BACKLIST LOVE: Catch up on THE HOLVER ALLEY CREW

With the release of Lady Henterman's Wardrobe just a few weeks away, you still have time to read The Holver Alley Crew so you are up to speed when Lady Henterman comes out.  And why wouldn't you want to fall in love with Asti & Verci Rynax, and the rest of the crew? 
Look what people said about it:

From the Bibliosanctum:

Certainly, fans of caper stories should be making The Holver Alley Crew their number one priority. A strong start right out of the gate, this series opener is a well-written and brilliantly executed example of the fantasy heist genre, and of all the novels written by Marshall Ryan Maresca so far, this might be my favorite one yet! The Rynax brothers and their crew are so good at their jobs that they will steal your heart from the very first page, and I simply can’t wait to see what the gang will be up to next.

From The Speculative Herald:

Maresca crafted a fresh and thrilling heist story that moves at a great pace. This is the type of book you just feel the need to read cover to cover, looking/wishing for the pause button on real life until you finish.

From JBrondar Book Reviews:

This is my first book from Marshall Ryan Maresca and I loved it. I can’t wait to see what happens in the next books in the series. I will be on the lookout for Maresca’s other books too.

From SF AND F REVIEWS:

There’s some fantastic planning scenes, as the team pieces together exactly what they’re going to do and when. Then there’s the tension of the job, and this is something which is brought out to perfection – each action is watchmaker-precise, and each failure can lead to a cascade of other failures – watching the team anticipate and deal with these (or not) is agonizing and wonderful.

And from POWDER AND PAGE:

The neighborhood of North Seleth and Holver Alley are well-written and thoroughly described environments that I could visualize being in any city. The alley is a close-knit community where the neighbors help each other out and everybody knows everybody else.  The reader gets to be immersed in this little segment of Maradaine- bars, churches, sewers, the chemist shop, a bakery… you name it. This whole world has depth equivalent to the most well-known and loved fantasy works on offer.  The final verdict: You’ve GOT to read this book!

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Mixing high fantasy and urban fantasy, The Holver Alley Crew is the first novel of Maresca’s third interconnected series set in the fantasy city of Maradaine.

The Rynax brothers had gone legit after Asti Rynax’s service in Druth Intelligence had shattered his nerves, and marriage and fatherhood convinced Verci Rynax to leave his life of thievery.  They settled back in their old neighborhood in West Maradaine and bought themselves a shop, eager for a simple, honest life. Then the Holver Alley Fire incinerated their plans. With no home, no shop, and no honest income—and saddled with a looming debt—they fall back on their old skills and old friends.

With a crew of other fire victims, Asti and Verci plan a simple carriage heist, but the job spirals out of control as they learn that the fire was no accident. Lives in Holver Alley were destroyed out of a sadistic scheme to buy the land.  Smoldering for revenge, burdened with Asti’s crumbling sanity, the brothers lead their crew of amateurs and washouts to take down those responsible for the fire, no matter the cost.

READ AN EXCERPTGoodreads Page for THE HOLVER ALLEY CREW
Available at Amazon, Barnes & Noble, and more!

Backlist Love: LARCOUT

Often, authors are so focused on pimping our latest work that we sometimes neglect the great works we've already published. So, this Valentine's Day, I'm giving a little love to my first book, a high fantasy novel, LARCOUT.

LARCOUT
Fire Born, Blood Blessed: Book 1

Blood-beings can be chattel or char.

Fire seethes through the veins of every Morsam, demanding domination and destruction. Combat is a hobby. Slaughtering the inferior blood-beings is entertainment. Life is a repetitious cycle in the prison fashioned by the gods. But mix-race abomination Vadrigyn os Harlo suspects the key to freedom lies in safeguarding the blood-beings; until her blood-born mother uses foreign magic to turn the Morsam against her. Betrayed, bound, and broken, Vadrigyn struggles against the dying of her essential fire. Yet the ebbing flames unleash the dormant magic of her mixed heritage…

The magic to destroy free will.

Seized by the gods and dumped in the desert nation of Larcout to stop history from repeating, Vadrigyn discovers her mother’s legacy of treason and slaughter still festers. To survive the intrigues of the royal court, the roiling undercurrents of civil war, and the gods themselves, Vadrigyn must unravel the conspiracy behind her mother’s banishment. But manipulating free will unleashes a torrent of consequences.

If she fails the gods, she will return to the Morsam prison, stripped of all magic and all hope.

If she succeeds, she can rule a nation.

Kasthu. Roborgu. Inarchma.

Live. Learn. Burn.

