Friday, February 16, 2018

Backlist Love: HEY! Where'd It Go?

Should anyone attempt to search out my first two books, they'll find the books are no longer available. This is because the rights reverted to me. Yay. The books are undergoing a minor face lift while I write book three. Then books four and five.

I no longer own the awesome covers Berkley gave Enemy Within and Enemy Games. Had to go out and get my own. Which I did. Haven't shown them to anyone else, but what say we plunk the new ones down here for your perusal? The covers aren't final. So if you have suggestions, bring 'em. (besides getting the stock photo watermark out of the Enemy Games cover) The series title it going to change to The Chekydran War, since this series follows the arc of said war.

 

The third book is tentatively titled ENEMY STORM. No cover for that one yet. It is THIS CLOSE to going off for edits. Not that I'm anxious for that.

On the off chance anyone has forgotten what this pair of SFR books was about, here are the descriptions:

ENEMY WITHIN

An escalating intergalactic cold war.
A  starship captain clinging to her shattered past. A pirate with an empire to protect .
An inhuman adversary.
And a threat beyond the scope of the imagination. 

Enemy Within

After a stint in an alien prison followed by a torpedoed military career, Captain Ari Idylle has to wonder why she even bothered to survive. Stripped of command and banished to her father’s scientific expedition to finish a PhD she doesn’t want, Ari never planned to languish quietly behind a desk. She wasn’t built for it, either. But when pirates commandeer her father’s ship, Ari once again becomes a prisoner—this time of pirate leader Cullin Seaghdh, who may not be at all who he pretends to be. As far as Cullin is concerned, the same goes for Ari.

Ari’s past association with aliens puts her dead center in Cullin’s sights. If she hasn’t been brainwashed and returned as a spy, then she must be part of a traitorous alliance endangering billions of lives. He can’t afford the desire she fires within him. His mission comes first: that he stop at nothing, including destroying her, to uncover the truth of her mission.

ENEMY GAMES

Besieged by an inhuman adversary.
Betrayed by their own kind.
A scientist and a spy, sworn enemies allied by danger, bound by passion. 

Enemy Games 

Kidnapped while combating a devastating plague, Jayleia Durante fights to resist Major Damen Sindrivik, an officer from a rival government’s spy corps. With her spymaster father missing, and mercenaries hot on her trail, Jayleia must align with the magnetic, charming, manipulative spy. She must not lose sight of the fact that his single-minded agenda is for the protection of the empire - not her, not her people. 

Damen knows a shadowy network of traitors has allied with the violent, insectoid Chekydran, and that Jayleia’s father holds the key to dismantling that web. She becomes his only lead in a circuitous round of hide and seek. Too bad his instincts tell him Jayleia is lying to him. Nearly as much as she's lying to herself. 

Unless Jayleia can decide what matters most: ending the war or Damen’s love, they’ll become the prey of the traitors they stalk, and one species’ civil war will consume the galaxy.


Don't forget to let me know whether you love or hate the new covers (and why, please, if you hate them - so I can fix them.)



Thursday, February 15, 2018

BACKLIST LOVE: Catch up on THE HOLVER ALLEY CREW

With the release of Lady Henterman's Wardrobe just a few weeks away, you still have time to read The Holver Alley Crew so you are up to speed when Lady Henterman comes out.  And why wouldn't you want to fall in love with Asti & Verci Rynax, and the rest of the crew? 
Look what people said about it:

From the Bibliosanctum:
Certainly, fans of caper stories should be making The Holver Alley Crew their number one priority. A strong start right out of the gate, this series opener is a well-written and brilliantly executed example of the fantasy heist genre, and of all the novels written by Marshall Ryan Maresca so far, this might be my favorite one yet! The Rynax brothers and their crew are so good at their jobs that they will steal your heart from the very first page, and I simply can’t wait to see what the gang will be up to next.
From The Speculative Herald:
Maresca crafted a fresh and thrilling heist story that moves at a great pace. This is the type of book you just feel the need to read cover to cover, looking/wishing for the pause button on real life until you finish.
From JBrondar Book Reviews:
This is my first book from Marshall Ryan Maresca and I loved it. I can’t wait to see what happens in the next books in the series. I will be on the lookout for Maresca’s other books too.
From SF AND F REVIEWS:
There’s some fantastic planning scenes, as the team pieces together exactly what they’re going to do and when. Then there’s the tension of the job, and this is something which is brought out to perfection – each action is watchmaker-precise, and each failure can lead to a cascade of other failures – watching the team anticipate and deal with these (or not) is agonizing and wonderful.
And from POWDER AND PAGE:
The neighborhood of North Seleth and Holver Alley are well-written and thoroughly described environments that I could visualize being in any city. The alley is a close-knit community where the neighbors help each other out and everybody knows everybody else.  The reader gets to be immersed in this little segment of Maradaine- bars, churches, sewers, the chemist shop, a bakery… you name it. This whole world has depth equivalent to the most well-known and loved fantasy works on offer.  The final verdict: You’ve GOT to read this book!


Mixing high fantasy and urban fantasy, The Holver Alley Crew is the first novel of Maresca’s third interconnected series set in the fantasy city of Maradaine.

The Rynax brothers had gone legit after Asti Rynax’s service in Druth Intelligence had shattered his nerves, and marriage and fatherhood convinced Verci Rynax to leave his life of thievery.  They settled back in their old neighborhood in West Maradaine and bought themselves a shop, eager for a simple, honest life. Then the Holver Alley Fire incinerated their plans. With no home, no shop, and no honest income—and saddled with a looming debt—they fall back on their old skills and old friends.

With a crew of other fire victims, Asti and Verci plan a simple carriage heist, but the job spirals out of control as they learn that the fire was no accident. Lives in Holver Alley were destroyed out of a sadistic scheme to buy the land.  Smoldering for revenge, burdened with Asti’s crumbling sanity, the brothers lead their crew of amateurs and washouts to take down those responsible for the fire, no matter the cost.

READ AN EXCERPTGoodreads Page for THE HOLVER ALLEY CREW
Available at AmazonBarnes & Noble, and more!

Tuesday, February 13, 2018

Backlist Love: LARCOUT

Often, authors are so focused on pimping our latest work that we sometimes neglect the great works we've already published. So, this Valentine's Day, I'm giving a little love to my first book, a high fantasy novel, LARCOUT.

LARCOUT
Fire Born, Blood Blessed: Book 1

Blood-beings can be chattel or char.

