Jeffe's Most Difficult Character - Not Who You Think?

So, if you missed it on Friday, we finally had the cover reveal for THE ORCHID THRONE! 

This is the first book in a new trilogy I'm doing with St. Martin's Press. Totally new world, totally new series. My editor there, Jennie Conway, called it:

the magical feminist fantasy romance I've always wanted

Which is now my new favorite tag line ever. You can read more (and preorder!) here. It comes out September 24, 2019. 

Our topic at the SFF Seven this week is: Your most difficult character to have written and why. 

This question stumped me. I even asked Assistant Carien what she thought, since she often listens to me whine about these things. She offered a few suggestions, that just didn't "sound" right to me. So, then I went and looked at my publication list.

Yes, I totally use my website to remind myself of my own books, what of it?

Looking over that list, a couple of books stood out. Ones that just didn't come out the way I envisioned when I started. Ones that I'd rewrite, if I could. 

And one heroine, in particular, that I just never felt I really got into her head. 

Ava, from SHOOTING STAR.

The book is a contemporary romance, so I haven't talked about it much here at the SFF Seven. But, people, I rewrote this book SO MANY TIMES. And though the heroine, Ava, was clear to me from the start - in fact, she was one of those characters who plagued me to write her story - I never felt I really got a handle on her. I don't know if I could say why. It could be because she was inspired by a real life person (or, rather, a blend of several) and therefore I couldn't find my way into her head in the same way.

It could be because Ava is simply a very complex person, with many layers and secrets, and she's become adept over time at keeping everyone out. Even me.

I could be I'd have to write more of her to really crack that nut. 

Hmm. 

Living in the Future - and Waiting for the Money to Catch Up

It's morning glory season here in Santa Fe. I love these gorgeous blooms - maybe even more so because they're so temporary.

Our topic this week at the SFF Seven is an open one - whatever's on your mind.

I'ts been interesting doing my podcast, First Cup of Coffee, as I tend to talk about whatever is on my mind. Though I find I have to edit myself more as I'm in the habit of "conversation" being a free zone where I can discuss things more frankly than what I write online, Where Everything Lives Forever. I also keep a list of blog topics, and I'm looking at that and not feeling the spark with any of those.

Right now what's on my mind is finishing THE ARROWS OF THE HEART. This is the next book in my Uncharted Realms series and has been a long time coming. I've bemoaned in other places that I finally got to get back to it this week - after a four-month hiatus. I'd intended to put this book out in May. Now it will be out in September, at best.

All of this is because I had to move up traditional publishing deadlines. Sometimes that's how it goes. I did a lot of work in those four months - but most of the fruit of it won't appear until well into the future.

This is one of the difficulties of being a hybrid author - someone who both self-publishes and publishes with traditional houses - that the external, contractual deadlines take precedence over the self-publishing deadlines. And being hybrid is great for diversifying income - I've been about half and half the last two years - but one truth about traditional publishing is it can take a LONG time for the money to manifest. Yes, there can be advance money, but the royalties often don't come in for a year or more after publication, which can be a year or more after the book is written. With self-publishing, the money starts coming in within a month or two of publication, which is pretty immediately after finishing final edits.

Thus the rub about me not having self-published anything since SHOOTING STAR in March, is that the money from my self-published backlist, while decent, has dwindled a bit. And though I had a book out in June, PRISONER OF THE CROWN, it's traditionally published, so I likely won't see any income from that for a few months.

But all of this is necessary, to keep books in the pipeline. And I can only write so fast. Being a full-time writer is an exercise in planning for a fluctuating income. Very much feast and famine.
The nature of the business!

Keep It Simple, Sister

I don't always share my non-SFF stuff here, but I'm so pleased with how this cover turned out that I just had to. SHOOTING STAR is a contemporary romance, darker and edgier than my Missed Connections series. I'm really excited to see this one finally come out as I've been working on it for years. Releasing March 6!

Our topic this week at the SFF Seven is "How do you keep your story from being too complex?"

...and I don't know.

I mean, what is TOO complex? I'm thinking that sometimes there's too much story to fit into a single book, which is probably why my series tend to expand.

It can be a mistake of newbie writers to think a story needs MORE. I used to worry about that, especially with the first novel I wrote. I worried that the story didn't have ENOUGH. Enough of what, I'm not sure. But, that was before I understood that the actual details of the story are much less important than how the story is told. It's the author's voice we fall in love with. Details, while they may add to the atmosphere of the story, tend to be forgettable.

So I think it's key to keep in mind that simple is good. If we're feeling the impulse to add to the story, simply to add, that's almost certainly not necessary.