Jeffe's Top Five Worldbuilding Tips

SHADOW WIZARD coming September 29, 2022! Preorder now!!

     

This week at the SFF Seven, we're sharing our top five worldbuilding tips. Since I just returned from WorldCon in Chicago, where I gave a workshop on worldbuilding from a character-driven perspective, I'm going to cheat ever so slightly and pull from that.

1. All stories require worldbuilding

Even a story set in our contemporary world, written as realistically as possible, still requires worldbuilding because it's impossible to to replicate the complexity of our world. You will always be picking and choosing relevant details. Choose wisely. (And see Tip #5.)

2. Don't allow worldbuilding to be displacement activity for writing the actual story

Worldbuilding is fun! Writing is hard. It's easy to spend tons of time on research and worldbuilding and kid yourself that it's writing. It's not. Don't become the person with megabytes of maps and details and no actual text.

3. The world is yours to shape however you like - build it to challenge your characters

Story is about characters facing conflict. The world they live in creates external conflict for them and informs their internal conflict. Since you get to play deity here, build the world with challenging your characters in mind.

4. RPGs - role-playing games can distort your worldbuilding sense.

Many creatives learn worldbuilding from gaming, which can be a great exercise, but - as dedicated gamers have pointed out (I am not one) - game worlds often don't make any internal sense. Use caution in emulating that model.

5. Use the iceberg model

While you should know - or discover - all about your world, most of that detail should be like the iceberg beneath the surface. Only the tip of all that knowledge should show up in the story. If you've done the work and your world is internally consistent, that tip of the iceberg will be representative of the rest.

Lead Me Into Your World, But Don't Drown Me In It

 

This week we're sharing our Top 5 World-Building Tips. Firstly, ditto what Charissa suggested in Sunday's post. Secondly, since I love you, dear readers, I'll add some other tips that I've learned through rejection and correction, aka, the hard way (eyes stories that will never see the light of day...for good reasons).

1. Lead Me Slowly into The Dream: When introducing your world, particularly in fantasy and sci-fi, give the reader something real-world-relatable before rolling out your special crazy. It can be as simple as the scent of fresh bread on a breeze or the clatter of wheels on cobblestones or a pebble in a shoe. It's super tempting to dump all the "how your world is not the real world" right at the beginning because of your excitement to show the reader how amazingly different everything is. Resist. Think of the introduction like greeting a wary puppy. Show them something familiar, then, when they're comfortable, encourage them to follow you. Along the way, toss in an element of Other here and there, feeding them small bits until they're immersed. This is how you avoid info dumping your setting and overwhelming the reader. Once you have the reader's trust, they'll walk around your world with wonder.

2. For All The Suns in the Sky and Moons in the Sea: When creating your environment--as in climate, terrain, etc.-- consider the macro impacts of what you're making. Two moons in your world? How does that affect the tides? Does night last longer than day? How does that affect farming and food supply? What about light sources? Does it rain a lot or are most days clear skies? How does that affect water supply? Rivers? Seas? Transportation? Food supply? Is it windy in your world? Gentle breezes? Gales? How does that affect temperature? Circulation of fresh air? Is illness common because of stagnation? How has fashion adapted to accommodate frequent gusts? How are weapons modified so they don't blow off course?

3. The Consequences of History Live On: Whether the Great War™ was long ago or still unfolding, how does that show up in architecture? In the ways people get from Point A to Point B? In the sourcing of supplies as ordinary as underwear or as rare as magic stones? What measures of defense are so integrated into everyday life that no one questions them? Does all dinnerware come with toxin-detection coating since the groundwater was poisoned by The Enemy? What lingering scarcity remains a problem for national prosperity? Did The Enemy salt the ground? Blacken the sky? Cast a curse that no fire can exist, anywhere, ever, no matter how small? How does your world compensate for their man (or monster) made disadvantages? The consequences of your world's history should be reflected in more than the persecution of race(s) or magic(s). 

4. What Is Joy? We all know it's the small things, the minor acts that provide contentment. Too often, we the authors are so busy building conflict that we forget to demonstrate our characters experiencing joy. Happiness comes from more than interactions with other sentient characters, it also comes in private moments with nature or through connecting to The Greater Consciousness. How do people of your world experience joy? What are the minor acts? What are the great moments? What joy is personal and what is communal? What is performative and what is soul-nurturing? To balance angst, there must be joy.

5. For All The Secrets I Hold: If you're an analytical person like me, odds are you know far too many details of your world that...don't need to be mentioned in the book. Akin to character backstories that we know and readers never will, there is such a thing as TMI in world-building. Unless plumbing is plot-important, most readers don't care to know about the sewage systems. Same for the communication network of trees if your story is in space or ultra-urban. Ditto the complete pantheon when only one or two deities are involved.  