Fire seethes through the veins of every Morsam, demanding domination and destruction. Combat is a hobby. Slaughtering the inferior blood-beings is entertainment. Life is a repetitious cycle in the prison fashioned by the gods. But mix-race abomination Vadrigyn os Harlo suspects the key to freedom lies in safeguarding the blood-beings; until her blood-born mother uses foreign magic to turn the Morsam against her. Betrayed, bound, and broken, Vadrigyn struggles against the dying of her essential fire. Yet the ebbing flames unleash the dormant magic of her mixed heritage…

The magic to destroy free will.

Seized by the gods and dumped in the desert nation of Larcout to stop history from repeating, Vadrigyn discovers her mother’s legacy of treason and slaughter still festers. To survive the intrigues of the royal court, the roiling undercurrents of civil war, and the gods themselves, Vadrigyn must unravel the conspiracy behind her mother’s banishment. But manipulating free will unleashes a torrent of consequences.

If she fails the gods, she will return to the Morsam prison, stripped of all magic and all hope.

If she succeeds, she can rule a nation.

Kasthu. Roborgu. Inarchma.

Live. Learn. Burn.

Buy It Now in eBook & Paperback: Amazon | B&N | iBooks | Kobo | Overdrive (for Libraries)

Read an Excerpt: Chapter 1

Read the Reviews: Goodreads | #SPFBO 2016 Finalist

Sunday, February 11, 2018

Backlist Valentine: PETALS & THORNS

This week we're giving a valentine to the books of years' past and sharing a title from our backlists. A little love for those publications that might even predate the creation of this blog!

For mine, I'm sharing my first standalone fiction publication. It was my first sale as a novelist, even though it's technically a novella at 81 pages, and I originally published it with Loose ID. (Now sadly going out of business.) It's an erotic fantasy - a BDSM Beauty and the Beast - and is still one of my best-selling titles ever. Also, I originally published it under the pseudonym "Jennifer Paris," the one time I used that name. When I got the rights back and self-published the book (also my first venture into self-publishing), I did it under my own name. A bit of history there.

In exchange for her father’s life, Amarantha agrees to marry the dreadful Beast and be his wife for seven days. Though the Beast cannot take Amarantha’s virginity unless she begs him to, he can and does take her in every other way. From the moment they are alone together, the Beast relentlessly strips Amarantha of all her resistance. 

 If Amarantha can resist her cloaked and terrifying husband, she gains his entire fortune and will be allowed to return to her family and a normal life. But the Beast seduces her at every turn, exposing, binding, tormenting, and pleasuring Amarantha until she no longer knows her own deepest desires. Increasingly desperate to break the curse that chains his humanity, the Beast drives Amarantha past every boundary. But her desire for a normal life may jeopardize the love that will save them both.


As an interesting aside, here's this article on how Facebook is "flattening" content and reducing the ability of creators to share quality stuff. I'm trying to share it widely in places that AREN'T Facebook.



Saturday, February 10, 2018

New Release Day MATEER A #SciFi Romance Novel

I'm going to take a pass on the week's topic of why people aren't writing or don't write and how to move beyond that, because my fellow SFF7 authors have covered it brilliantly all week AND because I have a New Release today!

MATEER: A Badari Warrior SciFi Romance (Sectors New Allies Series Book 2)

The Blurb:
Megan Garrison, a doctor at the Sectors Amarcae 7 colony, goes to sleep one night as usual only to wake up in her nightgown, strapped to a table in an alien lab, destined to be the subject of terrifying experiments. Granted a brief reprieve, Megan and the other kidnapped humans are released in the middle of a forestlike enclosure on this unknown world and told to survive as best they can for now.
Her only hope is Mateer, the genetically engineered alien warrior imprisoned with the humans. He knows more than he’s sharing about this planet, their captors and the fate of other humans, including perhaps her own sisters. Turns out everyone from her colony has been kidnapped by the Khagrish, a ruthless race of alien scientists. Working for enemies of the human-led Sectors, the Khagrish have created the Badari to be super soldiers.
Mateer, a tough Badari enforcer, now a rebel, is captured while infiltrating the lab to help his pack bring it down. He’s also been ordered by his leaders to search for Megan and save her life at all costs. Tortured by the enemy, he’s offered one chance at survival – convince Megan to become his mate and assist the Khagrish with further experiments.
As the situation at the lab grows worse, Megan struggles against her deep attraction to Mateer, while she does her best to shield the other humans from the terrible Khagrish experiments. For his part, Mateer knows she really is his fated mate and despairs of being able to keep her safe, as the rebel attack is delayed and she fights the truth of their bond.
Will they be able to work together to defeat Khagrish plans and preserve human lives until the promised rescue happens? And what of their future together – will Megan accept Mateer as her true mate, or walk away if she’s freed?
This is the second book in a new scifi romance series and each novel has a satisfying Happy for Now ending for the hero and heroine, not a cliffhanger. Some overarching issues do remain unresolved in each book since this is a series but romance always wins the day in my novels!
Buy Links: Amazon     iBooks   Other buy links to come

Friday, February 9, 2018

Why You're Not Writing

Just a little blue heron for you today.

Full disclosure: This week's question was mine. That's because so many people tell me they want to write a book but they have no idea where to start. Or that they actually started the book and then read one on the same subject that was so good and they could never, ever do that well so they quit and gave up writing. I have an email file full of responses bleed pain all over my Outlook folders from people who knew what they wanted but believed themselves inadequate to the task of going and getting what they wanted.

Most of these people are women. (I did ask guys, too, I swear! But guys mostly denied every wanting to write books. Of the few who responded with wanting to write, every last one had also given up.)

So. Why aren't these people writing that book?

1. Because they're confused about what writing is.
Those of us who DO write have come to figure out that it's a multiphase process that in its first stage requires you to regress to your earliest and lamest excuse for language in order to get the bones of a story on a page. Don't believe me? Someday we'll auction off sneak peeks at a couple of my first drafts. (The price of my humiliation will be high.) They only barely qualify as language. Most of it has no caps and no punctuation. They're heavy on 'I know what I meant, even if no one else does.' That draft gets edited into something more mature. That draft goes to beta and then gets rewritten again . . . So yeah. The people notably NOT writing thought they could sit down and be, if not brilliant, at least understood from the moment their fingers touched a keyboard. They were deeply disappointed in themselves when that didn't happen. I send these people to Julia Cameron The Artist's Way - something that will ease them into viewing writing as a process.

