TWISTED MAGIC Is Almost Here!

TWISTED MAGIC is finally (almost) here! Releasing on Tuesday, November 28, 2023, the book is available for preorder now - including in print!

       

***

Their love makes them stronger together… Unless the world rips them apart

Jadren El-Adrel knows he’s a mess. He’s a cobbled-together monster pretending to be a wizard, still unable to master the magic that makes him pretty much immortal and is useless for anything else. Though he’s tried to learn to work with his familiar, Seliah, he’s still terrified to discover what might happen if he gives himself full access to the depths of her powerful magic. Some questions should never be answered.

Seliah Phel got her happy ever after. Jadren loves her; they’re together in a safe and beautiful place; and they’re finally learning to work together as wizard and familiar. But even she must recognize that Jadren continues to stew in his black moods, brooding that only worsens when he receives a missive from home, his horrible family demanding the unthinkable: that they both return to House El-Adrel.

As the denizens of House Phel fight an increasingly pitched battle against the enemies determined to destroy them forever, Jadren and Selly fight their own war—against the past and to overcome their own failings. To become truly stronger together.

***

And yes, there will another trilogy in this world! I haven't set dates yet, or even titled the trilogy, but I hope to have all three out in 2024. Stay tuned!

       

 

What Can I Teach You?

 

I have a bit of a jaundiced view of classes targeted at authors these days. There's such a proliferation of "pay me to make you successful" schemes out there targeted at writers, most of which are predatory. Maybe you'll learn something? Probably not. Also, unfortunately (to my mind), the ones that seem to be the most successful are those that make people feel good without giving them real, helpful advice or tools.

There are good teachers out there, and good advice-givers of other kinds, but the best way to get good at doing anything is to do a whole lot of it.  That's why, though I occasionally teach workshops - I really like teaching Master Classes! - I'm mostly mentoring, coaching, and advice-giving through my Patreon. (I know, I know - seems like everyone has a Patreon these days!) Mine is modest in size (and in advice-giving, really) and works mainly to give me a place to offer insights from my experience to people who care enough to invest in hearing from me. We have a terrific, supportive community and I'm really loving it!

Come and join for as little as $5/month!

Cover Tough Love

 Our topic at the SFF Seven this week is "Judging a book by its cover: cover trends and what you look for as an author or a reader."

There have been excellent posts this week exploring why we buy covers, what we look for and love in covers, even being misled by covers. What I'm going to talk about is what a cover ISN'T for an author. And yes, this is something that's hard to hear. Stop now if you're not ready for a little tough love.

What a cover isn't: It is not an expression of the author's creativity.

I say this because I've heard more than one - usually a newer author - say that they want it to be. I recall one time that my aunt asked me to talk to a friend of hers who was a first-time author working with a small press to publish her memoir. She was super unhappy with the cover they developed and fighting with them about it. I think she fully expected me to give her ammunition in that fight. Instead, I gave her this tough love talk:

The cover of the book is not an expression of your creativity. The BOOK - what's inside the front and back cover - is the expression of your creativity. You got all those words and pages to convey the story you want to tell. The cover is not, and should not, be an extension of that story. 

Now, I'm not saying that the cover CAN'T reflect the story, but a book cover has two jobs:

1. Catch the reader's eye in a pleasing, enticing way.
2. Convey genre or some sense of what kind of story it will be.

That's it. Simple, but also very difficult. That's plenty of work for an image and a few words to do. Those jobs don't need to be further complicated by putting the author's story-vision into an image. In fact, when authors try to insert that vision, they can get in the way of the primary two functions of the cover.

So, I know it's hard. I have been there and I have had covers I hated, where the characters looked NOTHING like what I had in my head. I have had covers I loved that did nothing to sell the story inside. I've had horrible covers that I'm convinced tanked sales. I've had covers that readers rhapsodized over for no reason that made sense to me. When I work with my cover designer on the covers of my indie books, I really have to take off my author hat and put on the publisher one - and remind myself of the two rules. Tough love for myself, too!

