Jeffe's One Rule of Character Leveling-Up

This coming Friday, July 30, at 6pm Mountain Time, I'll be joining these great friends and powerhouse Fantasy Romance authors for an online panel! Tickets are free for this event sponsored by Love's Sweet Arrow bookstore in Chicago. Join me, Jennifer Estep, L. Penelope, and Lexi Ryan for a chat moderated by Jen Prokop. Ask us anything!

Our topic at the SFF Seven this week is "Leveling-Up: Is it necessary for protagonists to continually gain power/ability/expertise as a series progresses?"

I had to mull over the basic premise of this question. Do I do this in my own books? I don't always have the same protagonists in successive books of a series, but when I do, do they continually level up?

I guess... yes. That's the pattern I've followed. 

My usual rule with writing in general and worldbuilding in particular is, when I discover I'm implementing an element or trope without consciously examining it, that indicates some programmed ideas I need to investigate. 

Thus the mulling. 

So, is it necessary for the protagonist to continually gain power/ability/expertise? No, it's not necessary. BUT, character growth is fundamental to my concept of storytelling and the progression of ability to control one's personal power is a key metaphor in books that are about magic. I suppose you could have the magical/paranormal abilities remain constant and have the character grow in other arenas. As human beings, however, our lives are largely about gaining and refining our skill sets. That aspect of humanity makes it an evergreen topic of interest for us. 

Now that I think about it, it might be fun to have a wizard at the top of their game get tired of it and try a new career, learning an entirely foreign skill set. 

The rule I do cling to is, if a fundamental of the world is set as a limitation of powers, then that can't be discarded in order to level up later. This is akin to making a disability magically vanish, or an incompatible species couple suddenly have a magic baby. Some limitations should be real and permanent, not exploded for plot sparkles. So sayeth I.

All Hail the Rebels

 

Sometimes, the rule of the land is meant to keep the powerless powerless. All hail the rebels who mean to change that.

~ Raina Bloodgood, The Witch Collector

Politics. Not my favorite topic. I do enjoy reading about politics in world history, as well as the causes of ancient and even more contemporary wars, but I am not one to sit and watch the news. It depresses me, every time. That being said, politics still plays into my fiction. I'm not the best at the governmental aspects of worldbuilding, I admit, probably because of my aversion to stupid people being in positions of power.

But! In The Witch Collector for instance, political tensions are a huge part of the backdrop and drive the external conflict. Since this is book one in a triology, however, and thus act one in the story arc, I narrow my lens and focus mostly on the relationship of the hero and heroine, my rebels.

Book one follows Raina Bloodgood and Alexus Thibault as they navigate the initial story problems that will later propel them from their normal worlds into a world they've either avoided (Alexus) or never seen (Raina). They live on what's called the Northland Break, a small piece of the broken empire of Tiressia, a supercontinent that experienced a tectonic shift millions of years before, and was once under the rule of a succession of human kings, each of whom answered to the gods.

But then the gods came down and took their own rule, one in the Northlands, one in the Eastland Territories, one in the Summerlands, and another in what's known as the Western Drifts. Much of the conflict that developed is of a godly nature, meaning greed, insatiable appetites for all sorts of pleasure, and complete adoration was paramount in their focus. They wanted what they wanted when they wanted it, regardless of the humans, halflings, witches, magi, and sorcerers they had to step on or destroy to sate their desires. 

As tensions rose, bad things happened and two of the gods, Asha and Neri, were condemed and buried in the Summerlands. The City of Ruin is where their bones rest, at a place called the Grove of the Gods on Mount Ulra. Another god, Urdin of the Western Drifts, the best of the deities, died battling the Eastland god, Thamaos. Both were also buried at the grove.

Part of the conflict that led to all four gods' destruction was two simple human lovers. The fallout of that romance was not only a catalyst to the gods' demise, but left the Tiressian world with two immortal rulers, a Frost King and a Fire Queen, cast north and south of one another, who would never again be able to survive the other's presence. 

In this story, greed and revenge reign, and even gods can rise again, unless a witch and a Witch Collector can become allies and prevent worldwide calamity.

