Book Length = Word Count Genre Guide

That heady moment when you pick up a new book and leaf through the pages—maybe even stick your nose into them—checking out the back, cover and…the page count. 

I know I’m not the only bookworm that does that. And before, as an oblivious bookworm, I never gave much thought to how long a book was beyond noting if it was too short—especially if I was holding a fantasy. 

And there it is: your book's genre dictates its length. 

Why is that? Maybe it’s a little bit chicken or the egg, but readers have expectations of how long a book is depending on what type they’ve picked up and the publishing industry—including agents—have word count expectations depending on what genre is being handed to them. 

Wait…word count?! We were talking about book length—as in number of pages—right? 

Readers look at book length in number of pages, but that’s not a standardized metric. Font, letter size, page size, they all factor in, so publishing looks at a manuscript in word count. 

Word Count: estimated at 250 words per page

It’s fun math. You can pick up any book in your nightstand stack, peek at the last page, and multiply that by 250 (I’m reading a copy of GOOD OMENS which clocks in at 474…so that means it was a 118,500 word manuscript). I did an entire spreadsheet of books in varying genres when I was writing my first book to get the average for my genre. 

Though let me tell you, there are easier ways to find the industry standards. Jeffe did a great post on Sunday listing generalized lengths to differentiate short story, novelette, novella, and novel. As for the differences in genres, let me help you by sharing my genre guide!

YA (not SFF) 50,000 to 80,000 words

Cozy Mystery 70,000 to 85,000 words 

Horror/Mystery/Thriller/Suspense 70,000 to 90,000 words 

YA Sci-fi Fantasy 70,000 to 100,000 words 

Mainstream Romance 70,000 to 100,000 words 

Historical Fiction 100,000 to 120,000 words 

Sci-fi Fantasy 100,000 to 120,000 words

Yes, there are always exceptions. But there’s also always a reason for the rule. While discussing a fantasy book with my agent she mentioned that any word count over 120,000 bumps up into the next price level for binding (putting the physical book together). A good reason! 

As you’re writing, or NaNoing, keep in mind reader attention spans and publishing expectations—even if you’re planning the self-pub route. When in doubt, 80,000 to 90,000 words is a good range to shoot for!Even Writer's Digest recommends 80,000 to 89,999 as the golden zone. 

So...where does your book land?

Size doesn’t matter when you’re talking books

Today, I’m not looking at votes counted or pundits projecting. I’m offline, mostly, and it feels amazing. Social media can make an anxiety-churning thing like this election even worse, at least for me. So I’m not really here, you don’t see me. :)

This week on SFF Seven we’re talking about how long a book ought to be. If you’re curious, Jeffe Kennedy posted some word counts on Sunday, and I would refer you to her post. It’s all the info you could possibly want, and I don’t have a lot to add.

Oh, except maybe one thing: if you’re looking to preserve your debut, never-been-published status, please know that size does not matter. You publish a thing, anywhere, and you are no longer a proper debut. I co-wrote a short story years before I sold my first book, and on a lark my co-writer submitted it to Harlequin, who bought it. It was fun, at the time, to see my name on something. I submitted a couple of short stories to anthologies after that because writing short stories is a blast and really kept my “I can do this” confidence up. Fast forward to when I actually wrote a for-real, full-length book and sold it, and I submitted that book to a “best first book” contest. Because it was my first book, right. Those short stories had required an entirely different skill set, or so I thought. Well, the folks running the contest sent me a note telling me I wasn’t eligible and they were refunding my entry fee. Eep. I felt like I’d been caught cheating or something, which had never been my intention. Still feels dirty, years later. 

At any rate, don’t do that to yourself. You can ruin something nice — like your debut moment — by writing anything, even the tiniest short story that no one even buys. 

So be kind to you: stay off social media when it makes you feel even lonelier... and keep the guilty pleasure writing projects to yourself. 

VOTE!

 Dear Readers, if you are a US citizen and have not voted in the local, state, and federal elections by mail or early in-person, please, PLEASE, do so today. Mask up. Take a folding chair. Pack snacks. Maybe even wear a disposable diaper.

Whatever you do, VOTE.

VOTE for your school board, your city auditor, your state supreme court justices, your congressional representative, and for the president of the United States. Local elections matter as much--and sometimes more--than federal. 

Your vote matters. Your vote matters. Your vote matters.

How Long Should Your Novel Be?

Apropos of #NaNoWriMo, our topic at the SFF Seven this week is "How long should my book be?" We're exploring the seemingly ever changing definitions of “book” length, novella length, etc.

It seems this question comes up around NaNoWriMo - National Novel Writing Month, where participants attempt to write a 50,000-word "novel" during November - because of that magical 50K word goal. I can tell you all with good authority, because I've heard it straight from the mouth of Chris Baty, founder of NaNoWriMo, that he picked 50,000 words as the month's goal because it seemed like a nice, round number to him. At the time, he had little idea of how long a novel should be.

