Cook and Caravan Master - Tertiary Characters?

Chef Stephanie was first introduced in this book

I write in two genres primarily – science fiction romance (SFR) and Ancient Egyptian paranormal romance. I have a fantasy romance series started but it’s certainly not my primary focus.

Our topic this week is so-called ‘tertiary’ characters and do they ever try to take over a story?

In the SFR, I write pretty lean, with my focus on the hero and heroine and the dilemma they’re in. I might have a few secondary characters, especially if the novel is set on my Nebula Zephyr luxury cruiseliner (interstellar spaceship variety).  The ship has an entire crew obviously, not to mention a rotating set of passengers, but we’ve not met most of them. There are strong secondary characters, like Security Officer Red Thomsill and his fiancée Meg Antille, but they were the lead characters in their own novel  before moving to the Nebula Zephyr. An example of a tertiary character on the ship, I guess, might be the Executive Chef, Stephanie. She’s been in a few of the novels for a scene or two, and was the lead in my special Thanksgiving short story, but for the most part she’s in the background, cooking up those terrific five star meals the cruise line boasts about. Will she get her own plot someday? Maybe…but at this point I don’t have an idea for her. She’s certainly never tried to take over the story.

In the ancient Egyptian series I’m more likely to have tertiary characters because I’m dealing with a powerful Pharaoh and his court, as well as the entire pantheon of Egyptian gods, any of whom could show up in a book at any point. (Ancient deities are like that!) But again, none of them try to take over the book. They might find themselves appearing in other books where I hadn’t necessarily expected to place them but where they fit the narrative. A good example of this would be Caravan Master Ptahnetamun, who first appeared in Dancer of the Nile. He showed up again in Magic of the Nile and just recently in Lady of the Nile. (Yes, I am quite stuck on “of the Nile” as part of my book titles LOL.) He comes onstage for a few scenes where he’s needed and exits gracefully, never demanding his own story arc.

As others have said this week in discussing their characters, I do assume any or all of mine have a full, rich life going on, with all kinds of events and milestones…but none of that detail is needed for my story. Or at least not right now.

Honestly, it’s not something I worry about when I’m writing a book!

Background Characters with Minds of Their Own

I wonder if the romance genre doesn't much lend itself to tertiary characters with delusions of stardom. Something I say because I'm with Jeffe on this one. Tertiary characters? We don't need no stinking tertiary characters. Mainly because there's just not space. We've got internal conflict reflected in or exacerbated by the external conflict. We're maximizing hero and heroine page time. Or hero and hero. Or heroine and heroine. Or any combination thereof.

Secondary characters? Absolutely. Even the most committed of romantic partners need challenges and/or narrative outside of the primary pairing. Unless this is where we're talking 'tertiary.'

Anyway. I am 100% guilty of grooming my secondary characters to become the primary characters of their own novels. If I've ever had tertiary characters, they were zombie squirrels, and even then, I feel like those where more plot device than anything else. In Enemy Games, Silver City might be a tertiary character. I wanted the station to have personality - for it to feel like a familiar city with idiosyncrasies all its own, but there's no danger that I'm ever going to have a space station be the main character of a book. I don't think. Granted, as I type that I kinda want to - just to see if I could pull it off. Maybe I need to get out more.

What does everyone else think? Do romance writers have to spend enough page space on other issues that we don't have room for tertiary characters who want to break out of the background? I'm trying to think of anyone I've read with a background character chewing the scenery. If there is one, it'll come to me at 3AM. I won't get up to tell you about it. I know I haven't yet had a character try to take over a book. So far. If that ever does happen, I'll probably have to bargain with the character - behave and I'll get you your own book. Or novella. I look forward to having to deal with it if ever.

Tertiary Characters Taking the Stage

So, I've often said how my time acting on stage has, in part, informed my writing.  Namely, to treat characters as a part that an actor would enjoy playing.  That means, when I bring in a tertiary character, I usually plan to have some fun with them.  Give them a deep, inner life that isn't necessarily on the page.  Sometimes to the point that they take a greater role in the narrative than I ever intended.  For example, when I was writing The Thorn of Dentonhill, the character of Hetzer literally only existed at first so Colin had someone to talk to when standing on street corners or sitting in the turnabout.  But as Colin ran headlong into the big confrontation at the end of that one, I realized Hetzer wouldn't let him go alone, and suddenly Hetzer became a crucial part of the climax.


I had plenty of opportunity for those kinds of characters in Lady Henterman's Wardrobe.  Part of the plot demands that the Rynax Brothers and their crew do a pit of con-artistry, and that means there are always the random people who they do that to.  Be it a guard at the office building they want to get into, a public servant they want to get information out of, or a head butler they want to hire them, they're constantly interacting with people briefly, and I strive to make those people pop.


But, for me, the ones that definitely took a life of their own was a pair of boys on the street.  In Lady Henterman's Wardrobe, Mila continues to have her "Bessie's Boys" to run errands for the crew, be an extra pair of lookout eyes, or whatever else she needs.  In Holver Alley, they were largely a nameless group of young boys she bossed around.  Here, we get to meet a few of them, and two of them-- for me at least-- kept coming back into the plot. 

The youngest, the tiniest of the Bessie's Boys, the twins, Tarvis and Jede.  Both of them, at the tender age of six, are possibly the most savage and cold-hearted little bastards you'd ever meet.  And, oh my lord, were those two just a delight to write. 

And you'll get to meet them both soon enough, when Lady Henterman comes out in March.

Intrusive Tertiary Characters

Tertiary characters who demanded the spotlight...Do I have any? What'd I do with them? Why aren't they more important? Did they get a promotion to secondary?

Confession: I suffer greatly from the Cast of Thousands curse. I can't afford to add upstarts to the roster who shouldn't be there. Any tertiary characters--the guys who might not even have names--who somehow hog the focus of a scene during WiP drafts are usually indicators that I'm not using my secondary characters well. For me, third-string characters are either fodder or seeds planted for future books.

In short, if I have a tertiary character demanding focus he needs to shut his pie-hole or be assimilated. Resistance is futile.

Tertiary Overload

So the concept for this week's article is tertiary characters that demand more attention.

"Jim, whatever do you mean?"

I mean characters whop aren't supposed to be overly significant, who decide otherwise as you're writing. Sounds crazy, right? But it happens, It happens a lot more than I like ot think about. Let me give you a perfect example. Bump. Bump is a knock off character. meaning that his sole purpose for existing when I created him was to be a name and a filler and the likelihood, especially in MY writing, is a short, lifespan with a violent death.

Yeah. Didn't happen.

In the first draft of FALLEN GOS (See picture below) Bump just went crazy. he went from being a smart ass character with a few lines to being THAT guy on the battlefield. Which Guy? THAT guy, the one who does absolutely insane shit because it strikes his fancy. In one scene, when all is lost and nothing is working, Bump grabs a horse, spurs it into action and leads it over a cliff, where the poor animal rolls down the too steep area and crushes several of the enemy under its weight before it dies. In his defense, the horse was old and lame. No one buys it. But he DID save the group with his antics. From that moment on, he tried to commandeer the novel. He stole scene after scene without any hesitation whatsoever.  (for the record, I do not condone animal violence, But I write fantasy set in a barbaric time, and barbarians, especially crazy ones, do their own thing.)