So. Yes, I use politics in my fiction. It won't show as much in book one as the next two books, because the MC has to learn the hidden history of the world she's occupied for twenty-four years and correct the thinking that three centuries of false lore have impressed upon the Northland people. This is a story of a young woman who lives a very sheltered existence and doesn't even realize it. She thinks she understands her world, and that it's the immortal king of the North who's ruining her life. Little does she know at the onset how protected she's been, and that sometimes, the world we don't see is absoutely stunning and beautiful and can open our minds to different cultures, but it can also be a rude awakening. Sometimes, the lives we think are so terrible are nothing in comparison to the trials many people live through day in and day out. My goal is to show that through Raina, to show her understanding of the complexities of Tiressia, and how those complexities affect her as an individual, deepening with every page.

If The Witch Collector sounds like a book you might like to read, I would love it if you added it to your Goodreads. If you'd like to pre-order the e-book, it's available on several platforms now. Print will be available in September!!

XOXO,

New Fantasy Romance: The Golden Gryphon and The Bear Prince by @JeffeKennedy

This week our favorite hard-working, award-winning Sunday blogger, Jeffe Kennedy, released the first book in a new fantasy romance series Heirs of Magic! 

THE GOLDEN GRYPHON AND THE BEAR PRINCE
Heirs of Magic: Book 1

A Legacy of Honor

Crown Prince Astar has only ever wanted to do the right thing: be a credit to his late father’s legacy, live up to his duties as heir to the high throne of the Thirteen Kingdoms, and cleave to the principles of honor and integrity that give his life structure—and that contain the ferocious grizzly bear inside. Nowhere in those guiding principles is there room for the fierce-hearted, wildly free-spirited, and dizzyingly beautiful shapeshifter, Zephyr. Still, even though they’ve been friends most of their lives, Astar is able to keep Zephyr safely at arm’s length. He’s already received a list of potential princess brides who will make a suitable queen, and Zephyr is not on it.

A Longtime Obsession

Zeph has wanted the gorgeous, charming, and too-good-for-his-own-good Astar for as long as she can remember. Not that her longing for him—and his perfectly sculpted and muscular body—has stopped her from enjoying any number of lovers. Astar might be honorably (and foolishly) intent on remaining chaste until marriage, but Zeph is Tala and they have no such rules. Still, she loves Astar—as a friend—and she wants him to at least taste life before he chains himself to a wife he didn’t choose. There’s no harm in him having a bit of fun with her. But the man remains stubbornly elusive, staving off all of her advances with infuriatingly noble refusals.

A Quest to Save the World

But things change when a new terror threatens the Thirteen Kingdoms. Following prophecy, Astar and Zeph—along with a mismatched group of shapeshifter, warrior, and sorceress friends—go on a quest to stop a magic rift before it grows beyond anyone’s ability to stop. Thrust together with Zephyr, Astar finds himself increasingly unable to resist her seductive invitations. And in the face of life-and-death battles with lethal monsters, he begins to lose sight of why having her, just once, is such a terrible idea…

BUY IT NOW: Amazon | Apple Books | B&N | Kobo

Virtual Fantasy Romance Panel!

Our topic at the SFF Seven this week is to promote our stuff or someone else's. I can bop two birdies gently on the head (because I'm not a vicious murderer of wildlife) and share this super fun event! 

Saturday, December 12th @ 2pm EST

Romance Panel with Authors Amanda Bouchet, Grace Draven, Jennifer Estep, and Jeffe Kennedy

https://www.libraryinsight.com/eventdetails.asp?jx=gx&lmx=%CF%60b%22%A8%AAp&v=3

 

Are you a Fantasy or Sci Fi Romance Fan? Do we have the program for you! We welcome authors Jennifer Estep, Amanda Bouchet, Grace Draven, and Jeffe Kennedy to Cary Library to talk all about their books, characters, world building, and friendship. They published an anthology together, Seasons of Sorcery, and it makes us wonder how an anthology comes into being. Hmmmm. 

Visit any of the author's websites for more information on their books, appearances, and FAQs!

 

Virtual Book Sale and Signing

 

Signed (personalization is not possible as all books - while supplies last - will have bookplates) books will be provided by Bank Square Books. When you are ready for checkout, write in the comment section that you would like the book(s) signed. 