2. They're comparing their raw drafts to someone else's finished product.
Most of us have been there. Let's pretend I was working on an 'an alien comes to earth and gets hooked up with a group of kids' story. And then ET came out. On the big screen. With a John Williams score and cinematography that plucked every emotional string I had and a few I didn't know I had. Where do you suppose that alien story *I* was working on went? Right. Straight under the bed. Get it back out. Write that alien. Write those kids. Ya know. If the plot is too much like ET, change it up. But your telling of the alien stranded on earth is going to be different because of your voice - that's what readers buy. Oh! You thought it was the story? Or your lovely prose? Nope. Not saying those things don't help - but no one cares if there's a typo on page 612. Your readers care whether your story connected with them emotionally. Did it make them feel anything? If yes, you win. If no, well, you won't likely sell many copies. Readers pay you to make them feel something. Lots of writers who write about writing address this. So I hand over my copies of Anne Lamott, and Stephen King.

3. They're afraid.
We live in a society that demands there be a right answer and a wrong answer. It is the basis of our educational system. It's etched pretty deeply into our psyches when we're young. Most of us have a dreadful relationship with failure. No matter how many inspirational memes we paste on the mirror telling us that failure means we're learning, we've internalized the message that failure means we're bad human beings. Even how we talk about it brands US as failures rather than our endeavors. (We say "I tried and failed" rather than "I tried and the thing I tried failed.") Writing fiction, by definition has no right and no wrong. There's only a story to be told. That's stepping pretty far outside societal conditioning there, pal, you sure you wanna leave the pavement that way?? So that aspect is scary enough. Then you have to deal with the fear of spending all that time and all that effort only to have everyone hate what you did. Or worse yet, roundly ignore it. Those things are pretty fail-y, aren't they? And that kind of perceived rejection is mighty threatening to a social beast like humans. I honestly don't have resources to offer on that one. Nike ads notwithstanding.

If you have any suggestions for assuaging or coping with that fear, I'd love to hear it. A couple of the women have glorious minds and amazing stories to tell. I'm invested in not letting the stories die with them.

Thursday, February 8, 2018

Why You Aren't Writing That Novel

OK, time for some hard truths.  You haven't finished writing That Novel.  You've been talking about it for years, and you can visualize all the elements of it so easily.  You know it, back and forth, inside and out.  It's there, waiting.

But you haven't written it.

Why is that?

I could tell you it's about discipline-- and it is, no doubt.  It takes discipline, it takes putting your ass in the chair (or feet at the standing desk), and just plain doing the work.  It takes not going to that party, not binging that series, not spending yet another night refreshing Facebook every twenty minutes.  It takes just digging in and getting it done.

But most of you don't want to do that.
Here's the ugly truth, dear reader, and look deep inside yourself and ask yourself if this is why you haven't written That Novel.

You don't want to write a novel.  You want to have written it.

I get that.  I get wanting the glory of having it in your hands, being able to say, "Oh, I wrote a novel", but not having to do to the unsexy, daily-grind part.  I'm in the process of drafting my tenth novel (thirteenth if you count the ones that are sitting fallow on  hard drive), and I always wish there was a way to fast-forward this phase of it.  At this point, I know what I'm doing in terms of writing a novel, but it's still hard, grinding, go-down-to-the-word-mines work

And you're never going to write That Novel until you come to terms with that part of it, and get down to doing it. 

So what are you waiting for?

Tuesday, February 6, 2018

YUNOWRITE?

Why don't people who claim to want to write a book...write that book? Mostly, I think it's about unreasonable expectations of what "being an author" is and what writing a novel entails. I'm not going to get into the selling of the novel because that's a leg of the journey beyond this week's blogging prompt.

Unless you live with an author, your exposure to what it means to Write A Book has probably been through the fictitious portrayals of an author's life in TV and movies. It's a fun and flexible occupation for a character to have, but like most occupations portrayed on TV, the actual act of doing the job isn't anywhere close to reality. Rick Castle, Jessica Fletcher, Rory Gilmore, they spend five seconds on screen every fifth episode "writing." Sure, there's a reason for that. Watching an author do their job would be some dry, dry, dry TV. Type, type, type, swear, talk to themselves under their breaths, get up, pace, get something from the fridge, write some more, get up, get coffee, erase everything they'd written, let the dog out, scan social media, make a snack...you get the idea.

Folks who "want to write a book but..." rarely stop to think about a novel being the longest term paper they've ever written. If they did, they'd find a local author, hand them a bottle of whiskey, and walk away...after buying two copies of every book ever written by that author, naturally. 🤣


Monday, February 5, 2018

It's not surgery!

"Why haven't you written that novel in you"

That's the subject for this week, to paraphrase.

Well, the easiest answer is normally close to right. I have several, but let's go down the list shall we?

First: "I just don;t have the time."

Sure you do, precious. You make the time. That excuse will never work for me. I have had  a full time job through all but seven months of my time as a full time writer. Those seven months were interspersed through the last twenty-five years, and included three months off to recover from serious knee surgery and various stints when I was looking for a job.

It wasn't that I had the time. it was that I made the time. More than once I declined an opportunity to join friends at one gathering or another, because I had to do my daily quotient of writing. Why? Because that's how you get the writing done, You MAKE the time.

So that excuse does not fly with me.

Second: "I don't know where to start."

With ass in chair. Writing is like any other craft. it takes time and practice. You sit, you write, you work out the details of that process for yourself, like every other writer throughout history though I'll grant you that some have had help along the way and some have not.

I don't care if you work the details out in a notebook (Tried, failed. My handwriting was waaaaay too sloppy), if you plot every scene meticulously and make a stack of index cards regarding each character while you hire someone to do sketches of their facial expressions or if you wing it. The story is only told if you put in the effort.

Let's be honest here: if you are expecting an easy ride of this, you're going to be disappointed. Writing a novel is work. From the outlining to the first draft to the second, third, and fourth edits. It's work. That's why not everyone ids doing it I have known a great number of people who decided that they would write a novel and then called it quits after the first few weeks because surprise, like with any work, there is effort involved.

That said, I have a lot of fun writing. I don't imagine that will ever change. I enjoy my work, even when the work is hard and requires extra effort.

Third: "Oh, I guess everyone has a novel in them."

Yeah. not mentioning names here, but a friend of mine who is a successful comic artist (far more successful than I ever was in my efforts to become a comic artist), and whom I'd worked with as a writer on a few projects that never quite came to fruition, looked at me when I told him I was going to try my luck at novels and said, "I'm pretty sure everyone has a novel idea in them." The way he said it, i knew he was dismissing my attempts. I resisted the urge to tell him where he could shove his words. Instead I just got a bit more serious about getting the first work done. My bibliography speaks for itself.

