The Magic of Group Brainstorming

Hello all and happy spring!

At the SFF Seven this week we're asking: What’s your brainstorming process? Do you come up with ideas by yourself or do brainstorm with someone else?

Me? I don't preplot because I can't. My ideas all come to me pretty much in the course of writing. Some of them come from daydreaming about the story, but the real flow comes as I write. A lot of the time, that's the ONLY way the story flows. 

The salient exception to this is that I love brainstorming with author friends. There are few things more fun for me than brainstorming a world or exits from sticky plot solutions with other creative brains. And I have just as much fun working on their stories! It's a real truth that, for whatever reason, an outside mind can almost always see the story more clearly than we can our own. I can tell other writers how to "fix" their stories and have zero ability to find solutions to my own. And vice-versa. 

Especially when trad publishing wants me to tell them something about the plot before I actually write the book, I turn to my friends. I can usually say who the characters are and I can describe the situation they're in - and then my brilliant author comrades take it from there. It inevitably changes when I write the words, but they are true lifesavers in giving that much-needed perspective.

Brainstorming for the win!

Making it Personal: Backstabbing Best Friends

 

Our topic for the week is all thanks to the Ides of March and legendary backstabbers. Who's the best backstabber in fiction?

Dear people, I give you Fernand Mondego.

What a jerk, right?

I have ridiculous love for The Count of Monte Cristo by Alexandre Dumas. I've been taken with the tale since I was a teen and am currently working on a fantasy novel inspired by it. When the movie with Jim Caviezel and Guy Pearce released in 2002, you can imagine my delight. Though the story and characters had been changed pretty drastically, the essence of the original work remained. And I LOVED IT. Still do. I will never turn down an opportunity to catch a viewing, and I'm re-reading the book this year, too.

In my opinion, The Count of Monte Cristo is one of the best revenge tales ever written--if not THE best. However, the betrayal in the film felt even more severe than in the novel. How? Why?

Because Fernand's character received an excellent revision, IMO.

In the film, Edmond and Fernand are best friends. In the book, the young men are merely acquaintances (Fernand is Mercedes' cousin). Because there's no personal history between the men in the book, the knife of Fernand's betrayal, though still buried deep, doesn't strike the reader's heart quite so sharply. 

Until I prepared for this blog post, I'd known the villain in my novel was missing something, some detail, some WHY for his dastardly behavior, but wildly enough, even given how much I adore The Count's tale, both film and book, I couldn't put my finger on the issue. Last night, the answer hit me.

The deception is awful, but it's not personal enough. It doesn't cut to the bone.

I even recalled some old writing advice I'd read and stored in the cobwebby corners of my mind: MAKE EVERYTHING PERSONAL. MAKE IT HURT. The stakes, betrayals, loss, etc. will affect our characters and readers much more if raised to that next degree--the emotional degree.

It was like a lightbulb went off in my brain, though I felt dim for not having seen the answer before. Thus is the writer's life, I suppose. Betrayal hurts more when committed by someone we believe loves us, or at least a person who possesses some level of loyalty and familiarity. This also affects the villain/protagonist relationship across plot points, because the game totally changes when a character is up against someone they know well--or thought they knew well. There's soooo much writers can do with this type of conflict, so many twists to explore. It's FUN, y'all!

So, if you're wondering how to amp up the conflict in your tale or if something feels off, examine the emotional layer. Is the conflict personal? Can you revise and dig deeper? Don't be afraid to try.

Remember: If Dumas can benefit from a revision, we all can ;)

Ask Not Who the Villain of This Piece Might Be

So many lovely villains to choose from. Scary aliens bent on destroying humanity - never mind that they have good reason. Magical creatures no one quite understands being invited to cohabitate human bodies and minds without any thought of the consequences - though, in that case, who's the real villain? The magical creatures invited in? Or the idiots who do the inviting? Then there's the mythical creature drawn from her native land to the New World as the stories about her spread into territories she'd never dreamed. 

But my very, very favorite villain is whoever my hero happens to be in whatever I'm writing at the time. Yes, most of my heroes and heroines have nemeses to face, but each hero and heroine first has to face themselves. And most of the time, when they do, they see the face of what they hate and fear staring back at them from the bathroom mirror. I made a heroine face down her distrust of others and of herself. I made another face down her envy and sense of inadequacy. Yet another had to overcome prejudice. The hero in the book I'm working on now has to figure out hate. 

I like characters who are their own worst enemies. Initially. I expect them to start catching clues pretty quickly, but not all at once. Change is a process and I want to see it. If I don't, I won't believe that the characters have grown enough to defeat whoever or whatever is their ultimate stumbling block. 

I've got a lot of love for that moment when a character looks at nemesis and sees themselves reflected. That 'oh shit' realization never gets old.

What Makes a Perfect Villain

 

my son's book of Star Wars: The Rise of Skywalker The Galaxy Needs You illustration by Eda Kaban

Villain [vil-uhn] noun: a cruelly malicious person who is involved in or devoted to wickedness or crime.

This week we’re talking about the most dastardly characters, those cackling antagonists, those thorns in our hero’s sides. If they’re done well we love to hate them. And my award for Favorite Backstabber goes to Kylo Ren!

If you’ve been hiding in the dark side, Kylo Ren is from StarWars and fills the role of villain against Rey in Star Wars: The Force Awakens. And in these movies he’s identified as being neither Jedi (the good guys) nor Sith (the baddies). 

Wait…I named my top villain as one that’s neither good nor bad?!?

Exactly. 