 

Click Here to Buy Books from Jennifer, Jeffe, Amanda, and/or Grace

 

Buy as many books as you want - even if you don't make it to the event!

 

Please register for this meeting and you will receive the program link in the confirmation and reminder notices - please check your spam folder for the emails and scroll to the bottom for the link. This program will be recorded with permission and we will upload it to our YouTube channel. We will also be livestreaming on FB! 

Contact us at caryprograms@minlib.net with any questions.   

Sponsored by the Cary Library Foundation.

The Best Title That Never Was

Our topic at the SFF Seven this week concerns the reality of having to change names. We're asking the crew if they've ever had to change the name(s) of a character or place in a book after we'd drafted it? Who is the character who will forever go by their "unpublished" name in our minds?

For me, it wasn't a character. As far as I can recall, I've never had to change the name of a character or place in a book. If I did, it never mattered enough to me that it stuck in my head. I *have* had to change titles, however, and the one that has never left my head is for the book that became ROGUE'S PAWN, book one in my Covenant of Thorns trilogy.

This was my first published novel - released in 2012 - and was the story that invaded my dreams and wrenched me from a nonfiction career and into fiction. It was, in fact, fantasy romance, but I didn't know what to call it then. I started writing it in 2005, querying it in 2007 and it took me YEARS to sell. 

All that time, I called it by another title in my head: OBSIDIAN.

The title has a lot of shades of meaning and symbolic layers in the story. That book is forever OBSIDIAN in my head.

Unfortunately, by the time Carina Press bit on the book and published it in August of 2012, Jennifer L. Armentrout's book of the same title had come out in May. My editors at Carina said that wasn't the reason for the title change. Instead I sunk my own ship by first publishing the Facets of Passion books with them. Those were erotic BDSM contemporaries, also with one-word jewel titles: SAPPHIRE, PLATINUM, and RUBY. (Ironically, book 4, FIVE GOLDEN RINGS, was supposed to be called ORO, the Spanish word for gold, but Carina thought readers wouldn't get it. I'm still sorry about that retitling, too.)

It was a newbie author mistake. Had I realized that one-word jewel titles wouldn't work for two different series, in two different genres, from the same author at the same publisher, I would have cheerfully changed the Facets of Passion titles instead. Alas!

I'd love to get this trilogy back from Carina someday - largely because I've never liked these covers, either. Would I change the title back? I don't know... I wouldn't want readers to think I'm trying to trick them into reading something new that's actually old. 

What would you say?

    

What Goes Around Comes Around

Please welcome the fabulous Jennifer Estep to the SFF Seven! I loved her fantasy (with an awesome slow-burn romance) KILL THE QUEEN, and now the sequel, PROTECT THE PRINCE has released and hit the USAT bestseller list! Highly recommend you check this series out. 

Jennifer is guest-posting this week's theme: Genre predictions – where is SFF headed?

*********

Hello! First of all, I want to thank Jeffe for inviting me to guest blog. Thanks, Jeffe! J

Where are the science-fiction and fantasy genres headed? Ah, that’s the million-dollar question, especially if you write science-fiction and/or fantasy books.

My first book, Karma Girl, a paranormal romance, was published in 2007. Back then, paranormal romance was *the* hot genre. Everybody was writing about vampires, werewolves, witches, and more.

But like many things, publishing is cyclical. When a genre suddenly becomes popular, publishers want to buy books in that genre. But as more and more books in a particular genre hit shelves, the genre quickly gets oversaturated. It becomes harder and harder for new/debut and even established authors to stand out, and sales of that genre often start to wane as readers turn to other books. Then another genre will suddenly become “hot,” and the cycle will start all over again.

It happened with paranormal romance. These days, you would probably have a much harder time selling a paranormal romance than you would have 10 years ago when the genre was hot.

I’ve seen several genres come and go over the years. After paranormal romance, urban fantasy was hugely popular for several years. Then it was young-adult books. Then new-adult books. In more recent years, thrillers/psychological suspense books have been extremely popular, and 2019 seems to be the year of the rom-com.

