Now Serving Number . . . Writing What's Next

Most of us who've been writing for awhile operate under this sneaking suspicion that there's some deep, insider secret to publishing. If only we could suss it out, we'd finally, FINALLY, be set. We'd know what to write and when to write it. We'd write best sellers and we'd finally get to sit with the cool kids.

I don't want to alarm anyone but I think I found that secret. One of them anyway. It's this: There are no right answers. Not to any question about writing.

There are answers that might be better than others but even that word 'better' is up for debate. Better for whom? And why? Who gets to decide that? Maybe now you have some insight into how and why I overthink everything ever. It's a gift and a real pain in the ass. It turns the whole question of what to write next into a whirlwind of second guessing and analysis paralysis. There's very little fun involved. Given all of that, I had to come up with a system. Two systems actually.

1. Orders of precedence - write first anything constrained by contract or owed to another entity you do not wish to disappoint. If no contract, write first anything that is already underway and write it to completion. If nothing is currently in the works or contracted, write whatever will feed the fire of whichever audience burns brightest. If there's no obvious audience salivating for a book from you, write what you please.

2. Bright, shiny new ideas that popcorn up while I'm in the middle of a WIP must take a number and stand in line.

In practice, this means I have a way to direct myself toward completing a project. I have a few checks to weigh story ideas against. Most of the time, there's a clear answer to what I should write. The second system - the one about new ideas is a defense mechanism. There's nothing like hitting the sagging middle of a WIP to generate bright, shiny, compelling, BETTER story ideas. The big secret about that, though, is that those stories, too, have saggy, boring middles to be muddled through. Ask my pile of half finished projects how I know this. I had to come up with a redirect that worked for me. When a new idea comes courting, I stop what I'm doing and jot down notes about the idea - bare bones. I want just enough to scratch the itch of capturing this flash of seeming brilliance </sarcasm> so I can follow the thought later when I come back to the idea to flesh it out. If I can. By dignifying the idea with a page of summary and a named file folder in Dropbox, my brain lets me get back to what I had been writing without the tugs and pulls of needing to chase the new thing.

However. I'm finding I need a new system to handle what I should write next and that's because there comes a time in most every life where writing fails. Or we fail. Or imagination fails. Or physical or mental illness claims all the space and the spoons we had to write. Sometimes the 'should' part of 'what should I write next' is the worst and most self-sabotaging question we can pose to ourselves. Some days you can't answer that 'should' question. Then it might help to default to asking 'what can I write?'

Just because we sit or stand at computers all day and make stuff up doesn't mean we aren't working our hearts out. We're spinning some of these stories out of the essence of ourselves and yes, it's likely that we get energy back from what we do, or else why do it? But the rest of our lives might not be quite so generous about returning dividends on spent energy and we overspend ourselves. Writing can be a refuge, it's just a good practice to treat a refuge gently, with respect. It can be freeing to throw off expectation for a little while and plunge into a story that doesn't have a logical place in your catalogue and nothing to recommend it other than it might be fun to try to write.

Why Building a Writing Habit is Essential

WARRIOR OF THE WORLD, which comes out January 8 2019, is being featured in a Goodreads giveaway until November 27! Great opportunity to win one of a hundred free copies! Kensington has also started a reader Facebook group called Between the Chapters. Lots of great giveaways on there - along with author chats. I'll be doing one in January, so join up and enjoy the party!

Our topic at the SFF Seven this week is one I suggested, on the idea that “Even When You’re Not Writing, You’re Writing.”

It's a good one for NaNoWriMo month, because there's so much fierce focus getting words on the page - which is something I absolutely believe in. NaNoWriMo (National Novel-Writing Month, for the uninitiated) is fantastic for building a writing habit, something that's essential for being a writer. There's a lot of reasons for this - as it's something I talk and blog about frequently - but one of the things that building a writing habit does is it allows your mind to work even when you aren't.

This can get dicey because people can be so good at denial. I can't tell you how often someone has said to me "I've got the entire book written in my head - I just need to write it down."

If you have written books, you know very well how much is packed into the space of that hyphen. If you haven't written a book, and revised it, preferably several of them, then you might not realize what a huge disconnect there is between those two ideas.

This is because WRITING IT DOWN IS THE HARD PART.

Seriously. It's hard. So difficult that most people never make it to the other side of that hyphen. Or they start and never finish.

Writing the story down, getting it right, is where all the craft, skill, dedication and perseverance of being a writer come in. You can market your little heart out, but if the story isn't there, if you haven't gotten the words down and refined to the utmost agree, you've got nothing to sell readers. 

This is why authors build and maintain writing habits. You don't get better until you write A LOT. Some say a million words to get there and I think that's probably a reasonable number. That means that even if you "win" NaNoWriMo and write 50,000 words in the month of November, you've still got 95% of the work to do to get to the point where your writing begins to hang together and actually be *good* - or, put another way, do NaNoWriMo for 19 more months.

Ouch, right?

By that I don't mean you have to write 50K/month for two years, but if you spend two years writing consistently - whatever works for you, whether every day or not - then you'll be getting somewhere. That can be offputting, but every successful writer I know has some version of that as part of their story.