It can be a bit misleading because, while novels are considered to be more than 40,000 words as defined by organizations sponsoring awards - like SFWA's Nebula Award* - it's rare for a novel to be that short. 

As far as traditional publishing is concerned, very few imprints consider books that are less than 80,000 words. The sweet spot for most publishers seems to be 85,000-100,000 words. Recently, several author friends and I have noted that our editors have asked us to trim our novels to be less than 120,000 words. We think that's a window dictated by printing press limitations. After that benchmark, the cost shoots up. Some imprints, like Harlequin category romances - very slim books - are around 55,000-60,000 words, but that's a very specific brand. Some literary fiction books might come in below 80,000 words, but again, that's a fairly specific genre, so you'd want to target that carefully.

And sure, with self-publishing it doesn't matter - except that readers have expectations. If something isn't clearly labeled as a novella or shorter, they tend to get cranky. Frankly, even if a novella or short is labeled clearly as such, reviews often note that it's too short. 

So: how long should your novel be? Shoot for 85,000-100,000 words and you'll be golden.

*Incidentally, the word-count definitions for the various story lengths as defined by SFWA are:

Short Story: less than 7,500 words;
Novelette: at least 7,500 words but less than 17,500 words;
Novella: at least 17,500 words but less than 40,000 words
Novel: 40,000 words or more.

Ghost of the Nile - Something Different From the Backlist for Halloween

Happy Halloween! This week at the SFF Seven, we're talking about our choice of a backlist book!

In view of the holiday, I’m going to feature GHOST OF THE NILE (GODS OF EGYPT) because it’s a ghost story but it’s an unusual take on the subject…

Ghost of the Nile is one of the standalone stories in my “Gods of Egypt” paranormal series set in ancient Egypt. For quite a while I’d been fascinated with the idea of writing a story set on an estate in the 1550 BCE era. One of the interesting things about Egypt was that for literally hundreds of years the climate and the daily life stayed pretty much the same. Pharaohs came and went but the more ordinary folk had quite an unchanging routine, linked to the Nile’s floods. I felt my hero could return from the Afterlife and fit right into his old home, although as a guest, not a resident. I thought the challenges for him could be intriguing. 

One of my favorite series of novels is The Chronicles of Brother Cadfael by Ellis Peters. All the action is set in a small English town circa 1100 CE (Common Era). I love being able to revisit the town and the people over and over. I was hoping I could do that for my readers with stories set on one ancient Egyptian estate. Ironically, I didn’t write that series yet.  But the ideas inspired my setting for Ghost.

 The Egyptians of 3000 years ago believed that unless you were buried in the soil of Egypt and had all the proper rituals recited for you, as well as your name preserved, you couldn’t enter the Afterlife. So my hero Periseneb, who was murdered and didn’t receive the rites at the time of his death, has been condemned to roam the fringes of the Afterlife and wage endless battles against demons and giant snakes. 

I’m always fascinated with the goddess Ma’at, who represented truth, balance, justice…and who happened to be the goddess of second chances. I’m a Libra myself – scales, balance…. She was one of the Judges who weighed the heart of a dead person, to see if they deserved the Afterlife. So I decided she’d need a champion to accomplish some task in Egypt, and selects Periseneb, who she believes deserves a second chance at entry to paradise. A favorite old movie of mine is the 1963 version of “Jason and the Argonauts”. I love how the goddess Hera tells Jason she’ll help him three times along the way. I decided Ma’at would help Periseneb, and you’ll see in the book how he has to call for her assistance.

Author's personal photo

The next intriguing concept this novel allowed me to play with was the ancient Egyptian idea of the terrifying nature of ghosts, or akhs. Periseneb himself is uncomfortable with being an akh returned to Egypt, and worries a lot about inadvertently loosing the evil powers he now possesses on the innocents around him. 

Author's personal collection

And last but not least, there’s the terrifying goddess or demon Ammit the Destroyer, who was part lion, part hippo and part crocodile, and known as Devourer of the Dead. I’ve wanted to find a way to incorporate her into a novel in a meaningful way because she’s so intriguing. 

So there you have my influences which blended together with romance and adventure, to yield my latest novel! 

This was my favorite review, from the ladies at Dear Author: 

“There’s Egypt and gods and magic and strong men and stronger women and love even beyond death and into the Afterlife. The historic details add spice throughout the story and these definitely aren’t 21st C people in linen kilts.”

The story:

Betrayed, murdered, and buried without proper ceremony, Egyptian warrior Periseneb is doomed to roam the gray deserts of the dead as a ghost for all eternity.

But then the goddess of truth offers him a bargain: return to the world of the living as her champion for 30 days. If he completes his mission, he’ll be guaranteed entry into Paradise. Periseneb agrees to the bargain but, when he returns to the living world, two hundred years have passed and nothing is quite as he expected.

Neithamun is a woman fighting to hang onto her family’s estate against an unscrupulous nobleman who desires the land as well as the lady. All seems lost until a mysterious yet appealing ex-soldier, Periseneb, appears out of nowhere to help her fight off the noble’s repeated attacks.