Fourth: "It's all been done before."

Bite me. You can tell me that there are only ten basic plots (or twelve, or eighteen or thirty-seven, it depends on who you are talking to or reading) and I will continue to sit in my chair and make up stories and I will do my very, very best to be paid for them.

it is not the story, but how it is told that changes. Thee may only be X number of plots, but the way that the tales are created and offered is as different as the shape of a snowflake from the next.

Fifth: "I don't want to write fiction. I want to write literature."

Stephen King has a great quote that he heard from a man on the street once I';s been a whole but as I recall the story he was watching TV and they asked several people at a museum opening what they thought of the art and whether or not the works at the particular establishment qualified as art. One of the locals. a man who was very likely a farmer and was dressed for the part looked at the interviewer and said (and I am paraphrasing here) "I don't know if it's art, but I know what I like."

That's exactly how I feel about literature.

Want to create art instead of a house of toothpicks? Find the right tools in your mind and get to it. I know a few folks who created literature from the very start. I know others who will never manage to create literature in that sense and are fine with it. Me? I write stories and consider literature to be a happy coincidence. I'm having a lot of fun. I have no intention of carving away at the words that I write until I have removed any phrase that fails to pass the literature litmus test, assuming such a test exists. I write stories that I enjoy writing. If I occasionally bleed on the page, that's just a side effec of the process for me.

The point is, there are any number of excuses that can be found and used. There are infinite reasons not to write, The number one reasons are, as near as I can tell, fear of rejection and a serious desire to not have to put the work into it. If you want it, if you NEED to write like you need to breathe, then you'll get it done. And if you are finding a dozen or so excuses why you can't, then you obviously don't want it badly enough.

Does that sound harsh? Sorry, but sometimes you need to be a little harsh.

If you want it, sometimes you have
to work for it.




Sunday, February 4, 2018

Why You Haven't Written the Novel That's in You

Another photo of the lunar eclipse as the full moon set over Santa Fe.

Our topic this week at the SFF Seven is "Why do you think people DON'T write?"

It's a different take on a familiar topic. Because all writers hear - and, I confess, dread - the standard line from people: "I've always thought I had a novel in me, if I had the time to write."

Or some variation on this. Almost every person who says they want to write a novel and hasn't blames not having the time to do it. Which makes the person who HAS written novels want to throttle the person speaking. Maybe very gently - just a light squeeze to the larynx to stop those hated words.

Because here's the deal: WE ALL HAVE THE SAME AMOUNT OF TIME.

Right? 24 hours in a day, 365 days in a year.

No, no - don't start explaining or making excuses or mentally going over your incredibly tight schedule. I'm sure your days are packed. I don't doubt that you don't have an empty three or four hours - or whatever it is you think you need - to write in. None of us have that. Nobody I've ever known has had HOURS to kill every day, with absolutely nothing to fill them, so they might as well write a book.

Except maybe people in prison? I dunno - seems like they're kept pretty busy, too.

People don't like being idle. We're not built for it. If we don't have work to do, we like to be entertained. If we do a lot of work, as many people do, then we need to be able to relax in between. We need to sleep, to eat, to take care of children and the elderly and the infirm. We have homes to maintain, pets to nurture, volunteer obligations that are important to us.

I'm going to let you in on a secret that isn't much of a secret: occupations are like gas - they expand to fit the available time.

This means that, your allotted 24 hours a day will always be filled. If you have empty hours for some miraculous reason? They'll get filled. Nature abhors a vacuum, yes? Empty time sucks other things into it.

So, the reason these people haven't written their novels - or short stories, or poems, or essay, or what have you - is NEVER because they don't have the time. It's because they chose to do something else with that time.

Now, I'm not going to pretend making time to write is easy. It's not. In fact, I suspect making time to write is harder than making time to do most anything else. That's because it's solitary, it's producing and contributing nothing to the world apparently (maybe for a long time), and it looks to other people like you're not doing anything at all. Except maybe taking away from the stuff they approve of you doing - like stuff that benefits them.

Decide to start an exercise regime? Look at all the people at the gym doing the same thing! You come home sweaty? You lose weight and get stronger. All awesome observable stuff.

Take up gourmet cooking? People are so happy with you! Yummy food for all!

Get a second job? Wow, you're not around as much, but yay for more money! And the people at the job are happy you're doing stuff they need you to do badly enough that they'll PAY you to do it.

Start writing a novel? None of these things. You take time away from other stuff, nothing happens for a long time, and - because writing is difficult, mentally and emotionally draining - you probably won't even seem happy about it.

When most of us start writing, the time we make - that is, steal from another part of our life - is usually from something that was fun and relaxing. It's hard to cut out the things we need to do to live, like cooking food and making money. So we steal from reading time, or movie-watching time, or gaming time. Then not only are you trying to learn a New Thing, which is tedious and draining, you've also lost the things that made you happy.

It's really hard to get through this phase. Especially if the people who love you are saying, "Not only do I see you less, but you also seem miserable. Are you sure you want to do this?"

Yes. Yes, you really do.

Writing might be the most delayed-gratification project I've ever engaged in. But the rewards are worth it. IF you stick through all the garbage and difficulty. And that means well past the publication of your first book, or even the first ten.

I can vouch that making a living as a writer is even BETTER than I imagined it would be.

So: MAKE THE TIME TO WRITE.

Beg, borrow, and steal the time! Don't wait for the day that never comes, when time to write magically falls from the sky.

TAKE THE TIME AND SQUEEZE EVERY DROP FROM IT.

I believe in you.






Saturday, February 3, 2018

Not Into Unreliable Narrators

DepositPhoto

I have only one thing to say about this week's topic - I don't have any time or patience for unreliable narrators, not in books, movies or real life. Nothing will send me running faster... Okayyy then, that's kind of a short post.

What can I add to this?

 Here's the only sort of unreliable narrator I've ever written to my knowledge and it's because she was about 100 years old, in ancient Egypt and her grasp on everything is pretty tenuous at this advanced age. The man asking her questions is a 200 year old ghost (or "akh"), sent back to life by the goddess of second chances to solve his own murder. I guess he was a bit of an unreliable narrator for most of the novel, come to think of it, but not to the reader, only to his fellow Egyptians. But he tried very hard not to outright lie! Edited a bit from the published version, which is one of my older ancient world paranormal romances.

To not be promo-y, I won't even add the buy links!

