Showing posts with label Devil's Doorbell. Show all posts
Showing posts with label Devil's Doorbell. Show all posts

Wednesday, February 22, 2023

Three Things to Never Do as a Critique Partner


 I'm engaged in a project this year to promote my backlist more. (*cough* AT ALL *cough*) So today I'm featuring EXACT WARM UNHOLY. This story originally appeared in THE DEVIL'S DOORBELL anthology and it's one of my favorites. I adored writing this troubled, but super smart heroine. So much smexy in this one.

Tonight my name is Mary…

Or is it? Sometimes she’s Tiffany or Syd or Bobbi. But whatever face she wears, she returns to the same bar, to find a new man and seduce him, safe in the knowledge that no one will recognize her. Until one man does.

“And I was ... Stunned by the originality of the concept of this story. Stunned by the emotions it made me experience in such a short expanse of time. Stunned by the beauty of the romance in it that ran parallel to the overwhelming sadness throughout. I mean, seriously. If you don’t fall in love with Peter, you have a heart of stone.”

~ Kristen Ashley on Goodreads

      

This week at the SFF Seven, we're giving tips on How to Become a Better Beta Reader or Critique Partner. As with many skills, this is one that is acquired over time, through extensive practice and lots of trial and error. In fact, learning to become a better reader for others, with useful feedback to give, is largely a case of figuring out what NOT to do. So that's what I'm offering today.

  1. Don't tell the other writer how to change their work. Focus on what isn't working for you and, if you can, do your best to articulate why it's not working. But resist the temptation to suggest rewrites or any kind of specific plan. Those kinds of feedback move it into the realm of how you would write it, not them.
  2. Don't get emotionally involved. So you hate the protagonist? Maybe you hate the premise? Doesn't matter. Separate your personal reactions from legitimate reader ones. If you can't step away from your personal buttons being pushed, then recuse yourself from reading.
  3. Don't argue with the writer. It's their work. They get the final say. Give them your honest feedback and let it go. 

Sunday, July 7, 2019

The Island of Lost Book Projects



Our topic at the SFF Seven this week is all about the things we want to do. We're asking everyone to name three projects we've been planning to work on for a long while and haven't yet touched.

It's kind of like the writer version of the Island of Lost Toys. Ever so sad.

Except that these kinds of lost projects still have hope of being rescued. I keep them in two subsections of my overall tracking workbook (in Excel spreadsheets!) called "Tabled" and "Potential." Really, the tabled projects don't count for this topic, as it specifies they must be untouched. The tabled projects are ones I at least started to write, then back-burnered for various reasons.

In the potential section, however, I have seven projects listed. One is a contemporary romance trilogy that I did start to write up a long time ago - relatively: six years ago - so technically it's a tabled project. Being a purist for these things, I moved it to that subsection.

That leaves four projects in there - one a more or less total surprise because I forgot I was ever going to do it. And really... I'm not going to. It's the third book in my Blood Currency series. See, the deal is, way back in the mists of time, I'd submitted PETALS AND THORNS to several publishers. Loose ID bought it and when I notified Ellora's Cave about the offer, they gave me a weird, disorganized answer. (In retrospect, this was a harbinger of their eventual implosion.) Later, the EC editor contacted me to buy it. I had to disappoint her, but she asked me to her write something else. That became FEEDING THE VAMPIRE. She asked for more and, because EC had this weird thing about there having to be three books in a series before they gave you a series title and something better than their one-size-fits-all reusable covers (and we wonder why they went out of business...), I pitched her a third idea for the series as well. I wrote book two, HUNTING THE SIREN, but by the time it came out the implosion had begun and I never wrote the third book. I don't even remember what the concept was, though I'm sure it's on my laptop somewhere. Anyway, I've bundled the first two books into one volume called BLOOD CURRENCY (the name of the series).

I really doubt I'll write more. Nobody has asked for more, so that says something!

Another project is taking one of my very first fiction stories, PEARL, and working it into a novel. I might still. I took down the story because it has a tragic ending and I figured that was off brand. But I'd love to have that tragic moment be a black moment prequel to a happier outcome. It could still happen.