I believe there’s good and evil in each one of us and it comes down to the decisions we make each day that determine what type of person we are. We are all our own hero, but I know there’ve been times—I worked as a manager for five years—when I made choices I believed were the best course of action that made me a villain in another’s story. 

That’s why Kylo Ren is the most dastardly, perfect villain. He represents us and our struggles to choose the right path. As you watch The Force Awakens you see him face these tough decisions—hoping he’ll choose the right one—but you don’t feel totally confident that he will. 

Your villain should be part of, either physically or in spirit, every plot point in your story.

And that’s good writing. That should be our goal as authors, to craft a villain that’s vital to the plot. Your villain should be part of, either physically or in spirit, every plot point in your story. No, you don’t have to think up a super complicated reason why they do what they do. You should be able to answer/write what drives your antagonist in one sentence, not in pages of backstory. 

If you’re feeling stuck in your WIP or struggling with a book idea that doesn’t seem to go anywhere, check out your villain. Make sure they’re more than an evil genius who wants to take over the world. Or if that’s their thing, then also give them a tangible reason on a smaller scale. We’ve all heard about humanizing the antagonist to capture the audience in order to deliver a solid punch when the hero wins the day, so be sure add in some depth, but not so much that it overshadows your hero. 

Did this give you any ideas on crafting your current villain? Do you have a fave antagonist that inspires your writing?

My Villain Problem

I have a problem with writing villains: I always sort of fall in love with them and then want to redeem them, even if they've done really bad stuff. Darth Vader coming back to the light after destroying at least one planet and every innocent soul on it? Yes. Thanos getting his sought-after retirement in a golden field after dusting half of life in the universe? Okay, I can see it. I confess to a similar soft spot for Dracula, the creature in Frankenstein, Annatar in The Silmarillion (he just wanted to be pals with pretty elves and make jewelry, what?!). 

Personally, I spent the entirety of a book creating a dude so bad he tried to kill his own child... and then two more books explaining why he really thought he needed to and felt terribly bad about it after, and also he had great hair.

See? It's a problem with me.

I think my favorite villain, though, is Prince Nuada in Hellboy 2. If you haven't seen the movie or read the novelization, I'll just rec those right now. He's not only immortal, a warrior, an elf, and a prince, he's also such a badass and really does care about his people and his planet. Like, maybe too much? 

And that might be the trick, for me, to making villains angstily relatable: they love hard. Too hard. Sometimes it corrupts them or leaves them vulnerable to temptation. But if it all starts with love, they can't be completely lost, right? I mean, that's what I learned from Luke Skywalker.

Of course, now I'm a grown-up human and absolutely believe there's no such thing as an unredeemable villain, and the best stories are the ones that prove me right.

(Spoiler: Not all the villains mentioned in this post were, in fact, redeemed. In fact, most were defeated, ultimately. Still.)

Bagorn the Betrayer

In dubious honor of the Ides of March, we're outing our most villainous characters--either the ones we've written or the ones we love to hate that someone else has written.

My most evil, hateful, and malicious villain? Larco Bagorn from LARCOUT. He's king of the country by right of birth. A member of the order of Dark Minds, he is a Memory Maker. With one touch, with the power to see people's pasts and change them with just one touch. He has zero guilt or hesitation to use his gift. His top 5 most dastardly deeds:

1. He stole the love of his brother's life and his brother's kid, claiming them as his own. Changed his brother's memories of said love and child, so his brother believes they are the king's.  
2. Had the general of his military rape his wife to beget another heir, erased the general's memory, but made the wife keep hers. 
3. Alters the memories of nobles and advisors to set them at odds, thus fomenting rebellions then executing everyone associated. 
4. Closed his nation's borders to create scarcity, to turn the helot class against the nobility, and to turn the nobility against each other.
5. Personal Plot Goal: To destroy the nation he rules because they wouldn't let him love the man he loved.

Power is a dangerous thing, especially when no one can call you to account...until the hero shows up.
 

Backstabber and Betrayals: A Sword by Any Other Name

 Who is the greatest backstabber of all time? For me that's easy, Stormbringer, the sword that is both bane and blessing to Elric of Melnibone, the "hero" of Michael Moorcock's Elric series. Stormbringer is a sword and so much more. every time the blade kills someone it pulls the soul from its victim into itself and feeds a part of that energy into Elric. The problem, aside from the possible guilt of feasting on sous, is that the sword prefers the flavor of Elric's companions and loved ones to that of his enemies. 

You really, really need to read these stories of Moorcock's Eternal Champion. 

Backstabbers and Betrayals: Beware the Ides of March!

This week at the SFF Seven, we're asking for our most dastardly characters or favorite backstabbers. 

One of my favorite backstabbers is a subject of some historical controversy: Bess Throckmorton. She was one of Queen Elizabeth I's ladies in waiting - and her sometime favorite. Until Bess fell in love with and Married Sir Walter Raleigh, who the queen also loved. At least, that's how the story goes in Elizabeth: The Golden Age, and that's the version that inspired aspects of my Forgotten Empires trilogy.

I loved how this dynamic was portrayed in the movie - and I particularly felt for Elizabeth and her heartbreak, though I think we're supposed to sympathize with Bess. Elizabeth, though, loses the illusion that Raleigh might love her for herself and she loses her belief in Bess's friendship. 

I based the dynamic between Lia, the Queen of Calanthe, and her favorite lady-in-waiting, Tertulyn, on Elizabeth and Bess. But I told it my way and changed up the details. Still, it was super fun to write my own backstabber story!

Also, you can preorder book #3, THE PROMISED QUEEN!