Sunday, November 15, 2020

A Pre-Release Peek at UNDER A WINTER SKY!


This week at the SFF Seven, we're sharing a snippet from a work in progress. We're supposed to "tease" with one paragraph, but I'm going the extra multiple-paragraph mile. Since UNDER A WINTER SKY releases this week (you can preorder until Thursday for only $5.99, when the price goes up), I'm sharing the first chapter and a hint of the second chapter of my novella, The Long Night of the Crystalline Moon. This story is a prequel to a brand new series I'm starting, Heirs of Magic. Book One is THE GOLDEN GRYPHON AND THE BEAR PRINCE, and will be out in January. It picks up where The Long Night of the Crystalline Moon leaves off. 

You can preorder UNDER A WINTER SKY via the buttons below on follow that link to my website. I'll also be adding the preorder for THE GOLDEN GRYPHON AND THE BEAR PRINCE this week. 

     

 And now, Chapter One and a glimpse of Chapter Two of The Long Night of the Crystalline Moon from UNDER A WINTER SKY!


~ 1 ~

 

Castle Ordnung came into view as the dragon dropped beneath the thick cloud cover. From Rhyian’s perspective on dragonback, the white towers and high walls looked only slightly less white than the snowy landscape. The high queen’s crimson banner flapped furiously on the heights, all the pennants of the subsidiary thirteen kingdoms arranged below. Though it was still afternoon, the thick snowfall dimmed the light to a grim gray, so gloomy the thousands of burning torches lining the parapets shone clearly.

Rhy snorted to himself. So much for mossback’s much-anticipated viewing of the crystalline full moon. With that overcast, no one would even see it. To think that he could be at home in tropical Annfwn, celebrating the Feast of Moranu in the traditional way—on the beach, shapeshifting, dancing, and drinking in the warm night.

But no. His mother had issued a royal command that Rhy absolutely would attend the ball celebrating the quarter-century anniversary of High Queen Ursula’s prosperous reign. Nothing less could’ve forced him to attend. Not that Rhy didn’t love and respect his Auntie Essla. But it seemed likely Salena would also attend. And he’d rather be anywhere than in the same place as Salena.

Not something he could or would confess to anyone. And even the queen’s son must obey royal commands—particularly when his father, the king of Annfwn, did nothing to save him. So there Rhy was, tricked out in the fancy dress outfit his mother had forced him to wear via yet another royal command—the silver-trimmed black velvet making him look like a mossback—plunging into bitter winter, and counting the minutes until the following dawn when he would be free again.

The longest night of the year had a lot of minutes.

Hopefully Salena would just ignore him tonight. It would be a big event in a huge castle. They should be able to avoid each other. After all, they’d managed to avoid each other for seven years since the incident. And she’d been the one to flee Annfwn, clearly to avoid seeing him ever again. He couldn’t imagine she’d want to see him now any more than he wanted to see her.

Zynda landed in the cleared field set aside for the dragons. The cold wind whipped them cruelly as soon as Rhy’s sorceress mother released her magic bubble that had kept them warm on the journey. Zynda waited only long enough for them to scramble down the rope-harness ladder before shifting into an elegant ballgown and furred cape. “Brr,” she declared, joining them. “I always forget how cold it is here in winter.”

“I don’t,” Rhy replied caustically, but subsided when his mother glared at him. They rushed up the cleared walkway, the torches lining it providing some warmth, though the flames whipped and guttered with the wind.

Guards saluted, shouting hails for Queen Andromeda of Annfwn, some giving Zynda’s husband, Marskal, the Hawks’ salute, though he was long since retired from the high queen’s elite guard. Finally, they made it inside the castle, and for once, Rhy appreciated the thick walls. The stone edifices mossbacks favored might be as confining as a cage, but they did cut the brutal winter winds.

It was like stepping into a different world—and a different Ordnung than he’d ever seen before. To honor the goddess Moranu’s rule over shadows and the dark of night, the rugs, table coverings, and other hangings were all in deepest black. They created a somber backdrop for the remaining decorations, which all celebrated the return of light. Silver and gold threads wove through all of the black fabrics, catching the candlelight. Crystal plates and goblets sparkled with fire, everything in silver and gold. White gems of all shapes and sizes studded everything, like thousands of stars, and garlands of evergreen boughs sporting white moonflowers that gleamed like sweetly scented living pearls festooned the walls, windows, mantels, and every other possible surface.

The elaborate crystal candelabras—some suspended by silver wires, others perched in clusters on every surface—held white candles blazing with light. More moonflower garlands dripping with flashing crystals, and possibly diamonds, hung in graceful swoops from the high ceilings.

Scribes sat at black-draped tables scattered throughout the busy reception hall, using flashing crystal implements to take notes for fancily dressed folks speaking earnestly to them. In other places, hammered gold bins held countless rolled scrolls of paper, with empty tables beside them, writing implements at the ready.

Rhy had no idea what that was about, but he had to admit—silently, in the privacy of his own head—that the mossback celebration of Moranu’s feast outstripped the one in Annfwn. Certainly more elaborate. But then, mossbacks always did like things.

“Rhy!” Astar, wearing a fancy velvet getup very like Rhy’s, came striding through the busy hall, his twin sister, Stella, right behind him. His cousin embraced him, thumping him on the back. Stella hung back, giving him her serious smile and a courtly wave. Her sorcery gave her extraordinary healing skills but also made her sensitive to people’s emotions and physical pains. She’d learned a lot about shielding herself from the Sorceress Queen Andromeda, but not touching people helped more than anything. Still, a crowd like this couldn’t be easy for her.