Ergonomics for the Healthy Writer and Faroween!

Guess what? I'm a participating author in Our World or Others: A Faroween Scavenger Hunt October 19 - 29! Visit the FaRoFeb website on October 19 to choose your quest and compete for a chance to win incredible prizes including giftcards, paperbacks, ebooks, and more! There are six main prize packs as well as some bonus quests and games.

Everyone who completes one of the quests will win something! This is for anyone who loves reading fantasy romance, paranormal romance, and urban fantasy romance. Can't wait to see you there!

Our topic at the SFF Seven this week is "Tools of the Trade Ergonomic Edition." Because, let's face it, writers are notorious for experiencing various physical pains. Comes of sitting for hours everyday, hunched over a keyboard or paper (writing and reading!), forgetting to move but never forgetting those important snacks that keep our brains going. So, what do I do? I walk!

Yes, I have a walking desk with a treadmill, and have had one for nearly ten years now. Best investment I ever made! The current treadmill is from iMovr and goes from 5mph to 2.5mph. I usually walk between 1.5 and 2.2mph - the variation is really important! I have a hydraulic desk, the same one all these years, originally made by GeekDesk, which I can adjust to allow me to sit, stand, or walk. The minute height adjustments are particularly great, allowing me to have my forearms and wrists flat on the desk, my back straight, and my monitor at eye-level. I also vary them slightly from day to day and even hour to hour, so my body won't solidify into the same position for too long. 

No more butt in chair, hands on keyboard, people - get that writer body moving!

 

TWISTED MAGIC and Writing Retreats

 First things first, if you preordered TWISTED MAGIC, you'll have gotten a notice that I've delayed the release. I know, I know - yet again. (Well, first time for this book, but I really thought I'd given myself enough time.) The new release date is November 28. That should give me plenty of breathing room. (Famous last words!) Seriously, I am at midpoint and on the downhill run. I just knew I couldn't have it completely done by October 26 (two weeks away!), which was the upload drop-dead date. 

Apologies. I know you all are waiting. But it's going to be awesome!

     

 

More on topic: this week's subject is writing retreats. We're asking each other if they work for us and, if so, in what way?

I'm pretty sure I suggested this topic because this continues to be a conundrum for me. I love the IDEA of writing retreats. When I see writer friends posting about being on retreats, I am invariably envious. I want to go! I want to be there, with the friends, in the pretty places, thinking and talking about writing all day. 

In truth, I have gone on very few writing retreats. The only one I can think of in recent years is when I went to Kauai almost a year ago and stayed in the gorgeous beachfront home of a friend along with three other writing companions. It was a fabulous group and we did have wonderful conversations. 

I got very little written. 

What I think it comes down to for me is that I'm fortunate enough to have a serene home life which is entirely built around enabling me to write as productively as possible. For many people, it seems that going on retreat gives them time and quiet away from the demands of home. For me? Being around people at a retreat is considerably "noisier" than my daily life. 

So, I've come to face that, for me, writing "retreats" are truly excursions. They aren't time away; they're time into. 

That's not necessarily a bad thing. As KAK noted on Monday, there can be other reasons to go. But I have to realize I'm not going to be maximizing wordcount.

You're Not Alone: Writing with Others

Our topic at the SFF Seven this week is: writing partners and accountabilibuddies. Those people we don't write with, as in we're not collaborating, but the people we write alongside. Simultaneously or not. In tandem. In company.

See, the thing is, writing is by nature a solitary activity. Unless you're collaborating with someone, writing comes down to the writer and the words. For many writers, however - it's certainly true for me - that silence and uninterrupted time to concentrate on story flow is key to getting the stories written. It can be isolating, even lonely.

