This Week's Topic: Conventions (Cons): They're Morphing, But Do They Provide What Authors and/or Readers Want and Need?
Four years after the lockdowns of Covid, Cons are in full swing...though they might look a little different from their pre-Covid formats. Some are embracing virtual formats, either in their entirety or as special breakout sessions for those who can't attend in person. Some are scaling back their size to control costs, while others are expanding to lure more diverse audiences.
Not being a Con girl, I don't have first-hand experience of the post-Covid landscape. The Cons I attended were all before the Great Plague. 'Bout the only advice I can give as an author is that unless you're a Big Name with a large fan base in the area where you're signing, don't expect to make a profit by attending in person. In fact, you're most likely to have a notable net loss when you factor in costs for transportation, lodging, staging, product, etc. Now, that loss may be deductible depending on your tax situation. If you're attending as a virtual panelist (from the comfort of your office), then your out-of-pocket costs are obviously less but don't dismiss the opportunity costs. Also, remember that "exposure" is not payment, particularly if you've been invited by a for-profit host. If you have to pay-to-play, don't go, then be realistic in your expectations and honest with your budget. Donating your time to a non-profit Con as a marketing tactic won't measurably move your sales and revenue, but it might fill a personal desire to contribute to your community (check with your tax professional to know if any costs are tax deductible).
If you're attending a Con as an author, do so because you love meeting new people or because you're really going as a fan of other attending artists. Heck, some authors attend because, for them, it's a vacation with their besties.
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