Rhy gave her a gallant bow, then clasped Astar’s forearm. “Happy Feast of Moranu, Willy and Nilly,” he said, using their childhood nicknames, originally assigned by exasperated adults exhausted from chasing rambunctious shapeshifting twin toddlers, and now used gleefully by their friends to annoy them. Surreptitiously scanning the throng, Rhy didn’t see Salena anywhere. Last he’d heard, she’d been off in the Aerron Desert making it rain. Maybe Moranu would look on him favorably—not that She ever did—and Salena hadn’t come tonight.

“I’m so happy you joined us, Rhy!” Stella beamed at him. “We weren’t sure you would, knowing how much you hate to leave Annfwn, especially in winter.” As dark as Astar was light, Stella looked very much like Andromeda, with storm-gray eyes that shone almost silver like her argent ballgown. Her dark hair—the exact same unusual rusty black as Rhy’s mother—was up in a complicated style that shone with red glints where the light hit it.

“I wouldn’t have missed this for the world, my gorgeous cousin,” he replied with his most charming grin.

“Moranu save us all,” Queen Andromeda said in a very dry voice as she joined them. “It’s capable of polite speech. Who knew? Happy Feast of Moranu, niece and nephew, it’s good to see you.”

“It’s wonderful to see you, Auntie Andi,” Stella replied after Astar finished hugging their aunt for the both of them. “Mother and Auntie Essla are getting dressed now. I’m to ask you to join them in Her Majesty’s rooms.”

Queen Andromeda dusted off her leather riding pants unnecessarily. “Ah. Time to confront whatever Glorianna-inspired creation my baby sister intends to dress me in.”

“Auntie Ami is dressing you tonight?” Rhy asked, beyond surprised.

“Yes.” His mother wrinkled her nose at him. “Which is something you’d know if you’d listened to anything I’ve said for the last three days instead of sulking. Ami insisted on designing gowns for the three of us sisters. Essla, too. We’re frankly terrified,” she confided.

Even in his rotten mood, Rhy had to smile at that. As the avatar of Glorianna, goddess of beauty and love, his Aunt Ami embraced all things frivolous. “I’m amazed you agreed.”

His mother grimaced. “We’re all making concessions so this event will be a perfect celebration,” she replied meaningfully.

“I’m here, aren’t I?”

She straightened his collar, smiling wistfully. “I know you hate this,” she said quietly, “but you look very handsome.”

He batted her hands away, but relented and gave her a hug. “Good luck. I’ll pray to Moranu for you that the dress isn’t pink.”

“She wouldn’t do that to me,” his mother replied firmly. “Would she?” She shook her head. “I’ll see you all later.”

Once Andi left them, Astar clapped Rhy on the back. “It’s been too long.” He waggled his blond brows. “And we have a bottle of Branlian whiskey waiting to properly kick off this celebration.”

Rhy whistled in appreciation. “How did you get that?”

“Being heir to the High Throne might be the bane of my existence, but it does have a few perks.” Astar shoved back his golden curls, grinning cheerfully.

“And Jak has promised to bring aged Dasnarian mjed,” Stella added. “He sent a message that Jepp and Kral obtained a few casks of the good stuff, and he’s bringing one.”

“Then we might as well start on the whiskey,” Rhy said, “so we’ll be ready for the mjed. Who else is here so far of the old gang?” There. He’d asked that nonchalantly enough. Please say Salena isn’t coming.

“Jak arrived this morning. Otherwise, only we have joined the party so far that I’ve seen,” Astar replied. “But I’ve had a salon set aside for us to all meet up. Jak is keeping a lookout for the girls to emerge from their primping, and he’ll bring them to join us.” He smiled, every inch the golden prince. “It will be good to have all seven of us together again.”

“Won’t it, though?” Rhy said, scanning the crowd again with increasing dread. All seven of us. So Salena was coming. In fact, it sounded like she was already here. And they were going to be crammed into a tiny room together.

This night would be endless.

~ 2 ~

 

And there he was. Rhyian. Like night made into flesh, Moranu’s loving hand all over him, crowning him her Prince of Shadows. Salena couldn’t look away.

Amid the glittering crowd, laughing with Astar and Stella, Rhyian stood tall and languid, black hair in glossy disarray as if he’d just crawled out of some girl’s bed. Probably had. He wore silver-trimmed black velvet, perfectly tailored. And, even slouching with indolent grace, hands stuck carelessly in his pockets, he dominated the room with dark radiance. Astar, ever the golden prince, dimmed in comparison as he gestured widely, saying something with a wide and happy smile. Rhyian nodded, clearly not paying much attention as he scanned the crowd. Looking for his next conquest, no doubt.

Don’t be bitter, she reminded herself. After all this time, she couldn’t possibly care what he did.


     

Saturday, November 14, 2020

What I've Been Reading Lately


Our topic at the SFF Seven this week concerns the benefits of working with an agent - or, for those of us without agents - times we've wondered if an agent would be helpful or why we choose not to have one. 

I don’t have an agent, I’ve never wanted an agent, I don’t need an agent for what I do, which is to independently publish my own books. As I’ve said before in this space, if I was offered a movie deal or a big contract by a traditional publishing house, THEN I might seek out an agent. The other SFF’ers have written useful tips and thoughts on the topic this week so I refer you to their posts!

