Celebrating BIPOC Creatives

Our topic at the SFF Seven this week is Promo for BIPOC Artists, Authors, and other Creatives.

I always hesitate to pick one person to talk up, or even a few, because there are so many wonderful BIPOC creators out there. So, instead of feeding you a fish, I'm going to show you a river full of fish. (I assume you know how to fish!) Keep in mind this is one river among many, but it's a good one. And I'm particularly proud because SFWA had a small part in helping this happen. (As in, we handed over money and these amazing people did all the heavy lifting.)

In fall of 2020, the first every FIYAHCON happened. It's a conference for BIPOC in speculative fiction. They deftly proved that not only can BIPOC creatives be found to staff conference panels, they made an entire convention of these sparklingly creative people. 

And they inaugurated the IGNYTE Awards. The Awards seek to celebrate the vibrancy and diversity of the current and future landscapes of science fiction, fantasy, and horror by recognizing incredible feats in storytelling and outstanding efforts toward inclusivity of the genre. I encourage you to check out all the nominees in this wide array of media. Follow the link for more information, but here's the list below. Go forth and feast!

Best Novel – Adult

for novel-length (40k+ words) works intended for the adult audience

The Dragon Republic – R.F. Kuang (Harper Voyager)

WINNER | Gods of Jade and Shadow – Silvia Moreno-Garcia (Del Rey)

Jade War – Fonda Lee (Orbit)

Storm of Locusts – Rebecca Roanhorse (Saga Press)

Kingdom of Copper – S. A. Chakraborty (Harper Voyager)

Best Novel – YA

for novel-length (40k+ words) works intended for the young adult audience

Pet – Akwaeke Emezi (Make Me a World/PRH Children’s Books)

Everlasting Rose – Dhonielle Clayton (Freeform)

Slay – Brittney Morris (Simon Pulse)

War Girls – Tochi Onyebuchi (Razorbill)

WINNER | We Hunt the Flame – Hafsah Faizal (FSG BYR)*

*BYR: “Books for Young Readers”

Best in MG

for works intended for the middle grade audience

WINNER | Tristan Strong Punches a Hole in the Sky – Kwame Mbalia (Disney Hyperion)

Just South of Home – Karen Strong (S&S BYR)*

The Mystwick School of Musicraft – Jessica Khoury (Audible/HMH BYR)* **

Other Words for Home – Jasmine Warga (HarperCollins)

Sal and Gabi Break the Universe – Carlos Hernandez (Disney Hyperion)

*BYR: “Books for Young Readers”

** audiobook released in 2019

Best Novella

for speculative works ranging from 17,500-39,999 words

The Deep – Rivers Solomon, Daveed Diggs, William Hutson, and Jonathan Snipes (Gallery/Saga Press)

The Survival of Molly Southbourne – Tade Thompson (Tor/Forge (Tor.com))

The Gurkha and the Lord of Tuesday – Saad Z. Hossain (Tor/Forge (Tor.com))

WINNER | This is How You Lose the Time War – Max Gladstone & Amal El-Mohtar (Gallery/Saga Press)

The Haunting of Tram Car 015 – P. Djèlí Clark (Tor/Forge (Tor.com))

Best Novelette

for speculative works ranging from 7,500-17,499 words

WINNER | Emergency Skin – N K Jemisin for the Amazon Forward Collection

While Dragons Claim the Sky – Jen Brown for FIYAH Literary Magazine

Circus Girl, The Hunter, and Mirror Boy – JY Neon Yang for Tor.com

The Archronology of Love – Caroline M. Yoachim for Lightspeed

Omphalos – Ted Chiang for Exhalation: Stories

Best Short Story

for speculative works ranging from 2,000-7,499 words

Ten Excerpts from an Annotated Bibliography on the Cannibal Women of Ratnabar Island – Nibedita Sen for Nightmare Magazine

Dune Song – Suyi Davies Okungbowa for Apex Magazine

And Now His Lordship is Laughing – Shiv Ramdas for Strange Horizons

Canst Thou Draw Out the Leviathan – Christopher Caldwell for Uncanny Magazine

WINNER | A Brief Lesson in Native American Astronomy – Rebecca Roanhorse for Mythic Dream

Best in Speculative Poetry

Heaven is Expensive – Ruben Reyes, Jr. for Strange Horizons

Elegy for the Self as Villeneuve’s Beast – Brandon O’Brien for Uncanny Magazine

WINNER | A Conversation Between the Embalmed Heads of Lampião and Maria Bonita on Public Display at the Baiano State Forensic Institute, Circa Mid-20th Century – Woody Dismukes for Strange Horizons

Those Who Tell the Stories – Davian Aw for Strange Horizons

goddess in forced repose – Tamara Jerée for Uncanny Magazine

Critics Award

for reviews and analysis of the field of speculative literature

Jesse – Bowties & Books

Charles Payseur – Quick Sip Reviews

Maria Haskins

WINNER | Alex Brown – Tor.com

Liz Bourke

Best Fiction Podcast

for excellence in audio performance and production for speculative fiction

PodCastle – Editors Jen R. Albert, Cherae Clark, Khaalidah Muhammad-Ali, Host + Assistant Editor Setsu Uzume, & Audio Producer Peter Adrian Behravesh

Nightlight Podcast – Tonia Ransom

WINNER | LeVar Burton Reads – LeVar Burton, Julia Smith, Adam Deibert, Brendan Byrnes, Mischa Stanton, Kristen Torres, Jenny Radelet, Josephine Martorana, Chris Bannon

Beneath Ceaseless Skies – Editor Scott H. Andrews

Obsidian Podcast – Co-Creators, Producers, and Writers Adetola Abdulkadir & Safiyah Cheatam

Best Artist

for contributions in visual speculative storytelling

Geneva Bowers

Nilah Magruder

WINNER | Grace P. Fong

John Picacio

Paul Lewin

Best Comics Team

for comics, graphic novels, and sequential storytelling

WINNER | These Savage Shores – Ram V, Sumit Kumar, Vitorio Astone, Aditya Bidikar, & Tim Daniel