The excerpt:  He’d asked the cook, oh so casually, who was the oldest servant remaining on the estate, working his question in among other topics. She’d directed him to a woman named Benerib. “You’ll get little sense from her. Dreams in the sun, she does, and waits for her ka to be ready for the Afterlife. She must be more than one hundred years old.” Wiping her hands on her apron, Khensa went to a shelf at the rear of the kitchen, beckoning him to follow. She selected a clay jar, removing the stopper, and taking a deep sniff of the contents. Then she took a small bowl and ladled a generous serving of honeyed figs from the jar. “Here, my special recipe. Benerib loves these, greedy as a child she is. I don’t know what you want of her, but with these as your greeting, you’re more likely to get her to talk. Don’t expect much sense.”

Taking the treat with a murmured word of thanks, he left the house in search of the old woman. Asking people he met in the yard, he was directed to where the elder sat in the shade of a willow tree, a cat purring on her lap. Clearing his throat to get her attention, he bowed. “Old mother, I’m told you’ve been in service in this house for a hundred years.”

She laughed, peering at him from rheumy eyes. “Not quite that long, but yes, I’ve been a body servant to all the women of the family, including young Neity. I started running errands at the age of five, holding combs and wigs and pins and ironing linen, and I don’t know what all else over the years. Until I got too old and bent. My hands don’t work well anymore.” She showed him her gnarled fingers. “Do I know you? Are you a noble of the house, home after the war?”

Wondering which war she was thinking of, in her age-addled mind, he seated himself next to her. “No, I’m Periseneb, a guest, only here to help Lady Neithamun until the tax collection day. I’ve brought you something.”

Shooing the cat off her lap, she accepted his offering and popped one of the figs into her mouth. Eyes closed in contentment, she said, “Many years since I had a suitor bring me treats.” She giggled like a girl. "Oh yes, I had many men chasing my skirts, let me tell you.” Benerib swayed in her chair and began enumerating the swains of her youth.

Remembering the cook’s warning about getting anything sensible from such an elderly person, Periseneb felt the akh’s power pushing at him, feeding on his barely suppressed frustration. Benerib was his only chance to learn things about the family history which would never appear in the dusty scribes’ records. “Have another fig?” When she reached for the treat, he clasped his hand around her wrist and let a small amount of the pent up anger leach from him where their skin touched.

Benerib gasped, clutching at her chest, and slumped against the back of the chair. The cat, which had been purring as it twined around her ankles, hissed and spat at Periseneb before scurrying away. Dismayed at the effect he’d wrought, he prayed he hadn’t killed her. One so old didn’t deserve to die at the hands of an akh.

A moment later, opening one rheumy eye, she peered at him flirtatiously. “What is it you want to ask?”

With a huge sigh of relief, he offered her the figs, taking great care not to touch her again in his unsettled emotional state. “I’m curious about the family that owns Heron Marsh. Not this generation or even the generation before. Older times. Have you any tales of a great great aunt? Sitre by name?”

Both of Benerib’s eyes popped open and she slapped her knee as she sat up. “Oh, that one! She was a handful right enough, sir. Not at all like our Neity. Oh no, Sitre was mean, through and through. My mother used to tell me tales about her.”

He was surprised by the harsh characterization of the woman he’d known. Searching for a kinder description, he asked, “Headstrong perhaps?” Certainly many had labelled her thus in his time, with a degree of understatement. No one told Sitre what to do or denied any impulse she took into her head. Spoiled from birth by indulgent parents is what the servants in his time had said.

The elderly woman he was questioning cackled. “As a child, my mother was one of Lady Sitre’s attendants. Mind you, only for the last few years of the harridan’s life. The noblewoman must have been nigh onto the age I am now. Nothing ever pleased her. Threw her mirror at my mother, she did, or was it a cosmetics box? Maybe both! Mother said she didn’t move fast enough to please the high and mighty lady. None of the maids did. Bitter, nasty woman, according to my mother.” Falling silent, Benerib plucked another fig from the bowl and chewed noisily with her few remaining teeth. “Afraid to die, Sitre was. Tried all sorts of nostrums and spells to live forever. Most superstitious woman anyone ever met. Might even have dabbled in black magic in her last years, or so it was whispered. She never spoke of her fears, at least not in my mother’s hearing, but plainly the lady was terrified of what awaited her at the Judging of her heart.”

Discomfited by this description of the apparent harridan Sitre had evolved into before her death, Periseneb waited. This third-hand account was the closest he was going to come to anyone who’d met the woman he’d once hoped to marry. As he handed the old woman the water skin, he prayed silently that Benerib had more to share.

She took a long drink and wiped her lips. “Where was I?”

Hoping she hadn’t retreated into senile dreams again, he gave her a prompt. “You were telling me how your mother was a servant to Lady Sitre—”

“Oh, yes, after she was widowed. She’d married Lord Haqaptah. Well, the one in that day, not the one plaguing us.”

Periseneb’s heart thumped hard in his chest and he rocked on his heels. “She—she married Haqaptah?” Well, what had he expected? He never showed up to claim her, so of course she’d married someone else.

“Aye.” Lips working as she chewed, Benerib calculated and made some tallies on her fingers. “Sitre was the great great grandaunt of the current Haqaptah. She never got over her bitterness at not inheriting this estate either, let me tell you. My mother talked of it often. Cursed, the servants used to whisper, all Sitre’s schemes and efforts going for naught. Any more figs?”

A shiver ran down his spine at her words, surprising him. Curses shouldn’t concern him—he was a ghost himself, after all. Rolling his shoulders to dispel whatever momentary twinge the idea of a curse had given him, he held the bowl closer to her. “As many as you want, old one.”

“You must have flirted with the cook,” Benerib said, tilting her head to see him more closely. “She never gives anyone so many of her special figs.”

“The cook and I have come to an understanding,” he answered. “Why didn’t Sitre or her sons inherit Heron Marsh?”

The elderly woman leaned close, as if to prevent anyone else who might be interested in centuries’ old gossip from overhearing....

Friday, February 2, 2018

I'm Nuts Enough, I Do Not Need an Unreliable Narrator's Help

Yesterday was my father's birthday. January 31st. He wanted to have dinner at a tiki bar. So we found something that was on the water. As luck would have it, we were in perfect position for the sunset over Tampa Bay.

I imagine the person pointing is telling stories - fish stories, maybe. Or tales about what lies in the direction they're pointing. Which leads us to unreliable narrators. I had been going to say I don't know much about unreliable narrators, but in fact, I now more than I want. It's just not from fiction.