Buy It Now in eBook & Paperback: Amazon | B&N | iBooks | Kobo | Overdrive (for Libraries)

Read an Excerpt: Chapter 1

Read the Reviews: Goodreads | #SPFBO 2016 Finalist

Backlist Valentine: PETALS & THORNS

This week we're giving a valentine to the books of years' past and sharing a title from our backlists. A little love for those publications that might even predate the creation of this blog!

For mine, I'm sharing my first standalone fiction publication. It was my first sale as a novelist, even though it's technically a novella at 81 pages, and I originally published it with Loose ID. (Now sadly going out of business.) It's an erotic fantasy - a BDSM Beauty and the Beast - and is still one of my best-selling titles ever. Also, I originally published it under the pseudonym "Jennifer Paris," the one time I used that name. When I got the rights back and self-published the book (also my first venture into self-publishing), I did it under my own name. A bit of history there.

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In exchange for her father’s life, Amarantha agrees to marry the dreadful Beast and be his wife for seven days. Though the Beast cannot take Amarantha’s virginity unless she begs him to, he can and does take her in every other way. From the moment they are alone together, the Beast relentlessly strips Amarantha of all her resistance. 

 If Amarantha can resist her cloaked and terrifying husband, she gains his entire fortune and will be allowed to return to her family and a normal life. But the Beast seduces her at every turn, exposing, binding, tormenting, and pleasuring Amarantha until she no longer knows her own deepest desires. Increasingly desperate to break the curse that chains his humanity, the Beast drives Amarantha past every boundary. But her desire for a normal life may jeopardize the love that will save them both.

Amazon

Kindle

Barnes & Noble

iBooks

Kobo

Smashwords

As an interesting aside, here's this article on how Facebook is "flattening" content and reducing the ability of creators to share quality stuff. I'm trying to share it widely in places that AREN'T Facebook.

New Release Day MATEER A #SciFi Romance Novel

I'm going to take a pass on the week's topic of why people aren't writing or don't write and how to move beyond that, because my fellow SFF7 authors have covered it brilliantly all week AND because I have a New Release today!

MATEER: A Badari Warrior SciFi Romance (Sectors New Allies Series Book 2)

The Blurb:

Megan Garrison, a doctor at the Sectors Amarcae 7 colony, goes to sleep one night as usual only to wake up in her nightgown, strapped to a table in an alien lab, destined to be the subject of terrifying experiments. Granted a brief reprieve, Megan and the other kidnapped humans are released in the middle of a forestlike enclosure on this unknown world and told to survive as best they can for now.

Her only hope is Mateer, the genetically engineered alien warrior imprisoned with the humans. He knows more than he’s sharing about this planet, their captors and the fate of other humans, including perhaps her own sisters. Turns out everyone from her colony has been kidnapped by the Khagrish, a ruthless race of alien scientists. Working for enemies of the human-led Sectors, the Khagrish have created the Badari to be super soldiers.

Mateer, a tough Badari enforcer, now a rebel, is captured while infiltrating the lab to help his pack bring it down. He’s also been ordered by his leaders to search for Megan and save her life at all costs. Tortured by the enemy, he’s offered one chance at survival – convince Megan to become his mate and assist the Khagrish with further experiments.

As the situation at the lab grows worse, Megan struggles against her deep attraction to Mateer, while she does her best to shield the other humans from the terrible Khagrish experiments. For his part, Mateer knows she really is his fated mate and despairs of being able to keep her safe, as the rebel attack is delayed and she fights the truth of their bond.

Will they be able to work together to defeat Khagrish plans and preserve human lives until the promised rescue happens? And what of their future together – will Megan accept Mateer as her true mate, or walk away if she’s freed?

This is the second book in a new scifi romance series and each novel has a satisfying Happy for Now ending for the hero and heroine, not a cliffhanger. Some overarching issues do remain unresolved in each book since this is a series but romance always wins the day in my novels!

Buy Links: Amazon     iBooks   Other buy links to come

Why You're Not Writing

Just a little blue heron for you today.

Full disclosure: This week's question was mine. That's because so many people tell me they want to write a book but they have no idea where to start. Or that they actually started the book and then read one on the same subject that was so good and they could never, ever do that well so they quit and gave up writing. I have an email file full of responses bleed pain all over my Outlook folders from people who knew what they wanted but believed themselves inadequate to the task of going and getting what they wanted.

Most of these people are women. (I did ask guys, too, I swear! But guys mostly denied every wanting to write books. Of the few who responded with wanting to write, every last one had also given up.)

So. Why aren't these people writing that book?

