Sunday, August 15, 2021

The Pain and the Glory of Publishing

 


At the SFF Seven this week we're asking: What are your favorite and least favorite things about publishing?

How much time have you got?

Okay, okay - the question implies one of each, so I'll go with that, starting with the negative so I can finish on the positive.

Least Favorite Thing

The uncertainty. 

The uncertainty, she be a bitch. Unless an author really strikes gold, the uncertainty never goes away. And I'm talking serious gold here, not gold-for-a-season. I'm talking million-dollar sales. And even then, there's no guarantees. I'm thinking of a couple of authors who struck serious gold, have made millions and millions of dollars on a particular book or series, then can't sell anything else. This happens surprisingly often with phenoms. Whatever it is about that one book or series that attracted the phenom lightning, it rarely happens again. In some cases, where it was the idea that attracted the lightning and the writer themselves isn't all that great - or doesn't push themselves to grow - the likelihood of them penning another book that anyone but the most die-hard fan wants to read is super low.

For other authors, working away at their productive word mines, it's difficult to know what the next day or next year - or next decade! - will bring. There's no corporate ladder, no particular career path, no salary or benefits. Publishing is a fickle beast and I hear regularly from my author friends, some very successful, who hit rough patches and worry about the future of their careers. The ones who survive are ready to reinvent - and to be flexible and diligent in their efforts.

I'll be frank: a lot of them can't take the uncertainty and give up. It's not a career for someone who wants certainty and security.

So, why be a writer at all? Well, that's... 

The Favorite Thing

Writing for a living.

Seriously, it's the reason we put up with the rest. I've had other jobs and a nearly twenty-year career in another profession, and being a writer is the absolute BEST. It's amazing being a creator and the font of something that I alone bring into existence. From there other people can also have jobs, but I am the origin. The money I make is from my own self, not derived from someone else's thing, and that's an incredible experience. 

It kind of comes around to the risk/opportunity ratio. Yes, there's a lot of risk and uncertainty, but there's also an equivalent or greater measure of opportunity. Because there is no corporate ladder or career path, it's all up to me to create. And I love that. I love that all the meetings have to do with something I'm passionate about, that the phone calls are about me and my work. I'm serving my own creation and not someone else and that, my friends, makes all the rest worth it. 

Saturday, August 14, 2021

Weathering the Storm

This week's topic is Temperature Control: How often does weather, climate, or environmental temperature factor into your stories?

I am an atmospheric writer. I like description that makes me feel something. As a reader, I like to be completely submerged in a world, and that means that all the senses need to be engaged. I also love scene setting. There's nothing worse than trying to read a book that doesn't orient me or suck me into the scene. Setting can also create suspense or nostalgia or evoke fear or happiness, or any other gazillion emotional responses. It's a handy tool when used correctly. So in answer to this week's prompt: Yes, weather absolutely factors into my stories. Sometimes A LOT.



The trilogy I'm working on now is an example. The elements are a character in themselves. Book one, The Witch Collector, finds the hero and heroine trapped in an enchanted, frozen wood. In book two, the weather element will be different, as the characters move south, and book three will change again. This trilogy was designed around weather. There's a Frost King and a Fire Queen, and gods who reflect much of the area of the world they represent. My characters are forced to weather storms. Literally.

But even if I hadn't designed these books around elemental reasons, you will always get a strong sense of atmosphere via the weather in my writing. Weather can build so much tension, provide conflict, and even mirror characterization. I thought I'd share a few snippets to give you an idea: 


Cutting through the village green, I memorize every detail. Frost glistens on the thatch of each cottage and hut, and the last thin breaths of nighttime fires curl out of chimneys. Gardens are dying back, and the wildflowers lining the path to the fields have turned to colorless husks. Soon, snow will pile on the eaves and creep knee-deep over every door, and life here in the vale will grow bitter and difficult.



My attention draws back to the path. As we ride, the autumn cover changes, the dirt and rotting foliage becoming marred by branching veins of crystallized frost. The awaiting cold reaches for us, clawing at the ground to drag us closer.

Ahead, light snow swirls in a coming breeze, depositing a white dusting over everything. With flurries dancing, I almost miss the second flicker of movement along the path’s edge.