Which leaves me with blank space. Hmmm.

I’ve been wanting to write a post about some fun books I read recently, none of which are scifi romance or fantasy or paranormal. Yes, true confession, I read a LOT of other genres!

I was tempted to try Christina Lauren’s In a Holidaze because it has a “Groundhog Day” element of the same day repeating itself over and over as the heroine tries to fix her life. I enjoy that trope a lot and so even though I’m not much of a contemporary romance reader, I decided to try this one. I very much enjoyed the book and off I went to explore her backlist for more romances. Of the ones I tried, I loved Jack and Hazel’s Guide to Not Dating, which was terrific and fun. I wasn’t quite as excited by Twice in a Blue Moon. I had a very hard time setting aside what had happened to the two main characters in the past and accepting their HEA together. Up to that point I pretty much was enjoying the book though. I think my favorite was The Honey Don’t List, mostly because of its glimpses behind the scenes of a totally fictional (wink wink) reality TV show were so much fun and I did totally buy into the HEA for everyone here. Fortunately for me, I have more of this author’s books yet to read. I do love a big backlist!


I kept seeing people rave on twitter about Spoiler Alert by Olivia Dade and I decided to try it, based on the intriguing hook which reads in part: “…set in the world of fanfiction, in which a devoted fan goes on an unexpected date with her celebrity crush, who’s secretly posting fanfiction of his own.” Wow, five stars for this one, loved it. The heroine was wonderful, the situation was fraught but highly enjoyable and I read it in one sitting, then re-read it. Now I’m working my way through her backlist, which is sadly a short one so far. I just read Teach Me and 40-Love, both of which were excellent.

Mixed in on my recent reading list were some post-apocalyptic and dystopian scifi novels and one thriller, none of which excited me enough to recommend them here. One book I basically DNF’ed although I did skim to the end because I was mildly interested in why the villain was doing what they did. Life is too short for me to keep reading a book which has lost my interest. But I always figure that’s my personal experience with the book and it may be much more someone else’s cup of tea.

To finish this post on a positive note, a big shout out to Kris Michaels and her romantic suspense series Kings of Guardian and the related Guardian Defenders. I positively devour those books and have been on a re-reading binge of some of my favorites to hold me over until the next one, Promises, releases on December first. I think the story I enjoy the most is Jewel, about one of the sisters in the sprawling extended family of security experts. I love the heroine’s quirky character, the way she has to think things through, and of course the deadly and smart man assigned to keep her safe. Lycos was actually the first one I ever read in either series, about a deadly assassin suddenly saddled with a woman and her son to safeguard, in a remote mountain site and remains high on my list of favorites to re-read. I’m probably going to try her Hope City series, about police detectives, although that’s really outside my normal reading parameters. I’m not much for crime stories even with romance but we’ll see.


I’m eagerly awaiting Under A Winter Sky: A Midwinter Anthology, which releases next week and has a new story from our fellow SFF member Jeffe Kennedy. I’m a HUUUGE Jeffe fan and I'm sure the other stories in the collection will be fun reads as well..

I also have no less than three Regency Christmas anthologies lined up on the kindle, waiting for a cozy evening when I’m just in the right mood to immerse myself…

Happy reading to you – I’d better get back to working on my own next book!

Friday, November 13, 2020

Eta and Agents

Like the sea after a storm. Except in no way does our sea look like this. Not yet. It may take a few days.

We were in Eta's path Wednesday. Eta came in as a category one hurricane and deteriorated to a tropical storm pretty quickly, but it made for one heck of an exciting day. Rain. So much rain. Wind, of course. Driving the rain against the south side of the house until Eta moved on past us. Then the wind shifted around to the west. 

The exciting part - and I mean exciting in that 'let's not do this ever again' kind of way - was every cell phone in the house blaring alarms for the copious tornado watches we had. 

Tornado warnings are first and go up for conditions that favor the formation of tornadoes. Tornado watches are second. They're the ones that alert out via emergency notification systems. When there's a watch, there's rotation in the clouds. That doesn't always mean a tornado on the ground, but it certainly means you turn on the news and watch the track of the cell that's been marked. If it heads your way, you take shelter.

Once the tornado watches and warnings stopped coming in, flood watches took over blowing up our phones. All night long. We're up high enough that we don't need to worry about the two resident gators in the backyard pond coming to dinner. 

What we had to worry about was that big south wind blowing all that water against the house. 

This morning, my bedroom floor is wrecked. Someone with very little foresight put laminate flooring in this house before we bought it. It's a kind that swells up and delaminates the instant it gets wet. This is Florida. EVERYTHING gets wet. And in this case, the storm found a way to drive water into hairline cracks in the masonry and ruin the floor. 

Hooray, insurance adjusters are in my future. 

We're lucky. We have only minor annoyance damage. At least one person was killed during the storm when the water rose enough in his house that it touched a live electrical wire. The person was electrocuted. I'll be filing that under things I never thought about happening with a hurricane/tropical storm. It never occurred to me. 