Top 5 Worldbuilding Tips

Worldbuilding! What's in a world? A LOT. Ultimately, you can read posts like this all day, but many ideas might not come to you until you sit down and start writing. Still, there are plenty of things to think about beforehand, especially if you require a solid foundation before you start writing a story. Here are a few things that rumble around my brain when it comes to creating worlds.

1. Think about your magic system. This one is hard for me, because I don't know all the bits and pieces of my world until I write the book. Then I go back with knowledge in-hand and revise. But you still need a general idea of the rules of your magic system, its limits and costs, and its availability across your world. Just remember that too much planning on this part can possibly create boundaries that come at an expense to the story. So a little freedom might help.
2. Language: And I don't mean spoken language, although that's a given. In my novel, The Witch Collector, the ancient language is Elikesh. It's spoken completely different from the common tongue. It's also how the witches in my story create magick, and my heroine, who was born with the inability to speak, uses a hang language to communicate AND build her magick. So yes, language in that sense is critical to grasp. But also your story language. Consistency and uniqueness. Words that make your story YOURS and not like everything else. I have a background in history, so I pull from that knowledge for setting and word choice. I wanted my books to feel familiar and yet foreign at the same time. Word choice is so important. I can't stress it enough. Pay attention to those types of details when you read other books. They're what make a world come to life. Don't call it a glass bottle if it can be a cruet. That type of thing.
3. History and Lore: Every culture has a history and their own lore. Consider what your world's history and lore and legends might be. A fun exercise is to sit down and put yourself in your main character's shoes and point blank ask them what their world was like 100 years ago, 500, 1000. And just free write. It's an amazing experiment. Your brain will likely give you a great background to begin with.
4. Religion, Society, and Politics: Who worships who? Who doesn't worship at all? What is society like at large? How do people trade, source food, clothes, etc? What are the world's politics? Who rules? How do they rule? This list can be long, and again, I advise letting your creativity guide you after you have a fairly solid understanding of how the world works.
5. Consider diversity. Writing a diverse world can be a little intimidating, because if you're like me, you don't want to do any harm. You want the world in your stories to look like the one you live in, but more so, like the world you WISHED you lived in. We CAN create worlds with cultural, sexual, and gender diversity, we just need to do it well. In my fiction, I write characters of all stripes, and I wanted to have a world where being something other than cishet isn't taboo or sinful or any other negative labels that get painted on members of the LGBTQ+ community in our everyday life. Instead, they live, love, and fight like everyone else, and everyone else thinks nothing of who they kiss or don't kiss at night. Being LGBTQ+ is part of the norm instead of the exception, and it's respected. I also color my world. And again, I don't make being white the default. If you only ever describe the skin tone of people of color, then you're actively saying that white is the default and needs no clarification. So be careful, do your research, and use sensitivity readers, but please consider diversity.

Good luck and have FUN! 

~ Charissa

How to Keep Working Hard Rather Than Hardly Working

 

It’s the bane of every writer’s existence, particularly those of us with so-called “day jobs.” How do I keep writing? How do I make myself edit this draft? How do I overcome the dreaded writer’s block?

For the sake of full disclosure, I have a day-job. My day job is… also writing, although in a very different genre than what I write for “fun.” So I do write for a living, I just don’t write novels for a living. I write articles, chapters, academic monographs, and novels. I’m self-published, and my first novel came out in November 2021. My third came out in June. The fourth is due out in October.

I’ve heard all the advice in the book. “Write a little every day, even if it’s only 100 words.” “Make time to work on your writing every day.” “Set aside one or two days a week to just work on your writing.” “Find a quiet writing space.” “Play music that helps you focus.” “Don’t jump between projects.” “Jump between projects.” And my personal (least) favorite, “Just make yourself do it.”

Most of that advice is contradictory, and for good reason—brains don’t all work the same way. Try the advice, then keep what works for you and throw the rest out the window. There isn’t some magical check-list that if you tick off all the boxes you’ll suddenly find a work ethic and be productive. You have to find what works for you. Maybe that’s music, maybe it’s silence, maybe it’s podcasts or white noise. Maybe you’re a weekend writer. Maybe you get up at five in the morning, or maybe you write from dinner until bedtime, or maybe you write on-and-off all day long.

I write almost every night. I come home, shut off the day-job brain, and then write while also watching (or not watching, depending what’s on) tv with my partner. Sometimes my partner goes off to play games or work on a project, and I write then, too (usually more productively, to be honest). But if I sit down and pick up my laptop and stare at the page and just… blank? I don’t write that day. 

I think that’s the most important thing: don’t force it. If you aren’t feeling it, channel Elsa and let it go. 

