THE FIERY CROWN today at GRRM's Beastly Books!

Check out this super cool video of THE FIERY CROWN from George R.R. Martin's Beastly Books here in Santa Fe!

This was supposed to be a live event, but it's virtual now. Instead of a live interview, Melinda Snodgrass, of Star Trek: The Next Generation fame, interviewed me via Zoom and we had a great conversation. You can watch it this afternoon at 4pm Mountain Time here. You can also support this wonderful local indie bookstore by ordering a signed copy of THE FIERY CROWN from them - plus get it well before the May 26 release date! (Or you can preorder via the links below.)

Afterward, I'll be doing a Facebook Live *and* Instagram Live Q&A. Look for me on Facebook or Instagram, according to your preference. I'll be on once the Beastly Book event ends, around 5pm Mountain Time.

Our topic at the SFF Seven this week is "Updated writing tools/apps - what's new and different in your writing world." My answer? Umm... nothing? I'm pretty happy with my current system, which I've been using for years now. I write in Word, track everything on my own spreadsheets I've meticulously retooled in Excel, and I save everything in Dropbox. It works well for me and I see no reason to add more "tools."

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Why I'm Against Butt-in-Chair, Hands-on-Keyboard

I caught Isabel mid-yawn on this one. What I get for disturbing the cozy winter's nap with my photo-taking. She - like all cats - is the poster child for this week's topic, which is balancing writing with physical and emotional health.

There's a catchphrase that writers like to pass around, about maintaining productivity: BICHOK, or Butt-in-Chair, Hands-on-Keyboard. I get that it's a metaphor, meaning that you get writing done by actually writing, but it's one I quibble with because I'm so against the sitting-down part.

Four FIVE! years ago (I just checked, wow) almost exactly, I invested in a treadmill desk. I'm now on my second treadmill - hydraulic desk is still going strong! - and I consider it the best investment I ever made. It takes a *long* time to really ramp up and get in shape for extended walking like this. Even if you think you're in great walking shape, this kind of conditioning takes a while to build as the steadiness and extended times are very different. In 2017, I walked 2,537 miles. A whole lot of that was while writing. I think this the best thing a writer can do for their health, full stop. The only downside is that now I really hate sitting and feel like I can't write as well sitting down.

As for emotional health, I'm blessed with happy chemistry, so I don't struggle with depression or anxiety as some do. I am always working on tweaking my process and work days to maximize productivity, however.

In 2016, I tried to do too much. It was my first year writing full time, and a few things happened. I started writing five days a week instead of six, which compressed that effort into the five days. This isn't a problem except that I really amped up my daily wordcount goals. I had some high wordcount months - in December 2015, I had my highest month ever at 75,000 words - but then I'd have crash periods that followed. The upshot is that my overall wordcount fell off considerably in 2016

In 2017, I worked to remedy this by lowering my daily wordcount goals, but going for greater consistency. As you can see, 2017 words came up again nicely. For 2018, I'm trying to improve on that, and I'm trying something new: incorporating rest periods after finishing drafting a book. 

I've found that I have a down cycle after I've finished the draft of a book. Even if I try to write something else, I don't make much progress on it and I get annoyed with myself. It finally occurred to me to try honoring that rest period - which I seem to take whether I plan on it or not - and program in the down time.

So, this week I turned in book two of The Lost Princess Chronicles, EXILE OF DASNARIA. (These titles may change - more on THAT later.) Because the holidays and the flu got me all off schedule, I worked Sunday, too, finishing late on Monday.

Tuesday, I took the day entirely off, cleaning the house and doing the laundry, de-Christmasing - all the stuff that I'd let pile up. Good purging. Wednesday, I caught up on business stuff, including stuff about the aforementioned title changes. I also dorked around and watched a lot of YouTube videos I don't normally allow myself to squander time on. Thursday I got another book into shape - which I'm 99% sure I'm calling SHOOTING STAR - and sent that to my freelance editor. That just took some tweaking, no real creative investment.

On Friday, I took my car to be washed and waxed - a time investment I rarely indulge in (and my car unfortunately shows it) - and then spent time showing out of town guests around Santa Fe. 

This is me up on Canyon Road with SFF editor Ellen Datlow and fantasy writer Nnedi Okorafor. Ellen is in town for this event at George R.R. Martin's Cocteau Theater. If you're in the neighborhood, you should come! And Nnedi is here to meet with George on her new project that HBO optioned from her book WHO FEARS DEATH and GRRM is executive producing. We had a great time lunching and shopping, which then extended into cocktails and dinner with GRRM and bunch of other folks working in SFF publishing and production.

So, it was a really lovely week. Monday I'll work on page proofs of PRINCESS OF DASNARIA (again, name change pending), which is another non-creative task. Then I'll spend a few days on a new project before launching next week into drafting a new novel. It's feeling like a good thing to do. I'm feeling remarkably relaxed and replete with time.