I know I was supposed to write about agents. So here's my advice: Do you want to be traditionally published? Get an agent. Just know that traditional publishing is slow. A great agent today may turn out to be the wrong agent tomorrow. Ask me how I know. On the plus side, an agent gets your work directly in front of an editor who would otherwise use your MS as a door stop. Do you want to write fast and run your own business? An agent probably isn't in your best interest. Indie publishing is something you do at your own pace. You have control of everything. The cons to going it on your own are that you go at your own pace and you control everything. If you're deadline driven, get an agent. If you're self motivated, consider skipping the agent and building your empire in your own image.

No matter which way you go, remember: There are no 'right' answers, only right for you answers. Also, back up your work.
 

Thursday, November 12, 2020

Questions to ask a potential Agent AND yourself!


Literary Agents: someone who represents writers and their works to publishing houses….and film agents/producers, and audiobook companies, and foreign rights publishers, and often edit, and and and


If you’re debating the need for an agent I suggest Rory Gilmore-ing the crap out of it. Pro Con list time! That’s what I did, no surprise, and I landed firmly on traditional publishing which meant: I needed an agent. 


But, how do you select which agents you’d want to work with? How do you know if the ones you pick would be a benefit to your career? 


Truth: You Don’t. 


Situations arise that alter plans. You, nor your agent, can control the opinions of publishers. You, nor your agent, can control the market. There are so many variables that shift around you, choosing a book agent is really a leap of faith—but don’t despair! There’re also some grounded aspects at your fingertips.


Some agent aspects that shouldn’t change with the winds of publishing are: what genres they represent, what have they sold recently, what do some of their current authors think of working with said agent, what’s their reputation—if you can gather that. It’s leg work that absolutely should be done before you pursue them. But, being prepared for the call is also a huge part.


The call is basically you interviewing the agent. So, that means you’d better be prepared with a list of questions for them. And yes, there’s plenty of lists of Questions to ask an Agent before Signing out there, but I believe you should also be asking yourself questions alongside them…and be open with your agent about your thoughts.


Questions for the agent in Red. 

Questions for yourself in Blue.


What did you like about my book?

What do I like about my book?

What work do you see that needs to be done before going out on submission?

Are you an editorial agent?

Do I want to work with an agent on editing my book?

Do you sign authors for one book, or for their career?

Does your agency use a contract?

Are there others at your agency that I would be working with?

What does your submission process look like?

What happens if this book doesn’t sell?

What would I want to do with this book if it doesn’t sell?

What project do I really want to work on next?

Would you support me writing in a different genre?

How many authors do you represent and what genres do they write?

How do you usually communicate with your authors?

Do I want to brainstorm with an agent, or would I prefer to come to them with ready-formed ideas?


As always, there’s no wrong answers to these. But they’re important to ask and think about because once you’re in an agent-author relationship, and working with an agent is a business relationship, you’ll come across all of these situations and more.


I’ve been through this process and would love to answer questions if you have any! Drop them here, or you can find me on Insta and ask there! Otherwise, may the words be with you!

Tuesday, November 10, 2020

Indies & Agents

Working with an agent: Would you? Could you? Should you?

As an Indie, I don't work with an agent currently, mostly because there's no need. There's no publisher, studio, or third-party corporation who is trying to buy the rights to my work or to whom I am trying to sell my rights--be it in the US markets or International.

The moment a business of any ilk wants to buy any segment of my rights, that's when I'd look for an agent, or at the very least, an IP lawyer. A business is always out for its best interests, which usually aren't my best interests. I suffer no delusion of being able to outsmart an entire legal department for whom IP contracts are old hat, thus getting an agent who is well experienced (and/or whose agency is) would behoove me.

Would an agent take me on? Possibly, if I already have an offer from a large publisher. Depends on whether there is money to be made--now and in the future--that is worth their time. Would an agent take me on with just the catalog I have and no offers on the table? Oh, gosh no. I have nothing for them to sell.

What if you're that one-in-a-billion unicorn Indie author who is approached by a publisher that wants to buy your already published works to which you still own all rights? Congrats! YES, get an agent before you sign anything. Reputable publishers will not balk at you asking them to hold that thought for two weeks while you secure an agent. When querying agents at that point, be sure to put "Query: Have Offer From [Publisher Name]" in the subject line.





Sunday, November 8, 2020

Should You Sign With an Agent?


Our topic at the SFF Seven this week concerns the benefits of working with an agent - or, for those of us without agents - times we've wondered if an agent would be helpful or why we choose not to have one. 

I do have an agent, Sarah Younger of Nancy Yost Literary Agency. She's the third agent who's represented me - and I can personally vouch that having a bad agent really is worse than having none at all. But, I do believe having a good agent can be hugely beneficial - depending on what kind of writing career you want to have. 

What are the benefits of working with an agent? Here are three - along with their associated caveats.

Selling to big traditional publishing houses. 

By this, I mean the bigger houses that don't take unsolicited submissions. A good agent has connections - positive relationships - with editors who depend on agents to bring them books that fit what they love and can buy. This means that agents who send submissions to tons of editors in the hopes of something sticking to the wall, are not good agents. Agents who only manage to sell to houses that take unsolicited submissions aren't bringing much to the table either. This also means that if you are happy sticking to self-publishing, you don't need an agent.

Contract negotiation

See above. If you're selling to traditional publishing, an agent can be critical in negotiating the best deal and securing your rights. They're savvy to the grabs publishers can try to sneak past unwary authors. An agent who doesn't argue with contract language may not be doing their job. Also, a good agent will be solidly on the author's team, fighting for the author. Be wary of agents who prioritize preserving their relationship with the editor over championing the author. Unless the author is behaving badly, the agent should always put them first.