And you might be thinking easy for you to say, K, you have another job, and, yeah, I do. Another job that is all about writing. I use the same basic approach for both types. Because if the words aren’t coming out, there are other things that writers do. 

Yes, we do need to generate words at some point, but there’s also the researching part of writing (whether you’re writing fiction or non-fiction, there’s research to be done—in fiction, this could be “reading novels” in addition to looking up whether or not, say, parachutes were invented in the late nineteenth century). One of the best ways to kickstart those writing gears is to give them words to mull over—by reading. (And the occasional binge-watch of shows or movies.)

There’s also the business of writing, whether you’re an indie author or a mainstream author. Maybe you have a website to maintain, a social media account or ten to update, or blurbs to write. Maybe you have your taxes to do or you need to network with other authors. If the words aren’t coming, you’ve got that stuff that can always be worked on, too. 

So whether it’s reading, looking up a pagan calendar or how long it takes someone to bleed out from a stomach wound, outlining, beta-reading, redrafting, checking grammar rules, working on a website, designing a cover, or spending too much time on author discords… You can still be working on your writing even when the writing part isn’t happening.

And if your biggest hurdle is that irritating little voice—or maybe not so little voice—that says “nobody will like this”… Here’s something to consider.

There is no one else who can tell your stories. No one. Only you have the mind that can create them, the heart that loves them, the soul that whispers them in the shadows of the night or the curling steam of the shower. (Why do I always think of plot points in the shower?) You are the only person who can tell your stories, so it doesn’t matter how good you think they are—because you are the only one capable of telling them at all.

So, tell them. Whether it takes you a month or a year or a decade or your whole life. You are a writer. Tell your stories.

I’ll read them.

KM Avery

KM Avery is an academic who moonlights as an author, has a partner, cats, and a deep and abiding love for books, movies, videogames, and the great outdoors—at least most of the time.

Writing Routines

 Routine and ritual are a recipe for achieving flow. Flow is that state where time and effort seem to disappear. It's where deep work happens. It isn't proof against struggling. I have a regularly scheduled writing time. 8AM every weekday morning. I show up every weekday morning and open the WIP. 

It isn't a guarantee of success, though. It's down to intention, drive, and determination. That being the case, in no way to I advocate for writing every day. I do advocate for doing what works for you. I am learning that an hour in the morning is not necessarily the best way for me to work. I need much longer stretches of time. Four hours seems to be the sweet spot. I need that much time to get immersed in my stories and characters. It really seems that my continuity sense is dependent on that much time. Because there's a day job now in the mix and the care of aging parents, this means that I have to be a weekend warrior. I use my weekday morning sessions to wrap my head around where the story is going - to make notes about what scenes I want and need so I can jump in on the weekends. 

You'd think that four hours on the weekend would be easy to come by. You'd be wrong. Turns out, my family seems to think my weekends are for chores. ALL THE CHORES. A house full of people and cats needs a ton of maintenance and upkeep. I'm the only person in the family who goes up ladders. Or who handles power tools of any size. 

Most of the time, I get around the demands of family life by getting up at 5AM and working until 9AM. I usually get two hours before anyone else in the house begins stirring. Then it's another two hours of telling people to hush up and hold whatever they want to tell me, ask me, remind me, etc until after 9AM. It's a new routine which means that the boundaries are still being tested. I'm trying really hard to stand firm. Really hard. But like Jeffe, I'm dealing with family drama - same kind she is - an aging parent who's very ill and in the hospital at the moment. We're still finding out whether this will be something the parent in question can survive. So it's possible this weekend the boundaries will crumble under the pressure. 

And you know what? Fine. 

This too shall pass and then I get back up on the horse. I suspect that's the real secret. You're a writer no matter whether you write every day or grab snippets of word count when you can. Life is going to get in the way. Persistence and coming back over and over to the page is what matters. Keep coming back.

Writing Habits and Work-Life Balance

 

This week at the SFF Seven, we’re discussing work ethic and asking each other what we do to keep balanced and writing regularly?

Many of you already know I’m kind of a fiend for building a writing habit. That’s because, once I stopped resisting the idea and starting doing it – by writing every day at the same time every day – that habit carried me through all sorts of difficulties.

It still does.

For example, I’m on a plane as I type this, heading to WorldCon in Chicago. I was reading a novel (Lisa Klepas, Marrying Winterborne, highly recommend!) as the plane taxied and took off. Once we reached cruising altitude, I began to feel the prodding of habit. “Time to write!” it urges. So, I pulled out the laptop to write this blog post. Then I’ll turn to my draft of Shadow Wizard, which I need to get done.

Yes, I write every (weekday) morning. That’s how I can count on getting the book done.

