Sisyphus and the 2nd Arc

 This Week's Topic: On My Mind

On my mind this week is when to surrender to a WiP that just won't come together. Regular readers of this blog know I'm a skeleton plotter: Two or three bullet points per arc, per chapter to ensure I have a cohesive plot from beginning to end. 

What is currently plaguing me is that I have the 1st, 3rd, and 4th arcs mapped. I'm dying in the 2nd arc and have been for [mumble, mumble] far too long. The problem, of course, is if I don't have-- what I affectionately call-- "the arc of failures" mapped I can't claim to have the beginning or the end truly set either. Because the problems the characters face can change who is involved and how the ultimate goals are achieved, I have introduced a villain's pov, removed the villain's pov, added allies, removed allies, shifted the setting from mountains to a river valley, revamped the rules of magic more times than I have fingers and toes, and, well...

 [huff, huff]
[tantrum flails]
[frisbees notebooks, note cards, and laptooo--No, no, not the tech!]

I know full well I've wasted too much time trying to resolve this problem, which harkens to the classic decision point of knowing when to cut losses versus clinging with desperation determination to overcome the obstacle to savor the sweet, sweet joy of triumph. 

Dear readers, I am weak. I cannot quit this torment. Day after day I try coming at the problem from a different angle, a different POV, a different age, a different conflict, and yet... I am Sysiphus this second arc is my stone. 

[waaaah]
[sulk]
[picks up notebook, starts writing in pen pencil with big eraser]

Why this Sci-Fi Thriller WIP?

I’m channeling a sci-fi vibe today because our topic this week is: 

Why this WIP?

WIP is work in progress. Yep, you got it. the work in progress I’m talking about today is my next sci-fi thriller! 

Why this one and not one of my fantasy ones? How do you pick what to work on when you have multiple projects (and no contracted or set timeline for any of them)? Why do you have more than one novel in the works? 

Sci-fi thrillers are pretty much what the label entails: science and a lot of action that makes your heart pound and your palms sweat. With my medical background I can’t help but find that bleeding through, one of my MCs works as a biohacker.

Biohacker, according to healthline, describes it as do-it-yourself-biology. Basically anything people do to alter their health and wellbeing. But…sci-fi here, so my biohacker provides his clients with biologic altering drugs. And after years of altering themselves people are becoming more AI than human.

It’s a bit creepy and exciting with a nice dose of humor provided by the found family and friction, both good and bad, between the MCs. Basically, it’s hella fun to write.

There are days I’m tempted to crack open my recent fantasy WIP. I am a mood reader, after all, and I write with my moods as well so I like to keep at least three WIPs on my laptop. But writing sci-fi uses more of my left side brain and I can geek out and imagine what our future could look like. When I write fantasy it’s right brained all the way—the tear your heart out, leave you emotionally exhausted kind of writing. 

So yeah, I’ll stick to my sci-fi thriller for now. How about you? What’s got your passion going at the moment?

A Worthy WiP

 Why this Work In Progress (WiP)? What about it resonates with me?

Well, this WiP--with the working title of Worthy--is the first of a futuristic-fantasy trilogy that examines a world where humanity's avarice, cruelty, and selfishness are regulated and policed. Where there is a distinct line between upholding the laws of society and addressing the corruption of an individual's nature.

One thing this real-world pandemic of disease and disinformation has brought into sharp focus is that there are those among us who are willfully--even gleefully--horrible people. They roll out of bed with the intention of fucking over people for no better reason than to feel a frisson of power. I despise those folks so deeply that my coping mechanism is to spend time deep-diving into a society where that vicious desperation for control is mitigated, where there is a third party who sees through actions and soundbites into the composition of an individual's nature and simply eradicates the source. What sort of society is that? Is that a utopia or does it breed new problems? Is depravity hardcoded into human nature? Is everything that makes humans bad simply rooted in an unfulfilled basic need? (Shout out to Maslow's Hierarchy of Needs!)

Oh yeah, for sure, never fear, there's plenty of magic and whodunnits and conspiracies and slow-burn romance and all that good stuff. Hell, it even has a plot and a few substories to boot. Shocking, I know. Writing it is as disturbing as it is cathartic...which, makes being an author totally worth it.

Why This WIP?

This week's post topic is Why this WIP? What about it resonates for you?