Career planning

A good agent can help strategize which projects a writer should choose to work on next. Again, they're going to come at this from the angle of selling to traditional publishing. Now, if you're the sort of writer who wants to work on exactly what you want to work on, with no input and without consideration for the current market - which some people are and that's a legitimate choice - then you won't want this from an agent. An agent can still sell your work in this scenario, but they'll be the sort who say "give me the next thing you write and we'll see." Both of these models work, but knowing which will work for you is key.

Having an agent can be beneficial to an author, but it's not a career-maker or breaker. Knowing what you want from an agent - or IF you want an agent - is most important. 

Friday, November 6, 2020

Space Constraints


 Yes, hello? This is Marcella, phoning in her blog post because she spent the entire day - and I do mean the ENTIRE day - in the ER with an ill parent. Who is going to be just fine, btw. But the day's allotment of brain cells have been consumed and all that's left is the siren song of sleep.

So here. Photo. Just to prove that I do occasionally take pictures of something other than cats. 

As for book length - listen. If you self pub, do you as far as word counts/book length go. Readers will let you know right quick if they feel you're messing with expectation. 

If you're aiming for a traditional house, check their guidelines for length requirements and stick to them. 

During my second ever RWA conference, I pitched a book to an editor. She asked the word count. I gave it. 120k words. She said, "I can't publish that!" Turns out, bookstore shelf space is designed with mass market paperbacks in mind. A 100k word book in mass market is about an inch thick. X number of those books can fit cover out on the shelf. Anything more than that and a book store is going to have to stock fewer of your books or give up shelf space. You can guess how that math is going to go. Granted. This conversation took place before self publishing was a thing. Yes. I am that old. Hush. 

Trad print houses still have to worry about things like printed book footprint. 

E-pubs and self-pubs can monkey around a little with length. Pixels have pretty tiny footprints. Feetprints? They're small.

Yeah. I'm going to bed.

Thursday, November 5, 2020

Book Length = Word Count Genre Guide


An end stack of six books and over each one is the text for the genre guide word count ranges given in the post.

That heady moment when you pick up a new book and leaf through the pages—maybe even stick your nose into them—checking out the back, cover and…the page count. 


I know I’m not the only bookworm that does that. And before, as an oblivious bookworm, I never gave much thought to how long a book was beyond noting if it was too short—especially if I was holding a fantasy. 


And there it is: your book's genre dictates its length


Why is that? Maybe it’s a little bit chicken or the egg, but readers have expectations of how long a book is depending on what type they’ve picked up and the publishing industry—including agents—have word count expectations depending on what genre is being handed to them. 


Wait…word count?! We were talking about book length—as in number of pages—right? 


Readers look at book length in number of pages, but that’s not a standardized metric. Font, letter size, page size, they all factor in, so publishing looks at a manuscript in word count


Word Count: estimated at 250 words per page


It’s fun math. You can pick up any book in your nightstand stack, peek at the last page, and multiply that by 250 (I’m reading a copy of GOOD OMENS which clocks in at 474…so that means it was a 118,500 word manuscript). I did an entire spreadsheet of books in varying genres when I was writing my first book to get the average for my genre. 


Though let me tell you, there are easier ways to find the industry standards. Jeffe did a great post on Sunday listing generalized lengths to differentiate short story, novelette, novella, and novel. As for the differences in genres, let me help you by sharing my genre guide!


YA (not SFF) 50,000 to 80,000 words

Cozy Mystery 70,000 to 85,000 words 

Horror/Mystery/Thriller/Suspense 70,000 to 90,000 words 

YA Sci-fi Fantasy 70,000 to 100,000 words 

Mainstream Romance 70,000 to 100,000 words 

Historical Fiction 100,000 to 120,000 words 

Sci-fi Fantasy 100,000 to 120,000 words


Yes, there are always exceptions. But there’s also always a reason for the rule. While discussing a fantasy book with my agent she mentioned that any word count over 120,000 bumps up into the next price level for binding (putting the physical book together). A good reason! 


As you’re writing, or NaNoing, keep in mind reader attention spans and publishing expectations—even if you’re planning the self-pub route. When in doubt, 80,000 to 90,000 words is a good range to shoot for!Even Writer's Digest recommends 80,000 to 89,999 as the golden zone. 


So...where does your book land?

Wednesday, November 4, 2020

Size doesn’t matter when you’re talking books

Today, I’m not looking at votes counted or pundits projecting. I’m offline, mostly, and it feels amazing. Social media can make an anxiety-churning thing like this election even worse, at least for me. So I’m not really here, you don’t see me. :)

This week on SFF Seven we’re talking about how long a book ought to be. If you’re curious, Jeffe Kennedy posted some word counts on Sunday, and I would refer you to her post. It’s all the info you could possibly want, and I don’t have a lot to add.

Oh, except maybe one thing: if you’re looking to preserve your debut, never-been-published status, please know that size does not matter. You publish a thing, anywhere, and you are no longer a proper debut. I co-wrote a short story years before I sold my first book, and on a lark my co-writer submitted it to Harlequin, who bought it. It was fun, at the time, to see my name on something. I submitted a couple of short stories to anthologies after that because writing short stories is a blast and really kept my “I can do this” confidence up. Fast forward to when I actually wrote a for-real, full-length book and sold it, and I submitted that book to a “best first book” contest. Because it was my first book, right. Those short stories had required an entirely different skill set, or so I thought. Well, the folks running the contest sent me a note telling me I wasn’t eligible and they were refunding my entry fee. Eep. I felt like I’d been caught cheating or something, which had never been my intention. Still feels dirty, years later. 