I think the important thing to keep in mind about unreliable narrators is that they are giving you the truth as they see it. It's a truth they utterly believe, that they are invested in. Chances are, that even if you catch them out in what you'd swear was a dead on lie, they'll deny it to their graves. I admit this is not my favorite story trope. Maybe in part because I am not entirely certain I could pull it off as a writer. Or maybe because I knew one. For real. And I tried to be her friend. It went well. For a little while.

Let's call her Joan. There's no way to put too fine a point on it. She lied. All the time. Funny thing, there was zero malice behind it. It was 100% telling you what you wanted to hear - things like, 'I'm coming to your house to pick up the Very Important Thing you wanted me to pick up!' Then I'd get a text - 'hey traffic is terrible.' Then another text. 'Accident on freeway.' That's about the point I worked out she wasn't on the road at all. Hadn't, in fact, even left her house. Called out on it, the next lie was that she was desperately ill and had to undergo radical treatment that oddly, never had any physical impact. The final straw came when she lied to someone else to the point of attempting to impersonate someone in authority in email.

We'd gone from saying what she believed her friends wanted to hear to actual criminal activity in that last case. And yet. When confronted, she denied that any of it was a lie. Honestly, looking back, I think she believed that no one would or could like her for her. They'd only like her for what they believed she could do for them. So she'd constructed fiction after fiction and then convinced herself they were fact. But that's me. Attempting to rationalize something that may not be at all rational.

So maybe you'll understand when I say I've sort of had my fill of unreliable narrators in real life.  I don't deal with Joan anymore, but there are a few other people with tenuous grips on consensual reality that I can't avoid. And can't safely describe here. It means that since I have to live unreliable narration, I really do not want it anywhere near my entertainment.

Real life doesn't have to make sense. It's a relief to me when my fiction does make at least a little bit of sense. Am I weird here? If you like an unreliable narrator in a book, do you have people in your life who actually DO that? I'm wondering if my distaste is colored by my exposure or if everyone has had similar experiences in life and me not liking an unreliable narrator in fiction is just me.

Thursday, February 1, 2018

Grand Announcements for Maradaine

I've been hinting for quite some time about big news, and finally I'm ready to tell you about it. 
First, the slightly sad news: the third Maradaine Constabulary novel, A Parliament of Bodieswill not be released until Spring 2019.  I know many of you have been anxious for the next installment with Satrine and Minox, and it is going to come out, just a few months later.  This is entirely due to production schedule and release strategy-- because we've got something else planned for release in the fall of 2018.  And so much more.

What is going on?  Well, I've signed a contract for FOUR new books!


First off, coming out on October 3rd, 2018, we have THE WAY OF THE SHIELD, the first novel of the fourth Maradaine-set series, called The Maradaine Elite.  What is THE WAY OF THE SHIELDand The Maradaine Elite?  Glad you asked!

Tuesday, January 30, 2018

Release Day: The Burned Spy by @KAKrantz

Tooting my own horn today as I release the first book in my new Immortal Spy Urban Fantasy Series.

THE BURNED SPY
Gods. Always ready to screw you.

When Bix the Gatekeeper is summoned from exile a hundred and seventy years early by the goddess of the Norse Under World, the former Dark Ops agent knows there’s a catch. On the surface, the terms of the deal are simple. Someone attacked the pantheon’s ambassador to the Mid Worlds and left the ambassador in a coma. In exchange for early parole, Bix must identify the perpetrator and drag their soul to Hel.

It’d be a sweet contract, if not for the details. The ambassador is Bix’s ex-girlfriend, the lead suspect is the key witness from Bix’s trial, and the organization leading the official investigation is the same intelligence guild that disavowed Bix when a covert op went pear-shaped. Undeterred, Bix returns to her old stomping grounds where clues in the smoldering woods of Centralia, Pennsylvania, lead to the waterfront of Washington, DC, and Worlds beyond.

Once valued for her skills creating passageways as small as a capillary or as large as a continent, Bix’s success now depends on the relationships she was forced to abandon. As she squares off against friends who betrayed her and enemies keen to destroy her, Bix follows a trail of secrets, torture, and treason that leads to the very superpowers who banished her. With her freedom on the line and revenge within reach, this highly-trained operative will take on Fates, dragons, angels, and gods to get exactly what she wants.

Hel hath no fury like a burned spy.

Buy It Now in eBook & Paperback: Amazon | iBooks | Kobo | B&N

Monday, January 29, 2018

What's not to Love?

The Unreliable Narrator. That wonderful voice that  tells us what is going on, tells us what has happened and leads us down a rocky path to dubious revelation.

I love that voice. It's a keystone of horror stories and novels.

Poe used that sort of narration in The Tell-Tale Heart to great advantage. Madness tinges the words and leaves the reader wondering what is real and what is not. It's delightful!

I've done several stories with that sort of narration and they are among some of my favorites.  In the right hands it's a wonderful reading experience. In the wrong hands, well, what's true about writers everywhere is true here. If the writing is bad, the story will not work well.

it's certainly something to consider if you intend to write for the Twisted Book Of Shadows, edited by yours truly and Christopher Golden, The guidelines are coming in a couple of days.

Two days until the submission window opens for The Twisted Book of Shadows. Submission info will go live on Wednesday night on the Facebook page. PLEASE share to any and all writers and writers' groups with an interest in horror, but ESPECIALLY to marginalized voices. We want the best horror stories we can find, and that means from everyone. Wherever you fall on any spectrum of race, sexuality, sex, gender, age, or ability, if you have a horror story to tell, we hope you'll submit to The Twisted Book of Shadows.


More information soon!

Sunday, January 28, 2018

The Unreliable Narrator - Love or Hate?

Another photo from Meow Wolf. Nnedi Okorafor and I fell in love with this crazy kitchen and had to photograph each other in it. One of the most fun aspects of this "immersive experience" is not only being able to touch and enter the exhibit, but in a way to become part of it as well. I felt like part of this kitchen and wanted to seem like it, too.

Art of all mediums is interesting in the way it interfaces with reality. It's impossible to recreate reality in art - and maybe not even desirable to do so - but art necessarily reflects and at best deepens our understanding of the real world. Our topic this week is the unreliable narrator - whether we love them, hate them, write them or avoid them.

An unreliable narrator is a point-of-view (POV) character - or characters who delude themselves in some way and thus misdirect the reader. They almost always occur in first-person or deep third-person POVs, though I've read one book where the omniscient narrator turned out at the very end to be deeply unreliable, making the reader realize the entire story was slanted - which was a terrific twist. Recent examples of unreliable narrators are the heroine of The Girl on the Train, who is drunk and emotionally traumatized, with memory gaps, or Gone Girl, where both POV characters are hiding who they really are and keeping secrets from the reader.