From then on Bump became a hero of the story.

Right up until my editor slapped some verbal sense into me.

Most of Bump's scenes of heroic madness were reassigned to the character they were supposed to come from in the first place, and he was pushed back down to tertiary character. For a moment he shined so very brightly. Then common sense prevailed.

it's not the first time that's happened and I pray it won't be the last.

Sometimes the mind does its own thing when you're writing, Sometimes that means the plot goes off the rails and other times it means that character who was just there to add to the body count screams "Screw you! I want to live!"

Happened in my first novel, too. by the way. I created a female character whose sole purpose was to torment our "hero" with mind games. She was supposed to die a horrible death. I did everything but put a shotgun to her head. I ran her over with a car. Still, she would not die. Instead, much to my surprise, she evolved. By the end of the tale she became a young woman of surprising strength who fell for one of the guys who was also meant to be a secondary character and both became important to the tale.

is there a moral tot his story?

Only this: Let your characters do their thing, If it goes to far, rein them in, but otherwise you can assume that your mind is finding ways to work on what it sees as a flaw in your tale. That may not work so well if you write rigid outlines, but since I don't I can take advantage of the situation from time to time.

On the new release front, this week sees the release of A HELL WITHIN the third of the Griffin & Price occult detective series, co-written with my buddy Charles R. Rutledge. Available in both ebook and trade paperback at Amazon.com.

Also, BLOODSTAINED WONDERLAND, the very long awaited sequel to BLOODSTAINED OZ, came out on the January second. It's a limited edition (500 signed and numbered 15 signed and lettered) get 'em while they're hot from Earthling Publications.

That's it for this week! Keep smiling, 

Jim

Can You Spot the Tertiary Character in This Novel?

I gave the man an aquarium for Christmas and Jackson finally discovered it has living creatures in it. He's quite bemused by the concept.

Our topic this week at the SFF Seven is tertiary characters who demand the spotlight.

It's a funny thing about my brain that the word "tertiary" takes me right back to organic chemistry, and not to writing things at all. As far as chemistry is concerned, tertiary structure is when a chain of proteins (for example) is folded up, with disulfide bonds maybe. Primary structure is the basic molecule, secondary structure is when they get chained up. After the folding of tertiary, you might get bundles clumped together to make quatenary structure.

What about the quatenary characters, I ask you???

Really... does anyone think about tertiary characters? I certainly don't as a reader. I don't even really think in terms of secondary characters. Do you, as a reader?

I suppose secondary characters come into play because most stories focus action on one or two protagonists. It's been an interesting game for those of us watching A Game of Thrones who haven't made it through all the books in A Song of Ice and Fire, to see the story wrapping up to show that the sprawling epic with tons of characters - and protagonists - is about the Stark family in the end. And that Jon Snow may be the protagonist after all. Hard for me to tell how much of that is the show runners refining the story that way, however.

But in most books that aren't multi-tentacled monster fantasy epics, there is one protagonist, maybe two. They are the single molecules upon which everything is built. The secondary characters are part of the world they live in, because no person is an island, so those connections create chains of people.

As we all know, secondary characters in one book often become the protagonists in sequels, and all of you readers are adept at picking out who those people might be. But can you spot the tertiary characters?

If I extend the chemistry analogy, those are secondary characters who get wrapped in and cemented with extra bonds. I think, however, that the suggester of this topic wasn't thinking in those terms. Instead, tertiary must mean to them another rung lower than secondary. But if you have the protagonists, everyone connected to them, then the next rung down is.... bit players? Characters without lines? Pets and livestock?

I frankly don't know, so I'll be interested in what the rest of the gang has to say this week. For my part, I'm a believer in the advice that all characters live full lives that begin long before they walk onto the page and continue after they walk off. Some of the best observations on this come from theater.

In this perspective all "tertiary" characters demand the spotlight, because they are all the protagonist of their own tales. Whether the author chooses to spin the POV to show that tale is another question.

But you all tell me, is there a character you've read who you'd regard as tertiary who then became a protagonist?

The Can She Write A Series Challenge

This week’s topic is a challenge or ‘leveling up’ activity we’ve each decided to undertake for 2018. I have to say, my writing is my writing is my writing….as you know if you’ve been reading me here, I’m superstitious about my Muse and my process. HOWEVER, late in 2017 I did decide the time had come for me to tackle an actual series, with an overarching plot arc that would run through the five volumes. Ta da!

 I never used to think I could write such a series, being an as-I-go plotter (also known as a seat of the pants writer) and wasn’t much tempted to try it. I like writing standalone stories set in one universe, be it ancient Egypt or my interstellar civilization, the Sectors. Sometimes I even do a sequel or have the same characters make an appearance in more than one book (usually as secondary characters since they’ve already had their own book). So, I do connected series with no problem and I do have a long term arc in my head, but don’t require each book to move the action forward.

So I came up with a race of genetically engineered super soldiers, the Badari, created by the enemies of the humans in my Sectors. I added to that mix a colony of humans kidnapped in their sleep by the aliens in charge of all this questionable science and brought to the planet where the Badari are held, to serve as subjects in more experiments. The questions in the big arc are how do the Badari gain their freedom, how do the humans ever get home to tell the Sectors about this new threat…and of course how does the romance occur in the midst of all this? The first volume, Aydarr, was released in December and I’ve written the second book, Mateer, and that one is at the editor. I’ve just started the third book, with probably two more to go to wrap everything up. I also have lots of plot ideas in my head for more stories about the Badari, if readers like them, but those would be in my standalone writing style, since the big arc will be wrapped up.

It’s going fine so far, I’d say. I did enough outlining to know what the major plot point to be achieved was for each novel, but not so much detailed planning that my Muse would balk at writing the book. (As I’ve mentioned before, if I plot too much before I write, I lose all interest in doing the actual writing. The creative spark flees – the story is told.)

It’s too soon to say if I’d write another actual series. I really do like the standalone experience of writing, but I’m enjoying this challenge so far. I think my biggest hurdle is that I feel I owe it to the readers to get each book in the series out within 4-6 weeks of the previous book and so I have to write the Badari novels back to back, not stray off and play with some other shiny plot in between.

Here’s the blurb for the first book, if you’d like to see more details:

Jill Garrison, a maintenance tech at the Sectors Amarcae 7 colony, goes to sleep one night as usual only to wake up in her nightgown stranded in the middle of a forest on an unknown world. There’s no time to think as she’s stalked by carnivorous predators and rescued by genetically engineered warriors calling themselves the Badari. Turns out they and she, along with her whole colony, are now prisoners of the Khagrish, a ruthless race of alien scientists. Working for enemies of the Sectors, the Khagrish have created the Badari to be super soldiers.