Blackbird Vol. 1 – Sam Humphries, Jen Bartel, & Triona Farrell

Excellence – Khary Randolph, Brandon Thomas, Emilio Lopez, & Deron Bennett

Coda – Simon Spurrier, Matías Bergara, Michael Doig, Jim Campbell, & Colin Bell

Bitter Root – David F Walker, Chuck Brown, & Sanford Greene

Best Anthology/Collected Works

The Mythic Dream – Editors Dominik Parisien & Navah Wolfe

Broken Stars: Contemporary Chinese Fiction in Translation – Editor, Translator Ken Liu

WINNER | New Suns: Original Speculative Fiction by People of Color – Editor Nisi Shawl

This Place: 150 Years Retold – Kateri Akiwenzie-Damm, Sonny Assu, Brandon Mitchell, Rachel and Sean Qitsualik-Tinsley, David A. Robertson, Niigaanwewidam James Sinclair, Jen Storm, Richard Van Camp, Katherena Vermette, Chelsea Vowel | illustrated by Tara Audibert, Kyle Charles, GMB Chomichuk, Natasha Donovan, Scott B. Henderson, Ryan Howe, Andrew Lodwick, Jen Storm | colour by Scott A. Ford, Donovan Yaciuk

A People’s Future of the United States – Victor LaValle & John Joseph Adams

Best in Creative Nonfiction

for works related to the field of speculative fiction

AfroSurrealism: The African Diaspora’s Surrealist Fiction – Rochelle Spencer (Routledge)

The Dark Fantastic – Ebony Elizabeth Thomas (NYU Press)

WINNER | Black Horror Rising – Tananarive Due (Uncanny Magazine)

Our Opinions are Correct – Charlie Jane Anders & Annalee Newitz

Tongue-Tied: A Catalog of Losses – Layla Al-Bedawi (Fireside Fiction)

The Ember Award

for unsung contributions to genre

Tananarive Due

WINNER | LeVar Burton

Keidra Chaney

Nisi Shawl

Malon Edwards

The Community Award

for Outstanding Efforts in Service of Inclusion and Equitable Practice in Genre

Beth Phelan

Mary Robinette Kowal

Diana M. Pho

Writing The Other – Nisi Shawl + K Tempest Bradford

WINNER | Strange Horizons – Gautam Bhatia, Vajra Chandrasekera, Joyce Chng, Kate Cowan, Tahlia Day, William Ellwood, Rebecca Evans, Ciro Faienza, Lila Garrott, Dan Hartland, Amanda Jean, Lulu Kadhim, Maureen Kincaid Speller, Catherine Krahe, Anaea Lay, Dante Luiz, Heather McDougal, AJ Odasso, Vanessa Rose Phin, Clark Seanor, Romie Stott, Aishwarya Subramanian, Fred G. Yost, and the SH copyediting team and first readers

Writing in the Time of Covid-19

9/11 Memorial Site NYC

I’ve read one novel centered around the 9/11 tragedy. I’ve watched one movie about it as well. Both stories had other plot threads, but the Twin Towers attack filled the background, enough to be the painful reminder I suppose it was meant to be. I remember that day so clearly, sitting with my little girl, watching in disbelief as the disaster unfolded on a television screen. It was traumatic, and when I visited Ground Zero in 2019, all those emotions I felt so many years ago bubbled to my surface, raw and fresh.

I’d expected to be affected, but as tears welled behind my sunglasses, I felt sick and lightheaded. Hollowed out. So many young people roamed around the memorial laughing and smiling because they didn’t live through that day. The significance seemed lost on them. While part of me felt saddened that they may never grasp the horrors of 9/11 and how that day changed much of how we all went about life, another part of me felt relief that they didn’t own such a grim memory. The changes we watched happen have always been their norm. Standing there, I realized I was watching the effects of time on our world’s awareness and reality.

Covid is a different beast, an ongoing tragedy not pinned to one specific day in our past, and for most, this is certainly a time we will never forget. But, there are children who are too young to understand how much the world they could have known has transformed. One day, people will look at a memorial to those we’ve lost in this pandemic, and it won’t hold the same significance that it does for the rest of us. This, again, is the nature of time as our present becomes history.

So how do we make certain that people of the future know what we went through? How do we make sure they understand the impact on our lives, so that they might do or know better? Old newspaper articles and internet chronicles will float around, of course, and the events will be documented in history books. Other non-fiction texts will become references for research papers and book reports.

But what about fiction?

Fiction has always mimicked real life, and it has always endured and educated. Storytelling is the language of our ancestors, after all. It’s the vehicle for passing down legends, myths, folklore—and real-life lessons and experiences. Even though I can’t say I want to read Covid-19 fiction any time soon, I can say that telling writers they shouldn’t write about this awful point in time would be a mistake. However, my advice to anyone tackling that mountain is: Be wise and tread lightly.

As an editor, I would be quicker to lend an eye to an emotional story about how the pandemic has altered our connection to the world rather than a story focused on the virus and the horrors brought about in its wake. I’m still living through all of this, still thinking about old friends who lost their lives, still worried about my loved ones contracting a virus that could take them from me. Reading is my escape. It isn’t an escape if I pick up a book that carries me back to the fears I’m trying to avoid. But a book that resonates because it provides a lesson about humanity? That, I might be able to do, and so might others.

This is why I enjoy dystopian novels. Granted, I prefer witches and magicians, romance and happy endings, but dystopian is one of the genres outside of those realms that I love to venture into. Dystopian fiction teaches us about ourselves and reveals deeper truths about the (often faulty) constructs of our society, as well as becoming literary think-pieces on the future. Experiencing the last year has been a lot like walking inside a dystopian dream, from quarantines and lockdowns to corrupt government failures to an ever-changing landscape of life. I remember thinking that I never imagined living through times like these, and yet I have and I am. That gives me, as a storyteller, a unique perspective, as it does every writer alive right now. Whether we choose to infuse this experience into our fiction is up to us.