But, it doesn't have to be! There are lots of ways to foster a sense of camaraderie without violating the fortress of solitude we need to be focused. I often co-work with Darynda Jones, for example. We "meet" on Zoom, minimize the screen and mute for one-hour sprints. Then we break, chat, compare progress and angst, then go again. It's a great way to work together, while being separately in our writing studios, 200 miles apart.

I'm also super gratified to see writers gathering in the #laying-bricks channel of my mentoring and coaching Discord, Jeffe's Closet. People asked for a place to post that they're settling in to write, to enjoy the community and positive accountability of other people doing the same. The "laying bricks" aspect refers to one of my favorite analogies for writing novels: that it's a process of laying bricks, day after day, patiently progressing. I love popping in and seeing everyone getting their words on for the day. 

We're not alone.

 

Jeffe's 3 Principles for Crafting a Beginning

This week at the SFF Seven, we're talking about beginnings and our principles for crafting them.

But first, I want to tell you all a little story.

A few years back, I was involved in a local writers group where, as a fundraiser for the group, I volunteered - along with several other experienced authors - to read and critique works from others in the group. On one submission, another author (much more successful and famous than I) and I agreed that the book started in the wrong place, and we offered thoughtful feedback on what beginning might work more effectively. There was pushback from that author and the group, a feeling that we had been much too critical, and several people were upset that we had suggested the book had started in the wrong place. One person said to us that the author in question had already been published, implying how dare we suggest they didn't know how to begin the book.

We were both taken aback by this protest because, and I retell this tale because I think this is so important:

FIGURING OUT WHERE AND HOW TO BEGIN NEVER GETS EASIER.

Both my fellow critiquer and I revisit the openings of every book we write many, many times. Getting that opening right is key. It's also not easy.

So, what are my principles for crafting a beginning? I think a beginning should do three things.

1. Establish genre
2. Pose a question
3. Create sympathy for the protagonist

Establish genre

This one might sound like a no-brainer, but I only learned to do this deliberately, after writing many books. The opening lines of the book or story should ground the reader in what kind of story this will be. This grounding is more important than many authors might think. Sometimes we, especially as newer writers, have this impulse to play coy, as if keeping the reader guessing in this way will intrigue them. Trust me: it doesn't. Think of your favorite books and their opening lines; I bet you they all tell you what kind of story you're about to read.

Example: "It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife." Pride & Prejudice, Jane Austen.

Look at how much you learn about the story to come from this one sentence.

Pose a question

THIS is where you intrigue the reader! Some writing teachers refer to this aspect as the "hook," but I think a lot of us have trouble understanding what a hook is supposed to be. Instead I think of this as posing a question. It doesn't have to be THE central question(s) of the entire story, but it should connect in some way. Suggest that there's a secret. Pose a conundrum. Put something in there to make the reader wonder - and to keep reading to find out the answer.

Example: "The snow in the mountains was melting and Bunny had been dead for several weeks before we came to understand the gravity of our situation. He'd been dead for ten days before they found him, you know. We hadn't intended to hide the body where it couldn't be found. In fact, we hadn't hidden it at all but simply left it where it fell in the hopes that some luckless passer-by would stumble over it before anyone noticed he was missing." The Secret History, Donna Tartt.

I skipped a bit there for efficiency's sake - but the whole opening prologue is worth studying! - but see how she introduces the core mystery and poses a number of questions? 

Create sympathy for the protagonist

I'm not saying your characters have to be likable, or even that the protagonist has to appear in the first few pages, or that there even has to be a single, identifiable protagonist. What I am saying is, whatever characters do appear at the beginning, the reader needs a reason to want to be in their heads, to take this journey with them. If there's nothing interesting or appealing about the characters in the story's opening, why should the reader keep going?

Example: "It was a dumb thing to do but it wasn't that dumb. There hadn't been any trouble out at the lake in years. And it was so exquisitely far from the rest of my life." Sunshine, Robin McKinley

Feel that instant interest in the character, the clarity of the voice, and how there's a sense of feeling for the person, whoever it may be? 