Aydarr, the Badari alpha, isn’t sure he can trust Jill but his attraction to her is undeniable. He impulsively claims her as his mate to prevent her death at the hands of the Khagrish.

Can he continue to protect her from the experiments already underway? Will his claiming her put his pack in jeopardy from their alien masters?

As Jill searches for a way to rescue her fellow humans and get them all to safety, she finds herself falling for Aydarr, despite the secrets he’s keeping. She has a few of her own.

The situation becomes dire when Aydarr and his pack are sent offplanet on a mission, leaving Jill unprotected, prey for the senior scientist. Can she escape the experiments he has in mind for her? Will she be able to thwart the Khagrish plans and liberate humans and Badari alike? How will she and Aydarr reunite?

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(Stock photos purchased from DepositPhoto.)

The Year of Challenge

A few years ago, based on I have no idea what, I started proclaiming each year as The Year of <Insert a Writing Point to be Worked on Here>. One year was the year of action. Another was the year of getting emotion on the page - or at least seeing if I could up my game on that point. This past year has been the year of taking 'telling' phrases out of my writing. As much as possible. These are the phrases that generally start 'character knew', 'character thought', 'character wondered', or 'character felt'. There might be more. But yeah. That's been my own personal little challenge.

This year is the year of learning to write to an outline. Why? Because I am the queen of overwriting and I would very much like to give up the crown. No. Seriously. Queen of Overwriting. The cut file for the current WIP is longer than the target 100k word count of the manuscript. Literally two novels. One to keep. One to throw away. The *incredible* waste of time and effort. Feel free to picture me shaking my head and knocking back a gulp of tea. This is no way to run a railroad. Or write a novel.

So this year. I learn to plot, outline, and then do my damnedest to not write an entire extra novel in the pursuit of the novel I do want written. Yes. I am still a character driven writer. And I do actually expect a book to drift from an outline, but the thing I'm hoping to get from this endeavor is a means of visualizing the story's skeleton. What flesh I hang upon that skeleton is up to me and the characters, but with the skeleton available to me, I have fantasies of being able to actually finish a novel draft in a reasonable time frame. Say 90 days.  I'd like faster, but I don't want to get ahead of myself here. 

The other thing I hope for is more coherent storylines. See. I'm a little like the writer/artist for Hyperbole and a Half. Give me a story to write and I want to include ALL THE THINGS! With an outline, I'd have a simple yardstick for whether or not my umpteenth subplot actually serves the theme. Again. In my fantasies. 

So yeah. The Year of Learning to Outline. Better stories, less waste. I think I can sell that.

Leveling Up Goal This Year

So, this is going to sound a bit strange, but my goal for this year, as a writing, is to train myself at being more efficient.

Now, I know some of you are like, "What are you talking about, Marshall?  You put out two books a year, you're a machine." And that pace is going to continue, of course.

And while I like the label of, "writing machine", the machine could be more efficient.  I could do better.  More to the point, I feel like I need to.

As I've mentioned before, I kind of fake being "superfast" with planning and outlining.  There's a long building, planning and germinating process that takes me a long time, and much of that for the Maradaine books was frontloaded well before any of you even heard of me. 

So, some of the building, planning and germination for other projects have now reached the point where they're blooming.  Stories that have been just sort of percolating in the back of my head have now starting coming out.  Of course, I also have to do other work, work that's under contract.  Work you all are looking forward to.  Heck, work I'm excited to finish and get moving on.

For example, this week I wrote several hundred words on two different secondary projects, one of which is Maradaine-tangential, they other is something else entirely.  I've also finished hand-written edits on a manuscript, and I'm about to start putting those into final edits.  So I should be sending a finished manuscript out in a couple weeks.  And then I need to start hand-edits on another manuscript.  PLUS drafting another new novel.

That's a lot of creative juggling.  I can do it, but right now, it's clumsy juggling.  I can do better.  And that's the goal for next year.

So, I better get to that.

One Skill to Learn This Year

One skill I'd like to learn this year is...how to format my own books.  Don't get me wrong, I love my formatters. They put up with me despite my habit of finding "one more error." (There's always one more error, damn it). I'm not planning on throwing them over anytime soon; however,  I'd like to get to the point of being able to update the backmatter of my book without breaking all the pretties of the interior at a minimum. Then, level-up to Master of the Formatter Universe as time permits.

Being a Career Writer: What to Focus On

This is one f those questions with a million answers.

I have one, Focus on your craft. Jeffe just said the same basic thing, but not surprisingly, I agree with her.

Listen, anyone can tell you that marketing is key. Or having an agent. Or editing. They are all important. but at the end of the day what you are selling is your ability to  tell a story. If you can
't tell a good story, you are, frankly, in the wrong business. OR, you haven't practiced your craft well enough. As a rule I can scare the crap out of most readers. Why? I've been honing that particular skill for twenty-five years. It's a skill. It's one I practice with a lot, It's one small faction of the craft of writing. I need to be able to tell a good story, make certain that a reader is invested in the characters, make absolutely sure that the world I build (be it local or a vastly different world of possibilities with super-heroes, aliens, or sorcerers) makes enough sense and is tangible enough for the readers to enjoy it. I need to tell multiple perspectives and share enough information to keep the entire affair coherent.

And I only have words to do that with. I might have a book cover, but there's no promise that whatever cover I have will make any sense with the story. You think I'm kidding, but I'm really not, I've had more than my share of craptacular covers that had absolutely nothing in common with the words under that illustration. If you are VERY LUCKY (and I have been several times) then the cover reflects a part of your tale. A fraction. A very small drib.

So, no, the cover isn't important to the tale. Except, of course, when it is.

No I need to tell a story, I need to make that story flow with ease, and to suspend disbelief in my readers. I need to convince them, with just words, mind you, that it's possible for a single man to fight the gods, or that a collection of small, militaristic tribes can possibly be a threat to an empire hundreds of times larger. Or that the world can be changed with a spell that ends all technology and unleashes horrors best never considered. I need to make sure that readers believe a reclusive college boy might get revenge for a girl who is tormented by what a corrupt cop made her do. I need to make certain they believe said cop could get away with his crimes. I need to find the logic that binds those notions and then I need to breathe life into those little golems crafted with nothing but 27 letters set in the right order, used again and again.

All of the rest of it, the editing, the marketing and in rare occasions the movies or shows made from those notions, all of it, is secondary to the tale being told.

With words. Just words.

Yeah, concentrate on your craft and storytelling.

That's just my two cents.

Speaking of Two Cents  (or actually a bit more)

THE TWISTED BOOK OF SHADOWS is coming soon. This will be a completely blind submission anthology of horror tales crafted by writers who may not have even heard about the anthology so far, It will pay professional rates and will also offer royalties. There will be no names on the submissions. Just titles and word counts. So no bias will appear for marquee names. Once upon a time editors like Charles L. Grant and Karl Edward Wagner made it a point to find the stories that affected them the most. These days most anthologies never get a chance without at least half of the stories being written by heavy hitters in any given field. This will be a level playing field. Please, please, please spread the word far and wide. If you like horror that is.

