Heroes, Villains—Villains, Heroes

Heroes are memorable. Heroes save the day. Heroes are who we want to be. But what about those villains we love to hate? They're heroes in their own eyes which is why this week we’re asking: 

Which fictional villain would you write a redemption arc for if copyright and trademarks weren’t a thing?

If you love epic fantasy that’s norse inspired, you need to pick up Hall of Smoke by H.M. Long. It speaks of loss, found strength, and honor. Also, there’s axes and gods, and friendships that surprise you—so many good things! 

But what I really loved about this book was Eang, the Goddess of War. Eang is the god that the MC, Hessa, is devoted to. Throughout Hessa’s story, Eang, either in her owl form, formless voice, or goddess shaped, lead and direct Hessa to battle the Old Gods that are waking and wreaking havoc on mankind. 

Old Gods, bad! Eang, good! But wait…the veil is torn from Hessa’s eyes and she sees the souls of her fellow vestiges within her goddess, providing Eang power and prolonged life! Hessa wakes up and [spoiler]. Yeah, that’s right. You’ve gotta read the book to find out what happens between Hessa and Eang. 

I love what H.M. Long did with Hall of Smoke. She took a goddess and her acolyte, pitted them against some seriously powerful beings, and then turned the tables. So, I’m choosing Eang as the villain I’d write a redemption arc for because she’s so incredible, and complex, and she has reasons. We all want villains that have reasons, a purpose, behind their decisions that make them steal/lie/cheat/do evil things. Eang has all of that and more. 

One of the ‘and more’ things is her son, Ogam. Because if I were to write Eang’s story from her point of view, Ogam would have to be part of it and he is a handsome trickster who lands in the grey zone—a little more black and a little more white depending on the situation. Seriously, if I haven’t mentioned that you need to read this book, do so if only to read about Ogam alone! 

Back to the villain. The soul stealer. The vengeful, unrighteous god. Eang would be so much fun to write, to look through her eyes and see the world of small men and the strength she wields to hold it. 

Hannah, I love your writing and your characters! If you ever want to share Eang, I’ll be over here dreaming! If not, I’ll keep scanning the trees for the owl! 

Evil Goddess Redeemed?

This Week's Topic: Fictional villain for whom I'd write a redemption arc

(if copyright and trademarks weren't a thing).

rubs chin, waggles brows

Of late, I've returned to my demons-and-divine-beings obsession, which neatly evades the copyright or trademark part of this week's prompt. Whenever the topic of "villains" comes up, my mind goes straight to the gods deemed "evil," and I question why they're portrayed this way and who gave them the short straw?

In the 4th book of my Immortal Spy series, I leveraged Musso-Koroni, traditionally known as a goddess of discord. As is not at all uncommon in mythologies, goddesses who are branded "bad" are typically victims of a smear campaign by other parties within the pantheon (usually male-presenting parties, but not always). A little digging into Musso-Koroni's origin myth revealed her #1 enemy in the pantheon was her husband. So, I wrote her a little redemption backstory...despite her being the antagonist in my story.

“Musso-Koroni married a dreadful twit on the promise that she and her new husband would rule other gods. A new pantheon for a new World. Unfortunately, her husband was like most men who are bestowed power. He got drunk on it and demanded more. She saw the way it warped him, was disgusted by it, and called him on it. He wanted her subservience. When she refused, he turned their people against her, so she left. Became a traveler goddess, untethered to any location. Her husband, in his futile fury, branded her a goddess of discord and formally banished her. His choice of derogative was better suited for himself than his wife."

--from The Hanged Spy, by K.A. Krantz 

I'd happily write redemption stories for Hera and Medea too, despite there being other redemption tales out there. Ya know, if I ever finish the other books on which I'm working. 

laughs maniacally, clutches coffee mug

Making it Personal: Backstabbing Best Friends

 

Our topic for the week is all thanks to the Ides of March and legendary backstabbers. Who's the best backstabber in fiction?

Dear people, I give you Fernand Mondego.

What a jerk, right?

I have ridiculous love for The Count of Monte Cristo by Alexandre Dumas. I've been taken with the tale since I was a teen and am currently working on a fantasy novel inspired by it. When the movie with Jim Caviezel and Guy Pearce released in 2002, you can imagine my delight. Though the story and characters had been changed pretty drastically, the essence of the original work remained. And I LOVED IT. Still do. I will never turn down an opportunity to catch a viewing, and I'm re-reading the book this year, too.

In my opinion, The Count of Monte Cristo is one of the best revenge tales ever written--if not THE best. However, the betrayal in the film felt even more severe than in the novel. How? Why?

Because Fernand's character received an excellent revision, IMO.