1. Because they're confused about what writing is.
Those of us who DO write have come to figure out that it's a multiphase process that in its first stage requires you to regress to your earliest and lamest excuse for language in order to get the bones of a story on a page. Don't believe me? Someday we'll auction off sneak peeks at a couple of my first drafts. (The price of my humiliation will be high.) They only barely qualify as language. Most of it has no caps and no punctuation. They're heavy on 'I know what I meant, even if no one else does.' That draft gets edited into something more mature. That draft goes to beta and then gets rewritten again . . . So yeah. The people notably NOT writing thought they could sit down and be, if not brilliant, at least understood from the moment their fingers touched a keyboard. They were deeply disappointed in themselves when that didn't happen. I send these people to Julia Cameron The Artist's Way - something that will ease them into viewing writing as a process.

2. They're comparing their raw drafts to someone else's finished product.
Most of us have been there. Let's pretend I was working on an 'an alien comes to earth and gets hooked up with a group of kids' story. And then ET came out. On the big screen. With a John Williams score and cinematography that plucked every emotional string I had and a few I didn't know I had. Where do you suppose that alien story *I* was working on went? Right. Straight under the bed. Get it back out. Write that alien. Write those kids. Ya know. If the plot is too much like ET, change it up. But your telling of the alien stranded on earth is going to be different because of your voice - that's what readers buy. Oh! You thought it was the story? Or your lovely prose? Nope. Not saying those things don't help - but no one cares if there's a typo on page 612. Your readers care whether your story connected with them emotionally. Did it make them feel anything? If yes, you win. If no, well, you won't likely sell many copies. Readers pay you to make them feel something. Lots of writers who write about writing address this. So I hand over my copies of Anne Lamott, and Stephen King.

3. They're afraid.
We live in a society that demands there be a right answer and a wrong answer. It is the basis of our educational system. It's etched pretty deeply into our psyches when we're young. Most of us have a dreadful relationship with failure. No matter how many inspirational memes we paste on the mirror telling us that failure means we're learning, we've internalized the message that failure means we're bad human beings. Even how we talk about it brands US as failures rather than our endeavors. (We say "I tried and failed" rather than "I tried and the thing I tried failed.") Writing fiction, by definition has no right and no wrong. There's only a story to be told. That's stepping pretty far outside societal conditioning there, pal, you sure you wanna leave the pavement that way?? So that aspect is scary enough. Then you have to deal with the fear of spending all that time and all that effort only to have everyone hate what you did. Or worse yet, roundly ignore it. Those things are pretty fail-y, aren't they? And that kind of perceived rejection is mighty threatening to a social beast like humans. I honestly don't have resources to offer on that one. Nike ads notwithstanding.

If you have any suggestions for assuaging or coping with that fear, I'd love to hear it. A couple of the women have glorious minds and amazing stories to tell. I'm invested in not letting the stories die with them.

Why You Aren't Writing That Novel

OK, time for some hard truths.  You haven't finished writing That Novel.  You've been talking about it for years, and you can visualize all the elements of it so easily.  You know it, back and forth, inside and out.  It's there, waiting.

But you haven't written it.

Why is that?

I could tell you it's about discipline-- and it is, no doubt.  It takes discipline, it takes putting your ass in the chair (or feet at the standing desk), and just plain doing the work.  It takes not going to that party, not binging that series, not spending yet another night refreshing Facebook every twenty minutes.  It takes just digging in and getting it done.

But most of you don't want to do that.
Here's the ugly truth, dear reader, and look deep inside yourself and ask yourself if this is why you haven't written That Novel.

You don't want to write a novel.  You want to have written it.

I get that.  I get wanting the glory of having it in your hands, being able to say, "Oh, I wrote a novel", but not having to do to the unsexy, daily-grind part.  I'm in the process of drafting my tenth novel (thirteenth if you count the ones that are sitting fallow on  hard drive), and I always wish there was a way to fast-forward this phase of it.  At this point, I know what I'm doing in terms of writing a novel, but it's still hard, grinding, go-down-to-the-word-mines work. 

And you're never going to write That Novel until you come to terms with that part of it, and get down to doing it. 

So what are you waiting for?

YUNOWRITE?

Why don't people who claim to want to write a book...write that book? Mostly, I think it's about unreasonable expectations of what "being an author" is and what writing a novel entails. I'm not going to get into the selling of the novel because that's a leg of the journey beyond this week's blogging prompt.