More details and yes, a chance to support this project, can be found here. 

Being a Career Writer: What to Focus On

I dug out this photo from last summer - at Epcot Center after the RWA conference and me all shiny from winning the RITA® Award. Sometimes that still feels as fantastical as my troll friend here.

Our topic this week at the SFF Seven is one writing/publishing-related skill we want to learn/improve on this year. The writing/publishing conjunction struck me because - while I totally get that being a career writer involves both - those two aspects of being an author seem far more distant from each other than a slim slash mark would convey.

Okay, I started to write about something I saw an author tweet about the trials of self-publishing. Though I was paraphrasing, I ended up deleting because it felt unfair to call them out. But what I'm seeing is a LOT of discussion of the business of writing. That right-hand side of the slash mark. Marketing. How to get reviews. Amazon stripping reviews, stripping rank. Piracy. Best-selling rank. Marketing. Covers. How to reach readers. Marketing. Box sets. Series. Ideal release timing and spacing. Marketing.

You get my point.

So, I get that it's easier to focus on marketing. (Did I mention marketing?) There's a LOT of information out there on that stuff. In fact, many writers have gotten into the business in order to have something to market. (I've met these people. "I wanted to take advantage of Internet marketing and so I decided because romance novels sell, I'd write one and use that as my test product.) Also, the business side of the slash mark can feel much more controllable than the writing side.

This is what bothers me, however. For all the discussions I see about improving all the business end, I see maybe a tenth - if that - on improving the left hand side of the slash mark: the WRITING.

In point of fact, some self-publishing authors I know have said they don't care about improving their craft. The reasons vary, but some seem to feel it's beyond their control or irrelevant.

It's also the most difficult aspect of being a writer. Improving craft can be both humbling and infuriating. A writer has to set aside ego and take a good hard look at their work. They have to compare it to work by better writers and see where it falls short. And they have to be willing to listen to criticism without losing confidence. THEN they have to set to the frustrating and often daunting task of attempting to improve.

I get that it's hard. It's hard for me, too.

But I'm going to venture that, if you're losing readers instead of building an audience then the problem may not be with the marketing. We're in the weeding-out phase of the self-publishing boom now. Readers no longer have patience with giving books a whirl just because they're cheap or free. Or, rather, they'll give the author a chance, and if the quality isn't good, they won't try them again. I'm hearing this from many, many readers. This phase has been inevitable. The first week of the cruise is done and people have stuffed themselves with all the free food at the buffet. Now they're pickier, looking for the good stuff.

I should caveat that I'm picking on self-publishing here, because traditional publishing tends to force you to up your game to pass the various levels of tests involved in selling a work to them. However, with many editors in traditional publishing failing to give content edits, making our work the best it can be there, too, is critical.

So, what AM I wanting to improve this year? Craft! Each book is a master class in craft, meaning I learn something new with each one I write. Over the last couple of years, I've been working on my endings. I've been trying to give them as much heft and time as the beginnings - which isn't easy. I've improved, but I'm still not there. I also find I'm rarely satisfied with endings other authors write. I think this is partially why the cliff-hanger ending is so appealing. JUST DON'T EVEN TRY.

But I'm curious - who writes really good, perfectly satisfying endings? I'd love suggestions!

Prioritize the Stress Factors

Good and timely topic as I’m currently dealing with the chaos of moving during a major holiday season. Sigh. Just this morning I was heading down the serious anxiety attack path but a good friend is coming over later to organize and help unpack. I’ve been unpacking a few boxes a day but I swear the pile was regenerating itself overnight. Add to that a cat who was extremely upset and spent THREE DAYS (and nghts) roaming the new place yowling at the top of his lungs, and yup, I was pretty well fried.

The cat is happier now that I’ve got some major things unpacked and arranged. I found one of his favorite cat toys and we spent a lot of time with him sitting on my lap, being petted and admired.

I’m trying to write and release on a much more rapid pace in 2018, plus there’s the ongoing political situation, and so yes, I’d say this is a time frame where I do need to deploy any and all proven techniques for managing my stress and staying productive.

First of all, being a morning person, I eat a good breakfast. Being hungry makes me off balance and less capable.

Then I have my To Do List. I keep a big running, list, where I jot down things as they occur to me, lest they be forgotten, but then I have my prioritized shortlist for the day, which contains only the top 3-5 things that MUST be done today or all Chaos will break loose. Truly. Often I find when I actually sit down to put together the list, the formless black cloud of impending doom and anxiety I’ve been under shrinks to a tiny dustball. It usually turns out that I’ve been wildly overthinking what actually has to be done on any given day. I also break large tasks down into smaller ones, to make the effort manageable. Maybe I make the first phone call about an interview today, then tomorrow I do the followup, then the day after I write the post and so forth. There’s a lot of second tier-organization happening behind the way I work.

I devour magazines and serious news commentary. I love the back to back shows of Chris Hayes and Rachel Maddow in the evening…but you know, sometimes it’s all just too much. There’s just a tidal wave of events going on in the world that frustrate me and upset me and scare me (nuclear war anyone?) and I’ve come to realize that on occasion I have to not be the most informed person on all of the breaking news and analysis. I voted, I’ll vote again, I contact my representatives when something really concerns me, I make my donations to candidates and causes I support…so it’s ok if I skip the news cycle some days and go binge watch “Making the Team”. Most of the things that happen in Washington DC, or as a result of events in DC, don’t affect me personally (although some do, of course) and neither can I wave a magic wand and do anything about them, so it’s no use for me to get all spun up.

Social media is the same – I LOVE to be on twitter and also spend a lot of time on Facebook throughout the day. But there are days I have to walk away from it, whether there’s an author kerfluffle going on, or more of the political stuff. If I don’t see the tweets and posts, they won’t create anxiety for me.

I also know when I’m done for the day and it’s time to stop pushing to get tasks crossed off the list. I sit with the cat and read, or watch TV or a movie, and relax. I know I’ll be full of energy again in the morning and ready to tackle the next day’s To Do List.

Best wishes to you for a very happy New Year!

Jake hangs out in the china cabinet during the move

Seeking Sanity from the Insane

Marcella looks at the topic for the week and giggles for fifteen minutes straight. Amused by the notion that she has any sanity to preserve in the first place. But hey! Let's assume for a moment that my sanity = yes. How to keep it in three easy-ish steps?

1. Know what you want - Sounds self-evident, right? Not to mention that it's easy to say 'of course I know what I want'. But 'winning the powerball' isn't really what you want, is it? You want whatever it is you believe that amount of money would bring you. Security. Safety. Freedom from worry. The ability to help your struggling parents/sibling/loved one/charity of your choice. There's an ideal at the core of the things we think we want. What's interesting is that you can chase a thing all you like. You might even get it, but unless you're clear on what ideal you're trying to fill/accomplish, you're likely to find the thing doesn't make you feel accomplished. By having a firm grasp of your core need, you'll find that it becomes very clear what you ought to be doing day by day to move you toward that goal. Funny thing. While working toward your core need, you often find you're fulfilling it just by pursuing it.