In the film, Edmond and Fernand are best friends. In the book, the young men are merely acquaintances (Fernand is Mercedes' cousin). Because there's no personal history between the men in the book, the knife of Fernand's betrayal, though still buried deep, doesn't strike the reader's heart quite so sharply. 

Until I prepared for this blog post, I'd known the villain in my novel was missing something, some detail, some WHY for his dastardly behavior, but wildly enough, even given how much I adore The Count's tale, both film and book, I couldn't put my finger on the issue. Last night, the answer hit me.

The deception is awful, but it's not personal enough. It doesn't cut to the bone.

I even recalled some old writing advice I'd read and stored in the cobwebby corners of my mind: MAKE EVERYTHING PERSONAL. MAKE IT HURT. The stakes, betrayals, loss, etc. will affect our characters and readers much more if raised to that next degree--the emotional degree.

It was like a lightbulb went off in my brain, though I felt dim for not having seen the answer before. Thus is the writer's life, I suppose. Betrayal hurts more when committed by someone we believe loves us, or at least a person who possesses some level of loyalty and familiarity. This also affects the villain/protagonist relationship across plot points, because the game totally changes when a character is up against someone they know well--or thought they knew well. There's soooo much writers can do with this type of conflict, so many twists to explore. It's FUN, y'all!

So, if you're wondering how to amp up the conflict in your tale or if something feels off, examine the emotional layer. Is the conflict personal? Can you revise and dig deeper? Don't be afraid to try.

Remember: If Dumas can benefit from a revision, we all can ;)

Ask Not Who the Villain of This Piece Might Be

So many lovely villains to choose from. Scary aliens bent on destroying humanity - never mind that they have good reason. Magical creatures no one quite understands being invited to cohabitate human bodies and minds without any thought of the consequences - though, in that case, who's the real villain? The magical creatures invited in? Or the idiots who do the inviting? Then there's the mythical creature drawn from her native land to the New World as the stories about her spread into territories she'd never dreamed. 

But my very, very favorite villain is whoever my hero happens to be in whatever I'm writing at the time. Yes, most of my heroes and heroines have nemeses to face, but each hero and heroine first has to face themselves. And most of the time, when they do, they see the face of what they hate and fear staring back at them from the bathroom mirror. I made a heroine face down her distrust of others and of herself. I made another face down her envy and sense of inadequacy. Yet another had to overcome prejudice. The hero in the book I'm working on now has to figure out hate. 

I like characters who are their own worst enemies. Initially. I expect them to start catching clues pretty quickly, but not all at once. Change is a process and I want to see it. If I don't, I won't believe that the characters have grown enough to defeat whoever or whatever is their ultimate stumbling block. 

I've got a lot of love for that moment when a character looks at nemesis and sees themselves reflected. That 'oh shit' realization never gets old.

What Makes a Perfect Villain

 

my son's book of Star Wars: The Rise of Skywalker The Galaxy Needs You illustration by Eda Kaban

Villain [vil-uhn] noun: a cruelly malicious person who is involved in or devoted to wickedness or crime.

This week we’re talking about the most dastardly characters, those cackling antagonists, those thorns in our hero’s sides. If they’re done well we love to hate them. And my award for Favorite Backstabber goes to Kylo Ren!

If you’ve been hiding in the dark side, Kylo Ren is from StarWars and fills the role of villain against Rey in Star Wars: The Force Awakens. And in these movies he’s identified as being neither Jedi (the good guys) nor Sith (the baddies). 

Wait…I named my top villain as one that’s neither good nor bad?!?

Exactly. 

I believe there’s good and evil in each one of us and it comes down to the decisions we make each day that determine what type of person we are. We are all our own hero, but I know there’ve been times—I worked as a manager for five years—when I made choices I believed were the best course of action that made me a villain in another’s story. 

That’s why Kylo Ren is the most dastardly, perfect villain. He represents us and our struggles to choose the right path. As you watch The Force Awakens you see him face these tough decisions—hoping he’ll choose the right one—but you don’t feel totally confident that he will. 

Your villain should be part of, either physically or in spirit, every plot point in your story.

And that’s good writing. That should be our goal as authors, to craft a villain that’s vital to the plot. Your villain should be part of, either physically or in spirit, every plot point in your story. No, you don’t have to think up a super complicated reason why they do what they do. You should be able to answer/write what drives your antagonist in one sentence, not in pages of backstory. 

If you’re feeling stuck in your WIP or struggling with a book idea that doesn’t seem to go anywhere, check out your villain. Make sure they’re more than an evil genius who wants to take over the world. Or if that’s their thing, then also give them a tangible reason on a smaller scale. We’ve all heard about humanizing the antagonist to capture the audience in order to deliver a solid punch when the hero wins the day, so be sure add in some depth, but not so much that it overshadows your hero. 

Did this give you any ideas on crafting your current villain? Do you have a fave antagonist that inspires your writing?