My hope is that writers handle any Covid-19 story inspiration with a delicate touch and much respect for their readers. I also hope that—even in this time of difficulty and change—writers are able to nurture their creativity and write about something, because the world needs stories. It needs feel-good tales and scary science fiction, colorful Regency romance and gritty vampire fantasy.

If a writer so desires, any of these stories can resonate with the times we’re living through. Over the last year, we’ve endured personal, emotional, and physical struggles, witnessed more bizarre events than I can count, and watched while our government let people die. We’ve also witnessed acts of heroism, kindness, perseverance, ingenuity, and triumph. All of the above can manifest through our fiction in ways that don’t perfectly mirror our current reality, allowing us to reach readers on planes they feel safe to explore.

This is literary alchemy, the writer’s gift of transmuting life into fiction. We are one-day ancestors, leaving behind stories for those who come after us.

We just have to write.

Put It In

What do you know about cholera? Or what came to be called the Spanish flu? How about yellow fever? Or Bubonic Plague (outside of your world history class)? Let's go with what these all have in common. 

What they all have in common is that they show up in the fiction of and representing their times. If you know much about yellow fever, it's likely you gleaned at least some of that knowledge from Civil War narratives and/or stories centered around New Orleans during the outbreaks. Cholera is a bit player in Victor Hugo's work. If you saw Les Miserable, the latter portion of the story takes place during a cholera outbreak. Valjean and Cozette are taking charity to cholera victims when the barricades go up. Spanish flu haunts WWI stories to a lesser degree than the trenches and miserable conditions, but it killed more people worldwide than the war did. If you're of a certain age, maybe you saw some of the orphan train movies that followed the aftermath of that pandemic. Bubonic Plague features in Chaucer's tales and most of us know that Shakespeare got a couple of plays out a plague quarantine. We have windows into those pasts because stories told around these sicknesses endure. 

Does anyone imagine that those literary mentions of popular (at the time) culture date the stories in which they occur? They do, after a fashion, but it's not a bad thing. The pandemics and outbreaks documented in popular literature anchors the stories in a historical and cultural context. It's a fancy way of saying these stories that included the hard realities of everyday life offered modern readers a glimpse of what we had no way of knowing we'd end up facing - yet another pandemic. Looking back, we can see the repeating patterns of illness sweeping the world. Maybe we should have taken the warning. Maybe we thought we were too modern, too clever, too scientific to think that 'bad air' caused malaria, but we're clearly not so smart as all that because here we are. Living what our ancestors set down for us to read about in their fiction. Only now, we're living it. Same as they did.

So write about the time of Covid. I haven't. At least not on purpose - even though a weaponized pandemic is a part of my SFR series that was started several years ago. It wasn't this pandemic. If I were writing contemporary fiction, though, I would include the reality. It's a rich and textured landscape filled with loneliness and the longing for human interaction that's loaded with unseen danger. This is a place and a time where a single regrettable decision puts your heart in more than one kind of danger. Sure. We're all looking forward to looking back on our stories written at this time and laughing over how irrelevant and dated they seem. But our children's children might not laugh. They might read our stories and frown at one another over the lives we had to alter so suddenly and completely, or over the vast numbers of needless dead. 

Our reality has so much grim horror to it, so much pain; but it also has moments of shattering humanity and heartbreaking beauty in it. I can say this, and maybe you nod in comprehension, but it will take a fiction writer with a painterly hand to brush those images into a story so that it haunts the souls of readers who will look back at this pandemic and wonder what it must have been like. If you're writing, put your reality on the page. It means more than a writer trying to appear daring.

Is the pandemic infecting your writing?

 

Notre Dame Cathedral reconstruction August 2019

Do you pull real life into your writing? More specifically, is our current pandemic showing up in your books? Like the Notre Dame Cathedral above, our world is rebuilding, but do we want to see it in our books?

My fellow SFF Seveners have answered rather well this week, but it’s still a tough question to face as a writer. Which makes me wonder if it’s different from a reader standpoint?  

I’ve said it before and my stance hasn’t changed, I read for fun and to escape. Stress running high? Read. Exhausted from work or house projects? Read. Heartache that you’d rather not think about any more? Read. 

Reading clearly works for me and if I look back at the books I’ve read so far this year it’s pretty heavy in the fantasy category. I want to escape into fantastical worlds where the magic or creatures are what you fear. In fantasy I’m not looking for a book filled with characters in masks, unless we’re talking DUNE. 

I also read some contemporary romances. They were lovely stories where the characters got close, figuratively and literally. When I picked those up I wanted to escape into a heartwarming love story and hopefully have some good laughs along the way. I wasn’t looking for a real-time meet cute half hidden behind masks. 

Escaping into the past is fun and I read a couple historical fiction novels too. But no, they didn’t take place during any epidemics or pandemics. Same with the middle grade books I finished reading aloud to my kids. Those were tales as old as time…no, not fairy tales, just the struggles everyone goes through of fitting in and finding yourself. 

That leaves sci-fi. My other love. I can totally get into a good space opera, but my faves are near-future. And mankind vs. a deadly disease isn’t anything new in this department. So yes, I have and I will continue to pick up science fiction based on frightening viruses and alien controlled lifeforms. In fact, bring on more! If you’ve read one recently drop the title in a comment. 

Now that I look back at my reader thoughts I can put my writer hat back on. And whew because THE MARS STRAIN, that was pitched as a cross between THE MARTIAN and OUTBREAK, featuring an infection disease scientist and astronaut who, in a race against time, work to stop the devastating impact of a deadly Martian virus, will be releasing this spring! 

I guess that means I’ll continue to write my fantasy books with the same themes, found family and discovering what you’re truly capable of. And that also means my next sci-fi WIPs, works in progress, won’t change either. They’re near future and it’s easy to imagine our triumphant dominance over coronaviruses and continue to pit my characters against greed, boiling their choices down to a discovery of self and revelation of what, or who, they really value.

Any creatives out there who’ve taken a step back to consider the consumer side? What did you come up with? 