 

Really, all of these examples serve in all three principles. There's lots that goes into a good beginning, but these three are key. Beginnings are a challenge and take time and effort to get right. And totally worth it. 

Jeffe's Favorite Love Interest

 It's been a tumultuous week in my world, so I missed posting on Wednesday, my usual day. Fortunately, I'm able to catch up today! 

For those who don't listen to my podcast or otherwise follow me on social media, this week a good friend came to visit bearing a life-changing gift. Mary Robinette Kowal, fabulous author and even better friend (which is saying something), spent a week here with us in Santa Fe. Like my husband, David, her mom had Parkinson's Disease and, now that her mom passed away, Mary Robinette brought us her mom's stability service dog, Captain. She spent the week teaching David (and me) how to work with Captain and helping us all assimilate to a new phase of life. It was a surprising amount of work and emotionally exhausting in a way I didn't predict. But things are smoothing out now and we're so grateful for this tremendous gift.

Our actual topic at the SFF Seven this week is our favorite hero that we didn't write. The other contributors have offered terrific, thoughtful takes on their favorite, with a satisfying range of genders/inclinations, romance and otherwise. That gives me room to go super-traditional with my alpha-male, cis-het favorite: Roarke, from J.D. Robb's In Death books. 

Roarke has been my favorite since the first book, Naked in Death, came out in 1995 and he continues to thrill me today. Yes, I absolutely read the latest in the series, book #57, Payback in Death, the moment it released earlier this month. Yes, I've read the entire series and re-read it, more than once. (Though, to be fair, there were only 40-odd books when I did my most recent re-read.)

Roarke is the love interest I wish I'd written. He's the perfect combination of powerful and sensitive. With a traumatic background, he's a reformed bad boy who hits all my buttons. Sexy, charming, wealthy, nurturing - he's the perfect man. My first and enduring fictional love. 

My Cringeworthy First Writing Efforts

 A praying mantis friend found her way onto my skirt the other day. Just one of many special blessings coming my way lately!

Our topic at the SFF Seven this week is the most unpublishable niche story we ever wrote.

Mine isn't necessarily a niche story - although it was of indistinguishable genre - but it was absolutely unpublishable and totally, as KAK puts it, cringe. In truth, it's because I can't think of this piece without that soul-deep cringe, that it springs to mind here. It wasn't even worthy of the word "story," it was that terrible.

See, I'd decided to become a writer. I'd cut bait on my PhD, got my MS, got a job as an editor/writer to build my chops, and was taking night classes to learn. But I hadn't gotten very good at the actual WRITING part. As in, I had no writing habit, I hadn't finished much of anything, and I was pretty much just farting around. Then I heard on the radio that Wyoming Arts Council (I lived in Wyoming at the time) was offering fellowships in literature. They had a rotating schedule between fiction, nonfiction, and poetry. I could either submit something for that year's award or wait three years. Since three years seemed like an impossibly long time then, I was determined to enter the competition that year.

Only I didn't have anything much to submit. But! I decided that I could enter the first few pages of a novel I'd started - the only pages I had of it - and trust that the judges would be so dazzled by the sheer promise of my work that they'd fall all over themselves to give me the fellowship.

Cringe cringe cringe

I have no idea what those judges thought of my fragmented pages of nothing. I obviously didn't win, nor did I receive any comments. Only much later did I realize just how delusionary I'd been. 

But you know what? Many years later, I did win one of those fellowships. It just took time, lots of dedicated work, and pulling my head out of my delusions. 

Stop Waiting for Inspiration

 Barnes & Noble is offering 25% on preorders for the next 3 days, so if you read on Nook and want a great discount on TWISTED MAGIC, go to B&N and use PREORDER25. 

This week at the SFF Seven, we're talking how to find inspiration when the story won't come to you. 

Did you know the word "inspiration" comes from the Latin inspirare, which means "to breathe into"? Same root as the English word for respiration and other, similar, breathing-related words. It refers to the sense of the divine breathing life into us. 