2. Focus on the small stuff. Once you know what, you gotta know why. Why is it important to keep

pressing the word count? Why is it vital to challenge the assumption that you're a pantser and learn to outline? Everyone will have their own why. Family. Charitable work. Proving the meanies in junior high wrong. Whatever it is. Remember to take the time to look at, really look at, and enjoy your why. The single most grounding thing in our lives are those things we love and enjoy. For me it's my family - the dh, the cats, the parents, friends, and getting to explore. The photo is from an expedition my folks and I took to one of Tampa's power plants. The manatees gather in the warm water outflow. The plant built a viewing center. Silly, maybe, but getting out of the house, shutting off all social media and news to just be in the world is eminently grounding. Coming back with silly photos is just a bonus.

3. Define success - What does success look like to you? Not long term. For today. For this week. What three things, if you got them done, would make you feel like you succeeded for the week? Write 'em down. Make a plan to get them done. Schedule them into your days. Example: my goals for this week were to get a WIP written right up to the point of the final battle. Try one new recipe. And start learning to outline. You can see I'm not aiming for the stars this week. But week after week, I'll be building on the previous week's goals. One goal (the recipe) has an element of fun to it. Maybe yours would be knitting something. Or binge watching Dr. Who. No judgement. Just make the goals reasonable so you can build on success. And if there are mistakes, assess and learn from them. Bonus grounding/sanity preservation technique: Give up feeling like a failure. Seriously. Just give it up. You're trying things. Learning stuff. If you come at this with beginner's mind, you can grin at something not working out. You can examine it and figure out something else to try. And something else.

Above all else master the mundane. Sleep. Eat. Hydrate. Exercise. Meditate - whatever that looks like for you. Sanity comes more easily when you take care of all of you.

Keeping Grounded for 2018

So now the new year is underway, and it's time to buckle down and get to work, and keep my head on straight.  Part of the problem with that is January is such a challenging time for me to do that, for two key reasons.

Reason the first: I love living in Austin, it's a wonderful city, but in January, the city wants to kill me.  Namely, it releases SPORES OF CEDAR DOOM into the air and it takes high levels of allergy medications to stay functional.  For real.  Five years ago my reaction was so bad it gave me vertigo for two weeks.  I literally couldn't walk, and worse, couldn't write.  It was awful.  Right now, even highly medicated, I've got light congestion and watery eyes.  And I've been indoors most of the day.

Reason the second: For those who don't know, the "day job"-- which i put in the quotes because it isn't just in the day, nor does it have regular hours either-- is running our business Live the Language, where my wife teaches Spanish to children and adults.  Now, if you run any business which provides Service X, where people will say to themselves, "I really should DO X this year", January is when you get ALL THE INQUIRIES.  It's great, it's the very lifeblood of our business, but it does mean my workload right now cranks up.

So, given that's just the normal Things of January, and add in the whole "2017 was a Trashfire Year, what is 2018 going to bring" aspect, how do I keep my head on straight and get work done?

1. Put some people on your social media who JUST BRING JOY.  I'm talking make sure your feed has someone who just puts gifs of otters playing, or daily affirmations.  Me, I've got a guy, who just plain loves Star Trek.  And I mean, deep cut stuff.  Like he'll post about Ben Sisko's outfits.  But that's what he does, he just LOVES STAR TREK, and man, just seeing that on a regular basis was a great counterbalance to the usual doom-and-gloom of the social media feed.  And so therefore...
2.  Just stay the heck out of the Social Media.  I mean, yeah: World is a Trashfire.  But I've made peace with the fact that 98% of the Trashfire is stuff that doesn't really mean much to me other than give me something to stress about.  And, I mean, I am stressed, but frankly I don't need to know the minutiae of the Trashfire.  It doesn't help anything.
3. Watching Superheroes.  I've made no secret that I'm a total superhero junkie.  And in the coming months the universe is giving me not only my beloved CW/DC shows, but adding one more with Black Lightning.  And Black Panther comes out in a few weeks, and Avengers: Infinity War is a few months down the road.  All this stuff is just tank-fueling joy for me.  Sometimes when I get stuck on a scene I'll rev up the Captain America Elevator Fight or Everyone Fighting Nazis and a bit of that just clears my head and gets me back on track.  (And, come on, how can you not love Supergirl saying to her Nazi Doppelganger, "General, would you care to step outside?")

So, that said, time to get back to work.  I got plenty to do, and I'm not going to let this year hold me back.

Release Day: Fallen Gods by James A. Moore

What a great way to welcome the new year by celebrating our Monday blogger James's latest release in his Tides of War epic fantasy series!  Congrats, James!

FALLEN GODS
Tides of War

The gods are angry and only one man can fend off their apocalypse in the brutal sequel to The Last Sacrifice.

Brogan McTyre and his compatriots are wanted, dead or alive. Preferably alive, so they can be sacrificed to the raging gods. All they can do is hire more mercenaries and turn them into a fearsome army. But warriors aren't enough when the gods bring Armageddon to the world, unleashing storms and madness, and ceaseless attacks on Brogan's men by increasingly demonic foes.

Deep in the heart of the Broken Blades Mountains lies a sword containing the heart of a god slain in immortal combat, the one thing that might give Brogan an edge against the gods, but finding it isn't going to be easy...

BUY IT NOW:  Amazon   |   B&N   |   Indiebound

Three Tips for Staying Grounded in a Crazy World

Happy New Year, everyone, and welcome to 2018!

I feel confident in putting this as a fait accompli, even though I'm writing this midday on 12/31/17 because I imagine most of you will be reading this in 2018, or as near to it as functionally doesn't matter. I'm also confident that 2018 will arrive, which hasn't always been the case.

It's funny looking back at the turn of the millennium and thinking the whole banking/computer change from a two-digit year to a four-digit year was the worst thing that could happen... I look forward to the day when we can look back, shake our heads at the 2016 election, and trade our "where were you when you found out Trump was actually elected?" stories.

Until then, we do what we can to resist an increasingly authoritarian regime while still keeping our sanity. Thus, my take on this week's topic: Keeping Your Sanity: 3 Things You Do To Stay Balanced/Grounded/In Control.

While resistance is critical, so is keeping our sanity. In fact, it's important to keep grounded, in balance, and at peace with ourselves, in order to resist from a foundation of strength. There's a reason sleep-deprivation is a tried-and-true brainwashing technique: because exhaustion lowers our defenses. Being healthy and at peace is key to everything else we wish to accomplish.

I've counseled more than one friend in the following. One was having nightmares about being in a nuclear war with North Korea. Another had become depressed and anxious with all the political changes and programs being cut and destroyed entirely. So, here are three ways I keep myself balanced and grounded.

Stay Away from the News

Seriously. This is the first thing I told my friends above. I truly believe part of the reason things seem so awful is the sensationalistic news media and the echo chamber of social media. I know a lot of people regard it as their responsibility to "stay informed." There are three problems here:

1. There are major forces wanting to control what we're informed of
2. News shows on TV are about entertainment. They skew to shocking and exciting content
3. This has been exacerbated by click-bait headlines and the availability of news on our phones, etc. 