Deconstructing a world on fire

I don't know if you've taken a peek at the world lately, but it's a mess. I kept a list of wtf moments in 2020 -- including but not limited to: global pandemic, declassified proof of UFOs, murder hornets, ten gazillion hurricanes of ever increasing horribleness, earthquakes, wildfires, fire tornadoes, that scary af explosion in Beirut, and this headline: "Scientists Revive Ancient Microbe That Has Been in a Dormant State for More Than 100 Million Years" (BBC News, 7/27/20) --  but have largely left off doing so in 2021. My mind is just too tired, honestly, and more than a little overwhelmed. It's hard to read, it's hard to sleep, and it's really hard to write.

Because, dude, how do we express the utter freaking swirling chaos that is our real life right now? And more importantly, how do we do that without creating an echo chamber for bad stuff, which is likely to turn off more readers than it lures? When you see this kind of stuff on the news, you don't really click on the TV and watch Contagion. I mean, most folks don't. They watch The Great British Baking Show or TikToks about puppies.

So our challenge as writers is to speak to the zeitgeist of 2021 without bringing our readers down. We have to acknowledge reality without piling on more badness. And those of us who write speculative fiction have been given a huge gift in this effort because we are gods.

Literally, we make and unmake worlds on the regular. It's like our job.

We can endure involuntary isolation and constant existential threats but also show the entire world reaching out with a big sciency hug to end that isolation and bring Mark Watney home. (The Martian)

We can feel the frustrating lack of agency as history washes us along in its tsunami when we read about an immortal girl who's perpetually forgotten. (The Invisible Life of Addie LaRue)

We can address inherited trauma by investing it with magic as a mechanism for justice. (The Deep)

All of the real-life, actual bad stuff hitting us right now can be deconstructed into core themes -- isolation, uncertainty, injustice, fear, who to believe, who to trust, who to admire. And then we can use not our real world but fictionalized speculation (spec fic, right?) to tell readers that we see them, we hear them, and there is hope.

In other words, absolutely we can write about this real world shitstorm. We do it all the time in spec fic. The trick is to bake reality into our made-up worlds so that reading our stories is not only an escape but also a validation of the struggle.

New #UrbanFantasy: THE SHACKLED SPY by K.A. Krantz

Snow is falling and so must the old cosmic moat surrounding the Mid Worlds in the latest installment of The Immortal Spy series. Yep, that's right, Bix and the Berserkers are back, trudging through the ick of winter on another mission to save the Mids. 

THE SHACKLED SPY

The Immortal Spy: Book 6 

Sometimes the strongest chains are the ones we craft for ourselves.

The Mid World defense system is finally ready to launch, but the millennia-old barrier of highly destructive ether must be removed first. Only one very special artifact can hold such a powerful force. To take down the old and make way for the new, Bix and her team race to locate and reassemble the pieces of the containment device scattered across the Mids.

Alas, they’re not the only ones searching for the shards. In the wrong hands, the fragments are weapons of mass destruction. Fearful magical races and fearsome deities alike scramble to claim the pieces, but lurking in the ether are entities who will not go quietly…and who will stop at nothing to keep Bix from interfering in the burgeoning war.

Darkness will fall and armies perish when manacles break from the shackled spy. 

Buy The Shackled Spy Now in eBook or Paperback
Amazon  |  Apple Books  |  B&N  |  Kobo | Google Play

New to The Immortal Spy series? Start here.

Should You Reference the COVID-19 Pandemic in Your Writing?

So exciting! DARK WIZARD, Book #1 in a totally new series - new world, new magic system, new everything! - is coming February 25, 2021. You can preorder now. 

Available at these Retailers

    

Yes, I know I just released a book last week, but sometimes this is how balancing an Indie career with a Trad one works out. Probably we could do a theme week on that topic. Suffice to say, I'd already planned out and begun the Heirs of Magic series, when this book - finished and very sparkly to my eye - was returned to my aegis. I could have sat on it. Or I could just launch this series, too! 

You all know me (or you should, by now) - I checked my Gantt charts and decided to go for it. 

Our actual topic at the SFF Seven this week is *not* filling the pipeline with projects in order to juggle the demands of a career as a hybrid author. It is, however, not entirely unrelated. We're discussing topicality and making choices about what to write and publish - "In These times of plague: Writing about the real world in fiction."

I recall, lo these many years ago, when I was a newbie author and soaking up All The Advice, a writing professor at my university pronounced (you may add stentorious tones, if you wish) that we should eschew anything of popular culture in our work. Such references only dated the work, and made it less than. I vividly recall everyone nodding along sagely and making erudite remarks about the banality of popular culture. So much so that, for once, I kept my mouth shut.

Though I didn't agree.

People sometimes support this argument by pointing out that Jane Austen doesn't mention Napoleon in her novels, though that was the overshadowing political force at the time. She does, however, include the presence of the regiments. The movements and stationing of The Officers! (feel free to read in Lydia's excited squeal) are omnipresent to the milieu of the stories. They're such a seamless part of the world that we don't really remark on it. Except... why are there parades of uniformed soldiers marching through these idyllic, rural hamlets? 

My point is that, even if we make the conscious choice not to mention Napoleon, the tenor of the war will invade the story regardless.

I've seen a number of authors in various groups asking about whether others are including the COVID-19 pandemic of 2019-2021 in their books. Do we show characters in lockdown? Wearing masks? Avoiding public superspreader events?

Putting those realities of our lives in this extraordinary time into our books feels... fraught. Do we really want that stuff in our escapist fiction? And yet, the alternative - at least for contemporary fiction - is to pretend it never happened, or risk our characters looking foolish, cavorting maskless in a pandemic world, coming within six feet of PEOPLE THEY DON'T KNOW.

I don't know about you guys, but I flinch now watching movies where people attend parties in close spaces, embracing and kissing on others. It didn't take all that long, relatively speaking, for my habits and worldview to change.