Me, I love an unreliable narrator. In fact, I'd make the case that all of my POV characters are unreliable, because I think human beings cannot escape being subjective about their experience in the world. There's no such thing as objective reality. A character will always interpret the world according to their own emotional landscape - which includes denial of some truths about themselves.

Reading a story with an unreliable narrator requires the reader pay close attention, because you can't just believe what the characters tell you. You have to be alert to subtle cues. I love reading an unreliable narrator in the same way I enjoy solving puzzles. I like writing them, too, though I've been sometimes accused of inconsistent characterization by those who don't understand that my characters are sometimes lying to themselves.

Now, a close friend of mine - and one of my critique partners - hates unreliable narrators. She wants to know what's real and what isn't, with very little tolerance for the gray areas.

What all do you think - love or hate an unreliable narrator? Any great examples?


Saturday, January 27, 2018

What Really Matters When Balancing Your Life?

This week’s topic is how we maintain work/life balance…or whether or not you have a standing desk, a treadmill desk, believe in “butt in chair” or some other mantra. Hmmm, plenty of room there to write a post!

On the micro level, I sit at my writing desk, which is actually my great grandmother’s desk, a fact which pleases me for the continuity. I don’t think she wrote anything other than her own diary (which I’ve never seen – who knows if it even exists but didn’t every woman of her time keep some sort of journal?). My grandmother used the desk for her correspondence and I believe may have written some poetry. Then the desk came to me and I bang out science fiction romance and ancient Egyptian paranormal romance and probably both ladies would clutch their pearls at some of my scenes, but I believe they’d be supportive.

I sit in a cheap Amazon ergonomic chair at the moment, and before that had a cheap Walmart ergonomic chair that was actually better than the extremely elaborate and price-y ergo chair NASA/JPL provided me at the old day job. I used my Walmart chair until it literally fell apart after about eight years. (To be fair to the JPL chair, it had too many levers and controls that I could never figure out. It was probably extremely ergonomic if I’d ever mastered the amenities.)

I (mostly) write for a timed thirty two minute stint and then I get up and walk around, do housework or other activity on my feet for at least ten minutes before resuming my place at the desk. Why that exact time frame, you ask? Well, I used to do forty two minutes but that was too long to sit in this one spot, and thirty minutes feels too short. Go figure! Ten minutes of activity isn’t long enough to kill my creativity if I’m doing well. If I’m in the flow of writing, I never even hear the timer and I just keep writing until I realize my whole body has gotten cramped and stiff.  Forget time limits!
I have a trackball mouse, wrist braces if needed for a bad week, a lower back support and an ergonomic foot rest.

I try to walk a certain number of steps every day and to avoid sugar. Don’t ask me how I do on those goals.

And a cat to supervise my writing. Did I mention Jake?

I TRY to write at least a little bit every day, but most days I can do 2-3K words. Yes, I spend too much time on social media.

On the macro level, two events defined my approach to work/life balance, which that life is too short to waste on things I don’t enjoy or which are stressful, and that life can end at literally any moment so be sure you’re getting the things done you really care about. My family is the most important thing to me and if they need me, I’m there. And of course one has to take the trash out, go to the dentist, have a mammogram, go to the day job to support themselves and their family (before I became a fulltime author)…but life is TOO SHORT to waste forcing myself to finish reading books I’m not into, watching movies or TV shows I’m not into, cleaning the oven, taking on thankless jobs because someone expects me to do so…etc etc etc.

What gave me this attitude? I’ve talked about both things before but briefly, one evening after work my husband went out for a bike ride with his best friend and ten minutes later the neighbors were at my door to tell me there’d been a terrible accident. An athlete and former Marine, he died in the prime of life, in his mid thirties. Our children were 3 and 5. And he was literally hit by a truck, so I don't take that phrase lightly. It happens.

Second, one morning while attending a business conference I came within about 60 seconds of dying (according to the doctors), after choking on food and passing out. Only the fact that I was able to pantomime the Heimlich Maneuver to the co-worker who was at the table with me in the seconds before I lost consciousness saved my life. And the fact he was a big strong guy, who persisted in doing the maneuver fourteen times before the obstruction came loose and my brain got oxygen again. Approximately 5000 people a year die in similar incidents. I would have been done, gone, no more time to write another word or more importantly, to hug my kids.

So when it comes to your allotted time on this Earth there are no guarantees, no promises, perhaps no chance for a few last acts or even words….

I may sound cynical here but I’ve had the experiences to support what I’m saying. It may be an uncomfortable thought and everyone expects to peacefully pass away in their sleep at 105, so they feel there’s plenty of time….


Don’t waste your life on things that don’t matter to you, okay?


NOTE: Photos are Author's own or purchased from DepositPhotos

Friday, January 26, 2018

Balance: The Involuntary Standing Desk

I have a standing desk. My standing desk has a chair. As you can see by the photo at right, whether I sit or stand is not at all up to me. This means that any notion of balancing anything is dictated by my furry masters. 

That probably sounds wrong.

Balance is such a personal thing. Most people with day jobs have to worry about work/life balance. Writers have a set of unique balance requirements in that we have to look after our brains as much (or more in some cases) as we look after our bodies. We're asking a whole bunch of our minds while we live inside our stories and attempt to imbue our characters with emotions we usually evoke in ourselves to some extent as we put them on paper.

Reading books written for laymen by brain scientists has been a thing recently and one of the fun concepts is that emotion in the body defines reality for the brain which subsequently releases chemicals in response to that emotion. Do you get angry remembering how that twit in the blue car cut you off in traffic? If I've understood the biology correctly, the brain scientists are saying that you brain and body can't tell that your anger is about the past. You're angry now. Therefore there's a threat now. Have some adrenaline and a few stress hormones to go with it. Now your body is reacting physically to a threat that's not even present. We all do this. I get that. But writers and actors do it as a living. And writers and actors need to know there's a need to purge the accumulated emotional and chemical baggage. 

Exercise, meditation, changing up and tuning our energy systems - whatever that means to you - they're all tools in the box. Getting out and away - seeing or doing something new, those can also be useful balancers. Sure. I get up at 5AM every day to meditate and do an hour of yoga. It's the single biggest predictor of whether I'll make my word count goal for the day or not. In no way do I recommend it to anyone else. You have to do you. 