So what does that mean for SFF authors? It’s hard to say. There will always be a market for science-fiction and epic-fantasy books, especially since those are the two mainstays and cornerstones of the SFF genre. As for what other SFF subgenres might rise in popularity, well, that is anyone’s guess. We won’t know until it happens.

However, I wouldn’t be surprised if we see other genres/tropes start to mix in more with SFF books, especially epic-fantasy books. For example, I think we could see a melding of urban fantasy and epic fantasy. Kill the Queen and Protect the Prince in my Crown of Shards series both feature a first-person, urban-fantasy-type voice, but in an epic-fantasy world/setting. I certainly hope those kinds of books become more popular. Fingers crossed! LOL.

But I could see other genres merging with SFF – like a whodunit murder mystery set in a castle, or a heist book set in space. Or a dozen other different genre combinations. I also think that SFF romance will become more popular – books that give readers all the action, adventure, and world building of a traditional science-fiction or epic-fantasy book, but with more romance/relationships and happier endings for the characters.

And it’s not to say that these kinds of books don’t already exist – they do. I know several authors, including Jeffe, who write fantasy romance, among other things. But I think publishers will be looking for more and more unique and interesting twists on the SFF genre and that readers will be searching for books that give them more than one sort of story/reading experience – again, something like an epic-fantasy mystery or a sci-fi heist book.

There are no guarantees in publishing, and trying to predict trends is a tricky business, at best. The only thing that is certain is that trends come and go, and that a genre that seems dead right now will probably rise from the ashes like a phoenix a few years down the road.

All it takes is one book to start a trend, so I say write the SFF book that *you* want to write. Who knows, maybe your book will be the trendsetter that ushers in a new wave of popularity for SFF books.

Happy writing and reading! J

*********

Jennifer Estep is a New York Times, USA Today, and international bestselling author prowling the streets of her imagination in search of her next fantasy idea. 

Jennifer writes the Crown of Shards epic fantasy series. Protect the Prince, book #2, was released on July 2. 

Jennifer is also the author of the Elemental Assassin, Mythos Academy, Bigtime, and Black Blade fantasy series.  

For more information on Jennifer and her books, visit www.jenniferestep.com or follow Jennifer on Facebook, Goodreads, and Twitter. You can also sign up for her newsletter,

Website: http://www.jenniferestep.com/ 

Blog: http://www.jenniferestep.com/blog/ 

Facebook: http://www.facebook.com/JenniferEstepAuthor?fref=ts 

Twitter: http://www.twitter.com/Jennifer_Estep  (@Jennifer_Estep)

Goodreads: http://www.goodreads.com/author/show/580315.Jennifer_Estep

Newsletter signup: http://www.jenniferestep.com/contact-jennifer/newsletter/ 

BookBub: https://www.bookbub.com/profile/jennifer-estep

Amazon author page: https://amzn.to/2QeDW4j 

Happy Yeah This Topic Isn't Gonna Work

It's 9PM, Thanksgiving Day. I've spent the past three days cleaning and cooking two separate menus in preparation for hosting 12 people for dinner. (2 of whom are Whole Food, Plant-based vegans.) I think my father-in-law counted something like 26 separate dishes. It was a thoroughly enjoyable day filled with family, laughter, and way too much food. I haven't gotten to host and cook a major holiday since we moved aboard the sailboat ten years ago. It was a great joy to have my family and my husband's family all together at the table. They're a good group of people who all genuinely like and appreciate one another.

But it comes down to this. I'm stuffed and I'm tired. Not to mention that the buddy (not counting the buddies on this blog who have all had recent releases! But we were trying to pimp some new blood.) a new Fantasy Romance release coming out soonish - her first - doesn't have a cover quite yet. At least not one I can publicly share so far.

So Happy Thanksgiving those of you in the US and if you do Black Friday, remember the body armor. I'll be at home, writing, sipping tea, and eating pumpkin spice scones with caramel/pecan glaze drizzled on them. Well. And trying to  keep the kittens from dumping my tea or walking across my keyboard and adding their editorial opinions to my prose.

Instead, talk to me about amazing Black Friday deals. Where do you go and what kinds of things do you look for? Do you go in with a list? Or do you decide what presents people are getting based on what's on sale?