The advantage of writing alternate fantasy as I do is that I don't have to worry so much about this kind of thing. On the other hand, this is the world *I* live in, and - like The Officers! - aspects will infiltrate the milieu of my stories.

I've seen a number of interviews now with directors talking about how the pandemic changed their films in profound ways, leaking in where they didn't expect it. I also saw Locked Down (Baby's First COVID-19 Movie™) and enjoyed it very much. However, filmed in London in early 2020, it already felt dated in marked aspects. 

Cue sagely nodding of sycophantic students. "See?" they say. "Dated. Less than."

I disagree. Capture the moment, if that's what calls to you. As artists, we observe the world and reflect it through our own lens. That includes *gasp* popular culture. 

Besides, it's going to leak in anyway.

Welcome to our new Saturday blogger~ Charissa Weaks!

 We're incredibly excited to announce

we have a new Saturday blogger:

Charissa Weaks!!!

Charissa is as beautiful on the inside as she is on the outside—and come on, look at that pic! She's also a fantastic writer and her stories will sweep you away and make you never want to leave them. Not only all that, but she's a genuine soul who supports those around her and lifts them up. And she's also an editor at City Owl, so we'll get to hear about that side of the business as well! 

Her official bio is even more impressive than that attempt:

CHARISSA WEAKS is an award-winning author of historical fantasy and speculative fiction. She crafts stories with fantasy, magic, time travel, romance, and history, and the occasional apocalyptic quest. She is a foodie and book-buying coffee addict who loves to travel and visit antique stores. She believes the souls of memories live in shadowy places and inside the things we cast away.
Over the last decade, Charissa has worked with and edited for published and unpublished authors alike, including several NYT and USA Today Bestselling Authors. Her strengths lie in author branding and the development of high-concept plots alongside strong emotional arcs. She has a love for historical tales, women’s fiction, fantasy, and unique sci-fi, and if those stories include a heart-rending romance, all the better. Charissa also longs to see more diverse authors and characters on the shelves. For query information and to see her current wishlist, click HERE. 
Charissa is active in the Historical Novel Society, was named 2019 President and Pro-Liaison for her local Romance Writers of America chapter, and is a member of the Women’s Fiction Association. She is the founder and editor of Once Upon Anthologies, a series of paranormal and fantasy romance short stories and novelettes.
Charissa resides just south of Nashville with her family, two wrinkly English Bulldogs, and the sweetest German Shepherd in existence. When she’s not writing, you can find Charissa lost in a good book or digging through four-hundred-year-old texts for research. To keep up with her writing endeavors, and to gain access to writing freebies and book giveaways, join her newsletter, The Monthly Courant.

Be on the look out for her upcoming novel: THE WITCH COLLECTOR!

You can find and follow Charissa—seriously, she's all over!

• Facebook: http://www.facebook.com/CharissaWeaksAuthor
• Twitter:  https://twitter.com/charissaweaks
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• Goodreads: https://www.goodreads.com/CharissaWeaks
• Amazon: http://www.amazon.com/author/CharissaWeaks
• BookBub: https://www.bookbub.com/profile/charissa-weak

What Dreams May Come

Corvid, the Void Boi, wants you to know that his human mom doesn't need to cultivate purposeful day dreams. She has him and he's a weirdo. 

Day dreaming. It's therapeutic and completely necessary for artists of all kinds. Yet we live in a culture that flings all kinds of accusations about laziness, worthlessness, and 'wasted' time. Add modern technology into the mix and most people over twelve have precious little time for the 'silliness' of day dreaming. 

In an attempt to reclaim some brain space, time, and day dreaming, I'm working my way through a book called Bored and Brilliant by Manoush Zomorodi. It's a treatise on how our devices have stolen away the free time our brains once filled with day dreams and with synthesizing our experiences. 

It's also a useful walk through the brain science that explains why we need wandering minds and 'useless' day dreaming. 

So yes. Day dreaming - the fun, the terrible, the startling. Bring it all on. It's necessary. It's enlivening. Certainly, creativity and stories are built on the foundation of day dreaming.

The interesting piece is that with migraine, you get hallucinations. Not every time. But it seems to be a feature. Hallucinations are the feral cousins of day dreaming. Day dreams can be directed. Hallucinations can't. Yet they're useful, too. Some of the grimmest of my scenes came straight out of migraine hallucination. To be clear, tho, I'd flat give them up if I could exorcise the migraines. There are other ways to get into the altered states required to bring up vision, if not hallucination. I'd take it if I could get it. Until then, day dreams are welcome companions. Hallucinations, well. They show up, welcome or not, and stay until they're good and ready to leave.
 

Purposeful Daydreaming

 I’ve been working on being a professional daydreamer forever. I remember warm summer days spent in the poppy patch watching the bees hum around me and imagining unicorns and trolls adventuring nearby. I remember leaning my head against the glass of the school bus window as I stared out across the fields, imagining the life of a young girl with a pegasus. And I remember hiking and sitting along the banks of a frozen creek with my husky, imagining the hiss of the blowing snow was dragon scales sliding over rock.

Growing up I would chose which dreams I wanted to return to. I’d have a fantastic dream and upon waking, would sit and think about it and examine what had happened—so I could actually remember said dream for longer than an hour—then I would return to that dream before falling asleep by replaying what I’d dreamt the night before. Only the second or third nights I would change things I didn’t like or wanted to happen differently…and then I’d go back to that dream and experience it all over again but better! My pegasus lived in the most fantastical world!

But it wasn’t until I was tipped off on Robert Olen Butler’s book From Where You Dream that I realized what an important writing tool this really was. After reading Butler’s book I’m absolutely sure I’d never want to sit in on his lectures, he’s very black and white in his assumptions and definitions on literature, but I did glean one very useful writing tool. 

Dreamstorming—getting into the dream space. It’s different than daydreaming when your mind wanders and slips away for a few moments in-between life’s business. When you purposefully put yourself in the dream zone you’re examining each scene visually so you feel where the characters are standing and you’re tapped into their emotions and sensibilities.