The way creatives use "inspiration," we usually mean it the way this topic is phrased - that we're waiting for that divine breath, waiting for that story to come to us.

Stop waiting.

As a creative, YOU are the divine and the story is your creation. Did the gods wait for lifeless clay creatures to somehow totter up to them, requesting the breath of life?

No.

Similarly, those stories are not going to come to you. You must reach out and seize the clay, shape it into what you want it to be, and then for YOU to be the inspiration, to breathe life into the new work.

I know this isn't the advice you wanted to hear. This isn't easy. But then, being a Creator never is. 

Summer Book Recs!

Summer is winding down where I’m at—the fields of corn and beans are yellowing, the garden is slowing, and a few leaves have fallen. But we’re clinging on to the last bits of hot sun this week with our topic: Summer Promo! 

I don’t have anything new to share with you, but I have read some great books recently! In the beginning of August I shared a couple of sci-fi recs, which you can find here, Recoil and The Blighted Stars. And I can’t not put another science fiction book on the list, and this one has a heavy dose of romance to compliment the exemplary tech! Book three in the Starlight’s Shadow series:

Capture the Sun

by Jessie Mihalik

Acclaimed author Jessie Mihalik returns with the thrilling conclusion to her Starlight’s Shadow trilogy. An intergalactic thief must join forces with the charming teleporter who stole her last job—and may now be her only hope for saving her former crew. As a recovery specialist, Lexi Bowen’s jobs typically require more trickery and thievery than honest work. Her former captain might not approve of her flexible morals, but stealing artifacts for rich assholes pays the bills, and Lexi’s had enough of war and death. The FHP left her to die once; she doesn’t plan to give them a chance to finish the job. Unfortunately, her latest contract takes her to Valovia itself—and right back into the orbit of Nilo Shoren, a Valovian teleporter who already cost her one payday and nearly stole her heart. Armored against his clever charm, Lexi plans to get in, get the job done, and get out. But when her former crew goes missing in Valovian space, Lexi will have to work with Nilo to figure out what happened—and stop it—before the galaxy’s two superpowers can use the disappearance as an excuse to return to war.

If you’re in the mood for some fantasy on the high seas I highly suggest:

Dark Water Daughter

by H.M. Long

A stormsinger and pirate hunter join forces against a deathless pirate lord in this swashbuckling Jacobean adventure on the high-seas.

Mary Firth is a Stormsinger: a woman whose voice can still hurricanes and shatter armadas. Faced with servitude to pirate lord Silvanus Lirr, Mary offers her skills to his arch-rival in exchange for protection - and, more importantly, his help sending Lirr to a watery grave. But her new ally has a vendetta of his own, and Mary's dreams are dark and full of ghistings, spectral creatures who inhabit the ancient forests of her homeland and the figureheads of ships.

Samuel Rosser is a disgraced naval officer serving aboard The Hart, an infamous privateer commissioned to bring Lirr to justice. He will stop at nothing to capture Lirr, restore his good name and reclaim the only thing that stands between himself and madness: a talisman stolen by Mary.

Finally, driven into the eternal ice at the limits of their world, Mary and Samuel must choose their loyalties and battle forces older and more powerful than the pirates who would make them slaves.

And one last, fantastic read. The magic system and all their rules is so good and the relationships will suck you in, proving you can run but you can’t hide—book two in the Renegades of Magic series!

Rogue Familiar

by Jeffe Kennedy

He left to save her from herself… But who will save him from her?

When Lady Seliah Phel wakes from a drugged sleep to find herself abandoned by her newly bonded wizard, she vows revenge—and to hunt him down. Tracking him through the familiar wilds of the marshlands of her home is the easy part; learning to use her nascent magical skills is something else entirely. So is facing the vast, uncaring society of the Convocation in a time of brewing war.