Well, my current WIP--City of Ruin--is my second romantic fantasy novel under contract with City Owl Press and releases later this year. So that's why this WIP ;) But also because I really love the story, and I've been able to employ certain storytelling elements (ones I can't mention!) that make my writer's heart happy.

City of Ruin is book two in The Witch Walker trilogy, a continuation of Raina Bloodgood and Alexus Thibault's story. Their passionate tale is just getting started in The Witch Collector, book one. There's so much more unveiling left to do and secrets to bring to light, and I'm having a blast placing the puzzle pieces for readers. It's this--the story weaving--that always gets me excited.

If The Witch Collector sounds like a book you might enjoy, and if you haven't given it a try, I'll drop the buy links here. You can also add it on Goodreads!

The Year Ahead

 

This week's topic is Tell Us Your Future: What does your writing life look like for the upcoming year? (Events, signings, releases, etc.)

Book Releases: I have a new novel coming in August: book two in the Witch Walker trilogy, City of Ruin. I'm really excited for readers to continue Raina and Alexus's story. I also feel like I know more of what to expect this time with release frenzy, and to not schedule ANYTHING but promotional duties in August ;)

I'm also hoping to publish Silver Heart, my historical paranormal romance novella soon (2/15). It has a gorgeous new cover, and I'm expanding the story a little. This novella will act as a free lead magnet for The Witch Collector.

WIP's: I would LOVE to find time to work on a couple passion projects in 2022, though I still have A Gods' War (book three in the Witch Walker trilogy) to write. Still, I have three stories I'm itching to delve into. Two already have many chapters written, while the other is still stewing in my head, but I'm excited about all three.

Events/Signings/Cons/Writing Retreats: Honestly, I haven't gotten into the swing of things with public events yet. I have one book signing slated in Nashville for 2022, in June. That's UTOPiA Con. I'm still a little wary thanks to Covid. But, I might end up booking a few more signings, so we'll see. I think I'd like to focus more on 2023 events/signings/cons since I'll have the first two books of the trilogy out and the third will be on the way.

As for retreats, I sometimes head to the Smoky Mountains with a writing friend in the fall, and that might happen again this year. I also found a local retreat location, The Rockvale Writer's Colony here in Middle TN. They take applications for residencies, and it's a very affordable week or two away. I went there last year to finish The Witch Collector, and it was absolutely amazing. Having nothing else to think about except for writing was a game changer. It's a huge farm, with hiking trails and a big old house, along with separate cabins like The Granary. I hope to return this year. 

Author Endeavors:  I didn't expect, as an author, to need an Etsy store, but here we are ;) I get so many requests for signed books and swag, so I'm currently creating my store and hoping to have it stocked soon. It will be a work-in-progress as more items come in to the shop like art prints, magnetic bookmarks, candles, etc. And I'm excited. I love book swag so much, and knowing that readers want The Witch Collector swag is pretty epic.

Editor Projects: I've slowed down on editing tasks. I'm currently finishing the edit for On These Wicked Shores by Katherine Quinn, which releases in May. I have a couple other clients scheduled to turn in drafts for edits this year too, so we'll see how that goes!

I think that's it! It isn't much, but it will undoubtedly keep me extremely busy.

Are you attending any fun reader/bookish events this year? If you know of any in the Tennessee/mid-south area that I need to attend, let me know :)

For now, happy reading!

~ Charissa

Coming Soon! THE ARROWS OF THE HEART

This week at the SFF Seven we're sharing a blurb from our current work in progress or a blurb from an upcoming release. Serendipitously enough, for me they're one and the same at the moment.

I just received developmental edits from my editor, Peter Senftleben, on THE ARROWS OF THE HEART. They're pretty light - yay! - so I should have those revisions turned around and out to my copy editor by Wednesday. All of this means I should be on track for my planned October 3, 2018 release date!

I'm not doing preorders for this one, so your best bet to be notified when it's live is to sign up for my newsletter.

And, because we're nearly ready to go live, I've been going back and forth with the gal who does my blurbs/back cover copy. Which means I also have that, fresh off the press. We're going to tweak it a titch more, but here's the penultimate version!

As the Twelve Kingdoms and their allies are drawn toward war, a princess cast aside must discover a purpose she never dreamed of… 

Karyn af Hardie behaved like a proper Dasnarian wife. She acquiesced, she accepted, she submitted. Until her husband gave her a choice: their loveless, unconsummated royal marriage—or her freedom. Karyn chose freedom. But with nowhere to run except into the arms of Dasnaria’s enemies, she wonders if she’s made a mistake. She wants love, security, a family. She can’t imagine finding any of it among the mercurial Tala. 