Meanwhile, Periseneb’s thirty days are rushing by, and he’s powerless against the growing attraction between himself and Neithamun. But their love can never be. For his Fate is to return to the Afterlife, and Death cannot wed with Life…

Amazon      Apple Books    Barnes & Noble    Kobo      GooglePlay

Note: This post first appeared on my own author blog.

Author's personal collection

Chameleon Backlist

Back lists are supposed to be where old books go to make an author a steady trickle of income. But sometimes the back list rises from the grave and lives again. IT LIVES. Yeah. That's all the spooky I got. Sorry. 

Enemy Within was the first book published. That qualifies it as back list. So is the second book in the series, Enemy Games. And then the series was orphaned. I had all but given up getting to finish the series, but sometimes, years long procrastination has its benefits. My rights reverted.

I made plans to self-pub the whole kit and kaboodle. But then the lightning struck my monsters. The Wild Rose Press bought the entire series. They reissued Enemy Within and Enemy Games. They then released Enemy Storm. When I finish the current WIP, they'll get book four - which doesn't even have a working title yet because that's how titles and I roll.

So then. If the back list rises from the dead, is it still back list? If it isn't, there's always that UF series with the demon. Maybe that's a better Halloween horror-fest.

When you don't have a backlist...you pick a fave!

 

My frontlist is coming! Yeah, I know, publishing is one big sea of secrets that you can’t talk about…what a crock. But what that really means for this week’s blogpost is—I don’t have a backlist book to share…

Backlist [noun]: books available in print, but are not new releases

My goal, back when I was in the corporate world, was to have 10 backlist books before retiring from the lab to become a full-time author. Heh, chronic disease be damned, but it did give me the opportunity to jump right into stay-at-home writer!

*side note: I’d still suggest having some backlist books before diving into this full time…yikes!

But through it all I’m still reading! And so I’ve picked a backlist book from one of my favorite series to share with you today! I recently read THE FATE OF THE TALA and THE LOST PRINCESS RETURNS, so choosing the one that started it all seemed to fit.  

Queen of the Unknown is the tagline and it absolutely fits THE MARK OF THE TALA. Andi, the middle daughter of the High King, is a bit odd and never feels like she fits in. Until she meets a strange man while out riding…and he becomes a crow. He opens her eyes to a hidden kingdom, one that she has claim to, and to the destruction her own father is wrecking on their world’s magic. 

It’s full of shapeshifting, magic, political intrigue, romance, and a lesson of trust. It’s, IMO, the perfect backlist book because it opens up the world of the Tala and whew is it an entire world! And, if you’re a series devourer like me, you’ll be happy to know that Jeffe ties up all the plot lines and story arcs nicely in THE FATE OF THE TALA. 

Do you have a backlist book, or one that you love? Let me know so I can check it out!

The Mark of the Tala 

The Twelve Kingdoms #1

by Jeffe Kennedy

Queen Of The Unknown

The tales tell of three sisters, daughters of the high king. The eldest, a valiant warrior-woman, heir to the kingdom. The youngest, the sweet beauty with her Prince Charming. No one says much about the middle princess, Andromeda. Andi, the other one.

Andi doesn't mind being invisible. She enjoys the company of her horse more than court, and she has a way of blending into the shadows. Until the day she meets a strange man riding, who keeps company with wolves and ravens, who rules a land of shapeshifters and demons. A country she'd thought was no more than legend--until he claims her as its queen.

In a moment everything changes: Her father, the wise king, becomes a warlord, suspicious and strategic. Whispers call her dead mother a traitor and a witch. Andi doesn't know if her own instincts can be trusted, as visions appear to her and her body begins to rebel.

For Andi, the time to learn her true nature has come. . .

Not an Oops: My Little Backlist

 Very quick funny story...

I started working in publishing about the same time my husband started programming games. (We were babies.) Early on in a biz, you’re learning so much every day, and often we’d come home and exchange knowledge, kind of like kindergarteners bring home their “look what I did!” finger paintings. Most times, hubs was excited about my excitement, but when I started talking about the RR Bowker out-of-print lists — fondly called the “OOP lists”—he’d get this very confused expression on his face. Finally, I asked what was up with that, and he countered with a question: What do old books have to do with object-oriented programming? (Also OOP, apparently.)

This week on SFF Seven, we’re talking about our old stuff: out-of-print books, early books, backlist books. And since I’m sort of new to this whole authoring thing, I don’t have a whole lot to talk about. In an age of ebooks and long-term contracts, none of my books are out of print. Publishers have lots of fun tricks to retain rights long after the first blush has faded from a release. 

In terms of backlist (that is, a book of mine that is not a new release), I guess the book I self-published last summer would count? It’s third in a series, but I challenge folks to read it as a stand-alone. I think/hope it holds up. The book is about a self-aware AI that, instead of deciding to nuke the world aka Skynet, really only wants to find a way to smooch her fella. Title is More Than Stardust, and it begins with a serious oops that has to do with neither publishing nor programming.