Unless you live with an author, your exposure to what it means to Write A Book has probably been through the fictitious portrayals of an author's life in TV and movies. It's a fun and flexible occupation for a character to have, but like most occupations portrayed on TV, the actual act of doing the job isn't anywhere close to reality. Rick Castle, Jessica Fletcher, Rory Gilmore, they spend five seconds on screen every fifth episode "writing." Sure, there's a reason for that. Watching an author do their job would be some dry, dry, dry TV. Type, type, type, swear, talk to themselves under their breaths, get up, pace, get something from the fridge, write some more, get up, get coffee, erase everything they'd written, let the dog out, scan social media, make a snack...you get the idea.

Folks who "want to write a book but..." rarely stop to think about a novel being the longest term paper they've ever written. If they did, they'd find a local author, hand them a bottle of whiskey, and walk away...after buying two copies of every book ever written by that author, naturally. 🤣

It's not surgery!

"Why haven't you written that novel in you"

That's the subject for this week, to paraphrase.

Well, the easiest answer is normally close to right. I have several, but let's go down the list shall we?

First: "I just don;t have the time."

Sure you do, precious. You make the time. That excuse will never work for me. I have had  a full time job through all but seven months of my time as a full time writer. Those seven months were interspersed through the last twenty-five years, and included three months off to recover from serious knee surgery and various stints when I was looking for a job.

It wasn't that I had the time. it was that I made the time. More than once I declined an opportunity to join friends at one gathering or another, because I had to do my daily quotient of writing. Why? Because that's how you get the writing done, You MAKE the time.

So that excuse does not fly with me.

Second: "I don't know where to start."

With ass in chair. Writing is like any other craft. it takes time and practice. You sit, you write, you work out the details of that process for yourself, like every other writer throughout history though I'll grant you that some have had help along the way and some have not.

I don't care if you work the details out in a notebook (Tried, failed. My handwriting was waaaaay too sloppy), if you plot every scene meticulously and make a stack of index cards regarding each character while you hire someone to do sketches of their facial expressions or if you wing it. The story is only told if you put in the effort.

Let's be honest here: if you are expecting an easy ride of this, you're going to be disappointed. Writing a novel is work. From the outlining to the first draft to the second, third, and fourth edits. It's work. That's why not everyone ids doing it I have known a great number of people who decided that they would write a novel and then called it quits after the first few weeks because surprise, like with any work, there is effort involved.

That said, I have a lot of fun writing. I don't imagine that will ever change. I enjoy my work, even when the work is hard and requires extra effort.

Third: "Oh, I guess everyone has a novel in them."

Yeah. not mentioning names here, but a friend of mine who is a successful comic artist (far more successful than I ever was in my efforts to become a comic artist), and whom I'd worked with as a writer on a few projects that never quite came to fruition, looked at me when I told him I was going to try my luck at novels and said, "I'm pretty sure everyone has a novel idea in them." The way he said it, i knew he was dismissing my attempts. I resisted the urge to tell him where he could shove his words. Instead I just got a bit more serious about getting the first work done. My bibliography speaks for itself.

Fourth: "It's all been done before."

Bite me. You can tell me that there are only ten basic plots (or twelve, or eighteen or thirty-seven, it depends on who you are talking to or reading) and I will continue to sit in my chair and make up stories and I will do my very, very best to be paid for them.

it is not the story, but how it is told that changes. Thee may only be X number of plots, but the way that the tales are created and offered is as different as the shape of a snowflake from the next.

Fifth: "I don't want to write fiction. I want to write literature."

Stephen King has a great quote that he heard from a man on the street once I';s been a whole but as I recall the story he was watching TV and they asked several people at a museum opening what they thought of the art and whether or not the works at the particular establishment qualified as art. One of the locals. a man who was very likely a farmer and was dressed for the part looked at the interviewer and said (and I am paraphrasing here) "I don't know if it's art, but I know what I like."

That's exactly how I feel about literature.

Want to create art instead of a house of toothpicks? Find the right tools in your mind and get to it. I know a few folks who created literature from the very start. I know others who will never manage to create literature in that sense and are fine with it. Me? I write stories and consider literature to be a happy coincidence. I'm having a lot of fun. I have no intention of carving away at the words that I write until I have removed any phrase that fails to pass the literature litmus test, assuming such a test exists. I write stories that I enjoy writing. If I occasionally bleed on the page, that's just a side effec of the process for me.

The point is, there are any number of excuses that can be found and used. There are infinite reasons not to write, The number one reasons are, as near as I can tell, fear of rejection and a serious desire to not have to put the work into it. If you want it, if you NEED to write like you need to breathe, then you'll get it done. And if you are finding a dozen or so excuses why you can't, then you obviously don't want it badly enough.

Does that sound harsh? Sorry, but sometimes you need to be a little harsh.

If you want it, sometimes you have

to work for it.