM: I don't see it.
CJ: You have to want it to see it.

Here's the thing about writing anything: everyone is going to come at it with their own biases, their own take.  Once you send it out into the world, you have no way to control how people are going to take it.  And, more specifically, if people are going to want to misread your text, bring their hostile read to you, you really have to just take it.

I'm not saying this to address any specific or recent review-- in fact I've been quite pleased with the recent reviews for THE WAY OF THE SHIELD-- but more as a sort of zen reminder that people will find the things that they connect to, that they can interpret with their own biases, and even though it doesn't match my intentions... that doesn't matter.

I'm kind of arguing for "the death of the author", I know, but the point is, all I can do is put it on the page.  If the reader finds something there I didn't intend, that's how it is.  In fact, I think it's great to embrace that, and see what I can learn.  Isn't that what it's about, after all?  Constantly trying to learn, grow and improve?

That's my goal, at least.
--
Hey, are you in the northeast?  What are you doing next weekend?  Me, I'm the Special Guest at PhilCon!  If you can, come on out, and come say hello!   

VOTE! VOTE! VOTE!

It's Tuesday, November 6th. Here in the US, it's Election Day. 

Whatever your political opinions, go VOTE. 

When Reviews Get It Wrong - *Really* Wrong

This was my view from the bed this morning when I woke up. The mountain bluebirds love this water fountain - and they always feel like a good luck visitation to me!

Our topic at the SFF Seven this week is "Dealing with an almost willful misinterpretation of the text."

It happens to every author. Probably to other artists, too. Hell, I even remember this sort of thing happening in the corporate world. Someone points to a problem in a document you produced, explains how it's wrong and why. And then you sit there, blinking at them, and wondering how on earth to respond since they ENTIRELY MISUNDERSTOOD AND IT'S NOT INCORRECT AT ALL.

It's kind of bizarre when it happens in a book review - and can be super upsetting when the reviewer pans the book because of it. I'm not talking about the reviews where the reviewer misspells the characters' names or gets some nuance wrong. Those are irritating, but whatever.

This is this kind of thing where they say "I hated this book because in the end it turned out to be all a dream and that kind of thing kills the story for me." An understandable critique in most circumstances.

Only...

It DIDN'T turn out to be all a dream and they misread.

Or misunderstood.

Or willfully misinterpreted?

Sometimes I wonder. And it's not just with my books. I've seen willful misinterpretations of classics or famous books that have me shaking my head. Sometimes I wonder if they're trying to gaslight people - give wrong information to create confusion.

When it happens with my books? Yeah - I often *really really really* want to explain. Not even to refute the negative review, because whatever, but to clear up their obvious confusion. But, the author rule of thumb not to respond to reviews unless invited to holds true.

Also, I do believe that most interpretations of a story belong to the reader. If the story lives in their head in a certain way, that's up to them.

BUT... I do have a little trick for dealing with stuff that feels like willful misinterpretations. At my next opportunity, I blog about or otherwise discuss that plot point or character, explaining something about it that refutes the misinterpretation, or explains that aspect of the story as I intended it. Just my little way of fact-checking and putting the good information out there, in case anyone wants it.

Scary Books? Read Bird Woman!

To close out our scary books week, I first have to say that I don’t read horror as a rule, or watch scary movies. As others have said, with my vivid imagination, the images and the scares stay in my brain wayyyy too long after I’ve finished the reading or watching experience.

I could give you a list of non-horror books that I found to be scary in other ways, on the topics of climate change, ebola-like viruses and the like, but that’s not really what we were going for with the theme, not in a week that included Halloween. (I wore a rainbow colored wig with a unicorn horn and purple ears BTW, to the delight of my toddler grandson….I also may have eaten a few too many Nestle Crunch bitesize bars…)

There is one scary book that always comes to my mind immediately when the topic arises and that would be Jeffe Kennedy’s Bird Woman. Here’s the very terse blurb: A psychological thriller set in the Pacific Northwest, the true story, told in essay form, of an encounter with the paranormal: a vengeful goddess in the Pacific Northwest.

It scared me to death when I first read it a number of years ago and I still remember it vividly. If you haven’t read it, go forth and do so!

I used to be able to read Stephen King and enjoyed his books quite a bit. Not all of them – some were totally not to my taste but for example, The Shining was one of my favorites. If I had to pick a second scariest book I ever read, it would probably be something by him, except I had to stop reading him years ago. I don’t know if he got even more ‘horrific’ in his writing or if I just got older and less able to shed the horror after reading it like most people do, but there was one novel of his (the title of which I’ve blocked from my brain frankly) where I spent an entire night having nightmares and couldn’t get his imagery out of my head. So I was done. Kudos to him for being such a powerful writer but I can’t even crack open any of his novels any more.

I do re-watch the TV movie version of “Langoliers” on occasion. For some reason I quite like that one…

Another book that stayed in my memory was Barbara Michaels’ The Crying Child. That one still gives me goosebumps. Not that she was writing horror, per se, but the power of some of the scenes really got to me. Ammie Come Home was another of her books that I read and re-read. She could spin a good tale with romance and an HEA, but scare me a bit in the process!

I think the common elements that scare me are a small group of people (maybe even just two people as with Jeffe's book), stuck in an isolated locale (islands seem to terrify me in this regard) and an eerie, threatening otherworldly presence bent on doing evil.

I don't write horror obviously but here's a snippet I shared last week for Halloween from one of my books, Mission to Mahjundar, where I took the Aztec god of death and adapted him to becoming an alien deity and then made my characters confront him. I'm pretty sure I wrote this particular sequence to get said deity off my mind because when I stood in front of a statue of him myself, in a museum in Mexico, the pure evil that radiated from that effigy was breathtaking. This scene is just the beginning of their encounters with the alien god...