At any rate, don’t do that to yourself. You can ruin something nice — like your debut moment — by writing anything, even the tiniest short story that no one even buys. 

So be kind to you: stay off social media when it makes you feel even lonelier... and keep the guilty pleasure writing projects to yourself. 

Tuesday, November 3, 2020

VOTE!

 Dear Readers, if you are a US citizen and have not voted in the local, state, and federal elections by mail or early in-person, please, PLEASE, do so today. Mask up. Take a folding chair. Pack snacks. Maybe even wear a disposable diaper.

Whatever you do, VOTE.

VOTE for your school board, your city auditor, your state supreme court justices, your congressional representative, and for the president of the United States. Local elections matter as much--and sometimes more--than federal. 

Your vote matters. Your vote matters. Your vote matters.




Sunday, November 1, 2020

How Long Should Your Novel Be?


Apropos of #NaNoWriMo, our topic at the SFF Seven this week is "How long should my book be?" We're exploring the seemingly ever changing definitions of “book” length, novella length, etc.

It seems this question comes up around NaNoWriMo - National Novel Writing Month, where participants attempt to write a 50,000-word "novel" during November - because of that magical 50K word goal. I can tell you all with good authority, because I've heard it straight from the mouth of Chris Baty, founder of NaNoWriMo, that he picked 50,000 words as the month's goal because it seemed like a nice, round number to him. At the time, he had little idea of how long a novel should be.

It can be a bit misleading because, while novels are considered to be more than 40,000 words as defined by organizations sponsoring awards - like SFWA's Nebula Award* - it's rare for a novel to be that short. 

As far as traditional publishing is concerned, very few imprints consider books that are less than 80,000 words. The sweet spot for most publishers seems to be 85,000-100,000 words. Recently, several author friends and I have noted that our editors have asked us to trim our novels to be less than 120,000 words. We think that's a window dictated by printing press limitations. After that benchmark, the cost shoots up. Some imprints, like Harlequin category romances - very slim books - are around 55,000-60,000 words, but that's a very specific brand. Some literary fiction books might come in below 80,000 words, but again, that's a fairly specific genre, so you'd want to target that carefully.

And sure, with self-publishing it doesn't matter - except that readers have expectations. If something isn't clearly labeled as a novella or shorter, they tend to get cranky. Frankly, even if a novella or short is labeled clearly as such, reviews often note that it's too short. 

So: how long should your novel be? Shoot for 85,000-100,000 words and you'll be golden.

*Incidentally, the word-count definitions for the various story lengths as defined by SFWA are:

Short Story: less than 7,500 words;
Novelette: at least 7,500 words but less than 17,500 words;
Novella: at least 17,500 words but less than 40,000 words
Novel: 40,000 words or more.

Saturday, October 31, 2020

Ghost of the Nile - Something Different From the Backlist for Halloween


Happy Halloween! This week at the SFF Seven, we're talking about our choice of a backlist book!

In view of the holiday, I’m going to feature GHOST OF THE NILE (GODS OF EGYPT) because it’s a ghost story but it’s an unusual take on the subject…

Ghost of the Nile is one of the standalone stories in my “Gods of Egypt” paranormal series set in ancient Egypt. For quite a while I’d been fascinated with the idea of writing a story set on an estate in the 1550 BCE era. One of the interesting things about Egypt was that for literally hundreds of years the climate and the daily life stayed pretty much the same. Pharaohs came and went but the more ordinary folk had quite an unchanging routine, linked to the Nile’s floods. I felt my hero could return from the Afterlife and fit right into his old home, although as a guest, not a resident. I thought the challenges for him could be intriguing. 

One of my favorite series of novels is The Chronicles of Brother Cadfael by Ellis Peters. All the action is set in a small English town circa 1100 CE (Common Era). I love being able to revisit the town and the people over and over. I was hoping I could do that for my readers with stories set on one ancient Egyptian estate. Ironically, I didn’t write that series yet.  But the ideas inspired my setting for Ghost.

 The Egyptians of 3000 years ago believed that unless you were buried in the soil of Egypt and had all the proper rituals recited for you, as well as your name preserved, you couldn’t enter the Afterlife. So my hero Periseneb, who was murdered and didn’t receive the rites at the time of his death, has been condemned to roam the fringes of the Afterlife and wage endless battles against demons and giant snakes. 

I’m always fascinated with the goddess Ma’at, who represented truth, balance, justice…and who happened to be the goddess of second chances. I’m a Libra myself – scales, balance…. She was one of the Judges who weighed the heart of a dead person, to see if they deserved the Afterlife. So I decided she’d need a champion to accomplish some task in Egypt, and selects Periseneb, who she believes deserves a second chance at entry to paradise. A favorite old movie of mine is the 1963 version of “Jason and the Argonauts”. I love how the goddess Hera tells Jason she’ll help him three times along the way. I decided Ma’at would help Periseneb, and you’ll see in the book how he has to call for her assistance.