I, for one, am all about the notion of giving books as gifts. Isn't it supposed to be an Icelandic thing - you give books on Christmas Eve? I love it. Fiction, nonfiction - I wouldn't care. In fact. That's the perfect anodyne to too much rich, holiday food. I'm going to go peruse my TBR pile and make reading my Thanksgiving Day dessert. May your holidays be just as sweet.

Being Proud of Being Different

I'm just back from #WorldCon76, which was a whirlwind of great stuff. I caught a moment of downtime at the lovely Fairmont pool, including a much-needed nap.

This week at the SFF Seven, we're asking "What are you most proud about with regards to your writing?"

It's an interesting question for me, coming out of WorldCon, which is the World Science Fiction convention. While there is some fantasy representation, the con is heavily focused on Science Fiction fandom. It's also an older institution and seems to attract a lot of the "purists" in the field.

SFF fandom can be weird that way, at least to me - and I often feel like an outsider. I sometimes joke that I'm an exoplanet. It's funny to me to discover that I'm as serious a Trekkie as any, though I never got involved in that community. And for me, coming from this blend of SFF and Romance, I'm not really what people who are solidly SSF expect.

And yeah, there's an ongoing perception of Romance Cooties. This one gal came by my autographing table and tried to explain how the romance tropes in Paranormal Romance just hit her all wrong. I explained that I don't write Paranormal Romance - and that it's quite different from Fantasy Romance - and she said "I know, but still."

There's a lot to unpack that way - about reader expectations, internalized misogyny, the perception that positive emotions are less important, that male-gaze sex and romance are fine but the female-gaze versions are "icky" - and none of that is all that relevant to this post. Except to say that it can be easy to from that kind of convention feeling "less than."

Really, any of us can find opportunities to feel that way, right?

Because, the next person to come up to my table said "I didn't know you'd be here or I would've brought all my copies of your books." Then she bought copies of all three that I had so I could sign them for her, and had me sign bookplates for the rest.

It's easy to focus on the negatives and forget the positives. I received a whole lot of positives at WorldCon. People saying I did a fantastic job on a panel, even that I was the best one on it. My fellow SFWA Board members taking time to say how much they appreciate my input on the board. Meetings with friends and fans who think I'm special.

I think that being proud of what we write takes constant reaffirmation. Like renewing vows in a marriage. I've known from the beginning that my choices would make my career more difficult. "Like wading through hip-deep snow," Catherine Asaro told me, way back before I published my first book. I could've tried to change this about myself - or at least about what I write.

I've repeatedly chosen not to. And I am proud of that.

While I'd love to have lines out the door like Seanan McGuire, I also don't want to write what she writes. I love to read her October Daye series. I don't want to write that.

So, what am I most proud of in my writing? I'm proud that I am writing the stories that I really want to tell. I've been called stubborn, but I think my tenacity has paid off and I've found an audience - one that's growing all the time. It's not easy to stand up to the pressure to fit in with the more mainstream, more successful stuff. I feel it in myself all the time. Every time someone says "Romance" with that eye-roll and sneer, I feel it. Every time someone wants to read my books and someone else warns them off because it's too sexy, I feel that pressure to change.

That's part of creating art, whatever kind beckons to us. Creating means bringing something into the world that wasn't there before - so sometimes people don't recognize right away. Or only some do.

And that's okay, too.

Fantasy Romance Recommended Reads

It's Hot & Muggy Flash Fiction week here at the SFF Seven. In beautiful Santa Fe, New Mexico, it's never muggy and rarely all that hot. Perfect weather for drinks on the patio! Likewise, I'm not participating in the Flash Fiction, as it always feels like a diversion from what I'm writing.

At the moment, that's my contribution to Amid the Winter Snow, a holiday anthology with Thea Harrison, Grace Draven, and Elizabeth Hunter. The story is tentatively called THE SNOWS OF WINDROVEN. Turns out Ash and Ami have a lot of unresolved issues. Until I delved back into it - and from Ash's point of view - I hadn't realized how tentative their happy-ever-after was. It was really a happy-for-now. Nothing like being snowbound in a castle built into a formerly-dormant-now-rumbling volcano with shapeshifting toddlers to bring relationship issues to a head!