The other two projects are kind of in the same bucket: anthologies I'd discussed doing with Megan Hart and that we kind of dropped for various reasons. One was an anthology of fairytale retellings and the other was an erotic anthology called SIN CAVE, a followup to THE DEVIL'S DOORBELL. Both titles are a play on misogynistic terms for female genitalia and pleasure. I'm kind of sorry we never got around to doing the followup of SIN CAVE, but I also think that if projects fall apart that way, it's for a reason. They don't have enough energy to carry them through. Also, with SIN CAVE, several of the authors in THE DEVIL'S DOORBELL are no longer writing. Maybe someday with a new cast?

I should caveat, too, for those of you with fingers poised to type outraged comments about the stories you're waiting for in my other worlds - this doesn't include those! Those are absolutely on the stove and simmering.



Sunday, September 11, 2016

Wait! Don't Burn that Bridge!


You'll hear this advice a lot in the publishing world: Don't Burn Bridges. In case the metaphor escapes you, it means to avoid ending professional relationships in a way leaves a chasm between you that can never be breached.

This is because the publishing world is SMALL. It doesn't feel like it when you're a newbie. It feels really huge, populated by enormous bookstores and libraries, shelved with thousands upon thousands of books. The authors of those books seem to be innumerable, with Jane Austen's novels made in to movies right and left and Molly O'Keefe's showcased in Marvel's Latest.
The people who agent and edit these books, they're names without faces - perhaps with a backdrop of New York City skyscrapers behind them. It doesn't seem possible that this is a relatively tiny microcosm and everybody knows each other.

But they do. They so do.

For example, I know Molly, whose book is being read by Harley Quinn in the newly released Suicide Squad movie. Molly's my friend - we've had drinks together, done an anthology together, and she even read one of my drafts and told me why it wasn't working (the mark of a TRUE writer friend!). She has no idea how her book ended up in Harley Quinn's hands during the filming - just that it was in New York and somehow someone handed Margot Robbie *that* romance novel.

Not only is it a much smaller world than one would think, serendipity plays a huge role in it.

I was reflecting yesterday on my fiction-writing career thus far. I saw someone I've known since 2008 - eight years that feel like many more at this point, because she and I have traveled so far since then. We used to be critique partners (CPs) and were shopping our first novels at the same time. We had a brothers-in-arms type friendship. (I really wish there was a female metaphor for this. Sisters-in-short-skirts?) She went on to found her own publishing house. We haven't had a conversation in something like seven years, but yesterday we were at a writers event together.

It's a really small community, people. You're going to run into the same people over and over again.

Recently on an author loop, I saw someone asking for advice on firing her agent. I advised a personal conversation. It's not easy - confrontation of any sort never is - but it's like breaking up. Some relationships demand that level of in-person respect. I was the lone voice, however. Everyone else spoke up and said to send a certified letter.

Now, most agency contracts specify that - that the relationship should be dissolved in writing. But I *strongly* believe this should happen AFTER the personal conversation. Let me tell you why.

I was at a conference with my agent and a well-known author had just fired her agent, via certified letter. My agent's best friend worked at the same agency as the fired agent, who was someone I also knew and had had drinks with. The fired agent was devastated. She'd had no idea anything was wrong. Imagine thinking your marriage is fine and getting divorce papers in the mail. As a result, ALL the agents were upset. The author's name was on all their lips that week, and not in the best light. Another story that an agent friend told me. An author was deciding between several agents. She asked my friend for an example letter she could send to decline representation. My friend, under the impression that this author planned to sign with her, happily provided the letter. Which the author then turned around and mailed to her, via certified letter.

Can you see how this leaves a bad taste in people's mouths? First of all, it's unnecessarily callous to people who ARE human beings and whose feelings can be hurt in the same way as anyone. Also, it creates a reputation.

I've heard it said that being an author who works successfully in the industry requires three things: 1) excellent work, 2) ability to meet deadlines, and 3) being enjoyable to work with. Also, that you can have two of those three qualities and still do well, but not only one.

And, let's face it, we all miss deadlines from time to time.

Sure, I hear you saying, but self-publishing changes all this! Screw New York and working with those people! And, yes, one of the authors I mentioned is going to self-publishing and more power to her. I hope she does fantastically well. I consider her a friend and I love her books.

The thing is, it's a small community, and when we burn a bridge, everyone nearby feels the heat and chokes on the smoke. And there's no reason to do it. Every once in a while, a relationship goes up in flames and all you can do is try to escape with your skin intact. But, if you can help it, do your best to cut that cord with cordiality. The industry constantly changes and you never know when that person might walk into your life again.

When you run into them years later, you'll be glad you did.

Besides, it's the human way to behave.