Worst of all is Zyr. The uninhibited shapeshifter is everywhere she looks. He’s magnetic, relentless, teasing and tempting as if she’s free to take her pleasure where she wishes. As if there isn’t a war rising before them, against a vile and demanding force far stronger than they. Thrown together in a dangerous gambit to tip the balance, Karyn and Zyr have every opportunity to fail—and one chance to steal something truly precious…

Coming soon!! Eeeeee!

Derivative Fun in the WIP

My favorite thing about the current WIP is that I get to be a kid again.

Edie is a thinly veiled homage to my favorite MMORPG character ever. I can't say which game because frankly the game company believes they own my character and everything about her even if *I* did all the work creating and voicing her. So no screenshots of her, either. What is it about this situation that lets me be a kid?

I can pack Edie's speech, actions, and characterization full of Easter Eggs that harken back to the character and game of origin. I get that maybe three people on earth will recognize them when they read them. It amuses me while I write, so that's my excuse. There's a distinct chance that not a single one will survive editorial, anyway. Oh well. True, my game character had magic as the basis for her power and I frankly can't swing that in an SFR, but you know. Arthur C. Clarke, right? "Any sufficiently advanced technology is indistinguishable from magic."  So Edie has the tech to do what the things her progenitor did with magic.

All of this came about because the game company made repeated disparaging remarks about the race of character I had chosen to play. It's as if they learned nothing from Robin William's devastating suicide. The gist of their statement about this particular race of characters was something like 'this fictional race is too ridiculous to be taken seriously.' Sure. It looks like the game designers built the race in question to provide comedic relief in the game. But I think they're wrong. Dead wrong. I think most of us have come to understand that the funniest exteriors mask the most tragic and conflicted interiors.

So yeah. No pressure or anything, but I'm doing my best to pack all that stuff into a character who only has 90k words and a romance to get off the ground. My other favorite thing about it is that I don't have a hard deadline. So when something isn't working, I can afford the time to backtrack and figure out where I deviated from The One True Path.

Now. My very favorite thing on earth will be FINALLY finishing this thing. So I'm off to do that.

Why my new obsession is and must be a secret. (Hint at the end.)

The thing I like most about my work-in-progress is that you know nothing about it.

It's not that I don't like you or trust you [I love  you to bits, and you should know that]. It's not that I'm scared of rejection [except I so am] or even that I don't do well with criticism [oh God, what if it sucks? what if my baby grows up to be a super villain?!].

See, the thing is, this new series is nascent, gestating, passing through gleaming android milk over and over again like the monsters on Westworld, slowly becoming something better than it was in my brain.

But it's not there yet.

Right now, it's a lattice with little sprout vines reaching up, latching on. I think they will make flowers someday, and I think they will be beautiful. But I don't know for certain, and my hands are still dirty, and the no-you-can't voice is still really, really loud in my garden.

Last night, this unformed android alien plant baby transmorgified into complete synopses of all four books.

Tomorrow I will send those synopses in all their slimy, gross, hope-laden still-growningness to my agent. And I will be terrified.

This is the first time I've ever written a synopsis before I finished the book, and, in case you couldn't tell by the disturbing metaphors, doing the process this way is extremely weird. In the past, when I've synopsized, either the book was done and ready to roll or ... the magic bled out in the summary as I wrote it and the exsanguinated story gasped and died. Crisp vine, no flowers. Limp, fetid puddle of android alien goo. And then I hopped along to the next shiny.

Except, this time, I'm trying really hard not to do that, to kill my plant. I sort of have to send this early idea-let to my agent because that's how the next phase of my writing adventure progresses. I should be able to do this. I'm a professional, damn it.

So tomorrow I'll drop the chubby li'l info packet off at preschool [write email to agent; attach prehensile thing; tap Send], maybe have a little cry, and then go drink a lot of vodka and hope it learns how to play nice with others.

[Though, like all nurturers of super-villains, I do dream of it taking over the world someday.]

Wish us luck.

Hint: There are dragons.

Orchids on Young Queens and Vengeance from Slave Kings

I’m writing this post on an airplane on my way back from SFWA’s annual conference and Nebula Awards.