Author's personal photo

The next intriguing concept this novel allowed me to play with was the ancient Egyptian idea of the terrifying nature of ghosts, or akhs. Periseneb himself is uncomfortable with being an akh returned to Egypt, and worries a lot about inadvertently loosing the evil powers he now possesses on the innocents around him. 

Author's personal collection

And last but not least, there’s the terrifying goddess or demon Ammit the Destroyer, who was part lion, part hippo and part crocodile, and known as Devourer of the Dead. I’ve wanted to find a way to incorporate her into a novel in a meaningful way because she’s so intriguing. 

So there you have my influences which blended together with romance and adventure, to yield my latest novel! 

This was my favorite review, from the ladies at Dear Author: 

“There’s Egypt and gods and magic and strong men and stronger women and love even beyond death and into the Afterlife. The historic details add spice throughout the story and these definitely aren’t 21st C people in linen kilts.”

The story:

Betrayed, murdered, and buried without proper ceremony, Egyptian warrior Periseneb is doomed to roam the gray deserts of the dead as a ghost for all eternity.

But then the goddess of truth offers him a bargain: return to the world of the living as her champion for 30 days. If he completes his mission, he’ll be guaranteed entry into Paradise. Periseneb agrees to the bargain but, when he returns to the living world, two hundred years have passed and nothing is quite as he expected.

Neithamun is a woman fighting to hang onto her family’s estate against an unscrupulous nobleman who desires the land as well as the lady. All seems lost until a mysterious yet appealing ex-soldier, Periseneb, appears out of nowhere to help her fight off the noble’s repeated attacks.

Meanwhile, Periseneb’s thirty days are rushing by, and he’s powerless against the growing attraction between himself and Neithamun. But their love can never be. For his Fate is to return to the Afterlife, and Death cannot wed with Life…

Amazon      Apple Books    Barnes & Noble    Kobo      GooglePlay

Note: This post first appeared on my own author blog.

Author's personal collection


Friday, October 30, 2020

Chameleon Backlist

Back lists are supposed to be where old books go to make an author a steady trickle of income. But sometimes the back list rises from the grave and lives again. IT LIVES. Yeah. That's all the spooky I got. Sorry. 

Enemy Within was the first book published. That qualifies it as back list. So is the second book in the series, Enemy Games. And then the series was orphaned. I had all but given up getting to finish the series, but sometimes, years long procrastination has its benefits. My rights reverted.

I made plans to self-pub the whole kit and kaboodle. But then the lightning struck my monsters. The Wild Rose Press bought the entire series. They reissued Enemy Within and Enemy Games. They then released Enemy Storm. When I finish the current WIP, they'll get book four - which doesn't even have a working title yet because that's how titles and I roll.

So then. If the back list rises from the dead, is it still back list? If it isn't, there's always that UF series with the demon. Maybe that's a better Halloween horror-fest.

Thursday, October 29, 2020

When you don't have a backlist...you pick a fave!

 


My frontlist is coming! Yeah, I know, publishing is one big sea of secrets that you can’t talk about…what a crock. But what that really means for this week’s blogpost is—I don’t have a backlist book to share…

Backlist [noun]: books available in print, but are not new releases


My goal, back when I was in the corporate world, was to have 10 backlist books before retiring from the lab to become a full-time author. Heh, chronic disease be damned, but it did give me the opportunity to jump right into stay-at-home writer!


*side note: I’d still suggest having some backlist books before diving into this full time…yikes!


But through it all I’m still reading! And so I’ve picked a backlist book from one of my favorite series to share with you today! I recently read THE FATE OF THE TALA and THE LOST PRINCESS RETURNS, so choosing the one that started it all seemed to fit.  


Queen of the Unknown is the tagline and it absolutely fits THE MARK OF THE TALA. Andi, the middle daughter of the High King, is a bit odd and never feels like she fits in. Until she meets a strange man while out riding…and he becomes a crow. He opens her eyes to a hidden kingdom, one that she has claim to, and to the destruction her own father is wrecking on their world’s magic. 


It’s full of shapeshifting, magic, political intrigue, romance, and a lesson of trust. It’s, IMO, the perfect backlist book because it opens up the world of the Tala and whew is it an entire world! And, if you’re a series devourer like me, you’ll be happy to know that Jeffe ties up all the plot lines and story arcs nicely in THE FATE OF THE TALA. 


Do you have a backlist book, or one that you love? Let me know so I can check it out!




book cover for THE MARK OF THE TALA, side profile of Ami as she stares at a black feather
The Mark of the Tala 

The Twelve Kingdoms #1

by Jeffe Kennedy


Queen Of The Unknown


The tales tell of three sisters, daughters of the high king. The eldest, a valiant warrior-woman, heir to the kingdom. The youngest, the sweet beauty with her Prince Charming. No one says much about the middle princess, Andromeda. Andi, the other one.


Andi doesn't mind being invisible. She enjoys the company of her horse more than court, and she has a way of blending into the shadows. Until the day she meets a strange man riding, who keeps company with wolves and ravens, who rules a land of shapeshifters and demons. A country she'd thought was no more than legend--until he claims her as its queen.


In a moment everything changes: Her father, the wise king, becomes a warlord, suspicious and strategic. Whispers call her dead mother a traitor and a witch. Andi doesn't know if her own instincts can be trusted, as visions appear to her and her body begins to rebel.


For Andi, the time to learn her true nature has come. . .

Wednesday, October 28, 2020

Not an Oops: My Little Backlist

 Very quick funny story...