I used to think I had to get up at 4AM on a consistent basis in order to make life work. I hated everyone and everything, including myself. All those years I thought I had mental illness and I had to take all those psychoactive medications to function. Turns out it was a major body clock issue. When I finally refused to get up at 4AM anymore, I was cured. So if I have any advice at all to offer here it would be this: Don't fuck with your body clock. Yes. You can train yourself to get up earlier, but if you notice you're getting and staying depressed? Back off. There's only so much play in your body's preferred sleep/wake cycle and a definite mounting cost the farther you deviate from it.

I strongly suspect that balance, like every aspect of health, is something you pursue but never quite catch. It's a work in progress and all any of us can do is keep trying.

Which, according to Hatshepsut, I will do standing.

Thursday, January 25, 2018

Balancing Health While Writing

If you've been following me for any length of time, you know that January is a hard time on me, health-wise.  January in Austin is when the cedar pollen starts up, and that always does a number on me.  One year it hit me so hard, I had vertigo for a week. 

Of course, this sort of thing affects creativity, affects the work.  I try not to let it too much, and it does become a matter of powering through and just getting it done.  Which I've been making a point of doing, even if right now I'm highly medicated and a little out of it.  The point is I need to focus on the work, I need to get it done, because... well, not doing it is worse for me, emotionally.  A few days without writing or other creative work, and I get very testy.  That was the worst part of that vertigo bout-- I literally couldn't work. Eyes couldn't focus.  I couldn't do much of anything but lie in bed and watch West Wing.  It was terrible.

So thus I stay highly medicated right now to avoid that.  And keep working.  Which I've been doing: manuscript delivered to my editor this week.  Now onto the next things.

There's always the next things.

Tuesday, January 23, 2018

In All Things, Balance


Balancing writing with physical and emotional health...well, that's not a subject about which I can claim any expertise. When it comes to "emotional health," my marbles may be dinged and a few have chips, but, for the most part, they stay in their jar. I'm nowhere close to achieving the "physical health" part of the trifecta. I mean, I've a pretty good idea what I ought to be doing to arrest the dreaded "writer's spread" and stop the "chin-per-chapter" growth. Getting off my ass would be one sure-fire way. Alas, I don't have the grace of Jeffe to be able to walk and chew gum, so a treadmill desk is out of the question. Oh, who am I kidding? My list of excuses is longer than an epic fantasy box-set.

I have my weird, but it doesn't impede my writing.


Monday, January 22, 2018

Butt in chair, hands on keyboard works for me.

I have a day job. I'm on my feet an average if at least five hours a day. When I'm done with that, I write, I write by sitting my fanny in a seat and tapping away at the keys. I also make sure to turn off the internet if it's getting to distracting.

I have over 40 novels in print. I got them by sitting the hell down and writing, then repeating as necessary.

That's just me. You do you.

But get the writing done or no whining.



Sunday, January 21, 2018

Why I'm Against Butt-in-Chair, Hands-on-Keyboard

I caught Isabel mid-yawn on this one. What I get for disturbing the cozy winter's nap with my photo-taking. She - like all cats - is the poster child for this week's topic, which is balancing writing with physical and emotional health.

There's a catchphrase that writers like to pass around, about maintaining productivity: BICHOK, or Butt-in-Chair, Hands-on-Keyboard. I get that it's a metaphor, meaning that you get writing done by actually writing, but it's one I quibble with because I'm so against the sitting-down part.

Four FIVE! years ago (I just checked, wow) almost exactly, I invested in a treadmill desk. I'm now on my second treadmill - hydraulic desk is still going strong! - and I consider it the best investment I ever made. It takes a *long* time to really ramp up and get in shape for extended walking like this. Even if you think you're in great walking shape, this kind of conditioning takes a while to build as the steadiness and extended times are very different. In 2017, I walked 2,537 miles. A whole lot of that was while writing. I think this the best thing a writer can do for their health, full stop. The only downside is that now I really hate sitting and feel like I can't write as well sitting down.

As for emotional health, I'm blessed with happy chemistry, so I don't struggle with depression or anxiety as some do. I am always working on tweaking my process and work days to maximize productivity, however.

In 2016, I tried to do too much. It was my first year writing full time, and a few things happened. I started writing five days a week instead of six, which compressed that effort into the five days. This isn't a problem except that I really amped up my daily wordcount goals. I had some high wordcount months - in December 2015, I had my highest month ever at 75,000 words - but then I'd have crash periods that followed. The upshot is that my overall wordcount fell off considerably in 2016


In 2017, I worked to remedy this by lowering my daily wordcount goals, but going for greater consistency. As you can see, 2017 words came up again nicely. For 2018, I'm trying to improve on that, and I'm trying something new: incorporating rest periods after finishing drafting a book. 

I've found that I have a down cycle after I've finished the draft of a book. Even if I try to write something else, I don't make much progress on it and I get annoyed with myself. It finally occurred to me to try honoring that rest period - which I seem to take whether I plan on it or not - and program in the down time.

So, this week I turned in book two of The Lost Princess Chronicles, EXILE OF DASNARIA. (These titles may change - more on THAT later.) Because the holidays and the flu got me all off schedule, I worked Sunday, too, finishing late on Monday.

Tuesday, I took the day entirely off, cleaning the house and doing the laundry, de-Christmasing - all the stuff that I'd let pile up. Good purging. Wednesday, I caught up on business stuff, including stuff about the aforementioned title changes. I also dorked around and watched a lot of YouTube videos I don't normally allow myself to squander time on. Thursday I got another book into shape - which I'm 99% sure I'm calling SHOOTING STAR - and sent that to my freelance editor. That just took some tweaking, no real creative investment.

On Friday, I took my car to be washed and waxed - a time investment I rarely indulge in (and my car unfortunately shows it) - and then spent time showing out of town guests around Santa Fe. 
This is me up on Canyon Road with SFF editor Ellen Datlow and fantasy writer Nnedi Okorafor. Ellen is in town for this event at George R.R. Martin's Cocteau Theater. If you're in the neighborhood, you should come! And Nnedi is here to meet with George on her new project that HBO optioned from her book WHO FEARS DEATH and GRRM is executive producing. We had a great time lunching and shopping, which then extended into cocktails and dinner with GRRM and bunch of other folks working in SFF publishing and production.

So, it was a really lovely week. Monday I'll work on page proofs of PRINCESS OF DASNARIA (again, name change pending), which is another non-creative task. Then I'll spend a few days on a new project before launching next week into drafting a new novel. It's feeling like a good thing to do. I'm feeling remarkably relaxed and replete with time.

Also, my house is clean.