This is a tool that I like to use before I start writing. Well, I also hang out in the dream space when I’m plotting out a novel, I love watching the action and seeing what the characters do. But it’s a great warm up for a writing session. 

Want to give it a try?

Sit somewhere comfortable. I prefer things to be very hygge, the Danish word that encompasses comfort and peace, and having a blanket on my lap and a warm cup in my hand usually do the trick. Having a fire or a candle can be handy too. I know you’ve all zoned out while gazing deep into the flames before. When you’re comfortable let your mind shut off all the stuff, your to-do list for the day, the dishes sitting in the sick, the email you have to get to, all of that stuff gets shut off and you’re left with your story. Or a character. Or a place. Pick what dream space you want to walk into and form it in your mind’s eye. Then sit back and watch. 

Pay attention to how you feel and what you sense, everything that doesn’t require words. When you’re done, write it out. It doesn’t have to be extremely detailed or long, just jot down what encompasses the scene you just watched. You may prefer to sit at your desk, like Butler, for a short zoning session. Or you may work better by setting aside a half our or more if you’re really comfortable. If you’re stuck, got a plot hole, settle in and watch your story and see what happens when you get to the sticky situation. 

If you give it a go, let me know! 

Daydream Believer

 Do I daydream?

Yes.

On purpose?

Yes.

Is it a critical part of my writing process?

Yes.

Do I recommend daydreaming to anyone even thinking about writing fiction?

Oh definitely yes.

My favorite ways/places to daydream about my works-in-progress:

1. Whilst walking around my back yard and waiting for dogs to do dog business.

2. Whilst driving.

3. In the shower.

4. Whilst doing dishes.

5. When someone else is talking to me about something important.

6. Pretty much any time I do not have easy access to a notepad or other method of actually documenting the genius ideas I come up with during these daydreaming sessions.

On a slightly more serious note, some of us have these weird writing processes where we think-think-think for like months and then BOOM write a full novel in a couple of weeks. All of that think time could be described as daydreaming, I suppose. It's definitely time I spend putting the story together in my head, and I almost never document all of that work on paper. (Which is why my word-count tracking is super sketchy.) If this is your process or you're thinking about trying it out, stop telling yourself that you have to make a daily word count and get to daydreaming instead. (I know, it sounds miserable, dunnit?)

New Fantasy Romance: The Golden Gryphon and The Bear Prince by @JeffeKennedy

This week our favorite hard-working, award-winning Sunday blogger, Jeffe Kennedy, released the first book in a new fantasy romance series Heirs of Magic! 

THE GOLDEN GRYPHON AND THE BEAR PRINCE
Heirs of Magic: Book 1

A Legacy of Honor

Crown Prince Astar has only ever wanted to do the right thing: be a credit to his late father’s legacy, live up to his duties as heir to the high throne of the Thirteen Kingdoms, and cleave to the principles of honor and integrity that give his life structure—and that contain the ferocious grizzly bear inside. Nowhere in those guiding principles is there room for the fierce-hearted, wildly free-spirited, and dizzyingly beautiful shapeshifter, Zephyr. Still, even though they’ve been friends most of their lives, Astar is able to keep Zephyr safely at arm’s length. He’s already received a list of potential princess brides who will make a suitable queen, and Zephyr is not on it.

A Longtime Obsession

Zeph has wanted the gorgeous, charming, and too-good-for-his-own-good Astar for as long as she can remember. Not that her longing for him—and his perfectly sculpted and muscular body—has stopped her from enjoying any number of lovers. Astar might be honorably (and foolishly) intent on remaining chaste until marriage, but Zeph is Tala and they have no such rules. Still, she loves Astar—as a friend—and she wants him to at least taste life before he chains himself to a wife he didn’t choose. There’s no harm in him having a bit of fun with her. But the man remains stubbornly elusive, staving off all of her advances with infuriatingly noble refusals.

A Quest to Save the World

But things change when a new terror threatens the Thirteen Kingdoms. Following prophecy, Astar and Zeph—along with a mismatched group of shapeshifter, warrior, and sorceress friends—go on a quest to stop a magic rift before it grows beyond anyone’s ability to stop. Thrust together with Zephyr, Astar finds himself increasingly unable to resist her seductive invitations. And in the face of life-and-death battles with lethal monsters, he begins to lose sight of why having her, just once, is such a terrible idea…

BUY IT NOW: Amazon | Apple Books | B&N | Kobo

To Dream, Perhaps to Write

 Dreamzoning is the catch phrase this week. 

Dear Heaens, of course, I daydream. It's all I do.  It's part of my job as a writer. Back in the day Warner Brother Looney Tunes cartoons did stories about a little kid named Ralphie Phillips. That was his job too.

Inevitably, no matter what he was supposed to be doing ARalphie would spin off in his own head and be off on another adventure. first time I saw one of those cartoons I thought that at last somebody understood me. 

I still feel that way.

It's my job to imagine new place, new situations, and then dream up the people to explore them.

If you write fiction, or want to write fiction, what could possibly be more important/

Oh, to be sure there's the craft of writing, but with9utmthe dreams, there are no stories to tell. 

I have so many tales to tell! I'm late on one of them right now, actually, two of them, so back to it for me. 

Good luck with the dreams. Make the time for them. 

Why Daydreaming Increases Productivity

Our topic at the SFF 7 this week is: Dreamzoning (term from Robert Olen Butler’s book From Where You Dream): Do you daydream on purpose?

I'm not familiar with this book, but I absolutely daydream on purpose! I call it The Dreamthink. 

The Dreamthink is so central to my creativity and productivity that I gave it to the heroine of my Forgotten Empires trilogy. For her it's an actual form of magic, and you can see it referenced there in the whim for the upcoming THE PROMISED QUEEN. 

In my Forgotten Empires trilogy, the heroine—Queen Euthalia of Calanthe—uses the dreamthink to maintain her world. Because she’s magically sensitive, messages come to her in nightmares, when her mind is vulnerable. The world is a chaotic, broken, and wounded place—and it cries to her for help. When she wakes from these terrible dreams, she pretends to be asleep still, just to calm herself so she can face a day of politics. 