Turning a glance over my shoulder, I look more closely as we pass. Snow clings to a thick patch of curled briar vines that have been hacked away, leaving a barbed hole big enough for a person to crawl into if they become desperate enough. Beyond, I think I see the whites of eyes. An animal, perhaps, but I can’t be sure.



The old oil lamp Alexus found at Littledenn hangs from his hand, its wavering flame giving off enough illumination through the amber glass that we travel inside an orb of golden light. Worry for Eastlanders spotting us has long passed, our need of light the larger worry. The rest of the world outside our little bubble is dark but white with cold, the snow and ice that glazes every limb and needle and leaf emitting the faintest eerie glow—a forest made of silver and shadows.


Friday, August 13, 2021

Stormy Weather or Sunny Book Skies

Happy Friday the 13th from stormy and bracing for tropical storm Fred Florida. Apropos that we're talking weather in books.

Have you ever gone on vacation on one of those gloriously clear topaz days where all the colors are brighter and vibrating with life? Have you ever gone on vacation only to have the temperatures plummet, the wind blow clouds and misery in?

You probably felt a certain way about each of those experiences. And weather in books is a tool I can exploit to bring those feelings back to you while you read. 

I can either juxtapose lovely weather against a character's misery, or I can have it mirror their misery or joy or sorrow or rage. Weather offers an easy-to-deploy threat, yet another obstacle to be overcome if I really need to test how well my characters have learned a lesson, or how badly they want a goal. 

Because I'm writing mostly science fiction, environmental conditions take on outsized importance. Ships in space live and die by environmental factors. Weather provides great color for alien worlds. It's also a great plot point. It shows up in every single book I write. In one book, a key scene hinges on how sweltering a noxious swamp is. Another book describes a planet having its atmosphere being slowly blasted away by an expanding sun. In the current WIP, the weather is a ticking clock. Beat that clock and live. Fail and die. 

Even in the urban fantasies, weather gets mention. It's such a constant part of our lives. Weather determines our survival as individuals and as a species. Without some kindly weather, we'd starve. So while it might be something we don't always consciously think about, we all experience it. Day in. Day out. It's familiar. It helps me take you someplace you've never been, but still anchor you with an experience you can relate to. 

Besides. If I didn't use weather in my books, how else could I get my emo on?

Thursday, August 12, 2021

What's your book weather?

mountain top view of the Great Smokey Mountains, green tree tops in foreground and 'smokey' dark mountains in the background all highlighted by sunlight filtering through the cloudy sky
Great Smokey Mountains  

 Tendrils of smokey mist curl through the trees, dampening the air to curl my hair. It’s called the breath of dragons…


How often does weather or climate factor into your stories? 


When I write fantasy—all the time. To me, fantasy and nature go hand in hand. Rumbling thunder and earth quakes are the result of incredible power moving through. Mist hides monsters. And twilight is for smoldering gazes that ignite. 


Our environments—rain, sleet, or shine—effect our emotions. Rainy days make us want to curl up on the couch with a hot cuppa the same way bright blue skies make us want to run around outside. And when I think of my favorite books they all feature character emotions that are highlighted by the weather. Sort of like a movie soundtrack…only it’s book weather! 


Before writing this post I’d assumed weather only showed up in my fantasy stories. Then I thought about The Mars Strain and how it opens up on a steamy, summer day that contrasts with the cool, dry inside of the lab. 


I guess I can say weather and climate are part of my writing tools! Writers, do you like to emphasize character emotions or events with storms and sunshine? What's your book weather?

Wednesday, August 11, 2021

Weather in Fiction: Effective or Tedious?

Weather starts out as a huge part of my Wanted and Wired series…and just gets more important. In the very first scene of the very first book, a sniper lines up her target while rain beats down on a grim, gray future urbanscape. Later, we find out that storms — hurricanes in particular, and climate change more broadly — have shaped this fictional world and raised stakes that, in a climate-neutral alternative reality, might not have been such a big deal. Weather events are intentional, important to both character and plot.

So, yeah, I use weather and climate to propel a story. I think it can be an effective tool in your storyteller’s belt.

Just be careful not to overdo it. For instance, I love Dean Koontz (shameless fangirl here). Those early books of his were important to my teen brain development. So when someone recommended a Koontz book — the Jane Hawke series — a few years ago, I devoured it and all its sequels, and then eagerly recommended the whole thing to my critique partner. Well, she read the first one, and when I asked what she thought, she gave me a look and said, “He does love his long weather descriptions, doesn’t he?” 