The gathering this year shone for so many reasons—excellent programming, exciting new initiatives on the Board (I’m a Director at Large, for SFWA), and wonderful camaraderie. We really connected with each other this year and I’m revved for next year’s conference in Los Angeles.

Because of all this I’m posting on Tuesday instead of my usual Sunday SFF Seven blog. Kristine Krantz switched days with me, which I truly appreciate. She wrote about her new urban fantasy series, so check that out!

We’re talking this week about our favorite things about our current WIPs. That stands for Work in Progress, for those not in the know. It’s a standard writer catch-all term for whatever we’re working on, regardless of length or medium.

(Medium is an important factor, I’m becoming more aware, as I spent a substantial amount of time meeting with folks this last week how to set the rules for the Game-Writing Nebula Award. Parsing how narrative arcs in games of all types as compared to in novels and shorter works has me thinking about how we tell stories.)

At any rate, I’m working on THE ORCHID THRONE, which is the first book in my new trilogy for St. Martin’s Press, The Forgotten Empires. The above images are ones I used for inspiration and to encapsulate the feel of the story.

And they summarize the contrasting worlds of the heroine and hero. She is the Queen of Flowers and he is the King of Slaves.

Really, these two characters are my favorite parts of this WIP. They are the ones driving it, especially as—the way my process works—I’m discovering the world, secondary characters and myriad other conflicts as I live with them.

They’re both very interesting, complex people, each fighting to hold themselves and their “kingdoms” together in different ways. She is young, very intelligent, fascinated by science—and holding onto her virgin status to preserve the sovereignty of her throne, in possibly the last somewhat free kingdom left. He is an escaped slave, king of nothing and with a voice roughened and strained from laboring in volcanic mines. He’s entirely focused on revenge—and willing to do whatever that takes.

They’re alike in their determination and iron wills. And also in what lies beneath all that.

So it’s fun to write these people and see what happens when I bring them together, both immovable objects. Or both irresistible forces. I’m not sure yet.

Explosions to ensue.

Sneak A Peek: Favorite Thing in Current WiP

Hello, Sunday Readers!

Jeffe's off partying hard with the SFWA at their Nebulas Weekend. If that sounds like a mash of mystery words, well, come back on Tuesday for Jeffe's lowdown on hobnobbing with the likes of Peter Beagle and the Muppets.

That leaves me to kick off the week's topic of "What's Our Favorite Thing in Our Current Work in Progress (WiP)."

I'm working on Book 4 in my Immortal Spy series, THE HANGED SPY. So far, my favorite thing is deepening the relationship between my protagonist and her primary romantic interest. They have a long history she can't remember and he's cursed to not speak of. Like many long-term relationships, there have been good times and times they tried to kill each other. Third parties who knew one or both of them "back in the day" pop up throughout the series to nudge them back together or to prevent their HEA. My favorite parts are the private moments between them when there's nobody meddling in their lives. They have a lot of fun needling each other as they navigate their new normal.

Excerpt (that may or may not make into the final edit). For context, my protag is a kind of magical transporter who has a habit of relocating herself when she sleeps:

Bix jerked her attention back to him as her temper woke. “If I wanted you in my bed, Tobek, I wouldn’t stoop to tricking you with aphrodisiacs. Enthusiastic consent or nothing at all.”

His brows shot to his hairline. He took two steps to close the distance between them. “When it comes to you, I am an endlessly patient man. However, do not confuse my patience for being obtuse. You may not understand the complex emotions you feel when it comes to me or the interplay of what exists between us. I cannot help but be keenly aware of my feelings for you as well as your feelings for me…as quixotic as they are.”

Her surprise lasted a heartbeat until she remembered his Eternal Knot, etched beneath his layers of ink, was anchored to piece of her that existed within him. Samesies for the Enteral Knot hidden on her chest that anchored a piece of him within her. It was an emotional conduit meant to help the woman she'd once been understand empathy and cope with emotion. She hadn’t really spared a lot of thought for what Tobek got out of the deal.

“I too will accept nothing less than your very vocal and enthusiastic consent. Dithering isn’t going to be good enough. Neither will be mustering courage nor naïve curiosity. I too have standards.” He grinned. “Besides, sweetheart, you have no idea how many times you fetch me to your bed. You’re too sound asleep.”