The best part is, once you build that writing habit, something magical happens: the story really does begin to write in your head. Even when you're not actually putting words on the page, part of yourself is brewing the story, so that when you go to write, it's there for you and flows out.

BUT!

This is a really huge BUT -

Remember that this is on the OTHER SIDE OF THE HYPHEN. If you think the story is all written in your head, but you've never written and *finished* an entire book, you're very likely kidding yourself. There's just no way around that.

So cheers to all in the middle stretch of NaNoWriMo! This is when it starts to feel grueling. Remember that you're building a great habit. Keep it up!

Fish or Cut Bait?

I'm in Denver for the #RWA18 National Conference. I think this sculpture of the dancing ladies is particularly appropriate.

This week's topic at the SFF Seven is Why do you abandon a project? What would make you (or let you) finish it?

I’m not much for abandoning projects. I don’t ever dramatically burn pages or delete documents. Now, some have gone into the equivalent of purgatory, languishing (possibly forever) in a file folder I may or may not be able to find. Some projects have been organ donors, giving up vital sections so another story may live. Those get laid to rest with reverence and celebration.

But why do I abandon projects? Usually it has to do with being able to sell them. That’s not the be-all and end-all, as I’ve certainly self-published some projects that were difficult to sell. But if the people who support me aren’t enthusiastic about a project, there’s usually a good reason for it.

As for what it would take for me to finish it, the first and most important reagent in this chemical equation is time. I’d need to be not working on something else. But that’s an oversimplification, because “time” in this sense is truly determined by priorities. In other words, devoting the time to finishing that would have to be more important than working on something else. Often that something else is more immediately marketable, so that would have to alter.

But I can totally see a day when I’ve finished some of my current series and one of these back-burner projects becomes relevant again.

Here’s three projects I abandoned and why – and what it would take for me to pick it up again:

1.     A narrative nonfiction book about my college sorority

My editor said I wasn’t ready to write it and to put it in a drawer for a year. That was 2005 or thereabouts, so 13 years ago. That one could still happen, if I get a yen to go back to nonfiction.

2.     A memoir about my grandparents and their scandalous marriage.

This is something I worked on for my Ucross Foundation Fellowship, a LONG time ago. I’m not entirely sure I know why I put it down. It felt massive at the time and it could be I didn’t have the chops to write it. Same as above.

3.     A twisty shamanistic magic tale

That’s an overly simple way of describing a complex story that would be a lengthy series, if I can get it right. I’ve written the first book twice in one genre – and massively revised several times – and did 100 pages in another. The first time I wrote it, I definitely didn’t have the chops to pull it off. Maybe even the next few times. It will get picked up again, when I feel I can do it justice.

In today’s podcast, I mention the reading Darynda Jones and I did at the SFF Reading Series at Denver’s BookBar last night, and how we discussed the importance of finishing writing projects. It IS critically important for newbie writers to learn to finish a novel or story. But there’s also no shame in realizing you don’t yet have the skills to execute it. The trick, of course and always, is being able to tell the difference. Thus it’s always better to finish it. At least write it and tie it off. Then, if you have to set it aside and write something else to hone your craft, then do that.

Abandoned projects aren’t dead, just sleeping. They’ll wait for you to be ready.

Success Doldrums

Success and the secrets thereto. I have few of one and the other - well - let's call it a work in progress. You can probably guess which is which.

I do have a vision of what success means to me - a benchmark, if you will. It has yet to be met. In truth, it has yet to get past my second mark (a specific amount earned.) But that's okay. Because while I recognize that I am currently in the doldrums Jeffe described in her post (doldrums she has navigated clear of) I also recognize that getting free of them is up to me.

I told you last week that Dad had a heart attack. The day after I mentioned it, he suffered another. We really thought we'd ended an era there. It was a sucky weekend that culminated in me moving off the boat with my cats and moving into my parents house because my miraculously recovering father cannot be left alone just now.

Dad is the one who fostered and fed my love of science fiction. He's the one who taught me to problem solve - which might not actually be a good thing because engineer and there's always an exquisitely complicated (but fun!) way to accomplish something in weeks what would take normal people a day to do. He'd hike me into the desert and up mountains just so we could break open rocks and see what was inside. He taught me to sail and once I got married to a landlubber, he helped me convert that landlubber into a sailing addict.

At the moment, writing is lost in the honor of being trusted to help him. We manage the ebb and flow of medications. Encouraging Dad to eat just a little bit more. Going for several 7 minute walks a day with my arm tucked through his to provide him a modicum of stability.

Getting to provide for my parents in this way was never on my success radar. It should have been, because it meshes so closely with one of my writing success goals - being able to support my family with writing. So while my writing 'success' is, indeed, very much a work in progress and I freely admit to being really sad right now because I'm SO CLOSE to the end of a novel that I cannot finish on schedule, there will be no giving up. If ever I am to meet my goals it will be solely because I am too stubborn and spiteful to quit.

If you want to win contests, you have to enter. If you want to publish books, you have to write them. If you fall down, you have to get back up again. And you know, if it is possible to develop super powers, that's the one I'm working on - the getting back up part. Over. And over. The novel will get finished. So will the next one. And then the one after that. And maybe somewhere in there, I'll cross another marker on my way to career success.