In some ways, she isn’t entirely faking it. She wakes, then goes into another stage of sleep: the dreamthink. 

Lia, who lives in a world that celebrates science and knowledge, but is not technologically advanced, has given this state its own name. It feels to her like a kind of light dreaming, where she can also guide where her mind goes. Those of you familiar with meditation or sleep stages, might recognize this as a trance state. Or it could be a Stage 1 sleep with theta waves (which are also present during meditation) or Stage 2 with sleep spindles in the brain activity. Magical or not, those are states of mind we all experience at some time or another. 

I know I do! I made up the term “dreamthink” for myself. (Even though I do understand meditative trances and sleep states – lol.) Once I became a full-time writer, I gave myself the gift of waking according to my own natural rhythms. I don’t set an alarm, so I emerge from sleep gradually. Often I’ll lie in bed in that light sleep state a while longer, and mull over the story I’m writing. That’s why I call it the dreamthink—because I can guide my mind to that particular story thread, and then dream about what might happen. It’s a lovely, low-key way to puzzle over plot issues, and wonderful ideas present themselves to me. 

In the first book of the Forgotten Empires, THE ORCHID THRONE, Lia uses the dreamthink to wrestle the nightmares. As the story progresses into the second book, THE FIERY CROWN, and as Lia begins to use her native magic in a more deliberate way, she summons the dreamthink to quiet her conscious mind and unruly emotions. The trance state of the dreamthink allows her to access the magic of the land, to expand her mind into other realms of reality.

If only we all had magic to heal the world in these troubled times! But we all can find a sort of dreamthink for ourselves. I think you’ll find it’s a great salve to worries of all kinds.

For those hoping to access the creative subconscious, this deliberate daydreaming brings its own kind of magic. Productivity comes in many forms - and sometimes that's when you appear to be worlds away, magicking up your own.  

Finding Jewels

 

Cute cat for tax.

Pointers for finding New to You Authors:

• Judge contests
• Twitter

Of course there are more ways, but these two were the ones I didn't see mentioned previously this week. 

Contests

The great thing about judging contests is that you learn as much as you judge. Most contests won't allow you to judge in the category you write (if you entered the contest). This is an excellent way to find new to you authors in genres you might not normally read. There's also no thrill quite like finding that an entry you judged and loved actually won the contest. It's rare, but it happens, and it's a bit of a rush.

Twitter

Now. Lest anyone go dig up all of my earlier posts about how I doubt that Twitter sells many books, I still think it's true for the socially awkward among us. But. My Twitter account is awash with romancelandia people and altgov political resister types. So when angst breaks in either, it's almost inevitable that a rash of book recommendations follow whatever tidal wave of drama washes over. This was how I managed to go out in search of authors of color. Recommendations began rolling on Twitter and I looked at my book shelf. Lo, it was pasty and lacking meaningful representation. I aimed to change that. As with all things, some authors have been a joy to finally stumble upon. Some are less to my taste, but so goes life. I'm refining what makes a story work for me with each one I read.

So I add to James's recommendation to read outside your genre. Consider reading outside your personal experience, too. There are jewels out there and a lot of joy to be had in finding them.

Just Keep Reading

I recently had a call with someone who is starting out on their first novel. It was incredibly exciting to listen to them talk about their love of reading and their eagerness to dive into writing their first book.

One of the knowledge bits I shared was the importance of continuing to read. Writers start out as readers and when we can’t get enough books, or can’t find ourselves in enough stories, we turn into writers. But then you get busy drafting, editing, submitting, formatting—and on and on. It’s easy to get so busy that we end up not reading!

I’ve seen authors that proudly claim they don’t read. I’ve read their books. And I still say it’s important for an author to read and to read outside your genre! Why? Because a great book has more than one genre element in it. A SONG OF WRAITHS AND RUIN by Roseanne A. Brown is fantasy with a little mystery. THE LAST ASTRONAUT by David Wellington is science fiction blended with thriller and horror. Pick up your recent read and see how many elements you can pull out. 

But where do you find books when you’re busy wiring your own novel or promoting your newest release? Check out my fellow SFF Seveners’ posts from this week, there’s some gems in there. And if you need some more ideas, here you go:

1: Your local library. I love my library! They’ve always got a surprise read or two facing out on the shelves, and I’m such a sucker for a good book cover. 

thank you Dakota County Library!

2: #writingcommunity I spend my social media time on Instagram and follow this hashtag because it’s filled with authors in all stages and they’re either sharing their release news, posting book birthdays, or shouting about whatever great read they just finished! It’s fantastic! (if you’re on Twitter you’ll find writers using the same hashtag)

3: Blogs! Yes, I still follow a handful of blogs that have proven time and again that their book tastes run similar to mine and undoubtedly sway me into trying reads I wouldn’t have picked up otherwise. 

Book Girl of Mur-y-Castell

The Fantasy Inn

SFF  World

Reading Between the Wines

4: follow me on Goodreads. Kidding, but not kidding. Goodreads is a never-ending supply of book choices and if you follow people with similar tastes, or maybe completely different, you'll see what they're reading and reviewing and find some books to add to your own TBR (to be read) list! 

Alexia's 2021 Goodreads shelf as of Jan 21st, 2021

I hope the information I shared with the aspiring writer was helpful, at least I know it helped me when I was starting out. And I hope one day, when he’s further along in his writing career, he lends a hand back to someone else that’s on their way up. Because I believe that’s how things should work, by receiving and giving, giving and receiving. And reading! 

Now, go find some great new reads this weekend! 

You Might Like Book Recommendations

Amazon recently informed me that I've had an account with them since 1999. My first two orders were a Playstation version of Metal Gear Solid and a paperback of Our Dumb Century: The Onion Presents Headlines from America's Finest News Source. Man, those were the days, and not just because I could get books sent straight to me without having to go to the store (I hate shopping) but also because, back in the day, Amazon had a truly awesome "If you liked this book, you might also like" recommendation feature. I say truly awesome because I found so many new-to-me authors through that rec feature. It was magic.