The news on TV and on social media is, by its very nature, sensationalized. Choose a reliable newspaper to read. If you want news from Twitter, carefully choose who you follow for it. Look for reliable sources. I also give you permission - *waves permission wand* - not to look at all. (See Make Your Life a Paradise.) At the very least, stop reading articles on your phone to kill time. That's setting yourself up for the most sensationalized, most upsetting news without deep understanding or context. Remember when we used to see waiting rooms as an opportunity to read books? See next.

Deep Read*

That's my mom in the pic above. We spent some time over Christmas just sitting in the sun and reading. She has a lovely patio for it. But now that I'm home, I'm spending time in my favorite armchair, reading by the fire. The benefits of deep reading have been well documented. (I'm using it here to mean reading a narrative, as opposed to reading Facebook posts, Tweets, etc. I really don't think reading on a paper book vs. an ereader makes a difference, so long as I'm reading without interruption.) It's more than me being an author and being a fan of reading in general. (Buy my book!) Reading is relaxing, restorative, hones the intellect, and gives us time away from all the voices. It's also a skill that's easy to lose in our current culture of So Many Things shrieking for a piece of our attention.

I've been reading Robin Hobbs' SHIP OF MAGIC, which is *long* - 880 pages in paperback, though I'm reading in digital. At first I felt impatient with the slow, elaborate pace. As I've settled in, I'm remembering how much I loved fat books in my youth. The more pages, the better, because I could enjoy them longer. I don't have data to back it up, but I'm pretty confident in saying that my reading declined immensely with my increasing involvement with social media. Time I once spent buried in a book, I began to spend scrolling Facebook and Twitter.

Recently I've made several changes. I've removed Facebook and Twitter notifications from my phone. I've taken them both off my array of tabs to display when I open my web browser.

(I realize this is a total reversal because I used to tell people who said "I always forget to check Facebook," to make it one of their home pages. Don't. Run away. Look at it if you like, because it's still the best way to keepup with some people, but choose when.)

I've also gone back to an ereader (a paperwhite, which I'm loving) that has no functions for people to message, text or otherwise interrupt me while I'm reading. I can feel the difference in myself as my attention span relaxes.

*One note on deep reading: I've noticed, and a number of other people I've talked to have noticed, that at first it's difficult to get back into deep reading. It's as if we've lost the "muscle" for it. Start back slowly and give it time. We've all found that the more we practice, the better it feels.

Make Your Life a Paradise

Alert readers might notice I left out "in control." That's because I think control is elusive and must be judiciously sought. As far as national politics are concerned, we have very little control. We can vote and campaign for our candidates. We can donate to campaigns. We can participate in our communities. Fretting about North Korea? Not really in our control.

So, this is my best advice: take action, then walk away and work on your own life.

For example, because it's become clear to me that senators elected in other states will influence my life in profound ways - like whether or not I can afford health insurance - I donated to Doug Jones' campaign in Alabama. I felt good about that action. Immediately, however, the campaign began sending me emails - every couple of hours - with hysterical doomsday headlines. They wanted me to contribute more. But I had already taken my action. And I could feel just the subject lines upsetting me. So I labeled them spam and didn't look at another email from them. I'm delighted to report that Jones won! One small step. I took my action and got the result I wanted.

The walking away and working on my own life? That's key.

I mentioned above about turning off notifications. I'm selective about who can grab my attention. Bigger than this, however, is the idea that if each of us made ourselves and our lives a paradise, then by extension, the world would be, too.

I make a lot of choices for personal happiness. To the extent I can, I focus on doing what brings joy and beauty to both my life and the world. This includes friends, family, the organizations I volunteer for, and in the books I write. I find that if I enjoy my daily life to the utmost, I worry much less about the larger world. Which I can't control anyway.

This last is the foundation of being grounded and at peace for me. It really works.

And, at the risk of being accused of having lured you here for marketing purposes... if you do want to read, Smashword’s is having a site-wide promotion! https://www.smashwords.com
This is only good through January 1, 2018, so I felt I should tell you now, just in case!

Star Wars Last Jedi Rant With Spoilers.

Tis the season wherein no one knows who they are, much less what day of the week it is. No one reads the blog this last week of the year. Therefore. I CAN RUN AMOK. Haha. I will bring it back around to writing/story craft, though. I promise.

If you haven't yet seen the latest Star Wars installment, The Last Jedi, TURN BACK NOW. I have seen the movie and I HAZ OPINIONS. There will be swearing. There will be spoilers. You have been warned.

Here. Have a winter sunrise to shield your tender eyes from what is to come whilst you attempt to flee this spoiler-laden rant.

All righty. Let's get straight to the geek talk. For that silent ten seconds of the most glorious and gorgeous bit of film I've seen outside of the Wonder Woman movie, I adore this film. However. I am sorry to say that the writer(s) broke faith with their story consumers. Herein lies my rant.

Can we all agree that at heart, the Star Wars franchise is Joseph Campbell's work made space opera manifest? It's a HERO'S JOURNEY. Well. When it's done correctly. And in this case, there's an entire story thread where our intrepid writers got hopelessly lost. Hopelessly. 

I'm talking about the Finn and Rose story line. I wish I could call it an arc, but that's the problem. There isn't one. An arc implies characters in need of change - they begin their story with a flaw, a flaw which prevents them from achieving a goal. You see this done very plainly with Poe, right? Leia demotes the dude because his hubris got people killed. His goal is plain, too: He wants to lead. But he can't until he learns that not every problem can be solved with a gun. What's Finn's flaw? Rose's?

Anyone? I'll wait. That's right. Neither of them HAS a flaw. How about goals? You know. Past playing fetch in order to save everyone? Nopers. Nothing there, either. No clue what either of them wants. 

So you have these two people, sent off on a wild damned goose chase that fails - not because they cannot face and conquer their failings - but because of shitty luck. Not once. Not twice. THREE TIMES they fail to do anything remotely meaningful to contribute to the theme of the story and there's no WHY to the failures.

In a hero's journey, the hero reaches for a goal and fails because internal change has not yet taken place - it's that failure that spurs change - the character must make a choice - own the flaw and mend it or don't. If they cannot mend themselves or learn their lessons, they cannot reach their goals and that character becomes the star either of a tragedy, a literary novel, or a cautionary tale. So when I talk about failures needing a why, for story to work in the Western psyche, we need that flaw/goal/antagonist cycle. These were clear for Rey and for Poe. They were totally absent for Finn and Rose. 

Note this is not the fault of the actors! This debacle rests firmly at the feet of whoever wrote that story thread. In every single case, they fail their short term goals (find the code breaker! Oh no! Arrested for parking violation! But they find a different code breaker, but they get caught because luck! So code breaker betrays everyone. Need I go on? I swear. If it weren't for bad luck, Finn and Rose would have no luck at all.)