Honestly, I hadn’t even noticed on first read, but when I looked back, holy crud, almost every chapter begins with some gloomy mood-music description of the weather. I guess it sets the tone or something, but it almost never has anything to do with the story itself. I can see how she thought it overwhelmed the story instead of deepening it.

And that, perhaps, is when weather becomes tedious: yes, use it to layer in plot or character points; no, don’t overdo it when it is just a ruffle tacked on to the story.

p.s. — I would still rec the Jane Hawke books. They’re super fun. Just skim the weather bits if they bug you.

Tuesday, August 10, 2021

Weather: From Window Dressing to Antagonist


 Question of the week: How often does weather/climate factor into my stories?

Sometimes the presence of weather/climate is negligible. Others, it's an external conflict for one arc of the story. Occasionally, it's significant enough to be the primary antagonist for the whole book. 

Climate was less of an issue in my Immortal Spy UF series. It functioned primarily as window dressing to show the seasonal passage of time or establishing "this is not earth" settings. Once in a while, climate changes served to show-vs-tell the upper levels of magic in action. It rarely took center stage because my protagonist would be slightly inconvenienced by such changes, but not threatened. She's the kind of not-a-human who has to remember to wear a coat in the blizzard simply to blend in, not because she's cold. 

However, in my Fire Born HF series, the grueling hot, arid climates in the first book were boons for my fire-warrior protagonist. OTOH, the persistent winter in the second book was a huge problem for her since ingesting moisture of any kind is toxic and relentless cold is crippling. Her circulatory system isn't blood-based, it's fire-based. Fire + water = bad. Safe to say the climate in Book 2 was an inescapable antagonist.

My current HF WiP takes place in a world of elementals, so climate is more than pivotal, it's personal, political, and very present.

Climate/weather is such a wonderful tool for writers. It can be a passive presence that sets the mood or a violent death-insisting character. It can dominate as a theme or subtly evoke emotions in the reader. 


Monday, August 9, 2021

Mood lighting for the ages.

So this week's subject is how much does the wether affect your stories. The answer for me is r4elly quite simple: It's another part of the environment of my tales and that menas it may as well be a character. In my currenty story, the weather is extremely important. TRhe character are in a new town, and being hunter=d. They are dealing with a dark night and a very heavy fog, mening their ability to see what is stalking them is very limited. in other tales the weather plays its pazrt. Funerals with sunlight play out differentoy than funerals in the rain. in one of my stories involving Jonathan crowley, the monster hunter, one of his enemies is trying to get away in a snow storm. That chNges everything and rdically at that, There is no definite=ive answer for me., except that the weather can be a mild s mood lighting or as important as any min charcter depending on the situation. The one thing I promise yu, is that the weather plays its part.

Saturday, August 7, 2021

The Witch Collector #Bookstagram

Man, I almost missed today's post! I've been under the weather and writing, so my mind isn't on point. And I would've hated to have missed today because I love love love Bookstagram! I'm a photography fanatic and have even done headshots, graduation pics, and engagement photos for various people. Graphics are a fun pastime for me, and having a book coming out soon that I can showcase makes that hobby even better. 

If you follow me on Instagram, all those graphics you see are made by me, unless I share a Bookstagram photo created by someone else. Canva is my go-to for this, although I've also used Bookbrush. There are all sorts of ways to do your own mock-ups and flat lays--free. For instance, this is just a Canva stock photo with my book image on top. I used a shadowing effect to give it a more 'real' appearance since I don't have paperbacks yet.



Here are a few more I made on Canva:



**For an easy, free book mockup tool, check this out. This is how I made the paperback image above. Below, I used the digital cover + shadowing again.



Even cooler?? When other people Bookstagram your book!






I have mad respect for Bookstagrammers. Just trying to curate my own little baby Insta is a grand task. I can't imagine the time and work they put into some of their images. I mean, hello, @myfriendsarefiction built a BOOK THRONE for The Witch Collector. That's WILD. I still can't get over it. And there will be more images to come in September from various book bloggers on Insta. We won't even talk about BookTok yet. I'm struggling in that department. One social media platform conquer party at a time ;)

Do you have a favorite bookish Insta account??


XOXO,