The feature exists today as a shell of its former self. When Amazon started being a publisher and pushing its own books and authors who paid for extra marketing, the accuracy of that feature plummeted. For instance, the last book I bought on Amazon was The House in the Cerulean Sea, a feel-good, heartwarming fantasy. So what does Amazon suggest as my next read? Five Kindle Unlimited books that are sort of fantasy-ish or urban fantasy-ish or paranormal romance, oh, and that M/M celebrity bad-boy contemporary romance. 

Amazon rec algorithm, go home, you're drunk. Also, you're no longer helpful.

These days I find my next read almost exclusively through recommendations of friends whose taste I know aligns with my own. (The House in the Cerulean Sea, for instance, was a personal recommendation from a co-worker, and she absolutely nailed it. I'm loving this book.)

So if you're looking for a good place to find new-to-you writers and immersive story experiences, my best advice would be 

1. Join a book club. 

2. Talk to your friends and co-workers about books they've loved. 

3. Get recs from people who know what you dig. 

4. Read newsletters of writers you admire -- sometimes they'll rec other writers' new releases that they think their readership will like.

5. Scroll your social media feeds, especially on Tuesdays, which is when a lot of book releases happen. The people you're connected to online may (probably?) share your your reading taste.

6. If you specifically like science fiction romance, check out the weekly new releases post that Veronica Scott compiles. This week, it's here, but you can follow her blog to get alerts every Wednesday.

7. Also for science fiction romance, the SFR Station is a huge trove of links to books in our subgenre. It has a nifty browsing feature where you can find books by title, author, and even trope/subgenre. So if you have a particular interest in, say, space westerns or earth aliens, you can scroll through some titles guaranteed to deliver. 

True, the days of helpful recommendation algorithms are gone, but that doesn't mean we can't still find those "If you liked this book, you might also like" gems.

Finding Fantasy Novels One Step Off The Mainstream: #SPFBO

So you like fantasy novels, eh? Looking to find some hidden gems? Stories that are one or two steps off the beaten path?

Allow me to introduce the Self-Published Fantasy Blog-Off, aka #SPFBO. Started in 2015 by Mark Lawrence (Of Broken Empire, Red Queen's War, and Book of the Ancestors fame), 300 Indie Fantasy authors submit their stand-alone or first-in-series book to the pool. It's a first-come-first-served open call. On the receiving end are members of 10 Fantasy Book Blogs. Mark divvies up the books, 30 to a blog. The bloggers then choose one of their 30 to put forth as a finalist. The top 10 books get read, publicly reviewed, and scored by all the participating blogs. The finalist with the highest score wins....bragging rights. 

What types of fantasy books final? It runs the gamut, from grimdark to parody, sword & sorcery to mythology, chosen-one quests to whodunnit mysteries. You'll find orcs, pirates, dragons, hitmen, steampunk animatronics, and fire warriors. If you've got an itch for rich fantasies, then give #SPFBO books a try. You can also follow along the journey of the entrants and bloggers on Facebook or Twitter by searching on the hashtag.

GoodReads Listopia: #SPFBO

You're in luck, for two more days, 30 SPFBO finalists are offering their ebook(s) for $0.99/ea. Sale ends tomorrow, 1/20.

Buy Them Now!

Guide to discovering New To You Authors

Um, yeah.

Find an author you have not read before. Read them. Read a lot o new authors. It's how we grow as readers and growth as a reader helps us grow s writers. Also, read outside of your genre.  a lot. 

Really, that's all I've got. 

Okay, back to writing. 

A Guide to Discovering New-To-You Authors

Our topic at the SFF Seven this week is Discovering New-To-You Authors: Where would you direct someone wanting to read more from emerging authors in your subgenre?

I'm going to cheat a bit today and point you to an article I wrote for the SFWA Blog: A Guide for Authors on Recommending Books. I'm not cheating for my usual reasons - too busy, running behind, general laziness - but because I really like this article and I think it's useful for this topic. 

Despite the title, it's useful for readers, too!

That's because we can all make an effort to diversify our reading, and this article talks about ways to do that - including resources for finding new-to-us authors who aren't from the usual walks. 

Go forth and find cool new stuff!

Leveling Goals

 Goal: Leveling up. How to get there? For me, writing classes. It's not enough to just want more words - that state is eternal. You can always assume I'm looking for a way to make stories happen faster and more efficiently. Over and above that, though, I'm interested in taking skills up a notch. I want to look at words differently. I want to think not just about what makes a story, but what makes a tale compelling. How do I get more emotion from characters into readers - if words are my only tools - I need to experiment with how they evoke a response in someone who isn't me. 

It's that old acting chestnut of Sir Lawrence Olivier supposedly saying, "It isn't my job to feel anything. It's my job to make the audience feel everything."

I'd started writing on the theory that if what I wrote made me feel something, then surely reads must, too. T'ain't necessarily so. Without getting into the showing versus telling diatribe, let's just say there are multiple ways to approach reaching out to touch a reader via nothing more than flat words printed on a page. 

That's my current work on leveling up. Concentrating on skills. While spurring for more words faster than they are currently being produced.

Career Goal: MOAR WORDS

One aspect of my publishing career that I want to improve this year? An aspect over which I have control? 

Finish writing three books.

Longtime readers of this blog know I'm not a fast writer. This year, I'll release books 6 & 7 in my UF Immortal Spy series, wrapping up the story of Bix and the Berserkers. Then, I have to decide: do I return to my HF Blood Born series and spend the next four years completing that series, or do I write the first book in a new HF trilogy and try to sell it (and the series) to the Big Houses? My HF books are twice as long as my UF books, 175k vs 85k, which means finishing that third book this year is a stretch goal that'll require me to spend less time fighting with a blank page. Can I do it? I have no idea, but I'd sure like to improve my record of days with net-positive word counts.

After all, getting the movie in my mind to show up as words on a page is HARD.