There was no character development of these two people because neither of them changed. Neither of them were called to change. They merely went galloping off into danger because - I dunno - they'd just mainlined every last episode of the original Scooby Doo and kids cruising into danger sounded like fun? Sure, sure, we find out some backstory on Rose, but frankly, without knowing what her goal is, I have no reason to care. And those segments that followed the pair of them dragged. The scenes were hollow and wooden. They didn't resonate. Not the way scene of Poe turning away from a fight to yell at everyone to listen - and then, having learned his lesson, leading them to escape.

So anyway. I'd like to slap some sense into the Last Jedi writer(s). Years and years ago, L. Sprague de Camp and Catherine Crook de Camp put together a how to book for writing speculative fiction as they preferred to call it. They spent a chapter convincing the reader that luck and twists of cruel fate were lazy writing. If you spend pages and pages getting your character off that planet filled with man-eating iguana people, tuck the heroes safe into their get away ship only to have them hit and destroyed by an asteroid, you aren't clever. You're just a jerk. Though maybe the how to guided didn't actually use that wording. Whoever wrote the Finn and Rose story thread never read this how to guide, apparently, and subsequently robbed the characters and the viewers of the hero's journey we'd signed up for. 

Books for a Happy 2018

So, the new year is coming, and the question is inevitably asked, "What are you looking forward to in the new year?"

And the answer for me is always: books.  But let's not talk about my books, which I certainly talk about plenty.  Instead, which books am I looking forward to reading in 2018?  Here's an incomplete list of the things on my radar, and they're all things I think you should be wanting to pick up in the coming year.  (In addition to the two I have coming out, but you've already got those wired in, yes?  Yes.)


Still So Strange by Amanda Downum
I've made no secret that Amanda is one of my favorite writers working in fantasy today, and one of my favorite people in the industry as well.  Her collection of short stories and poetry is coming out this year, and you should totally get your hands on it.


The Armored Saint by Myke Cole

Myke has been doing excellent things blending military fiction with urban, modern fantasy, and everything I've been hearing about his first dive into traditional epic fantasy has been incredible.  So I'm very excited to get my hands on this one.




Head On by John Scalzi
I've enjoyed just about everything John's written, including and especially Locked In, which this is the sequel to.  It's a very fascinating setting (in which a disease has rendered some people completely unable to use their bodies, but the use of robot avatars called "threeps" lets them interact with the world), and in the first book John did an excellent job of exploring the implications of the core ideas.  So I'm very intrigued to see where it goes.



Stone Mad by Elizabeth Bear
In another example of "Yes, more of that, please," I really enjoyed 2015's Karen Memory, so I'm looking forward to more western-steampunk adventures with Karen and her people.  I don't know if we'll get another steam-powered-sewing-machine-mecha fight, but a boy can dream.





From Unseen Fire by Cass Morris
This is the debut novel from the newest DAW Author, and it's been on my radar for a while now, so I'm quite excited to see it's going to come out this April.  It's set in an Ancient Rome With Magic, and everything I've seen from Cass Morris shows that she's really done the work in her research and worldbuilding, so I'm fascinated to see the results.  Plus, of course: she's DAW, so she's family.


Temper by Nicky Drayden
Nicky already has a follow-up to Prey of the Gods, but not a sequel.  Nicky is another one of my favorite-writers/favorite-people out there.  I swear, she once wrote a short story that was so funny it nearly killed me I was laughing so hard.  So, yeah, she writes so well, you could die.  This is definitely a book to get for next year.  It's a new book by Nicky Drayden, how could it not be?





The Monster Baru Cormorant by Seth Dickinson

The Traitor Baru Cormorant was a fascinating work of worldbuilding and structure and defying expectations, and exactly the sort of book I want to see more of.  So of course I want to read the sequel.  I need to know what happens next, as Baru is possibly one of the most fascinating characters in fantasy in recent years.  We've already seen how far she'll go to achieve her goals.  I'm very curious what more there can be to get the title "monster".

So, what's on your radar for 2018?

Goodbye

It is my sincere wish that you all had a blessed holiday in whatever fashion -- or lack there of  -- that suits you best. 

And yes, this will be my final post as a regular member of the line up.

A few days shy of seven years ago, I clicked the button to publish My Very First Blog Post as a member of this group, back when we were the Word-Whores. 

This is the post that went live on January 5, 2011:

WHY AM I A WORD-WHORE?

I like to get the sheets dirty.

Ahem.

Sheets of paper, that is.

Everyone has something they are passionate about, something to which they willingly, eagerly, devote their time. Surfing. Sewing. Scrapbooking. Dumpster diving. Weight-lifting (which may be part of dumpster diving depending on what you find...). Jewelry making. Wood-working. Volunteering. Writing--ooo--that one's mine!

Sometimes these leisure pursuits make the leap into a life-long career. I've pursued this publishing dream since I was young, and I consider myself blessed to have my writing published. So yeah, I've exchanged my stories for money and that makes me a Word-Whore. That, and the fact that I love yielding my every spare moment to the intense pleasure I derive from writing.

Maybe it's masochistic...because being a Word-Whore sometimes means keeping your backside in the chair until your ass is flat because the muse has been drinking tequila and she's spewing ideas all over the place. It often means conceding that dinner won't make itself and that you don't really need it anyway because there's a pot of coffee you could finish. But it always means consenting to the daily challenge of being creative, engaging, entertaining, logical, and grammatically correct all at the same time--and on deadline.

It is not a goal for the faint-hearted. But then, I suggest that whoring in any form is not for those who are thin-skinned. Consider the fact that Word-Whores bravely release their product out into the wild world where our Johns, bloggers and reviewers will voraciously share their independent opinions...good, bad, and ugly...and writing with professional intentions surely could qualify as a kind of self-torture. (*note I've had really good reviews overall, but authors still experience a nail-biting period of time as a release looms where our inner voices speculate on what awful things they could say...)

Whether it's done for love or the thrill I get, I'm a happy Word-Whore and I hope I get to keep on putting out for happy readers. (Love all the pun-tential with our witty name!)

Your Hump-Day Word-Whore,

Linda

It was fun reconnecting with those long-ago sentiments...and to those words, I still hold. But I share them again with you now because, bittersweet, the time has come for me to go.

Leaving the blog will free up the time I spent (or didn’t) writing about the designated topics and the plan was for me to explore other writing options. But then, only days after I announced to my blog-matesmy intent to leave, I received notice that Ragnarok was dropping all contracts for 2018, including my contract for Immanence #2. 

I have to be honest, it hurt. A lot. And then it didn’t. A weight was removed from my shoulders and suddenly I realized that I didn’t owe anyone anything. I didn’t have a contract pending. I didn’t have a year’s commitment to weekly blog posts.

Now, my only commitments are to myself.

-

I’ve learned a great deal from being a part of this group-blog and I am grateful for the opportunity it has been. I’ll never forget my awesome blogmates, past and present.

Jeffe – It was my pleasure to hang out with you at the conventions we’ve both attended, just as it was my pleasure to watch your career blossom over the past six years. You’re smart and dedicated and I know you’re going up, up, up.