Jadren El-Adrel is not known for doing the right thing, but getting as far away from Seliah as possible before he drains her dry will be his one noble gesture. So what if she weeps a few tears. Better than her dying in his service—or enabling him to become the ravenous beast that crawls beneath his skin. Unfortunately, in his self-imposed exile, and without the power of his familiar, Jadren quickly runs afoul of the enemy.

As her vengeful quest for recapture becomes a rescue mission, Selly faces all she still doesn’t know about the greater world of wizards and familiars. And Jadren, once determined to walk his own path and stay far, far away from the idealistic fools of House Phel, finds himself aligning with them against the house of his birth. War is coming to the Convocation, which means a clever wizard should pick the side most likely to win.

Sadly, Jadren has never been all that clever…

I’ve shared some of mine, do you have any book recs for me?

Preorder Now! TWISTED MAGIC (and a Snippet)

I'm working away on TWISTED MAGIC! The preorder links are mostly live. (I use Smashwords to distribute to Apple and Scribd. They flagged the book because I used the keyword "adult," saying I must categorize it as erotica. Which, it isn't. I meant adult fantasy as opposed to YA fantasy, but apparently adult means erotic now and I can't even.) Anyway, you can preorder pretty much everywhere now. 

   

And, because you all have been waiting so patiently, here is a snippet from the book in progress :-)

 

***

 

Jadren heaved a sigh and rolled his head back, staring at the ceiling. “If I were to hazard a guess, which I apparently am being coerced into doing, I’d say that she means she thinks I ran away only as a bargaining chip. She won’t believe that I don’t truly want, in the charred cinder of my withered heart, to be Lord El-Adrel after her. Katica can’t conceive of anyone not wanting her power. She’s used that to play her heirs against each other all these years.”

“Do you?” Selly asked.

He lifted his head and gazed at her. Blinked, long and slow. “Do I want to be Lord El-Adrel? Dark arts, no! What would possess you to even ask such a question?”

“It’s a reasonable question,” she answered, studying him.

“Not unless you think I’m enough of a monster that I want to become my mother,” he spat back.

“See, that’s not a reasonable answer. You can head your house without becoming your mother.”

“Oh, and I suppose you believe I should follow the example of the sainted Gabriel, Lord of House Phool?” he sneered. “If my choices are to become a tyrannical megalomaniac or an idealistic idiot merrily leading my house to doom, or a passive/aggressive wannabe like Chaim Refoel, then I’ll take option D: none of the above.”

“Or,” she retorted, “you could make the role your own. You’re not one of your mother’s automatons, plodding along mindlessly in the footsteps of others. If you became Lord El-Adrel, you could make the house over into what you want it to be.”

He curled a lip. “Why, Seliah—have you been harboring a secret desire to become Lady El-Adrel? Perhaps all that half-feral swamp beast behavior of yours has been a cover for a heart that quietly yearns for the power and glory of a high house.”

“Be nice,” she warned him. “You know I don’t care about heading a high house and, for the record, I don’t care if you are Lord El-Adrel or not. But I think your people deserve better. And,” she added after a moment, “the house deserves better.”

“The house is a house. She doesn’t deserve anything. She can’t, because she’s not a person.”

“Then why do you talk about her like a person instead of an ‘it’?”

“Because she’s a right bitch,” he observed without rancor. “You saw what she did to us.”

“She helped us to escape,” Selly replied remorselessly. “Besides, I think she wants you to be Lord El-Adrel.”

He rolled his eyes. “I’m not letting an over-magicked dwelling make life choices for me.”

 

 

   

 

 

 

Cover Reveal: TWISTED MAGIC!

I'm a day late posting because yesterday was crazy. Lots going on here, all good. I hope to share with you all soon! 

In the meanwhile, the news you've all been waiting for, I know: TWISTED MAGIC, Book #3 in Renegades of Magic, has a cover and a release date!!! It will be out October 30, 2023. The preorder links are still going live, but we'll add them to the website as they do. As always, you can preorder directly from me via the website. That includes print (which isn't available for preorder anywhere else). I'll have the back-cover copy and tagline soon, as I'm well into writing the book. At last!! Hooray!!!

