Red or Blue Pill

Recently we blogged about writer finances and I defined the various routes of publication here. But this week we’re talking about how we made the choice between them. 

Note that I said we and not you. Because choosing your publishing path is a bit like Neo having to pick between the red pill or the blue pill and I’m not going to say which color coincides with which. 

Traditional or Self Publishing; red or blue, blue or red… but red and blue makes violet: Hybrid Publishing. 

Before reaching for your water glass to swallow that pill, I suggest making a pro and con list. 

This could’ve been heavily influenced by my recent Gilmore Girls binge and love of all things Rory, but we’ll roll with it because it actually makes sense in this situation. 

For me, Trad Publishing Pros:

a fabulous agent to bounce ideas off

an Editor that comes with the package deal

a Marketing team

Trad Pub Cons:

sloooooooooooooooow

Self Publishing Pros:

ultimate cosmic powers! 

Self Publishing Cons:

itty bitty living space

See, YMMV. And I guarantee your pro con lists would look very different from mine as well as your definitions. But that’s great because nobody’s publishing path is the same! Even those on the same track, self-pub, indie, trad, or hybrid, no track will match up exactly. 

Even here, where I attempted to show two different book paths, they ended up domino-ing differently. I even enlisted the assistance of my twins to make sure the paths started the same! 

But you can’t control another’s finger nudge any more than you can control world events that slide colored lenses over people’s eyes. And there’s personal stressors for each reader that influence their reading enjoyment and there’s sudden waves of hot tropes or plots that are unpredictable and short lived. Basically, there’s a million things that influence how a book is received in the world and all of them are out of your hands. 

Maybe that’s why the author’s decision of which publishing path to take is such a weighty one? It’s the first important step that we actually control, the one step that every author actually controls. And by making a choice we determine our book’s trajectory, and also our career’s. 

Whew! Scary stuff huh? Well, it is just a tiny, little pill after all, right?

I’ve chosen the traditional publishing route. Red or blue, I’ll never telllll! Originally this track was most appealing because I had a thriving career in the medial field along with being a wife and mother, which left very little time for authoring. Life changed, but my writing trajectory didn’t, even though my pro con list altered slightly. 

I’m still on the trad route because my health is limiting and I know the added stress of being in control of every little piece of bringing a book into the world would be too much. I still value my health over any career. Who knows, someday it could change. I still see the Hybrid author track as the most profitable, you can have the best of both worlds and ensure the most stable income possible (which still isn’t stable, but closer anyway). 

What track have you chosen? Which colored pill is the most appetizing to you?

How to cheat yourself out of a difficult scene/writer's block.

This week we’re talking about the most difficult scene we’ve ever written. And I really don’t want to talk about it because I don’t have the mental capacity to unbox that at the moment. So, I’m going to cheat!

Cheating’s fun! We do it all the time! That donut in the break room, the extra coffee even though we’ve already had a whole pot, staying up till the wee hours of the morning to finish that Netflix series or book. We cheat in life.

And if you find yourself stuck…writer's blocked…try a cheat! 

*This is for those times you’re simply stuck: can’t think of what to write, can’t figure out how to get your characters from point A to point B, can’t get the words on the page. 

Are you wondering how to cheat at writing? It’s as easy as reaching for that glazed old-fashioned. Simply fill in a sentence or two, or however many it takes, to warp-speed you to the next scene that formulates in your head or the next plot point in your summary.

YMMV, but when I’m stuck with writer’s block I just need to find a way past that sticky point because my brain is what’s stuck on that scene, those details that don’t fit, or that plot hole that I can’t see yet but my subconscious knows is there. 

By cheating, I give my brain a pass to move on and return to production state. By cheating, I’m giving myself a bandaid that will eventually fall off, because those dang things never stay on long enough, but by the time it slips free it’s usually because I’ve found the source of the plot hole or character inconsistency and fixed it. By cheating, I take away the stress. Did you get that? It takes away the stress which is the biggest road block of anything, mentally and physically. Get rid of the stress and everything opens up.

An example? I was writing THE MARS STRAIN and my MC, Juliet, had to end up at the CDC with the Martian virus. But!!! I didn’t know how to get her there. Stuck. Stuck. Stuck. I wasted a month staring at my computer screen, trying to write and ending up with a handful of words or some nifty new adjectives. 

Then, I decided to glaze over the details on how she got to Atlanta and focus on what she’d be feeling when she got there. So I wrote, and Juliet had a breakdown, a full-on sob fest breakdown from the stress of fighting the Strain, losing her best friend, and possibly losing the man she loves. And then I knew exactly what had to happen before she reached the CDC!

Game over writer’s block! I’d broken through and all it took was a little cheating. 

Go ahead! Give it a try! Reach for that cake donut, toss a couple glaze-over-sentences in that WIP and move on! 

(Which totally has me craving one right now…I’m going to have to convince my wonderful, amazing husband that it’s time to whip up a batch. Since I can’t eat store bought ones the only donuts I get are his made with organic heritage wheat. Jon, you’ve been warned!)