I started working in publishing about the same time my husband started programming games. (We were babies.) Early on in a biz, you’re learning so much every day, and often we’d come home and exchange knowledge, kind of like kindergarteners bring home their “look what I did!” finger paintings. Most times, hubs was excited about my excitement, but when I started talking about the RR Bowker out-of-print lists — fondly called the “OOP lists”—he’d get this very confused expression on his face. Finally, I asked what was up with that, and he countered with a question: What do old books have to do with object-oriented programming? (Also OOP, apparently.)

This week on SFF Seven, we’re talking about our old stuff: out-of-print books, early books, backlist books. And since I’m sort of new to this whole authoring thing, I don’t have a whole lot to talk about. In an age of ebooks and long-term contracts, none of my books are out of print. Publishers have lots of fun tricks to retain rights long after the first blush has faded from a release. 

In terms of backlist (that is, a book of mine that is not a new release), I guess the book I self-published last summer would count? It’s third in a series, but I challenge folks to read it as a stand-alone. I think/hope it holds up. The book is about a self-aware AI that, instead of deciding to nuke the world aka Skynet, really only wants to find a way to smooch her fella. Title is More Than Stardust, and it begins with a serious oops that has to do with neither publishing nor programming.



Tuesday, October 27, 2020

The Burned Spy: The Book That Launched an Urban Fantasy Series

As I work through the edits of Book 6 in the Immortal Spy series, it's only fitting that I bring "from the boneyard" Book 1, the story that introduced us to a gatekeeper on a mission from Hel.


THE BURNED SPY
The Immortal Spy: Book 1

Gods. Always ready to screw you.

When Bix the Gatekeeper is summoned from exile a hundred and seventy years early by the goddess of the Norse Under World, the former Dark Ops agent knows there’s a catch. On the surface, the terms of the deal are simple. Someone attacked the pantheon’s ambassador to the Mid Worlds and left the ambassador in a coma. In exchange for early parole, Bix must identify the perpetrator and drag their soul to Hel.


It’d be a sweet contract, if not for the details. The ambassador is Bix’s ex-girlfriend, the lead suspect is the key witness from Bix’s trial, and the organization leading the official investigation is the same intelligence guild that disavowed Bix when a covert op went pear-shaped. Undeterred, Bix returns to her old stomping grounds where clues in the smoldering woods of Centralia, Pennsylvania, lead to the waterfront of Washington, DC, and Worlds beyond.

Once valued for her skills creating passageways as small as a capillary or as large as a continent, Bix’s success now depends on the relationships she was forced to abandon. As she squares off against friends who betrayed her and enemies keen to destroy her, Bix follows a trail of secrets, torture, and treason that leads to the very superpowers who banished her. With her freedom on the line and revenge within reach, this highly-trained operative will take on Fates, dragons, angels, and gods to get exactly what she wants.

Hel hath no fury like a burned spy.

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Monday, October 26, 2020

Crawling from the Graveyard

 This week we're talking about out of print books, a terrifying subject if ever there was one. 


My Out of Print book is actually, depending on which edition, a trilogy.


Once upon a time, I wrote a 340,000 word monster of a book. Multiple reviews referred to it as a DOORSTOPPER.


That would have been my fourth novel, SERENITY FALLS.


Long story short, I am a pantser. I do not outline very often and even when I do, I can very nearly promise you I'm not staying on track to use that outline for long.  It's just not the way my mind works, so things change, whether I want them to or not.  I never planned to write a book that big, but I did. It just sort of happened. 


When I'm writing my mind does its own thing. I might THINK I know where a book is going, but like as not, it'll change fast and often. The tale evolves. 


I had an idea for a curse that falls on a town, revenge from beyond the grave, and worse than that. But in order for that to work the way I wanted it to, there had to be a mystery or two, and there had to be a lot of history for the town. before it was done I had written a novel with over 180 named characters, that spanned over 300years of town history.  There were good guys, bad guys, murders, damned near every sin you can imagine covered in bloody history. And then there was the guy who had to deal with all of that, my monster hunter Jonathan Crowley. Hell, his history spans centuries, and I wanted a town that could compete for the readers' attention!


The next thing I know I've spent the better part of a year writing this novel. I normally spend around three months on the first draft and I spent four times that long here. It was so big an idea that when it went from trade paperback to mass market the publisher said it needed to be three books. That meant rewriting a lot of stuff, cutting some out and adding in even more. 


Thus was the SERENITY FALLS TRILOGY born: WRIT IN BLOOD, THE PACK, and THE DARK CARNIVAL. There's a lot of story, and probably fifteen or so perspectives.  


I'm happy to say the reviews were favorable. 

Quite possibly the best horror novel since Salem's Lot. -- Jim Brock, Baryon magazine


Moore is perhaps the most talented writer of this genre to date. ...On the surface SERENITY FALLS sounds like Stephen King's Salem's Lot, but there is much Moore to the novel than just the rewriting a classic. The story line is loaded with, and an intensifying terror that is difficult to classify as the audience wonders between the Curse and the newcomers as to who is the focus of this peril. Surprisingly for such a large ensemble the residents ensure the audience believes the small hamlet exists and bring life to the threat.

Harriet Klausner -- Midwest Book Review

Moore is something to watch. -- Bentley Little


I'll take it. :) 


I'm likely putting this back in print myself next year.