 

Best Laid Plans and Magical News!

I had Plans for today's blog post here at the SFF Seven. But we know what the poet said about best-laid plans...

Yes, my day has gang agley. 

All in a good way, though. I got a lot done. Important stuff, just not quite the several steps required to post what I hoped to post today. So the short and dirty update is:

• TWISTED MAGIC will have a release date and preorder link soon!! (Though you can already preorder it on my website.)
• Of my new book that I've been writing, the one I wasn't supposed to be writing, but that insisted on being written, which I've been calling ONEIRA, Agent Sarah said: "You’ve crafted your very own fairytale, Jeffe and it’s magic."
• We strategized today, so look for more news on ONEIRA soon! And on TWISTED MAGIC!

Writing What I Read

This week at the SFF Seven, we're asking: "Do you read in the genre you write?"

What's funny is that my answer is absolutely yes - but that I didn't always write in the genre I read. Does that make sense?

I have always read Fantasy and Science Fiction, since I was a little kid, and I've been reading Romance since I was old enough to walk to the used bookstore to buy my own books, as my mom wouldn't let me read "that trash." (Because she thought Romance was low-brow and anti-feminist, not because of the sex.) But when I started out as a writer, I wrote Creative Nonfiction.

Some of this was timing and coincidence. When I decided I wanted to be a writer instead of a scientist, one of the first classes I took was "Essays on Self and Place," from a visiting writer at the university. I fell easily into writing essays and had success with them. My first book was an essay collection. And, sure, I read some essays. I read a lot of essay collections and memoir. But I was always reading them as research and reciprocity.

All that time, what I read for pure enjoyment? Anything with a paranormal/SFF element and plenty of Romance.

It was only after my first book came out that a friend - a bookseller who knew my tastes and sold me hardcover releases of JD Robb, Laurell K. Hamilton, Stephenie Meyer, and Jaqueline Carey - asked me why I wasn't writing in the genres I so clearly loved to read.

Funny that. It simply hadn't occurred to me. But then I started to, I wrote this Fantasy Romance* (not a genre then, but what did I know??) that was SO MUCH FREAKING FUN TO WRITE. I couldn't believe how much more fun I had writing my crazy tale about a scientist who falls into Faerie, becomes a sorceress, and ends up in a bargain with a fae lord to bear his child. I even got a really nice rejection on the book from Stephenie Meyer's agent! (Though it took a long time for me to sell it, which is another tale.)

The rest is history. ~ Waves at catalogue of Epic Fantasy Romances ~ I haven't looked back. Writing what I love to read has absolutely been a great decision.

*The book that became ROGUE'S PAWN

 

Contemplating Failure

Know what this is?? It's a teaser for the cover of TWISTED MAGIC, Book #3 in Renegades of Magic!!

Yes, I have the cover - and have had for a while - but I've been hanging onto it until I could set up a release date and preorder link. I'm a bit on tenterhooks at the moment, waiting on feedback from Agent Sarah on the book I wrote that fell on me from out of the sky and insisted on being written: ONEIRA. Once I know whether she wants to take it on submission to traditional publishing or if I'll self-publish it (in August!), then I'll be able to set a date for the TWISTED MAGIC release. Meanwhile, you can preorder the book via my website store!

This week at the SFF Seven, we're talking about failure. Ostensibly, the topic is reassuring ourselves that we are not failures and offering wise words to that effect. I say "ostensibly" because I don't think it's possible to say that we are not failures. We are all failures, at some point, in some way, on the large or small scale. Failing at something is a natural part of life. Everything, everywhere, fails to do something or another, usually multiple times, probably more often than they succeed.