Last week I visited family and there were many family goings on. There was some emotional stuff to deal with, aging parents and all that involves, and it threw me for the remainder of the week. I wasn’t productive. I was feeling stressed. I’d been knocked out of my routine by life, which is the way of life. It would be nice (in theory) if I lived in some hermitage or remote villa where all days flowed by as serene as my view of the Mediterranean Sea, but I don’t. I live in a beautiful place (no ocean) and my life is relatively even and peaceful, but I’m connected to people and life happens.

By the following Monday, I was able to slide back into my writing habit like a pair of comfortable yoga pants. Morning writing was waiting for me, restoring the necessary balance. It felt good. That’s the beauty of habit – it does all the hard work for you.

Regularity and Writing

 Work Ethic: What Do I Do To Keep Myself Balanced and Writing Regularly?

hahahahaha

I am a hardcore creature of habit. I get instantly pissy if the ritual of my day is disrupted. According to my astrology report, my Ruling House is the 6th House of Routine. Clearly, the Universe supports my dedication to Constancy. SSDD is such a profound part of my life that the rare instances of deviation send my dog into fits of anxiety. I am that committed to regularity.

Possibly to the point of detriment. 

Before this deviates too far into sounding like a fiber supplement commercial, I reluctantly confess the rut of being too regimented is real. Sadly, it shows up as epic Work Avoidance that shatters any hope of hitting milestones on schedule. Ironic, no? A person of routine not being able to stick to a schedule? Thus, it's imperative that I set aside time to be atypical. It's one part refilling the well of creativity and another part reconnecting to relationships that matter. For me, a day here or there isn't sufficient to achieve balance. I have to take a long break. Usually a month, sometimes two, of stepping fully away from writing. 

Yes, I schedule my breaks in big chunks because when I am playing in the creative morass, it is for months at a time. Thus, balance for me, cannot be achieved in hours or days. After all, I am a very delicate flower...

...full of fiber. 

ehem

😇 

Many. Many Hobbies

 

People often ask me what I do when I’m not writing. The short answer is, a lot! I have a hundred-plus year old house to maintain, the Wonder Twins to feed, clothe, and educate, and a lovable rescue pup who wants all the attention. Oh, and I have a husband, but he’s self-sufficient these days. Mostly.

However, a life of only drudgery and writing would lead to drudgery in my writing, which is exactly what I try to avoid. For me, writing has always been a joy, and even though I earn an income from it I don’t ever want to see writing as work. Is that they best way to approach my writing business? Maybe not, but it’s worked for the past fifteen years.

Therefore, I have hobbies. Many, many hobbies. Some of them, like jewelry making, predate my writing career (although not my actual writing, since I’ve been recording my make believe adventures since grade school). Other hobbies are relatively new. For instance, last year’s birthday present to myself was a Cricut machine, and I haven’t looked back. Go ahead. Google all the things you can do with one of those babies.

Add to jewelry making and Cricut-ing all of my other diversions—baking, gardening, painting; you get the picture—and I have one packed hobby room. Okay, the art and craft supplies long ago escaped the confines of one room, and are in danger of creeping up to the second floor. But what does any of this have to do with writing?

Both everything, and nothing.

When I make a set of keychains, or a shadowbox, or a custom birthday card, those items don’t affect my stories one bit… Except that they do. Over the years I’ve learned that one of the best ways to recharge my brain for writing—some call this refilling the well—is to do something creative with my hands. Therefore, kneading dough, wire-wrapping baubles, and planting petunias all become part of my writing process. Although, I haven’t written any stories about baubles or petunias… yet.

Diving into a new non-writing project never fails to stimulate story ideas. A few years ago, I redid my raised vegetable beds, and came out of the project with a character whose father runs a farm-to-table restaurant, where all the vegetables are grown on their family’s ancestral land. A few months later I made dozens of custom holiday cards for my kids’ schools, and began writing a trilogy about the Scottish queen of winter. And after a month long trial and error bake fest, during which I tried to create the ultimate homemade brownie recipe, I realized that my stressed out, ghost hunting character probably relieves stress with chocolate. I know I do!

As you can see, these hobbies don’t just feed my soul. They feed my writing, by forcing me to be creative in a different, sometimes unconventional manner. I can’t wait to see which hobby I pick up next.

Jennifer Allis Provost writes books about faeries, orcs and elves. Zombies, too. She grew up in the wilds of Western Massachusetts and had read every book in the local library by age twelve. (It was a small library.) An early love of mythology and folklore led to her epic fantasy series, The Chronicles of Parthalan, and her day job as a cubicle monkey helped shape her urban fantasy, Copper Girl. When she’s not writing about things that go bump in the night (and sometimes during the day) she’s working on her MFA in Creative Nonfiction. Get to know Jenn at https://authorjenniferallisprovost.com

Jenn’s latest release, Oleander, is available here: https://books2read.com/poisongarden-oleander