Also, my house is clean.

Putting a Button on It

When a story you love ends, it's a tragedy. You've been through the wringer with those characters. After the danger and excitement of the climax, you're looking for a satisfying wrap up to the action something that lives up to the execution of the promise the story premise made in the very beginning. Something that cements the lessons the main character learned throughout the slings and arrows of the story.

But hey, no pressure, right?

Endings are hard. There's your hero after the climax, bruised, bloodied, often broken hearted. That may be figurative. It may be literal or metaphorical, but on some level, your MC has suffered a death at the climax. That is the point in the story wherein it becomes crystal clear that this character is no longer who he or she was when the story started. And there's no going back. The MC has to return to the ordinary world after the adventure and they have to do that bearing some useful gift. The cure for whatever plague was decimating the town. The head of the dragon eating all the sheep. A Holy Grail of some kind - even if that grail is simply a relationship worth hanging onto - the gift conveyed there is the formation of the new family, whatever form that family takes.

This is what we, as readers, want to see in a resolution, then - the MC applying what he or she has learned. If you're writing genre, that's a happy thing. The gift is a benefit to the community. If you're writing literary, the gift affects no one by the MC and may carry a bit of a curse with it. Think Cassandra in the Trojan War. Gifted with the ability to see the future, cursed so that no one would believe her. If you're writing tragedy, the denouement is the fall out associated with the MC failing to learn his or her lessons through the course of the story.

I suspect that most of our readers have been trained by TV and movies to expect short denouement. But since books aren't constrained by producers watching the dollar signs with every frame of film captured, maybe it really is incumbent upon authors to luxuriate in our endings a little bit - to give readers time and space to transition out of the world of the adventure and back into their normal world. Certainly different stories will bear different treatments. If you spend very little time in your hero's everyday world at the beginning of your story, you can probably invest little time in the resolution. If you spend pages on the heroine's normal world at the beginning of your story, immersing readers in the details, you will need a denouement of similar detail at the end to contrast the differences between the two. Set up and resolution are the frame on the action of your story. You don't want a lopsided frame, right?

So really. How long should your story resolution go? Exactly as long as it needs to be to bring your characters full circle. Unless you're a terrible human being and you mean to strand your characters mid-circle. Then your denouement needs to be even weightier in order to measure the consequences of characters who failed to complete their journey(s) or who died in mid-arc. (We're looking at you on that one, GRRM.)

Do I make it sound facile? It isn't. Just go have a look at how well I follow my own advice. O_o

Top Three Books of 2016: Jeffe's Picks

Every year since my birth, my mother has given me a Christmas ornament. She usually gives it to me at Thanksgiving, so that I have it for decorating my tree. This year she gave me a Nambé star for a tree-topper. I may have made a special request, as I love all things Nambé, and I love this, in particular. One day I hope to have Santa's sleigh, but ... alas the price! 

Our topic this week at the SFF Seven is a round-up of our three most memorable books of the year. I think it's interesting that we frame it as "most memorable," as opposed to the best, or most loved or favorite. There's a difference, isn't it?

So when I went to write this post, instead of first combing my list of five-star reads, I thought back to what books stood out in my mind. The first that popped into my head was one I loathed - not only for the story itself, but for the blatant manipulation of the reader. I ranted already about it here, so I shan't give it any more press than that.

Another book that jumped immediately to mind turned out to be one I read in October 2015, and so not eligible. However, I figure any book with that kind of impact deserves an honorable mention, so I'm including it now: Everything I Left Unsaid by Molly O'Keefe. What a wonderful story. I've recommended it any number of times to people this last year, so I think it totally counts.

Otherwise, I made a list of the books that loomed large in my head and checked those against my lists. As many of you may know, I keep a spreadsheet (OF COURSE) of everything I read in a given year. That includes work for critique or editing, and so includes my own books. My goal for the year was to read 150 books. That was a reasonable (I thought) and optimistic increase from the 122 I read in 2015. Right now I'm at 88. There's some reasons for the lower numbers, along with other ways that 2016 was a strange dip year for me, which I'll talk about that more next week when we explore how our 2016 goals turned out - both accomplishments and deviations.

But for now... My Three Most Memorable Books Read in 2016!

The High Ground

This is the only book in my top three for 2016 that was actually published in 2016. Time is ever a problem for me. This year I read books that will be published in the future, some published long ago, and very few in the narrow twelve-month window that makes them award-eligible. I'm trying to get better about this (which did factor into the fewer books read), but I'm not where I'd like to be on this.