I'm being persnickety about this because I think the concept of failure gets a bad rap. As if it's something we're supposed to avoid at all costs. I can't be honest and tell you you're not a failure. I can't be honest with myself and say that. I've failed at all kinds of things I've tried to do. I wrestle daily with facing that I've failed to reached certain goals. But the answer isn't some pep talk where I pat myself on the head and console myself with the comforting words that I haven't actually failed. That doesn't benefit me. Instead I have to look at why I haven't succeeded at what I set out to do. A lot of it may not be within my control. A great deal of publishing isn't. And it's good for me to look at that and cut away those things I can't control - and then focus on what I can control. What can I do better? How can I change my strategy? What can I learn from this failure?

Let me emphasize: failure is okay! We learn from failure.

I'm not going to tell you that you're not a failure because you are one, just like every other living creature. Life is about the attempt; failure and success are only metrics by which to measure the result. Learn, and live. 

 

Three Traits of Jeffe's Kind of Male Protagonist

 I'm teaching a worldbuilding master class in Portland, Oregon on August 4, if you're in the area or want to be! Check out the Willamette Writers Conference here. 

This week at the SFF Seven, we're talking about writing male protagonists and how to avoid creating an "alphahole." For those not in the know, an alphahole is an ostensibly alpha male who is actually an asshole, or is perceived as an asshole by the reader. This is a more complex issue than it seems on the surface. The alpha male hero is a popular trope, particularly in Romance, but in other genres, too. The alpha male is a leader, bold, confident, a protector. In some ways, he is often the idealized male. Some readers don't like this trope or have greater sensitivity to certain aspects of the typical characterizations. 

I tend not to take this too seriously. Personally, I like my alpha male heroes like I like my fiction: no relationship to reality required. 

That said, I don't really write alpha males very often, largely because my books almost always center the female protagonist and her journey to complete the quest, etc. The classic alpha male hero doesn't intersect well with that kind of arc. Though I do love to have two strong, determined leaders butt heads and find common ground in love, learning to lead together. 

Three traits of a guy like that?

1. Enough self-confidence not to be threatened by a competent woman.
2. Secure in his masculinity so he doesn't need to "prove" it to anyone.
3. Integrity and compassion that allow him to adhere to his principles and lead with care for his followers.

Writing Resources and Tools

 

The photo is from a park in Fremont, WA. They'[re tucked into a place you could all too easily miss them and that's what delights me about them - that they're there patiently waiting to be noticed.

Writing tools haven't changed for me for years now. I've found a cluster of reliable solutions that work for me. And maybe, after all this time of trying to find the one Right thing that would suddenly make writing easy for me, I've learned that no tool on this earth is going to change how or whether I write. That's on me entirely. As a result, I've stopped looking for the next great thing. AI turned out to be a fun little toy for about three weeks, then it, too, went by the wayside. Thus, I've come to say that I don't think tools matter much. How you get words on paper isn't nearly as important as the fact that you do. Sure, a computer, a word processor of some kind, and an internet connection make a writer's life a lot easier, but strictly speaking a paper and pencil is all that's necessary. (Side note: Do you know why you should always write in pencil and not pen for long works? Ink runs. Spill the slightest moisture on your handwritten pages and you lose your content if it's written in ink. Graphite won't fade or run in water. Courtesy of a bit of time as a yeoman for a Sea Scout ship.)

The only item I have to recommend is the only thing I've added to my writing toolbox this year: mentorship. Not entirely because I need training, though there's always something to learn, I need a bit of bolstering these days. Day job, complicated and drama-filled family situation, and general feelings of overwhelm have utterly sapped my ability to produce. I'd lost some of my why. So I approached Jeffe about joining her Patreon group for company and accountability. Already, the group has been a morale boost. It's helpful, too, to know there are others out there writing at the same time I am and getting to offer one another support.

It's okay to not be okay. It's better to remember to ask for help and then accept it and act on it. These things don't sound like tools because our society does a terrible job of setting us up with healthy coping skills. Asking for just enough help so you can do what matters to you is absolutely a tool. Whether you can hold it in your hand or not.