And, speaking of heads, I just got mine into this story. I'm not thinking about hot and muggy anything.

Instead I'll share a post I wrote on the SFWA (Science Fiction and Fantasy Writers of America) blog. It went up on May 1 and I totally missed it. But many of you will likely recall when I posted to Facebook about compiling a list of Fantasy Romance Recommended Reads. SFWA asked me for a list of ten authors, so they could also be put on bookmarks. In culling all the terrific recommendations down to ten, I found myself having to take a hard look at how I define the subgenre of Fantasy Romance, so that's part of this article, too. You can read it here.

For some reason the comments on SFWA blog aren't allowed, but I know you all will have additional authors to recommend - and possibly arguments with my definitions. Please feel free to comment here! I wish I could have included everyone, but the whittling down to ten made for an interesting exercise.

Also, check out my local chapter's contest for unpublished manuscripts! I'll be the final judge for Paranormal Romance/Fantasy Romance/Urban Fantasy/Science Fiction Romance. That means I'll mentor my winner and provide promotion support. The overall winner will receive support from the entire chapter! Check it out here!

Writing the Denouement - What's the Right Amount of Wrap-up?

So... this is *MY* big news this week. How about you all?

Tee hee hee!

Yeah, okay, I'm still in a daze, totally gobsmacked, and running about in this kind of gleeful haze where I whisper to myself, "My fantasy romance, THE PAGES OF THE MIND, finaled in Paranormal Romance in RWA's RITA®  awards!!!"

To unpack that a little, for those not familiar, RWA is Romance Writers of America and the RITA® Award is our premiere award for published books in the romance genre. (There's also the Golden Heart, for unpublished works.) Because romance is an enormous umbrella with many subgenres, there are thirteen categories. "Paranormal Romance" is basically all science fiction or fantasy style stories with romance in the story arc. Yeah, it's a polyglot of a subgenre, but there you are. With entries capped at 2,000, and every entry read and ranked by five judges, it's a tremendous effort. It's basically the Academy Awards for romance authors. The winners will be announced at the very glam awards ceremony at the Annual Conference, which will be in Orlando this year, July 22-29.

Okay! Moving on...

Our topic this week is on story structure, specifically asking the SFF Seven about the Denouement: How long do you spend wrapping up a novel?

I'm very interested in the answer to this question because it's something I've been working on. I get "ended too abruptly" as a comment more than any other (I'm pretty sure - I haven't annotated or anything), and across all the genres I write. On the occasion that someone I'm friendly with makes the comment and I'm able to dig a bit, they'll always say, "Oh, it's a good thing - I just wanted MORE!"

Wanting more IS a good thing, but ending too soon isn't so much.

The way ideal story structure works is like this. We all learned this in grade school. I don't know who else among the SFF 7 uses this, but it's a standard basis to work from.

Really, it's not so even, and it will look more or less like this for the Hero's Journey, which is how a lot of SFF stories go:

Thanks to Digital Worlds for this excellent graphic!

When you break this out into percentages, it looks like this:
Act I, Beginning: first 25%
Act II: middle 50%
Act II Climax:: at 75%
Act III Climax: at 90%
Denouement: 10%

"Denouement," for those who've forgotten high school English class, is a French word that means "untying." Basically that final percentage is for unraveling all those knots that got snarled and tightened along the way.

BUT - and this is the interesting part to me - if you measure the actual space of story after the final climax in most stories, it's not 10% of the total. Many authors end within pages of the ultimate climax. One exception to this is urban fantasy author Jennifer Estep. She has a good chunk after the story's climax, which she regards as a kind of "bookend" to the opening scene. She also uses that to set up the next book in the series.

Me? I do chart my own books and ... yeah, the percentages say I end abruptly. I never hit anywhere near 10%. It's more like 2-3%. But I'm trying to change this! I'm making an effort to add more onto the ending, untying some of those knots, to see if it makes a difference.

In fact, one book I deliberately made the effort to do that with is THE PAGES OF THE MIND, which had 8% of denouement after the Act III climax. Did I mention that finaled for a RITA???

Tee hee hee.

Anyway!!!

I'm interested in both reader and writer experiences with this. How much ending do you like? Who are some authors who handle this really well?