I met Melinda for the first time in May when we did a signing together. She bought my book, I bought hers, and we became friends - which is cool since we live quite close to each other, New Mexico-landscapewise. This sort of buying-each-other's books thing can be fraught as there's always the possibility you won't like the book, and then you see this person you like again and it's all weird and awkward. Happily, I loved this book! Fortuitously, she also liked mine. Regardless, this is a wonderful first book in a new space opera with a tasty slow-burn romance. The world - one where corporations are the aristocracy - is oddly prescient of our current political climate, but not so much that it will make you think of modern politics. Can't wait to wrest the next book out of Melinda's paws!

Wishful Drinking

I came at this book through a winding path - mostly due to having my iPod on All Songs Shuffle during a June solo road trip. Paul Simon came up and I listened to songs from Graceland and Rhythm of the Saints for the first time in ages. I loved those albums in the day, so the revisit felt wonderful and magical. In the ensuing years, I'd come to understand the significance of him being married to Carrie Fisher, who also resurfaced this year in my mind as an enduring hero - and totally badass in Star Wars: The Force Awakens. Simon's songs tell stories and, listening, I began to wonder which were about Carrie and their marriage. A LOT OF THEM it turns out. I downloaded the audio book and listened to it on the trip home. Her stories made me think about art, creativity, love and being drawn to other creative types. Fascinating stuff that fed into many of my ideas this year.


A Game of Thrones

I tried to read this book a few years ago. Before I kept a spreadsheet, in fact. I'd read my requisite 25% and set it down as a book that would not make me happy. When the HBO series came out, we starting watching that and I felt validated in my perception that, yes, this is an author who will break my heart. I even got rid of my paper copy finally.

Then it came to be that my friend Anne Calhoun talked me into reading it. We are embarking on a project, a book club of two, to read epic fantasy and learn from them. I'm on page 539 of 802, so it might be a bit of a false positive that it's a memorable book of the year.

And yet... I don't think so.

One thing I've noticed in reading this book is that it's invaded my dreams - and has done so from the first page. I think about the characters and I freaking worry about them! This is one reason I abandoned it before, because I don't WANT to be this involved with people I know will face horrible events, including their deaths. But it's also amazing that an author is able to do this. Anne has called reading this book a master class in writing and I think she's right.

It's also an interesting bookend to these three that George is longtime friends with Melinda, so now I'm friends with them both.

It's been an interesting year!

So, what about you all? Most memorable books? Most loved??

Politics Optional

When two unrelated factions meet, the thing that keeps everyone alive to go home at the end of the day is politics. Unless you're George R. R. Martin.

Case in point: This photo is politics in action. Two felines, both alike in dignity, on the sunny dock, where we lay our scene. (With apologies to Shakespeare) Max (the boy facing the camera) is a neighbor who desperately wants to be accepted by my cats. He is particularly taken with Hatshepsut (foreground). She, being a decade older and wiser than he, has been known to shove him in the water. True story. This moment of détente brought to you by catnip. I'd make a joke about US politics needing some weed, but frankly, I think maybe anti-psychotics are called for at this point.

So there you have it. Do I include politics in my SFF? Absolutely. I contend that it's impossible to avoid

Humans are social animals, which naturally sort themselves into hierarchies as a matter of survival - this is the stuff hardwired into the oldest parts of our brains. When we were still cheetah-snacks wandering the savannahs, the social hierarchy determined who led a group. Who ate first. Who reproduced. Who lived. Who didn't. Jockeying for position within a given social structure is part of being human.

Since Science Fiction is as a genre, one big, open ended 'what comes next?' there's really no way to avoid politics. Which isn't to say that an authors personal political views ought to intrude. They shouldn't, however, I admit that my voice, my experiences and my world view are so colored by my beliefs/thoughts/ideals that I suspect it all bleeds through. If my characters hold political convictions, I want them to belong to those characters, not to me. I'm not writing to make my characters a megaphone for my own views.

That said. I have a fondness for shining light on certain marginalized populations. As a result, many of my characters hold alternative religious views, or are other-abled, or are non-hetero. In all those cases, there are politics surrounding the issues those characters face. And because I'm usually writing romance where HEAs are the expectation, my politics DO slip into the story - I'm going for acceptance and equality. Some days, like today, after more men were killed by police (and I freely admit I will never have the full story on those incidents, but the mounting death toll of young black men in this country is unacceptable) I wonder if inserting politics into writing isn't a duty - a way of saying something, as Elie Wiesel urged - a way of sounding the alarm at enough of a remove that the message of and for compassion slips in beneath a reader's skin and takes root.

I don't know yet how to respond to something that bothers me so deeply about my society. Maybe it requires someone more skilled than I. All I know is that I grew up on the golden-eyed optimism of Star Trek. Apparently, some of that optimism rubbed off on me. Because I do think politics end up in fiction anytime there's more than one character on a page. What I don't know is where the line in the sand lies. At what point does a socially conscious scifi story turn into a morality tale? I'd prefer to stand firmly on SFF side of that equation.