Jim – I was delighted when you joined our group because I already knew you and knew you were an awesome author and a good man. Since we run in many of the same convention circles, I know I’ll be seeing you again, and glad of it.

KAK- I will truly miss the pseudo-chocolate. We should absolutely send some to each other via messenger from time to time. Just because, yanno? Someday, we’ll cross paths at a convention and have some real chocolate together! Rock on!

Marshall – It was great to meet you at this past WFC, but wish we had more time to chat. I look forward to seeing you again at a con in the future and wish you the best with your Maradaine series.

Marcella and Veronica – Both of your websites cite that you started writing when you read through all the books to which you had access. That youthful determination to satisfy your story needs one way or another led to writing and that is something we all have in common. I hope we’ll eventually cross paths at a convention so we can talk about that, how our dads influenced our appreciation for sci-fi/fantasy, and where in the world this wild business is taking us.

I wish you all the very best in your writing careers. If you’re ever going to have to miss a post and need a fill-in, hit me up. If I’m able I’ll step in. (:

-

And to you, dear readers who follow this blog, I do not know who is filling my shoes, but I am confident that whoever the crew brings in will have much to offer.

To those of you who have visited my posts here because you’ve enjoyed the Persephone Alcmedi series or the Immanence series, thank you, thank you, thank you. If you want to keep up on what I’m doing, please subscribe to my monthly newsletter. The sign up is on the home page of my website HERE. www.authorlindarobertson.com

Thank you Word-Whores and SFF7. It’s been a wonderful seven years with you.

Thank you, readers and fans. I promise, there’s more to come.

Blessed Be.

A Wish at the Changing of the Year:

May we live every day of 2018 with courage, compassion, and charity ever-present in our intentions and actions. 

It's Christmas!

Go spend it with your family!

See you next year!

Happy Holidays from Jeffe

Happy Holidays from Santa Fe! May this season be restful and joyous, and may the coming year be merry and bright.

Memorable Books I read in 2017

(Sounds like a school book report assigned for the first day back from vacation, doesn't it?)

It’s always hard to pick books for end of the year lists because I read so many and I don’t keep a spreadsheet (sorry, Jeffe!) nor record them in Goodreads or anywhere else. I also reread my favorites a LOT. Shield of Winter by Nalini Singh would be a perpetual entry on any yearly list of mine!

I have to go by which books come to mind when I start thinking about the subject of a listing (and then just check to see that I read them for the first time this year!).

So my list is ‘memorable’, in no special order.

The Shift of the Tide by Jeffe Kennedy. I love her Twelve kingdoms fantasy world, I was blown away by the details of the shifter heroine’s experiences as various types of creatures, I LOVED how the hero became more and more and MORE wonderful as the book progressed and the ending was  FABULOUS. (I love her covers too...)

Quakeland by Katherine Miles. I’m quite an earthquake buff, having been a Caltech employee (on the business side of the house at JPL), living in Southern California and having had a very famous seismologist you see all the time on TV tell me at daycare one day as we were collecting our toddlers that my house sat directly ON a fault and would go up or down by at least 18’ if that fault ‘broke’. ULP! (I don’t live in that house any more, but not because of the fault LOL.) At any rate, author Miles had new information and some of her experiences in pursuit of her story were AMAZING.

Night’s Templar: A Vampire Queen Novel by Joey W. Hill. I’ve been enjoying her books for years and this one really grabbed me. I loved the relationship between the ancient Knight Templar vampire and the Fae Lord. Just all around cool and spicy hot as always with Ms. Hill’s books. And good glimpses of other favorite characters from earlier in the series.

I just discovered Tracey Cooper-Posey’s Endurance Series, about a generation ship on its way from Earth to a new colony and was fascinated by all the world building and the twists and turns of the plot. I loved jumping a few hundred years for each book and seeing what happened next to the ship and the people (and how I knew things they didn’t). Sadly she’s suspended writing these for the moment, to focus on other genres, but if she does return to the series I’ll be right there!

Found Girl by Pauline Baird Jones has a nice military flavor, with the USAFG ‘flying’ a captured alien ship as if it was an aircraft carrie, and a fascinatingly mysterious alien heroine who learned more about herself  and what she could do on practically every page. Usually any hint of an amnesia plot sends me fleeing for the exits, but this was so well done that I was utterly hooked and can’t wait for a sequel (although rest assured there was a HFN ending.)

I enjoyed the new offerings throughout the year from Anna Hackett (Galactic Gladiators and also her Hell Squad series), Cynthia Sax (Sizzling Cyborgs) and Michelle Diener (Calling the Change). I had fun with Mars Ho by Jennifer Willis, which combined reality shows with colonizing Mars in a very effective fashion…

And I’d better stop now that the memory floodgates are opening wider and wider (aided by a look at my kindle…)

I did also love my fellow authors' stories in our USA Today Best Selling Embrace the Romance: Pets In Space 2 scifi romance anthology. It's only going to be available through January and Amazon has it on sale for $.99 right now! Here's the LINK.  The book is on all major ebook retailer platforms but the sale is only on the Zon, as far as I know...

Best wishes for a Happy Merry Jolly Holiday Season and lots of time to read!

Favorite Books

Joyous Yule, northern hemisphere! Happy Litha to the southern hemisphere!

We do this every year - we write about our favorite books of the year as if there were any hope that I had read a single book that had actually come out this year. That's because the TBR pile is deep and wide. And this year, I managed to read something that was actually published this decade, so that's progress, right? A good portion of my problem is that for ten years, I had a secret TBR stash - paper books - all hidden away from the mildewing influence of saltwater and damp. 

So my two favorite books are the first two books in a trilogy by Ilona Andrews. 

Burn For Me and White Hot

The trilogy is a paranormal mystery series. Tortured, brooding, scary hero. Plucky, resourceful heroine. Add some romance, lots of sexual tension, magic, bad guys not afraid to kill millions of people, and clues that seem to lead nowhere and you have yourself a really fun time. Super enjoyable books. Love the characters. These are stories I look at when I want to take a finely crafted, well paced story. The last book in the series is also good, but it got a little bogged down in recapping the first two books and the story lost some of its edge for me. I still bought it, mind, but if I had to stack rank the series, book 2 is the best, book 1 is a damned close second and the third book is definitely third.

The other books I read this year that I would call favorites were books I read under some really terrible circumstances. They were whatever I could get my hands on that would take my mind off what was happening. They were 1980s historical romance novels with plots I couldn't possibly recount now. Nor could I tell you the titles or the authors. It wasn't that the books were stellar. It was that by picking them up to distract myself, I discovered that I'd stopped reading over the past few years because I was having trouble seeing my Kindle. Put a paper book in my hand and magic happened. I read. And I read and I read. For two weeks straight I made it through a book a day. A little making up for lost time, I think. Just for the sheer, physical pleasure of scanning a line of text for the joy of it. And have it not be some dire health assessment for someone I love. Those books were the best books because I got to remember how much I love to read and how very much I'd missed it.